Designed for Desire [ FULL & DETAILED VERSION ]

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Designed for Desire - FULL EPISODE ------- Thank you so much for choosing to watch my video out of the thousands out there - I truly appreciate your time and support. ------- #Short #shortdrama #ShortFilm #bestdrama #drama #bestshort #movie #Minidramaseries #dramashort #shortfilmdrama #minidrama #shortstorydrama #Shortdramaseries #film #Shortdramamovies    #Shortfilmsonlinefree #DesignedforDesire #Designed  #Desire

Transcript

00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.

00:07Little did I know, I'm about to land my dream job and meet the love of my life.

00:25This is insane.

00:29Hi, did anyone order these?

00:31Artless pervert!

00:32Whoa!

00:33You've got to be kidding me!

00:36Look, you've got it all over me!

00:38Do you have any idea how much this costs?

00:40And if they can't get it out-

00:42That's enough!

00:47You.

00:51In my office.

00:52Now.

00:53What?

00:59What's your name?

01:09Cecilia Brooks?

01:10Ms. Brooks.

01:11Is there a reason why you came here to interview as a designer dressed like this?

01:16Oh, I think you have the wrong idea, Mr. Mercer.

01:21I'm not here for-

01:22I don't want to hear excuses.

01:31Change into this.

01:32Excuse me?

01:33You'll learn things are very fast-paced here.

01:36I don't have time to ask twice.

01:46Hello?

01:47This is Cecilia.

01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.

01:52Until then, we cannot proceed.

01:54Okay, one second.

01:57Hello?

01:59Ms. Brooks?

02:00Shit.

02:04Who is this woman?

02:05His girlfriend or something?

02:07I wasn't done with my interview.

02:10We'll touch base soon, okay?

02:14Oh!

02:16Good luck.

02:17I thought you weren't interested.

02:21Take off your clothes.

02:23Right now.

02:41So, Ms. Brooks, what do you see in this room?

02:44Well, it's deliberate, controlled, powerful.

02:52It's impressive, but-

02:54But?

02:56It's not satisfying.

03:00Bold again.

03:04Tell me, how do you know it's satisfying?

03:07Satisfaction lies somewhere in between.

03:11You think you can give me that?

03:12Think you can take the risk and find out?

03:24All yours.

03:29Hey.

03:31The women out there would do anything to be in the position you're in.

03:35Unless you have other ideas.

03:42Don't make me regret this risk.

03:45I don't plan to.

03:48The position's been filled.

03:50Go home.

03:53Get out!

03:54Damn.

03:55He doesn't have to be so rude.

03:56Pappy, your phone's upside down.

04:14Hi, how are you feeling?

04:16Hey, jubilation?

04:17I'm not doing too well, honey.

04:20Damn hospital postponed my surgery again.

04:22I'm so sorry, Pappy.

04:24I'm working things out with the hospital.

04:26I have some good news today, though.

04:28I'm sorry.

04:31I think that's my landlord.

04:32I have to go.

04:33Love you.

04:34Bye-bye.

04:36Oh.

04:38What the hell is he doing here?

04:40What are you doing here?

04:42Oh.

04:43What the hell?

04:45Hey!

04:46Whoa, whoa, whoa.

04:47Guys, whoa.

04:48Hey, don't take that!

04:53I did not agree to this!

04:55Actually, you did.

04:57The signing must reside on Mr. Mercer.

05:01I can't quite hear you.

05:03Must reside with Mr. Mercer for the duration of the project?

05:07Mm.

05:08How long?

05:09Keep reading.

05:11And definitely without exception?

05:19A gift.

05:21What the fuck?

05:22A gift?

05:23In exchange for being kidnapped?

05:25No, thanks.

05:29I need to know where you're at at all times.

05:33It's a tracker.

05:34What?

05:35Like a dog collar?

05:37Do you think you own me now?

05:39I wouldn't do that.

05:41Come on. Let's go.

05:42This is insane. Just...

05:44Give me a second to put Crumpet in his carrier and call my grandfather.

05:46No.

05:47There are no animals in the mansion.

05:50You must say goodbye to your little Crumpet.

05:53What?

05:54Absolutely not.

05:55I told you in the contract that I will take care of everything.

06:00I don't care about the contract.

06:01What?

06:02Oh my God!

06:04Goodbyes are always so hard.

06:05Put me down!

06:06What are you doing?

06:10Welcome back, Miss Brooks.

06:12So...

06:13I'm not allowed to leave?

06:15If you leave, your contract will be terminated immediately.

06:18And what? You're just gonna leave me all alone in here?

06:20Would you like me to join you?

06:21No, no, no, no, no. Why is it making that sound?

06:36Damn, if I leave, Pappy dies.

06:38Shit, I'm trapped with this monster.

06:40Oh my God, is this really happening?

06:42I'm stuck.

06:43This is your uniform.

06:56Work hours have started already.

06:58Tidy yourself up.

07:00Report to Mr. Mercer.

07:01Mr. Mercer.

07:04Oh, and uh, chop chop, Miss Brooks.

07:08Mr. Mercer does not like to be kept waiting.

07:11Mr. Mercer is waiting.

07:34Enjoy the view?

07:36No, I, um, just didn't want to disturb you.

07:39I don't mind if you stare.

07:41Sorry, sir, I was just interested in your build.

07:46The building, the build of the mansion that we're building to work on today.

07:54What time are we leaving for?

07:55Car leaves in 10 minutes.

07:57Right. I'll be ready.

07:59I'll be ready.

08:10How much further?

08:13Patience, Miss Brooks.

08:15No, pressure deep, but make hearts near.

08:24Oh, my pink posh head.

08:31Hey, Foxy!

08:33I got something that'll keep that jaw clenched.

08:35Wow. Original.

08:36original. Mr. Mercer, we didn't know you was coming in today. Get off my property. What?

08:41You're fired. Leave. Oh, what the hell? I worked on the last nine Mercer mansions,

08:47and now I'm fired because of this bitch? If I collapse your lung... Wait, did he just stand

08:54up for me? Sir, how about you? Continue your work with Miss Brooks, and I'll handle this.

08:59Come on. Everything's nearly finished. I'm going to have a team come in and make some final

09:07measurements over here, and I'll ensure they know how to keep their mouth shut.

09:12Uh, is this all marble?

09:19Seeing her in my house gives me a strange feeling. It's so beautiful.

09:24What is it about her? Why do I want to... Follow me.

09:29Wow, an elevator? By the way, what you did out there? Thank you.

09:39I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks. Remember that.

09:48Your first task for the client.

09:51I don't know anything about the client. Who is...

09:54We don't ask about the client. We only worry about what they desire.

09:59Okay. Am I allowed to know what the purpose of this room is?

10:04Yes.

10:05Great.

10:06The client would like this room transformed

10:09into their BDSM chambers.

10:12I hope she doesn't see right through me.

10:18So, how would you do it?

10:22Uh, um...

10:24Paint me a picture.

10:26Right.

10:28Uh, over here, I would put a chaise lounge.

10:34Velvet.

10:35Obviously.

10:36Obviously.

10:36And over here would be a great place to mount a swing.

10:39One of the adjustable heights and handles.

10:43And next to it, we could put a cabinet for whips and toys and things.

10:48You're very well versed.

10:50I read a lot.

10:53Certain genres of certain books have certain details.

10:57Right, right.

10:58Of course.

10:59Yeah, it's perfectly normal.

11:01A lot of women read fantasy and romance and fantasy romance.

11:07Anyway, uh, this would be a great place to mount wall cuffs.

11:13I'm drowning in the heat

11:19Afraid of what I need

11:25Your touch is like a flame

11:30But I can't turn your way

11:33Hello?

11:40Miss Brooks, I'm sorry.

11:41We need the payment.

11:43Uh, I-I understand.

11:45Is there anything I could do now to hold him there?

11:47Anything that could be done right now?

11:49We need your payment, Miss Brooks.

11:51By tomorrow morning.

11:52All $200,000.

11:55Okay, I-I'll get it to you, I promise.

11:59Sorry.

12:00Your contract explicitly states that I receive 100% of your attention at work.

12:06Who was that?

12:09It's personal.

12:10There are no personal calls at work.

12:13I-I'm sorry, I-I'm sorry, I-

12:16Mr. Mercer, it won't happen again.

12:23I'll get to work right away.

12:24I'll have designs to you by tomorrow morning.

12:26Take it off.

12:32What?

12:34Your jacket.

12:37Mr. Mercer.

12:41I won't ask twice.

12:42Uh, what's this for?

12:56It's perfect.

12:58Now go get dressed.

12:59No need to pout, Miss Brooks.

13:22You'll be reading some of the top designers.

13:24I don't understand.

13:25How does this take priority over work?

13:28Am I your date or your designer?

13:30You are.

13:31What I say you are.

13:34What I say you are.

13:46Ladies and gentlemen,

13:49it is my pleasure to welcome you all to the annual architectural ball,

13:54proudly hosted by the Mercer Group.

13:56I'd also like to welcome and introduce our newest interior designer,

14:06Miss Cecilia Brooks.

14:10I thought you said you had the job.

14:13I did everything that I could.

14:15Mitch must have slept with him in the interview.

14:17Fine.

14:19I'll fix it myself.

14:20So, without further ado, please enjoy your drinks and have a wonderful night.

14:35May I have this dance?

14:37Oh.

14:40Sterling.

14:41I was hoping that maybe we could walk and talk.

14:46Or maybe dance and discuss.

14:50You must be working so hard.

14:53I was thinking maybe you would benefit from a designer who really knows you.

14:59Your past.

15:01I'm not interested in rehashing old relationships, no.

15:05It was just a flint.

15:07It doesn't mean we can't be close.

15:09Sterling could be a difficult person to work for.

15:18You know you can come to me if you need anything.

15:26Get your hands off of her.

15:31What the hell are you doing here, Vincent?

15:33Folks, looks like the jester came to play.

15:36Ha ha ha ha.

15:39Get him out of here.

15:42Oh, man.

15:45It's all right, folks.

15:46Enjoy the party.

15:47It's okay.

15:48Yeah, you're okay.

15:50Why don't you go grab a drink?

15:51I'm going to take care of this.

15:52Crazy night, huh?

16:02Yeah, too crazy.

16:04I'm Nora, a close friend of Sterling's.

16:07So, tell me, how's the new position treating you?

16:12It's demanding.

16:14And the client?

16:15What's your feel on them?

16:16Oh, I'm not at liberty to discuss that.

16:18Come on.

16:19It must be crazy, right?

16:21I really can't.

16:25Oh!

16:27Oh, how embarrassing.

16:29What are you doing in here?

16:34Uh, Cecilia, I'm sorry.

16:36I'm so done with their whole world.

16:40Yeah, the head of the board was barking my ear off.

16:44Stop it!

16:45What?

16:46I'm just trying to help.

16:47Help?

16:47Really?

16:49That's rich.

16:50I mean, I am rich.

16:53You.

16:54You are a lot of things.

16:56From the moment I met you, you've controlled every aspect of my life.

16:58Every movement I make.

17:00You're obsessive, cryptic, a perfectionist.

17:04But you're not rich.

17:06Not where it counts.

17:07Feel, excuse me.

17:26I have work to do.

17:27I have work to do.

17:28I have work to do.

17:33This hand.

17:44What if?

17:46Maybe cuffs?

17:49What if we hang something around here?

18:03Is that me?

18:08Did I say you could come in here?

18:10Uh, you'll be happy to know that I worked on these all night.

18:23Maybe if you stayed at the gala, you would have learned something.

18:26Learned what?

18:27You follow through with your obligations, so you wouldn't waste your time working on garbage.

18:31Garbage?

18:31I'll need five more by tomorrow morning.

18:35That will take me all night.

18:36Even making those two took me all night, and I barely got them done in time.

18:40You've done it once before.

18:42You can do it again.

18:43Don't you think?

18:44Maybe, just maybe, that's an unreasonable amount of time.

18:48Maybe.

18:49I don't care.

18:50Wait.

18:52I should have remembered.

18:53It's not in the contract.

19:01Oh my god.

19:09Excuse me, miss.

19:10Where's my grandfather?

19:12I'm sorry.

19:13Usually if they're not in the room, it's because the insurance ran out or...

19:15Miss Brooks?

19:30Yes?

19:31I just wanted to inform you that your grandfather just received his first round of stem cell treatment.

19:36He's being very well taken care of.

19:37I don't understand.

19:38How is that possible?

19:40I can't afford that.

19:42I told you.

19:44I'll take care of everything.

19:45What?

19:46I can't believe this.

19:48Oh, but...

19:55But why?

19:57Why would you do that?

19:58Well, when I said I needed your undivided attention, I meant it.

20:04Now the only thing you have to worry about is me.

20:09I'm not your slave.

20:15Five designs.

20:16By tomorrow morning.

20:18You're welcome.

20:30I've been expecting you.

20:32I have a feeling I'll be impressed.

20:34Brushed work is not work to be proud of.

20:41Is this you?

20:42And my parents.

20:43They must be so proud of you.

20:45They never got to see it.

20:45I inherited this company before I was old enough to run it.

20:49I'm so sorry.

20:51It was a long time ago.

20:52What happened?

20:53They vanished.

20:54On a work trip into Europe.

20:56Guess I don't control everything after all.

20:57I'm going to deliver these designs to everyone.

21:00I have a surprise for you.

21:06To your first approval.

21:12It's beautiful.

21:13I do have a request, though.

21:18I was wondering if I could have a little freedom.

21:23From what?

21:24Me?

21:25No.

21:25No, not you.

21:28I'm this.

21:29Well, I need to keep track of you.

21:33I mean, what if...

21:34Sterling, I'm not your parents.

21:38I'll be fine.

21:40I just don't know if I'm ready for that yet.

21:42But you continue to impress me.

21:44I mean, you'll be free as a bird.

21:59I do have more surprises to show you.

22:00But, um...

22:02You're going to have to wait until tomorrow.

22:05Hmm.

22:05Full of surprises, aren't you?

22:12And that's why I can't let you go.

22:26What are you two doing here?

22:30There's not supposed to be anyone working today.

22:32We were just swinging by to assess a minor electrical concern.

22:35It seems that the circuit...

22:35It's nothing urgent.

22:36We're going to come back tomorrow with the rest of the crew and get it resolved.

22:40Okay.

22:43Thank you for the update.

22:44Thank you, Mr. Mercer.

22:50I've ordered these beautiful pieces.

22:52White marble.

22:54What the hell?

22:56It's kind of beautiful.

23:01No, no, it's a mistake.

23:05It's not too perfect.

23:07It's bold.

23:08It's not trying hard.

23:09It just...

23:10is.

23:11Well, I like my work to be...

23:13Intentional.

23:16Well, I would argue that this...

23:19elevates the intention of the space.

23:21The juxtaposition between...

23:23control and chaos.

23:24You have good eyes, Ms. Brooks.

23:26Follow me.

23:35Your second task for the client.

23:37Master bedroom and nursery.

23:41Oh.

23:41The client's a family man.

23:43We don't discuss the client.

23:45Only satisfy their needs.

23:49Would you like to see your designs?

23:50Would you like to see your designs?

23:50Is it not what you thought?

24:07Is it not what you thought?

24:10No, it's...

24:11It's not that.

24:12It...

24:12The power went up.

24:18There's no signal.

24:19Yeah, the...

24:19soundproofing they put up, uh...

24:22cuts signal.

24:22What?

24:24No.

24:37It's not funny.

24:38I'm not laughing.

24:39How long until someone notices that we're gone?

24:42I don't know.

24:43An hour?

24:45Maybe two?

24:46Is it Nora?

24:48The client?

24:49What?

24:50No.

24:51You're not supposed to ask about the client.

24:53Just tell me.

24:55No.

24:55It's not.

24:56Is she...

24:57more?

24:59I built this room because I believed in your vision.

25:03I cleared your schedule.

25:05I cleared your stressors.

25:07All because...

25:09I wanted you.

25:10I wanted you.

25:24Sir, your...

25:467 o'clock is waiting upstairs.

25:47Tuck your shirt in, sir.

26:06I know.

26:08I know.

26:10Ah!

26:11Where the hell are you?

26:12Calm down, sweetie.

26:14Put...

26:14Put it down.

26:17Listen, sweetie.

26:18I work for Mr. Mercer.

26:20He hired me to take care of your grandpa and Crumpet until you return.

26:24Sweetie!

26:25What are you doing home?

26:27What am I doing?

26:29This is Agnes, my nurse.

26:31She's taking care of me.

26:32Oh.

26:33I'm sorry.

26:34I'm so embarrassed.

26:39Um.

26:40Hello?

26:41Why are you in your apartment?

26:43If you're there, there's no need for Agnes to stay employed.

26:45Cece, you're ruining my chances.

26:48Go back, Cece.

26:49Oh, okay.

26:50Okay.

26:51Everything's all right.

26:52Agnes has taken very good care of me.

26:54Okay.

26:55Okay, Pappy.

26:55I'll go.

26:56Um.

26:57It was nice meeting you, Agnes.

26:59Nice to meet you, dear.

27:00What the hell?

27:12He has a girlfriend?

27:19What was I thinking?

27:20What was I thinking?

27:50Got you now, bitch.

28:04I found her address.

28:05Sterling.

28:24Sterling.

28:25Can we talk?

28:26I don't have the time, Miss Brooks.

28:27Sterling, it's important.

28:28Please.

28:29Well, I'm dealing with something.

28:30Figure it out yourself.

28:30You might want to ask me why I'm here, you psycho.

28:44I don't give a damn what you have to say.

28:46I don't trust you.

28:47Well, maybe you should start.

28:50Because I know a dirty little secret about you.

28:52You.

28:52You're about to be broke.

28:59I'm here to offer you a buyout.

29:03Get out.

29:04Hear me out.

29:04Instead of your accounts being compromised, facing bankruptcy, and becoming the embarrassment

29:12of architecture, we could merge as Hale Mercer.

29:16Even has a nice name.

29:19Oh, you're way out of line.

29:20Am I?

29:20Because someone pretty close to you seems to be worried about you, besides, if you don't

29:26accept this buyout, I'll publish the information, and Mercer Designs will go bye-bye.

29:34Is that a threat?

29:35Think of it.

29:37Or a bribe.

29:43Get the hell out of my property.

29:45And out of my sight.

29:47Now!

29:48Now!

29:50Miss Brooks, in my office immediately.

30:04Are you sure you want me in there, or not your other woman friend?

30:07What are you talking about?

30:08Hand me your sketches.

30:13I have designs, but they're not the originals.

30:15The originals are missing or lost.

30:18What do you mean, lost?

30:19I finished the designs last night, and I fell asleep, but when I woke up, they weren't

30:23in my room anymore.

30:24You're lying.

30:26I'm lying?

30:27Why don't you tell that to the next girl you bring over?

30:31Excuse me?

30:32You're so careless.

30:33Careless?

30:34Me?

30:35I'm pretty sure you're the one who's talking about losing sketches.

30:38Something you won't have to deal with anymore.

30:42Marley's going to be taking you to the project mansion.

30:44Hopefully you can figure out your sketches problems there.

30:49You may go.

30:57Take her and her belongings to the project mansion.

31:00Anything I should know, sir?

31:02She can't be trusted.

31:04And check the cameras.

31:06We have a mole.

31:07Yes, sir.

31:13Miss Brooks.

31:15What are you doing here?

31:18Well, um...

31:19I, uh, had to get some artwork for the client.

31:23You don't trust me.

31:27Not too.

31:30You not trusting me?

31:31You were the one with another woman after all that

31:33I did this all for you bullshit.

31:35Okay, what woman are you talking about here?

31:37You can't lie to me.

31:38I saw you with her.

31:40I saw you...

31:41Okay, okay, okay.

31:42If it makes you feel any better, I...

31:44I promise I'm looking into it.

31:50You promise?

31:50I promise.

31:55No!

32:13I thought you didn't trust me.

32:15That you were mad at me?

32:16No, you're too hard to resist.

32:20Love me deep, love me slow

32:25Oh, kiss me in the dark, take all I hide

32:30Let's go inside.

32:31Let's get your fire

32:32On the inside

32:35Oh, no, baby, no, baby, no, baby, no

32:43Eyes like knives you cut right through

32:47Every look says what you do

32:51Pull me under, soft and deep

32:54You're the secret I can't keep

32:57Breath on glass, you trace my name

33:00No one else can play this game

33:04You don't ask, you just take

33:07And I give, and I pray

33:10Well, hello, I'm here for Mr. Brooks

33:14I'm sorry, what exactly is this for?

33:17I'm the treatment nurse

33:18I'll be taking him to his appointment for today

33:20Oh, Mr. Brooks doesn't have an appointment today

33:22I can assure you he does

33:24Well, thank you for coming

33:29Can I bring Crumpet?

33:31Yes, Mr. Brooks

33:32Bring the cat

33:34Hello, Cecilia

33:55I'll need your full cooperation

33:57I have something of yours you might want back

33:59Now that I've got your attention

34:02I need a little favor

34:03Bring me Mercer's Legacy One design

34:06You can't do this

34:07But see, I already have, sweetheart

34:09Get me the designs

34:11Tell Sterling

34:12And your sweet old pappy dies

34:14And your little cat, too

34:15Your choice

34:16I've been reviewing project management assets

34:20You're four days late on the Hudson property

34:22The client is not happy

34:24Mr. Mercer is not happy

34:26Pick it up or I'll give your work to her

34:28She's three days ahead

34:29Is that a personal email?

34:51Sweetie

34:52You don't have to do this

34:53Too late, old man

34:55Who the fuck are you?

34:58Your worst nightmare

34:59Baby

35:00I'm so glad you made it

35:02I set all this up for you

35:04This better work

35:07No, no, no, no

35:11You're over there

35:16No, no, no, no

35:25I'm so glad you met

35:26You're my mother

35:26You're my father

35:27People have to do this

35:29And this is my friend

35:29I saw my friend

35:30You're my father

35:30You're my around

35:32And this is my sister

35:32You're my brother

35:33You're my father

35:33I said he 대박

35:35You're welcome

35:36You're welcome

35:37You're my daughter

35:37You're my parents

35:37You're my father

35:38Show me the video.

35:48Yes, sir.

35:52She knew how to invade the cameras.

35:55I can't identify her, but we knew her enough to let her in.

36:00Keep this video between us.

36:02Yes, sir.

36:08Cecilia.

36:18Sterling, you're not working from home today?

36:20What are you doing here?

36:22Who have you been talking to?

36:24No one.

36:24I just, I needed to pick up some paint samples,

36:27and this was on the way.

36:28On the way to what?

36:30We're like 20 miles south of home.

36:33I'm getting my necklace cleaned.

36:34So if you can't find me or track me for any reason,

36:40that's why.

36:47Why do you need your necklace cleaned?

36:49I've just been working a lot.

36:51The drafting table is super dusty,

36:52and I don't want to get messed up.

36:56It's a woman thing.

36:57I'm trusting you right now.

37:06I know.

37:21What the hell is going on?

37:22Good girl.

37:42Right on time.

37:44Well, don't hesitate now, sweetheart,

37:47or they're dead.

37:50Come on, Cecilia.

37:51Do it.

37:52Sterling versus legacy designs.

38:00Just like I asked.

38:02Oh.

38:03Sterling, you won't even know what hit you.

38:06Now let my grandfather go.

38:08He's all yours.

38:09A deal is a deal, pretty lady.

38:17Cece, don't!

38:18Get out of here!

38:19Look, look!

38:22I've had a change of heart.

38:32I've had a change of heart.

38:36Please.

38:38No.

38:40This way.

38:40You really know how to tie the room together, darling.

38:54Sterling has my location.

38:56You have no idea what you're in for.

38:58Oh, but I think I do.

39:01You see, when that timer goes off,

39:05you and that little tracker and this entire place will go bye-bye,

39:10and then that will pave way for the construction site of all hail designs.

39:15He'll find me.

39:17And when he does-

39:17That's very unlikely, Cecilia.

39:21Now that Sterling has this video, no one's coming to save you.

39:26Screw you.

39:28Screw both of you!

39:29Oh, oh, oh.

39:30But I almost have everything I need.

39:35Hmm?

39:36His financials, his accounts.

39:38You see, the only thing that is missing, my dear,

39:42is the contact for Sterling's project mansion.

39:46What?

39:47Why does that matter?

39:48Well, once I have the contact, I can put in a bid under his.

39:56Therefore, Mercer will no longer have any names attached to any property.

40:02That will never happen.

40:07Who's the client?

40:10How much was the bid offer?

40:13I don't know.

40:16Oh, you'll remember.

40:18Trust me.

40:21Even if I did, I wouldn't tell you.

40:32So, tell me.

40:36Who is the client?

40:38He took care of my family.

40:41I'm never going to sell him out.

40:46Unless you forget, sweetheart.

40:49You already gave me the plans.

40:52So, therefore, you are already a betrayer.

40:56Promise?

40:57I don't know anything.

41:00Hmm.

41:00Well, I can see that you're a lady of your word, which makes it kind of harder to believe you.

41:06So, tell you what.

41:08This is how it's going to go.

41:10You're going to tell me, and then you, Pappy, and little Kitty can go free.

41:16While Mercer Designs burns to the ground, or I could kill you right here, right now.

41:28And Mercer Designs falls anyway.

41:30I've...

41:31Okay.

41:35Decisions, decisions, darling.

41:36Wait, no!

41:37No, I'll tell you!

41:37I'll tell you anything you want to know.

41:38Please, don't touch him!

41:40I'll tell you!

41:41Tell me everything.

41:53I don't...

41:56I don't know a lot.

41:58I just...

41:59I know she's very private.

42:01Very secretive.

42:03She only talks to Sterling.

42:06She's an older, conservative woman.

42:10Liar!

42:11That night that I dosed Sterling with that sleeping elixir,

42:15I found your little project mansion and that newly built BDSM room.

42:21Oh, and then all the plans that I stole from Cecilia's bedroom?

42:25They were for a nursery.

42:27Both rooms that an elderly woman wouldn't need in a new home.

42:31You drugged him?

42:31Yes!

42:32I drugged him!

42:39And then I ransacked his mail.

42:42That's where I found you, your address, and your little cat, too.

42:51Well then, looks like you chose...

42:56Oh, no!

42:58Oh, I'm sorry, my sweetness, but our short little affair is over.

43:04Excuse me.

43:05Well, obviously I don't need your services any longer.

43:10Besides, I don't do witnesses.

43:21Sterling, help me, please!

43:23Sterling, wait, it's a trap!

43:24No, Sterling, please, you have to help me!

43:26Watch out!

43:27Tell me how to disarm it!

43:36Now!

43:38Fuck, why?

43:47You little bitch!

43:48Nora, stop!

43:49Put down the knife!

43:51She kidnapped me!

43:52I've been waiting here for hours for you!

43:54Put down the knife!

43:55Come on, let me at her one last time!

43:57She betrayed you!

43:59She's the one who gave up the Legacy One in the third floor!

44:03Wait, how do you know about the Legacy One project?

44:05That was confidential.

44:06That little bitch.

44:07She told Vincent everything!

44:10No, she's lying.

44:11It's all because of her!

44:16She drugged you!

44:17No, I didn't, you bitch!

44:19When I thought I saw you with that woman?

44:22Then now you lost the designs.

44:24No!

44:24No, that wasn't me!

44:26Okay, Vincent made me do it!

44:28He said he threatened my family!

44:29I had no other choice!

44:32I don't believe you.

44:34Arrest her!

44:35No!

44:39Drop the knife!

44:40Come on, you!

44:41Get my hand!

44:41No!

44:43Vincent, you can't leave!

44:45You have the right to me when you're silent!

44:47Anything you say, I can't move against you, I'm going to fall!

44:50Wait, no, no, I'm tying first!

44:53I'm so sorry!

44:55It's okay, it's okay!

44:56But I gave him your designs, I didn't know what else to do!

44:59I was trying to save them, I didn't mean to!

45:01You're safe, you're safe!

45:03Okay?

45:04Vincent, we'll be able to touch the project.

45:05I'm so happy you found me, I thought...

45:15Always, I'll find you.

45:19How?

45:20Because I know you.

45:25That moment in the parking lot, I knew, from your eyes, that you needed me.

45:34I will always keep you safe.

45:39Hey, hey, would you two take it someplace else?

45:45Sorry, Babby, I'll take you and Crump at home.

45:47Oh, thank goodness you're okay.

45:57I want to tell you something, sweetheart.

46:00I love Agnes, I really mean it.

46:02Okay, Babby, just get some rest.

46:05I mean it, Cece.

46:06When a man knows, he knows.

46:12Agnes, it's been a long time since I've met someone as caring as you.

46:15And I'd like you to be my wife.

46:20Yes!

46:22I love you, Agnes.

46:32Marley, what are you doing here?

46:33Miss Brooks.

46:35Mind coming with me?

46:37Will you give me a second?

46:38I want to change first.

46:39I want to change soon.

46:57I woke up and the sky was pink.

47:01Coffee tastes like sugar dreams.

47:04Traffic sounds like melody.

47:06This is really beautiful.

47:28We work well together.

47:31Glad you think so, Cecilia.

47:34Yes, Sterling?

47:36I have something I need to tell you.

47:42About?

47:43There isn't a legacy, Kalaya.

47:46Well, there is, but...

47:49It's not who you think.

47:52I don't follow.

47:56It's me.

47:58What?

47:59This. This is my legacy.

48:01Come here. I need to show you something.

48:14I made this for you.

48:17Wait one second.

48:18I thought if we put them next to each other, it would create balance.

48:33Balance?

48:33But then you came in.

48:52You're kind.

48:54Bold.

48:54Intuitive.

48:57Sterling.

49:00Beautiful.

49:02You gave this place a soul.

49:07Cecilia Brooks.

49:10Would you share the love we built together?

49:13Yes.

49:14Yes, Sterling.

49:21I said yes to you

49:26To forever, too

49:29To every dream

49:31We're walking through

49:34To every dream

49:53We look back on Earth

49:54To every dream

49:54We look back on Earth

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