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The Beast Must Die Season 1 Episode 5
Transcript
00:00:00Are you afraid?
00:00:17Don't be silly.
00:00:19They're the ones that should be scared.
00:00:21You could thrash every single one of them if you wanted to.
00:00:30I don't know if you wanted to, but I don't know if you wanted to.
00:01:00George?
00:01:30I don't know if you wanted to, but I don't know if you wanted to.
00:01:59I don't know if you wanted to.
00:02:29Did you get a hold of his doctor?
00:02:33No research consultation, no underlying health conditions.
00:02:36Okay.
00:02:37Tell Control we've got an unexplained death and let the coroner's office know.
00:02:43What about the painkillers?
00:02:45The voice said he had a bad shoulder.
00:02:46Whitlash?
00:02:47She didn't know.
00:02:48And guess what?
00:02:50They found his Mercedes at Branstone Lodge.
00:02:53Fucking timing.
00:02:55Yeah.
00:03:03Thanks, Asher.
00:03:04They're ready to move in.
00:03:13Before they can do that, we need a formal identification.
00:03:16Why are you here?
00:03:18George's death was unexpected and at the moment unexplained.
00:03:23So there's certain procedures.
00:03:25That's not what I'm asking.
00:03:28Is there somewhere else we could have a chat?
00:03:31A kitchen, maybe?
00:03:33It's not his house to be giving us orders.
00:03:36Why are you here?
00:03:38To question George about the death of a child in a hit and run.
00:03:41And to search the house for anything linking him to the vehicle involved or the place where that vehicle was left.
00:03:51On what grounds?
00:03:52I understand this might be painful, but still, we need to search the house.
00:03:57You have no right.
00:03:58I'm sorry, I don't understand.
00:03:59What child?
00:04:02His name was Marty.
00:04:05He was six years old and the driver who hit him didn't stop.
00:04:11We'll be as quick as we can.
00:04:16No.
00:04:17Yes.
00:04:19Yes, you make it sound like you think George did it.
00:04:29There's, um, something else you should know.
00:04:33You had a woman staying here with you recently.
00:04:37Frances.
00:04:39She was Marty's mother.
00:04:41We're going to need that identification now.
00:04:46Please.
00:04:47You have a woman.
00:04:52Okay.
00:04:55Take care.
00:04:56I don't know.
00:05:26It is my husband, George Rottery.
00:05:56All right?
00:06:11Yeah.
00:06:13Let's find somewhere to sit down and have a chat, shall we?
00:06:16We were involved.
00:06:21I wanted to finish it.
00:06:25He picked me up from this car show I was working at.
00:06:28I drank too much.
00:06:33We argued.
00:06:35And I fell asleep in the car.
00:06:39I woke up when my head hit the dashboard and didn't see.
00:06:42I knew he'd hit something.
00:06:52George said it was nothing.
00:06:55But all.
00:06:57And you believed him?
00:07:00I see.
00:07:02At first.
00:07:03Then I read about that little boy.
00:07:14Some days I'd wake up and think he was telling the truth.
00:07:19Other days...
00:07:19Some days I thought...
00:07:29What if?
00:07:34Did you know about Francis Cairns?
00:07:38Her name's Bane.
00:07:41Francis Bane.
00:07:43But did you know that she was the boy's mother?
00:07:45George told me last night.
00:07:50I was going to come and talk to you.
00:07:55I'll get someone at the station to take your statement.
00:07:58If you'd like a solicitor, President...
00:08:00I don't need a solicitor.
00:08:03The only person that can contradict your story is dead.
00:08:07Some people might call that convenient.
00:08:10It was George.
00:08:11Did he ever let you drive?
00:08:12No.
00:08:13Sit in the driver's seat even just for fun?
00:08:15No.
00:08:15Good.
00:08:32Hey.
00:08:33Tell them I want Prince's DNA as well as the statement, please.
00:08:36Sir, we've got everyone's statements about yesterday.
00:08:50They were all saying the same thing.
00:08:51Rattari got home mid-afternoon and never went out again.
00:08:54Before that, he was out on his yacht with Francis Cairns.
00:08:58Rattari got home mid-afternoon and never went out again.
00:09:13What happened yesterday?
00:09:14You know what happened yesterday.
00:09:16You know what happened after they pulled you out of the sea I'm talking about before.
00:09:23I tried to kill George.
00:09:28I thought you knew that.
00:09:36I thought that's why you were asking.
00:09:37Killed George how?
00:09:40On the yacht.
00:09:44I was going to let the boom take him overboard.
00:09:46And watch him drown.
00:09:54If he didn't tell you, why are you here?
00:09:56What stopped you?
00:09:57He worked out who I was.
00:10:03He had a photo of Marty on his phone.
00:10:10He showed me.
00:10:11After that, I couldn't.
00:10:14I couldn't.
00:10:15I didn't get close.
00:10:20That's why you walked into the sea.
00:10:28What about today?
00:10:31How do you feel today?
00:10:35It's over.
00:10:41Not for you, of course.
00:10:42You want justice.
00:10:45Right?
00:10:47Due process.
00:10:51I just wanted him dead.
00:10:58What happens now?
00:11:00George Rattery is dead.
00:11:16Took a nap in his office.
00:11:19Didn't wake up.
00:11:24They found him this morning.
00:11:30Oh.
00:11:35Oh.
00:11:42She admitted she wanted to kill him.
00:11:44Wanted to.
00:11:45Planned to.
00:11:46Never had a chance.
00:11:48Do we have his phone?
00:11:49Yes, sir.
00:11:50See if we can get in touch with his service provider.
00:11:52I need a list of all calls since Easter.
00:11:54Priorities yesterday and the hours after Marty's death.
00:11:57What else do we get from the house?
00:11:59Vehicle papers, no car keys and a lot of painkillers.
00:12:02Did you know where he dumped the car?
00:12:03He put it in a taxi after the incident.
00:12:05We followed up.
00:12:06Story checks out.
00:12:07Sarah, are we treating Miss Death as suspicious now or just unexplained?
00:12:11Procedures are the same either way.
00:12:13Yeah, but what are we thinking?
00:12:14We're thinking we need the results of that post-mortem.
00:12:16Where have you been?
00:12:31The police wanted to speak to me.
00:12:33About your fight with George?
00:12:35Oh, I heard you.
00:12:38And I wasn't the only one.
00:12:40Yes, about my fight with George.
00:12:46It's your fault.
00:12:48All they're saying about him.
00:12:49You're the one who brought her here.
00:12:51You sound just like him.
00:12:53Is that a threat?
00:12:56You're talking like George and look what happened to him.
00:12:59Are you serious?
00:13:00I should never have let you through that door, you needy little limpid looking for something
00:13:05to suck onto.
00:13:06God knows how he stayed interested as long as he did.
00:13:10I get bored just looking at you.
00:13:12Then close your fucking eyes.
00:13:13People don't just die.
00:13:16Yes, they do.
00:13:17They die all the time.
00:13:19My mum, Francis' little boy, that's just what happened.
00:13:23Not to George.
00:13:24Not to George.
00:13:26This didn't just happen.
00:13:28Somebody did this.
00:13:31One of you did this.
00:13:58You did this.
00:14:01Who did this.
00:14:02Who was that?
00:14:03You did this.
00:14:04You did this.
00:14:08I was gonna go.
00:14:13It was just a little soul.
00:14:14But I don't think I should do anything.
00:14:19So I got to go.
00:14:21It was just a little soul.
00:14:22And I got to go.
00:14:23Sorry, I got to go.
00:14:24Annette.
00:14:25I got to go.
00:14:26I got to go.
00:14:26Oh, my God.
00:14:56He, uh, he hit here and bounced onto the bonnet, onto the roof, and then
00:15:25onto the road.
00:15:29What about the, uh, prints and DNA we sent you?
00:15:56Uh, got prints all over the passenger side, door, window, vanity mirror.
00:16:01What about the driver's side?
00:16:04It's been cleaned.
00:16:06But whoever did it forgot to adjust the seat.
00:16:09It's positioned for someone around them.
00:16:11Six foot mark.
00:16:12Well, she could have done that.
00:16:15Got something else on the passenger side, too.
00:16:18Yeah?
00:16:19Blood.
00:16:20On the dashboard.
00:16:22I'll get it checked, but I'll bet you a pound to a penny it's your girl's.
00:16:32She wasn't driving.
00:16:33He was.
00:16:34All right.
00:16:35Thanks.
00:16:36I spoke to the nurse.
00:16:43She thinks they're gonna discharge you tomorrow.
00:16:48Gonna need you to come in and make a statement, if that's okay.
00:16:51What about the car?
00:16:52It'll be gone by then.
00:16:56We have testimony that George was driving.
00:17:01And the forensics back it up.
00:17:03Can I see it?
00:17:18The car didn't kill him.
00:17:23The driver did.
00:17:24The car's just a thing.
00:17:27The last thing.
00:17:28The last thing that touched him.
00:17:38Sometimes he's very close to me.
00:17:43Certain places.
00:17:52Certain moments.
00:17:55Certain things.
00:18:00He's actually there.
00:18:05It's like I live in two worlds at once.
00:18:08Mine, where he's still here.
00:18:14And yours, where he's gone.
00:18:17And I suppose you get to choose where you put yourself in that.
00:18:28Which world did wanting to kill George belong to?
00:18:36I don't know.
00:18:38You're so nice.
00:18:39I know.
00:18:40You're so nice.
00:18:41Yeah, yeah, yeah.
00:18:43We'll go ahead.
00:18:44You're so nice.
00:18:47Hi.
00:18:48I'm so happy to have you.
00:18:49Hmm.
00:18:50I'm happy to have you think about this.
00:18:52I'm happy to have you, Michael.
00:18:53Hello?
00:18:54I'm happy to have you.
00:18:55You're happy to have you.
00:18:56Megan?
00:18:57Oh yeah.
00:18:58Hi.
00:18:59Hi.
00:19:00I'm happy to have you.
00:19:01Er, Lena? Is it?
00:19:14Hi.
00:19:15Nicky, the gardener.
00:19:17Yeah.
00:19:19Thought you were supposed to be locked up.
00:19:21No, not yet.
00:19:23My solicitor got the case adjourned, um, for reporting to my background.
00:19:27So, how are you doing?
00:19:34Hey.
00:19:38I heard about George.
00:19:40Did you now?
00:19:43Came out of nowhere, didn't it?
00:19:48You must not know whether to laugh or cry.
00:19:52Oh, come on.
00:19:54Come on what?
00:19:55He screwed us both.
00:19:59Just in different ways.
00:20:04Still, a big tree falling and all that ought to make a bit of a fucking noise.
00:20:14Yeah.
00:20:14Where's your room?
00:20:27I've got someone better.
00:20:28Oh, come on.
00:20:36Hey!
00:20:44Ah!
00:20:44Oh, oh, oh, oh, oh, oh!
00:21:14Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
00:21:35Twelve minutes after Marty Cairns was knocked down and killed, a call was made from your brother's mobile to this number.
00:21:41Is that yours?
00:21:42George and I spoke all the time
00:21:45Yes, but on this particular occasion
00:21:48Do you happen to remember what he wanted?
00:21:53A favour, maybe
00:21:54A key
00:21:57To a construction site
00:21:59I'm not answering any more questions without a solicitor
00:22:07You knew, didn't you?
00:22:08I'm not answering these questions
00:22:09You knew exactly what...
00:22:11I'm not answering because you are not asking the right questions
00:22:14Ask why a man who never knew a day's weakness in his life
00:22:18Would go to sleep one night and never wake up
00:22:20Ask where he's gone
00:22:22Ask me what I do now
00:22:24Ask the questions that matter or don't ask at all
00:22:28A woman lost her son
00:22:34Did you just choose not to think about it?
00:22:42Every man is some woman's son
00:22:43George might as well have been mine
00:22:46But men like George don't count anymore, do they?
00:22:51They're too successful
00:22:53Too privileged
00:22:55Wrong side of history
00:22:58I'm going to need you to stay on the island and stay contactable
00:23:20Just until things settle down
00:23:23George threw my phone in the sea
00:23:25Don't have a purse either
00:23:28Okay
00:23:30Okay
00:23:30Well
00:23:30We can contact your bank from the station
00:23:33Before the station there's something I'd like to do
00:23:37Please
00:23:38My friend Saima from SCORE
00:24:02That woman would laminate anything
00:24:07Is Marty here?
00:24:18No
00:24:19But I wanted to see all this
00:24:22So that's good
00:24:25Your husband used to sail, didn't he?
00:24:34Francis Lane
00:24:37I looked you up
00:24:39That must have been hard
00:24:44Such a public death
00:24:46It was a circus
00:24:50Hero yachtsman loses life saving transatlantic rival
00:24:56Before
00:24:57I was still pregnant
00:24:58Press couldn't get enough of it
00:25:02Have you ever lost anyone?
00:25:07Not that mattered
00:25:09To me
00:25:10There aren't that many people that do
00:25:15Your niece?
00:25:16Yeah
00:25:18And her mum
00:25:19My sister Kate
00:25:21That's it
00:25:22It must be strange
00:25:25Living life just for yourself
00:25:29You must wonder what you're for
00:25:32Public service
00:25:34After I've given my statement
00:25:43I'd like to go and collect my things
00:25:46From the house
00:25:48Well he can send someone around to do that
00:25:51No
00:25:51I'd like to go myself
00:25:54What if he's not there either?
00:26:02Then at least I'll have a change of clothes
00:26:03Kate
00:26:06We'll get someone to drop you off
00:26:08Your purse
00:26:19The one you said you don't have anymore
00:26:22Was it in your rucksack?
00:26:27I read the witness statements
00:26:29Said you walked into the sea with a rucksack on your back
00:26:32When the coast guard pulled you out
00:26:34You didn't have it on anymore
00:26:35Yeah I wanted it to weigh me down
00:26:37But it got
00:26:40Too heavy
00:26:41Too quickly
00:26:42I panicked
00:26:44So I let it go
00:26:45Maybe tell the bank that you
00:26:50Left your purse on the beach
00:26:52To your questions
00:27:05Marta I've made an appointment with the undertaker
00:27:07I...
00:27:08That's better
00:27:16Where's Vi?
00:27:20I don't know what else you've had in your mouth
00:27:40Yes you do
00:27:45You mad fucking bitch
00:27:59Get out
00:28:02Get out
00:28:03Get out
00:28:04Get out
00:28:04Get out
00:28:05Get out
00:28:05Get out of my sight
00:28:07And get her out of this house
00:28:08It's not even your house
00:28:10It's her house now
00:28:11She can do what she bloody wants
00:28:13Maybe she'll throw you out
00:28:15Maybe it'll just be me and her
00:28:16And you can go fuck yourself
00:28:18The two of you here
00:28:20Raising George's son
00:28:21I don't think so
00:28:22It's my son too
00:28:23And you have never in your life
00:28:25Known how to look after him
00:28:26Leave her the fuck alone
00:28:28Oh sisterly loyalty from you
00:28:30God almighty
00:28:31I am not leaving George's legacy
00:28:33In the hands of a hysteric and a slut
00:28:35And I will not yield you this house
00:28:36And I will not let you have sin
00:28:38All you do is damage
00:28:39I hate you
00:28:40Do you know that?
00:28:41I hate you
00:28:42Just go
00:28:45Just go
00:28:47Just get out
00:28:49You're making things worse
00:28:50I can't
00:28:55I want to show she has this far real force
00:29:03I want to show you
00:29:33I want to show you
00:29:35I want to show you
00:30:03I don't know.
00:30:33Francis!
00:30:39Stop!
00:30:42Stop!
00:30:44Stop!
00:30:49Stop!
00:30:53Stop!
00:30:57Oh, my God!
00:31:27Oh, my God!
00:31:57Oh, my God!
00:32:27Can I say what it's about?
00:32:31I killed my dad.
00:32:36I'll just get someone.
00:32:37Is this violent?
00:32:51You want to eat?
00:33:04No.
00:33:06I'm fine.
00:33:12I make garlic soup.
00:33:13It's good for your health.
00:33:19Good for everything.
00:33:20I'll just get up.
00:33:21Good for everything.
00:33:22I'll just get up.
00:33:23I'll just get up.
00:33:25Hey.
00:33:26Hey, that's okay.
00:33:26Hey, I'll just go.
00:33:27Hey!
00:33:28Hey, you're all right.
00:33:29Hey, you're all right.
00:33:30Hey!
00:33:31Hey!
00:33:32Hey!
00:33:32Hey!
00:33:33Hey!
00:33:34Hey!
00:33:34Hey!
00:33:34Oh, my God.
00:34:04Oh, my God.
00:34:34My laptop's missing.
00:34:47There's a house search.
00:34:48They might have picked it up then.
00:34:52There's a photo on it.
00:34:55I'll find out what happened to it.
00:34:56Just grab what you need.
00:35:05We'll pick you up a phone and we'll get you set up in a hotel, okay?
00:35:08Come on.
00:35:18Come on.
00:35:21Come on.
00:35:29Come on.
00:35:30Come on.
00:35:30We'll be with you in a minute.
00:35:57Ryan.
00:35:59You've come to offer your condolences?
00:36:18No.
00:36:19You made this happen, didn't you?
00:36:30You stirred this up.
00:36:34Look at you.
00:36:37You're barely even a person.
00:36:40You're just a husk.
00:36:41I don't know why I didn't see it before.
00:36:47I hope he haunts you for the rest of your days.
00:36:52But he won't.
00:36:56The dead never come back.
00:36:58They're gone.
00:36:59They are so completely gone.
00:37:03Who the hell are you?
00:37:04I'll watch him.
00:37:05Vi.
00:37:15Bye.
00:37:23Miles?
00:37:24Oh, God.
00:37:41Look at the place.
00:37:43What were you thinking?
00:37:45Are you even listening to me?
00:37:49Yes, I'm listening.
00:37:51This isn't going to work.
00:37:54What do you mean?
00:37:55This. You.
00:37:59It's just...
00:38:01It's just furniture, Charlie.
00:38:03Furniture?
00:38:05There's a house to keep.
00:38:07There's a business to run.
00:38:08There's a child to raise.
00:38:11You could barely cope when George was alive.
00:38:13What are you going to do now? He's gone.
00:38:16Learn how?
00:38:18Oh, God, look at you.
00:38:19I mean, you're like a child with a box of matches.
00:38:24You'd burn the house down if you were left alone.
00:38:27Well, I know what George would say if he were here.
00:38:32Same thing he said when Phil was born.
00:38:34Step in, will you, Joy?
00:38:39Just for a while.
00:38:41Just while she gets herself together.
00:38:43I'll call the lawyer in the morning.
00:38:49We'll sort something out.
00:38:50No, no, no, you do not need to do that.
00:38:52I'll be fine.
00:38:53No, Violet.
00:38:54You won't.
00:38:54You really, really won't.
00:39:02Help me clear up this mess.
00:39:06Marta!
00:39:06This is D.I. Strangeways I will be conducting the interview.
00:39:18If we could all state our name for the record, please.
00:39:20Corinne West, Deepwood Solicitors.
00:39:22Keith Whelan, Social Services, Acting Appropriate Adult.
00:39:26Philip Rossery.
00:39:27As it's not usual for a D.I. to be present at an interview like this,
00:39:31I need to clarify for the record that I'm here at your request, Phil.
00:39:34And with the agreement of your solicitor, Ms. West, and Mr. Whelan.
00:39:38Is that correct?
00:39:39Yes.
00:39:40So, Phil, tell me about your dad.
00:39:47I killed him.
00:39:49Yesterday.
00:39:52Well, I didn't kill him yesterday.
00:39:54I killed him the day before, but he died yesterday.
00:39:59And was that your intention?
00:40:01To kill your dad?
00:40:04Yes.
00:40:06He was being shitty to my mum.
00:40:08In what way shitty?
00:40:10Telling lies.
00:40:11Having sex with other people.
00:40:12Having sex with her sister.
00:40:14Is that even legal?
00:40:20I used to think about killing my dad.
00:40:25I wouldn't have known how, though.
00:40:27How did you do it?
00:40:32Painkillers.
00:40:39I like to steal stuff.
00:40:41I stole the knife because I wanted to stab him, but, um...
00:40:44After I did some research for Francis' crime book,
00:40:46I thought that, um, poison might be easier,
00:40:48so I stole some of his Tremadol.
00:40:50Okay, we can talk about that.
00:40:52Before we do, tell me more about you and Francis.
00:40:55You mentioned a crime book?
00:40:58Well, Francis was going to be my summer tutor,
00:41:00and I thought I could use that time by helping her research.
00:41:04It's written from the perspective of the murderer.
00:41:08It's got to think ahead.
00:41:09You've always got to have a plan.
00:41:13What?
00:41:13For the purposes of the tape,
00:41:19PCSO of Asher James sent to the room
00:41:21and handed me a note.
00:41:23I'd like to take a break there.
00:41:26Interview paused at 18.03.
00:41:30What a waste of fucking time.
00:41:32Overdice is Tremadol, though.
00:41:34That's what the kid was saying.
00:41:35That's what anybody who'd been in the house would be saying.
00:41:37There's Tremadol in every bloody drawer.
00:41:39Whether intentional or accidental,
00:41:41is impossible to infer given the deceased's blood alcohol levels
00:41:45and reports that he routinely exceeded the prescribed dose.
00:41:49Well, they're certainly sitting on the fence.
00:41:51What makes you so sure that the kid's not telling the truth?
00:41:57What?
00:41:59What is Rattery's prescribed dose?
00:42:06I put them in a gin and tonic.
00:42:09What, all of them?
00:42:09What time is this?
00:42:12Three o'clock.
00:42:14Maybe four.
00:42:15What happened then?
00:42:19Nothing.
00:42:20Until he went into his office after supper.
00:42:24Right.
00:42:24Phil, did you kill your dad?
00:42:36You know, before making a false confession,
00:42:39you should have checked how much Tremadol someone can take
00:42:41without just collapsing.
00:42:46Did you kill your dad?
00:42:50Phil.
00:42:50I need you to speak up for the tape, please.
00:43:00No.
00:43:01Why did you tell us that you did?
00:43:06So you wouldn't believe Auntie Joy about Mum?
00:43:10Phil, I don't think you need to worry about your mum, okay?
00:43:13Someone will take you home after we've done the paperwork, all right?
00:43:20What, what?
00:43:41I've just went on to our chest.
00:43:43I don't know.
00:43:43I've just escaped my mother.
00:43:45Why did you hurt me?
00:43:46I don't know.
00:44:16I don't know.
00:44:46I don't know.
00:45:16I don't know.
00:45:46I don't know.
00:45:53I don't know.
00:46:25I don't know.
00:46:27I don't know.
00:46:29You will be happier.
00:46:31I don't know.
00:46:33I don't know.
00:46:35I don't know.
00:46:39I don't know.
00:46:41I don't know.
00:46:43I don't know.
00:46:45I don't know.
00:46:47I don't know.
00:46:51I don't know.
00:46:53I don't know.
00:46:55I don't know.
00:46:57I don't know.
00:47:03I don't know.
00:47:05I don't know.
00:47:07I don't know.
00:47:09I don't know.
00:47:13I don't know.
00:47:15I don't know.
00:47:17I don't know.
00:47:19I don't know.
00:47:21I don't know.
00:47:23I don't know.
00:47:25I don't know.
00:47:27I don't know.
00:47:29I don't know.
00:47:31I don't know.
00:47:33I don't know.
00:47:43Frances was here earlier.
00:47:47I hid.
00:47:49I always hide when things are difficult.
00:47:57I hid from you and George.
00:48:01If I'd known about Francis' little boy, I...
00:48:05I might have hid him from that, too.
00:48:08But I...
00:48:09I hope not.
00:48:13I'm so sorry.
00:48:16I'm so sorry.
00:48:19I should have stopped him.
00:48:29I should have stopped you.
00:48:38What are you doing?
00:48:40I'm trying to move it.
00:48:42George Borden, I've always hated it.
00:48:44I know what I can do on my own.
00:48:49I know.
00:48:50Okay.
00:49:04But...
00:49:07I like that.
00:49:09Okay.
00:49:10Okay.
00:49:12It's all right, sweetheart.
00:49:35It's going to be all right.
00:49:38Yeah.
00:49:42Hello.
00:49:45This is Simon Madrani.
00:49:50We met at Francis Cairns flat.
00:49:54Yeah, hi.
00:49:55I'm sorry to be calling so early in the morning,
00:49:58but Francis just called me and basically...
00:50:01I'm sorry to be calling so early in the morning,
00:50:03but Francis just called me and basically...
00:50:05I'm sorry to be calling so early in the morning.
00:50:07I'm sorry to be calling so early in the morning,
00:50:09but Francis just called me and basically,
00:50:11she's asked me to go to the flat,
00:50:13check and see if Marty was there.
00:50:15She wasn't making any sense,
00:50:17but she was so distressed and I'm really worried.
00:50:19I'm really worried.
00:50:21Okay.
00:50:22What number did she call you from?
00:50:25Can you text it to this phone?
00:50:26I didn't recognise it.
00:50:27It's not her number, but it's on my phone.
00:50:29I can send it to you.
00:50:31Okay.
00:50:32Text it to me.
00:50:33Okay.
00:50:34Hello?
00:50:48Yeah, hi.
00:50:49Has Francis left her room?
00:50:51Well, not while we've been here.
00:50:53Has she left the room?
00:50:55You didn't see her go, did you?
00:50:56No.
00:50:57Oh, okay.
00:50:58Did you check to see whether she was there in the first place?
00:51:00Well, the light's on.
00:51:04That doesn't mean anything.
00:51:05It could have been on all night.
00:51:06Oh, Jesus Christ.
00:51:20As is.
00:51:34Is he here?
00:51:53He isn't anywhere.
00:51:55Anymore.
00:51:56I was just thinking about how beautiful it'll be out there right now.
00:52:06The sun coming up.
00:52:09And the wind.
00:52:14If you could sail anywhere right now, where would you go?
00:52:17I can't sail at all.
00:52:18If someone else was taking you.
00:52:19If I was taking you.
00:52:20Phil talked to me yesterday.
00:52:34He mentioned you two sailing together.
00:52:38Seemed to make him very happy.
00:52:39Is he all right?
00:52:40He told us he'd murdered his father.
00:52:45We didn't believe him.
00:52:51We didn't believe him.
00:52:59So come on.
00:53:00If you could sail anywhere.
00:53:06Dunno.
00:53:08You?
00:53:10Back.
00:53:11But I'd settle for out there.
00:53:31You?
00:53:32You?
00:53:33Still.
00:53:34Too close to him.
00:53:37You?
00:53:38You?
00:53:39You knew that the moon?
00:53:40You?
00:53:41What was the moon?
00:53:42I'd say.
00:53:43You know if you were a, you're going for hours.
00:53:44For you.
00:53:45You came to see him.
00:53:46I'm going for an interesting story.
00:53:47You've been so busy.
00:53:48You were supposed to be like from the moon.
00:53:49You've been so busy now.
00:53:50And you're gonna shift in.
00:53:51You were running down the moon.
00:53:52So you're standing at the moon.
00:53:54Well, you're going for yourself.
00:53:55I'm going for a different space.
00:53:56You're going for a bit of time right now.
00:53:57Look at it.
00:54:13I love it from the sea.
00:54:18That's why I kept bringing Marty back here.
00:54:20You know, half that island runs a rust bucket car so they can keep a boat on the water.
00:54:30That's how good it feels.
00:54:33What if we'd never come?
00:54:35What if we'd been a minute later?
00:54:38What if I'd never learned to sail?
00:54:39What if?
00:54:41You can unpick a whole life that way.
00:54:48I'm sorry.
00:54:50That you've lost Marty.
00:54:53That you can't feel him anymore.
00:54:58I think it's just he doesn't want to be near me anymore.
00:55:00Because of what you've done.
00:55:08I got your bloods from the hospital.
00:55:12I couldn't see how you'd get him to take it without taking it yourself.
00:55:17That's what was in the rucksack.
00:55:19That's why you wanted to get rid of it.
00:55:25I put it in the brandy.
00:55:27In a hip flask.
00:55:29I knew he'd take more when he got home.
00:55:30He always did.
00:55:31I checked the dosages online.
00:55:34What did you think was going to happen afterwards?
00:55:51I thought things would be different.
00:56:01I thought I'd feel...
00:56:03different.
00:56:06You know...
00:56:16The first time I met you...
00:56:19I couldn't...
00:56:22I couldn't figure out what was keeping you on your feet.
00:56:25I thought...
00:56:27I thought...
00:56:28She's got all the answers I need.
00:56:32I wish I'd thought a bit harder.
00:56:33What's it always going to be, Tramadol?
00:56:42Phil's going to need help making sense of this, you know?
00:56:52They all are.
00:56:53I was going to drown him and make it look like an accident.
00:56:58But when you found out who I was...
00:57:03I'm sorry.
00:57:06But I don't think that's going to help Phil understand anything.
00:57:09That thing you said about...
00:57:17Marty not wanting to be near you...
00:57:21I don't think that's how it works with your parents.
00:57:27In fact, I know it's not.
00:57:33When you thought I had all the answers...
00:57:35Why were you looking?
00:57:41Someone got shot.
00:58:01Someone important?
00:58:05Not to me.
00:58:09They were to...
00:58:11Someone who could be, though.
00:58:15I just, uh...
00:58:18I don't really know how to do that.
00:58:23That's not a skill you acquire.
00:58:26That's a decision you take.
00:58:31Seriously.
00:58:32If you're not going to risk having people in your life that you can't bear to lose.
00:58:42What's the point?
00:58:45I'm not the one you should be feeling sorry for.
00:58:47I have had so much love in my life.
00:58:57So much love.
00:58:58that's, so much love.
00:58:58What's up?
00:59:09What the hell?
00:59:12What's up?
00:59:15No.
00:59:18Oh.
00:59:21What's up?
00:59:22Oh, there's a good thing.
00:59:23Liv!
00:59:29Liv!
00:59:50You don't have to say anything.
00:59:53What?
01:00:07For three months off work.
01:00:12Really?
01:00:15That's what I asked for.
01:00:17Perhaps I should have asked for six.
01:00:20What would you like to do?
01:00:25I don't know.
01:00:29Sleep, maybe.
01:00:31You seem to be tired all the time in the moment.
01:00:33It sounds like grief.
01:00:37It sounds like grief.
01:00:38No.
01:00:39No.
01:00:40No.
01:00:42No.
01:00:44No.
01:00:46No.
01:00:48No.
01:00:50No.
01:00:51No.
01:00:52No.
01:00:53No.
01:00:55No.
01:00:57No.
01:00:59No.
01:01:01No.
01:01:03No.
01:01:05No, no, no.
01:01:35No, no, no.
01:02:05No, no, no.
01:02:35No, no.

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