- 7/24/2025
Designed For Desire – Full Movie (2025)
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Artless Pervert!
00:32Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:38Do you have any idea how much this costs? And if they can't get it out-
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Oh.
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview us a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You'll learn things are very fast-paced here.
01:45I don't have time to ask twice.
02:06Hello, this is Cecilia.
02:28Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:33Until then, we cannot proceed.
02:35Okay, well, one second.
02:37Hello?
02:39Ms. Brooks?
02:40Shit.
02:44Who is this woman?
02:46His girlfriend or something?
02:47I wasn't done with my interview.
02:50We'll touch base soon, okay?
02:55Oh!
02:56Good luck.
02:59I thought you weren't interested.
03:02Take off your clothes.
03:03Right now.
03:05So, Ms. Brooks, what do you see in this room?
03:25Well, it's deliberate, controlled, powerful.
03:33It's impressive, but...
03:36But?
03:37It's not...
03:40satisfying.
03:41Bold again.
03:45Tell me, how do you know it's satisfying?
03:48Satisfaction lies somewhere in between.
03:52You think you can give me that?
03:54Think you can take the risk and find out?
04:05All yours.
04:09Hey.
04:10The women out there would do anything to be in the position you're in.
04:17Unless you have other ideas.
04:25Don't make me regret this risk.
04:27I don't plan to.
04:28The position's been filled.
04:32Go home.
04:35Get out!
04:36Damn.
04:37He doesn't have to be so rude.
04:38Pappy, your phone's upside down.
04:56Hi.
04:57How are you feeling?
04:58Hey, jubilation?
05:00Not doing too well, honey.
05:02Damn hospital postponed my surgery again.
05:05I'm so sorry, Pappy.
05:07I'm working things out with the hospital.
05:09I have some good news today, though.
05:12I'm sorry.
05:13Uh, I think that's my landlord.
05:14I have to go.
05:15Love you.
05:15Bye-bye.
05:18Oh.
05:20What the hell is he doing here?
05:24What are you doing here?
05:25Oh.
05:26What the hell?
05:28Hey!
05:29Whoa, whoa, whoa.
05:30Guys, whoa.
05:31Hey, don't take that!
05:35I did not agree to this!
05:38Actually, you did.
05:42The signing must reside on Mr. Mercer.
05:44I can't quite hear you.
05:46Must reside with Mr. Mercer for the duration of the project?
05:50Mm.
05:51How long?
05:52Keep reading.
05:54And definitely without exception?
06:02A gift.
06:03What the fuck?
06:06A gift?
06:07In exchange for being kidnapped?
06:09No thanks.
06:13I need to know where you're at.
06:15At all times.
06:17It's a tracker.
06:18What?
06:19Like a dark collar?
06:21Do you think you own me now?
06:23I wouldn't do that.
06:25Come on.
06:25Let's go.
06:26This is insane.
06:27Just...
06:28Give me a second to put Crumpet in his carrier and call my grandfather.
06:30There are no animals in the mansion.
06:34You must say goodbye to your little...
06:36Crumpet.
06:37What?
06:38Absolutely not.
06:39I told you in the contract that I will take care of everything.
06:44I don't care about the contract.
06:45What?
06:46Oh my god!
06:46Goodbyes are always so hard.
06:49Put me down!
06:50What are you doing?
06:54Welcome back, Miss Brooks.
06:57So, I'm not allowed to leave?
06:59If you leave, your contract will be terminated immediately.
07:03And what?
07:03You're just going to leave me all alone in here?
07:05Would you like me to join you?
07:06No, no, no, no.
07:18Why is it making that sound?
07:20Damn, if I leave, Pappy dies.
07:23Shit.
07:23I'm trapped with this monster.
07:25Oh my god, is this really happening?
07:28I'm stuck.
07:28I'm stuck.
07:36This is your uniform.
07:41Work hours have started already.
07:43Tidy yourself up.
07:45Report to Mr. Mercer.
07:49Oh, and uh...
07:51Chop chop, Miss Brooks.
07:53Mr. Mercer does not like to be kept waiting.
07:56Enjoy the view?
08:21No, I, um, just didn't want to disturb you.
08:25I don't mind if you stare.
08:27Sorry, sir.
08:28I was just interested in your build.
08:31The building.
08:32The build of the mansion that we're building to work on today.
08:39What time are we leaving for?
08:41Car leaves in ten minutes.
08:43Great.
08:44I'll be ready.
08:45How much further?
08:59Patience, Miss Brooks.
09:09Oh, I'm walking tougher.
09:11Hey, Foxy!
09:18I got something that'll keep that jaw clenched.
09:20Wow.
09:21Original.
09:22Mr. Mercer!
09:23We didn't know you was coming in today.
09:25Get off my property.
09:26What?
09:27You're fired.
09:28Leave.
09:29Oh, what the hell?
09:30I worked on the last nine Mercer mansions,
09:33and now I'm fired because of this bitch?
09:36If I collapse your loan...
09:38Wait.
09:38Did he just stand up for me?
09:40Sir, how about you continue your work with Miss Brooks,
09:45and I'll handle this.
09:48Come on.
09:51Everything's nearly finished.
09:52I'm going to have a team come in
09:53and make some final measurements over here,
09:55and I'll ensure they know how to keep their mouth shut.
09:58Uh, is this all marble?
10:01No.
10:06Seeing her in my house gives me a strange feeling.
10:09It's so beautiful.
10:10What is it about her?
10:12Why do I want to...
10:13Follow me.
10:20Wow, an elevator?
10:22By the way,
10:23what you did out there,
10:25thank you.
10:25I'd dismiss you just as fast
10:27if I wasn't pleased with your work, Miss Brooks.
10:29Remember that.
10:30Your first task for the client.
10:38I don't know anything about the client.
10:40Who is...
10:40We don't ask about the client.
10:43We only worry about what they desire.
10:45Okay.
10:47Am I allowed to know what the purpose of this room is?
10:50Yes.
10:51Great.
10:52The client would like this room transformed
10:56into their BDSM chambers.
11:01I hope she doesn't see right through me.
11:03So, how would you do it?
11:09Uh, um...
11:12Paint me a picture.
11:13Right.
11:14Uh, over here,
11:17I would put a chaise lounge.
11:22Velvet.
11:23Obviously.
11:23Obviously.
11:24And over here would be a great place
11:26to mount a swing.
11:27One with adjustable heights
11:28and handles.
11:30And next to it,
11:32we could put a cabinet
11:33for whips and toys and things.
11:35You're very well versed.
11:38I read a lot.
11:40Certain genres of certain books
11:42have certain details.
11:44Right, right.
11:45Of course.
11:47Yeah, it's perfectly normal.
11:48A lot of women read fantasy
11:50and romance
11:52and fantasy romance.
11:55Anyway, uh,
11:56this would be a great place
11:58to mount's wall cuffs.
12:19Don't pick up.
12:27Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32Uh, I understand.
12:34Is there anything I could do now
12:35to hold him there?
12:36Anything that could be done right now?
12:38We need your payment, Miss Brooks.
12:39By tomorrow morning.
12:41All $200,000.
12:43Okay, I'll get it to you.
12:45I promise.
12:48Sorry.
12:48Your contract explicitly states
12:50that I receive 100%
12:51of your attention at work.
12:55Who was that?
12:56It's personal.
12:58There are no personal calls
13:00at work.
13:02I'm sorry.
13:09Mr. Mercer,
13:10it won't happen again.
13:11I'll get to work right away.
13:13I'll have designs to you
13:14by tomorrow morning.
13:18Take it off.
13:19What?
13:24Your jacket.
13:27Mr. Mercer.
13:30I won't ask twice.
13:31Uh, what's this for?
13:45It's perfect.
13:48Now go get dressed.
13:48No need to pout, Miss Brooks.
14:11You'll be reading
14:12some of the top designers.
14:13I don't understand.
14:14How does this take priority over work?
14:16Am I your date
14:18or your designer?
14:19You are.
14:22When I say you are.
14:35Ladies and gentlemen,
14:38it is my pleasure
14:39to welcome you all
14:40to the annual
14:41architectural ball
14:43proudly hosted
14:44by the Mercer Group.
14:49I'd also like
14:50to welcome and introduce
14:51our newest interior designer,
14:54Miss Cecilia Brooks.
15:00I thought you said
15:01you had the job.
15:02I did everything
15:03that I could.
15:04Mitch must have slept
15:05with him in the interview.
15:06Fine.
15:07I'll fix it myself.
15:13So without further ado,
15:14please enjoy your drinks
15:15and have a wonderful night.
15:17may I have this dance?
15:27Oh,
15:27Sterling.
15:32I was hoping
15:34that maybe we could
15:35walk and talk
15:36or maybe dance
15:39and discuss.
15:40You must be working
15:41so hard.
15:43I was thinking
15:44maybe you would benefit
15:46from a designer
15:47who really knows you,
15:50your past.
15:52I'm not interested
15:53in rehashing
15:53our relationships,
15:54no.
15:55It was just a flight.
15:57It doesn't mean
15:58we can't be close.
16:01Sterling could be
16:02a difficult person
16:04to work for.
16:08You know you can
16:09come to me
16:10if you need anything.
16:16Get your hands off of her!
16:22What the hell
16:23are you doing here,
16:24Vincent?
16:25Folks,
16:25looks like the jester
16:26came to play!
16:30Get him out of here.
16:32It's all right, folks.
16:38Enjoy the party.
16:38It's okay.
16:40Are you okay?
16:42Why don't you go
16:42grab a drink
16:43and we'll take care of this.
16:52Crazy night, huh?
16:54Too crazy.
16:55I'm Nora,
16:56a close friend
16:57of Sterling's.
16:58So,
16:59tell me,
17:00how's the new position
17:01treating you?
17:02It's demanding.
17:05The client?
17:07What's your feel on them?
17:08Oh,
17:08I'm not at liberty
17:09to discuss that.
17:10Come on,
17:11it must be crazy, right?
17:13I really can't.
17:14What are you doing
17:25in here?
17:26Uh, Cecilia,
17:27I'm sorry.
17:28I'm so done
17:29with their whole world.
17:32Yeah,
17:33the head of the board
17:34was barking my ear off.
17:36Stop it!
17:37What?
17:38I'm just trying to help.
17:39Help?
17:40Really?
17:40That's rich.
17:42I mean,
17:43I am rich.
17:45You.
17:46You are a lot of things.
17:48From the moment I met you,
17:49you've controlled
17:49every aspect of my life,
17:50every movement I make.
17:52You're obsessive,
17:53cryptic,
17:54a perfectionist.
17:56But you're not rich.
17:58Not where it counts.
17:59Feel excuse me.
18:19I have work to do.
18:20This hand.
18:37What if?
18:39Maybe cuffs?
18:42What if we hang
18:42something around here?
18:43I'm fine.
18:50Is that me?
19:02Did I say
19:03you could come in here?
19:04Uh,
19:05you'll be happy to know
19:06that I worked on these
19:07all night.
19:17Maybe if you stayed
19:18at the gala,
19:18you would have
19:19learned something.
19:19Learned what?
19:21You follow through
19:22with your obligations
19:22so you wouldn't waste
19:23your time working
19:24on garbage.
19:25Garbage?
19:27I'll need five more
19:28by tomorrow morning.
19:29That will take me
19:30all night.
19:30Even making those two
19:32took me all night
19:32and I barely got them
19:33done in time.
19:34You've done it once before.
19:36You can do it again.
19:37Don't you think
19:38maybe,
19:39just maybe,
19:40that's an unreasonable
19:41amount of time?
19:42Maybe.
19:43I don't care.
19:44Wait.
19:46I should have remembered.
19:47It's not in the contract.
19:49Oh my god.
20:04Excuse me, miss.
20:05Where's my grandfather?
20:07I'm sorry.
20:08Usually if they're not
20:08in the room,
20:09it's because the insurance
20:10ran out or...
20:10Miss Brooks?
20:25Yes?
20:26I just wanted to inform you
20:27that your grandfather
20:28just received his first round
20:29of stem cell treatment.
20:31He's being very well
20:32taken care of.
20:32I don't understand.
20:33How is that possible?
20:35I can't afford that.
20:36I told you.
20:39I'll take care of everything.
20:40What?
20:42I can't believe this.
20:50Oh, but...
20:51But why?
20:53Why would you do that?
20:54Well, when I said
20:55I needed your undivided attention,
20:57I meant it.
20:58Now the only thing
21:01you have to worry about
21:02is me.
21:05I'm not your slave.
21:11Five designs
21:12by tomorrow morning.
21:19You're welcome.
21:19I've been expecting you.
21:28I have a feeling
21:28I'll be impressed.
21:31Brushed work
21:31is not work to be proud of.
21:37Is this you?
21:39And my parents.
21:39They must be so proud of you.
21:41They never got to see it.
21:42I inherited this company
21:43before I was old enough
21:44to run it.
21:46I'm so sorry.
21:47It was a long time ago.
21:48What happened?
21:49They vanished
21:50on a work trip into Europe.
21:52I guess I don't control
21:53everything after all.
21:54I'm going to deliver
21:55these designs to everyone.
21:57I have a surprise for you.
22:04To your first approval.
22:10It's beautiful.
22:13I do have a request, though.
22:16I was wondering if I could
22:17I could have a little freedom.
22:20From what?
22:21Me?
22:22No.
22:22No, not you.
22:25From this.
22:26Well,
22:27I need to keep track of you.
22:30I mean,
22:30what if...
22:32Sterling,
22:32I'm not your parents.
22:36I'll be fine.
22:37I just don't know
22:38if I'm ready for that yet.
22:40But you continue to impress me.
22:41I mean,
22:42you'll be free as a bird.
22:43I do have more surprises
22:58to show you.
22:59But, um,
23:00you're going to have to wait
23:02until tomorrow.
23:03Hmm.
23:04Full of surprises,
23:05aren't you?
23:06And that's why
23:11I can't let you go.
23:27What are you two doing here?
23:29There's not supposed to be
23:29anyone working today.
23:30We were just swinging by
23:31to assess a minor
23:32electrical concern.
23:33It seems that the circuit...
23:34It's nothing urgent.
23:34We're going to come back tomorrow
23:35with the rest of the crew
23:36and get it resolved.
23:39Okay.
23:41Thank you for the update.
23:43Thank you, Mr. Mercer.
23:48I've ordered these beautiful pieces.
23:50White marble.
23:53What the hell?
23:59It's kind of beautiful.
24:01No, no, it's a mistake.
24:04It's not too perfect.
24:07It's bold.
24:08It's not trying hard.
24:08It just...
24:10is.
24:11Well, I like my work
24:12to be intentional.
24:13Intentional.
24:16Well, I would argue
24:17that this elevates
24:19the intention of the space.
24:21The juxtaposition
24:22between control and chaos.
24:24You have good eyes,
24:25Ms. Brooks.
24:27Follow me.
24:28Thank you, Mr. Mercer.
24:28Thank you, Mr. Mercer.
24:29Thank you, Mr. Mercer.
24:30Thank you, Mr. Mercer.
24:30Thank you, Mr. Mercer.
24:31Thank you, Mr. Mercer.
24:32Thank you, Mr. Mercer.
24:33Thank you, Mr. Mercer.
24:34Your second task
24:35for the client.
24:37Master bedroom
24:38and nursery.
24:40Oh, the client's
24:41a family man.
24:42We don't discuss
24:43the client.
24:44Only satisfy
24:45their needs.
24:48Would you like
24:49to see your designs?
24:50Is it not what you thought?
25:11No, it's...
25:12It's not that.
25:12It...
25:13The power went up.
25:18There's no signal.
25:19Yeah, the soundproofing
25:21they put up
25:22cuts signal.
25:24What?
25:25No.
25:38It's not funny.
25:39I'm not laughing.
25:40How long until someone notices
25:42that we're gone?
25:43I don't know.
25:44An hour?
25:46Maybe two?
25:47Is it Nora?
25:49The client?
25:50What?
25:51No.
25:52You're not supposed to ask
25:53about the client.
25:54Just tell me.
25:55No.
25:56It's not.
25:57Is she...
25:58more?
26:00I built this room
26:02because I believed
26:03in your vision.
26:04I cleared your schedule.
26:06I cleared your stressors.
26:08All because...
26:10I wanted you.
26:11I had a picture of
26:12you, I didn't know.
26:13I tried to tell you about
26:16I didn't know.
26:17I didn't know.
26:19You said to me
26:20about it.
26:20I thought
26:21you were
26:22well
26:23I could
26:23everything
26:24get
26:25back
26:26I didn't know.
26:28I knew
26:28I had a picture of
26:29you.
26:30I was supposed to
26:30you, I made a picture of
26:32you.
26:32I knew
26:33that I was supposed to
26:35you.
26:36I went
26:37out and
26:38you
26:39I knew
26:39I was supposed
26:39to
26:40Sir, your seven o'clock is waiting upstairs.
27:01Tuck your shirt in, sir.
27:03I know. I know.
27:13Who the hell are you?
27:15Calm down, sweetie. Put Crumpet down.
27:20Listen, sweetie, I work for Mr. Mercer.
27:22He hired me to take care of your grandpa and Crumpet until you return.
27:26Sweetie, what are you doing home?
27:29What am I doing?
27:31This is Agnes, my nurse. She's taking care of me.
27:35Oh, I'm sorry. I'm so embarrassed.
27:42Hello?
27:43Why are you in your apartment?
27:45If you're there, there's no need for Agnes to stay employed.
27:48Cece, you're ruining my chances.
27:51Go back, Cece.
27:52Okay, okay.
27:54Everything's all right. Agnes has taken very good care of me.
27:57Okay, okay, Pappy. I'll go.
27:59Um, it was nice meeting you, Agnes.
28:01Nice to meet you, dear.
28:03What the hell? He has a girlfriend?
28:16What was I thinking?
28:21What was I thinking?
28:23What was I thinking?
28:25I don't know.
28:55I got you now, bitch.
29:08I found her address.
29:26Sterling.
29:29Sterling, can we talk?
29:30I don't have the time, Miss Brooks.
29:32Sterling, it's important, please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:35You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
29:56You're about to be broke.
30:04I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised, facing bankruptcy,
30:15and becoming the embarrassment of architecture,
30:17we could merge as Hale Mercer.
30:21Even has a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout,
30:33I'll publish the information,
30:36and Mercer Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it.
30:41More of a bribe.
30:48Get the hell out of my property.
30:50And out of my sight.
30:52Now!
31:05Miss Brooks, in my office immediately.
31:08Are you sure you want me in there,
31:10and not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:17I have designs, but they're not the originals.
31:19The originals are missing or lost.
31:23What do you mean, lost?
31:24I finished the designs last night, and I fell asleep,
31:27but when I woke up, they weren't in my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:40I'm pretty sure you're the one who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:47Marley's going to be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
32:01Take her and her belongings to the project mansion.
32:04Anything I should know, sir?
32:06She can't be trusted.
32:08She can't be trusted.
32:08And check the cameras.
32:11We have a mole.
32:13Yes, sir.
32:14Miss Brooks.
32:21What are you doing here?
32:23Well, um...
32:24I, uh...
32:26I had to get some artwork for the client.
32:31You don't trust me.
32:33That too.
32:35You're not trusting me?
32:37You were the one with another woman after all that
32:39I did this all for you bullshit.
32:40Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:45I saw you...
32:46Okay, okay.
32:47Okay.
32:48If it makes you feel any better, I...
32:49I promise I'm looking into it.
32:55You promise?
32:56I promise.
33:19I thought you didn't trust me.
33:20That you were mad at me?
33:22No, you're too hard to ask.
33:22Let's go inside.
33:52You cut right through. Every look says what you do. Pull me under, soft and deep. You're the secret I can't keep. Breath on glass, you trace my name. No one else can play this game. You don't ask, you just take. And I give, and I pray.
34:16Well, hello. I'm here for Mr. Brooks. I'm sorry, what exactly is this for? I'm the treatment nurse. I'll be taking him to his appointment for today. Oh, Mr. Brooks doesn't have an appointment today. I can assure you he does. Well, thank you for coming. Can I bring Crumpet? Yes, Mr. Brooks. Bring the cat.
34:46Hello, Cecilia. I'll need your full cooperation. I have something of yours you might want back. Now that I've got your attention, I need a little favor. Bring me Mercer's Legacy One design.
35:12You can't do this. But see, I already have, sweetheart. Give me the designs. Tell Sterling, and your sweet old pappy dies. And your little cat, too. Your choice.
35:23I've been reviewing project management assets. You're four days late on the Hudson property. The client is not happy. Mr. Mercer is not happy. Pick it up or I'll give your work to her. She's three days ahead.
35:38Is that a personal email?
35:42Sweetie, you don't have to do this.
36:00Too late, old man.
36:02Who the fuck are you?
36:04Your worst nightmare.
36:06Baby!
36:08I'm so glad you made it. I set all this up for you.
36:10This better work.
36:16No, no, you won't eat.
36:17No, no, no, no, no, no, no, no, no, no, no, no, no.
36:40Show me the video.
36:56Yes, sir.
37:00She knew how to evade the cameras.
37:01I can't identify her, but we knew her enough to let her in.
37:05Keep this video between us.
37:09Yes, sir.
37:10Yes, sir.
37:23Cecilia!
37:25Sterling!
37:25You're not working from home today?
37:27What are you doing here?
37:29Who have you been talking to?
37:31No one.
37:31I, uh, just, I needed to pick up some paint samples and this was on the way.
37:35On the way to what?
37:37We're like 20 miles south of home.
37:40I'm getting my necklace cleaned.
37:42So if you can't find me or track me for any reason, that's why.
37:54Why do you need your necklace cleaned?
37:56I've just been working a lot.
37:58The drafting table is super dusty and I don't want it to get messed up.
38:03It's a woman thing.
38:04I'm trusting you right now.
38:13I know.
38:28What the hell is going on?
38:34Good girl.
38:50Right on time.
38:53Well, don't hesitate now, sweetheart.
38:55Or they're dead.
38:58Come on, Cecilia.
38:59Do it.
39:04Sterling Mercer's legacy designs.
39:09Just like I asked.
39:10Oh.
39:11Sterling, you won't even know what hit you.
39:14Now let my grandfather go.
39:16He's all yours.
39:17A deal is a deal, pretty lady.
39:25Cece, don't!
39:26Get out of here!
39:27Look, look!
39:34I've had a change of heart.
39:46Please.
39:48No.
39:49This way.
39:59Wow.
40:00You really know how to tie the room together, darling.
40:04Sterling has my location.
40:06You have no idea what you're in for.
40:07Oh.
40:08But I think I do.
40:11You see, when that timer goes off,
40:15you and that little tracker and this entire place will go bye-bye.
40:19And then that will pave way for the construction site of all hell designs.
40:25He'll find me.
40:26And when he does...
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video,
40:33no one's coming to save you.
40:35Screw you.
40:37Screw both of you!
40:38Oh, oh, oh.
40:40But I almost have everything I need.
40:44Hmm?
40:45His financials, his accounts.
40:47You see, the only thing that is missing, my dear,
40:51is the contact for Sterling's project mansion.
40:55What?
40:56Why does that matter?
40:58Well,
40:59once I have the contact,
41:02I can put in a bid under his.
41:05Therefore, Mercer will no longer have any names
41:07attached to any property.
41:11That will never happen.
41:17Who's the client?
41:18How much was the bid offer?
41:23I don't know.
41:26Or you'll remember.
41:29Trust me.
41:30Even if I did,
41:32I wouldn't tell you.
41:33So, tell me,
41:45who is the client?
41:48He took care of my family.
41:50I'm never going to sell him out.
41:52Unless you forget, sweetheart.
41:58You already gave me the plans.
42:02So, therefore, you are already a betrayer.
42:05Promise?
42:06I don't know anything.
42:08Well, I can see that you're a lady of your word,
42:13which makes it kind of harder to believe you.
42:15So, tell you what.
42:18This is how it's going to go.
42:21You're going to tell me,
42:22and then you,
42:24Pappy,
42:24and little Kitty
42:25can go free
42:27while Mercer Designs burns to the ground.
42:30Or
42:32I could kill you
42:35right here.
42:37Right now.
42:39And Mercer Designs falls anyway.
42:43Okay.
42:45Decisions, decisions, darling!
42:46Wait, no!
42:47No, I'll tell you!
42:48I'll tell you anything you want to know!
42:49Please, don't touch him!
42:51I'll tell you!
43:00Tell me
43:02everything.
43:06I don't...
43:07I don't know a lot.
43:09I just...
43:11I know she's very private,
43:13very secretive.
43:15She only talks to Sterling.
43:17She's an older,
43:19conservative woman.
43:21Liar!
43:23That night that I dosed Sterling
43:25with that sleeping elixir,
43:27I found your little project mansion,
43:30and that newly built BDSM room.
43:33Oh, and then all the plans
43:34that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman
43:40wouldn't need in a new home.
43:42You drugged him?
43:43Yes!
43:43I drugged him!
43:50And then I ransacked his mail.
43:53That's where I found you,
43:55your address,
43:57and your little cat.
44:00Me too.
44:03Well then,
44:04looks like you chose...
44:08Oh!
44:09Oh, I'm sorry,
44:10my sweet miss,
44:11but our short little affair
44:13is over.
44:15Excuse me.
44:17Well,
44:18obviously I don't need
44:19your services any longer.
44:22Besides,
44:22I don't
44:24do
44:25witnesses.
44:33Sterling,
44:33help me, please!
44:34Sterling, wait,
44:35it's a trap!
44:36No!
44:36Sterling, please,
44:37you have to help me!
44:38Watch out!
44:38Tell me how to disarm it!
44:48Now!
44:51Black wire!
44:52You little bitch!
45:00Nora, stop!
45:01Put down the knife!
45:03She kidnapped me!
45:04I've been waiting here
45:05for hours for you!
45:07Put down the knife!
45:08Come on,
45:08let me at her one last time!
45:10She betrayed you!
45:11She's the one
45:12who gave up
45:12the Legacy One
45:13and the third floor!
45:16Wait,
45:16how do you know
45:16about the Legacy One project?
45:17That was confidential.
45:19That little bitch,
45:20she told Vincent
45:21everything!
45:22No,
45:22she's lying!
45:24It's all because of her!
45:28She drugged you!
45:29No, I didn't,
45:30you bitch!
45:31When I thought
45:31I saw you with that woman?
45:34The night you lost
45:35the designs.
45:36No!
45:37No,
45:37that wasn't me!
45:38Okay,
45:39Vincent made me do it!
45:40He said he threatened
45:41my family!
45:42I had no other choice!
45:44I don't believe you.
45:46Arrest her!
45:48No!
45:51Jump the knife!
45:53No!
45:53No!
45:55Vincent did,
45:57please!
45:57You have the right
45:58when you're silent!
46:00Anything you say
46:01can't even reduce
46:01against you
46:02and you're going to fall!
46:04Wait,
46:04no,
46:04I'm Heinzverse.
46:05I'm so sorry!
46:07It's okay.
46:08It's okay.
46:09But I gave him
46:09your designs,
46:10I didn't know
46:10what else to do!
46:11I was trying
46:11to save them!
46:12I didn't mean to!
46:13You're safe!
46:14You're safe!
46:15Okay?
46:16Vincent,
46:17we'll be able
46:17to touch the project.
46:25I'm so happy
46:26you found me.
46:26I thought...
46:27What ways
46:28I'll find you?
46:32How?
46:32Because I know
46:37that moment
46:39in the parking lot
46:40I knew
46:40from your eyes
46:42that you needed me.
46:48I will always
46:49keep you safe.
46:53Hey!
46:54Hey!
46:54Would you two
46:54take it someplace else?
46:55I'll take you
47:00and Crump
47:00at home.
47:07Oh,
47:07thank goodness
47:08you're okay.
47:10I want to tell you
47:12something,
47:12sweetheart.
47:13I love Agnes.
47:14I really mean it.
47:16Okay,
47:16Papi.
47:17Just get some rest.
47:18I mean it,
47:19Cece.
47:19when a man knows,
47:21he knows.
47:25Agnes,
47:26it's been a long time
47:27since I've met
47:28someone as caring
47:28as you
47:29and I'd like you
47:31to be my wife.
47:33Yes!
47:35I love you,
47:36Agnes.
47:45Marley,
47:46what are you doing here?
47:47Miss Brooks.
47:48Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:52I'm sorry.
48:19I want to change first.
48:22I want to change first.
48:23I want to change first.
48:27Come here.
48:27I want to change first.
48:28I want to change first.
48:28I want to change first.
48:29I want to change first.
48:34I want to change first.
48:38I want to change first.
48:39This is really beautiful.
48:43We work well together.
48:45I'm glad you think so,
48:46Cecilia.
48:48Um.
48:49Yes, Sterling?
48:52I have something
48:53I need to tell you.
48:56About?
48:57There isn't
48:59There isn't
48:59a legacy,
49:00Kalaya.
49:01Well, there is,
49:02but
49:02it's not who you think.
49:07I don't follow.
49:11It's me.
49:12What?
49:13This.
49:14This is my legacy.
49:18Come here.
49:19I need to show you something.
49:29I made this for you.
49:32Wait,
49:32one second.
49:41Ah.
49:43I thought
49:44if we put them next to each other,
49:46it would create balance.
49:48Balance?
49:49Balance?
50:04But then you came in.
50:07You're kind.
50:09Bold.
50:11Intuitive.
50:13Sterling.
50:15Beautiful.
50:17You gave this place
50:18a soul.
50:19Cecilia Brooks.
50:26Would you share the love
50:27we built together?
50:31Yes.
50:33Yes, Sterling.
50:41I said yes to you
50:44to forever too,
50:45to forever too,
50:47to every dream
50:49we're walking through.
50:57I'll see you next time.
50:58I'll see you next time.
50:59Bye.
50:59Bye.
51:00Bye.
51:01Bye.
51:02Bye.
51:03Bye.
51:03Bye.
51:04Bye.
51:05Bye.
51:07Bye.
51:09Bye.
51:10Bye.
51:11Bye.
Recommended
1:14:06
|
Up next
1:22:20
2:08:15
1:27:31
50:32
49:43
3:47:24
1:27:41
1:39:10
49:42
48:27
46:13
1:27:05
1:45:16
2:32:14
1:12:44
2:03:06