- 7/22/2025
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NewsTranscript
00:00Oh my god!
00:01I'm not telling you.
00:02I'm not telling you.
00:03I'll show you the interview.
00:17If you're watching the Ilay Rajas train, that's the best, please.
00:20That's right.
00:21I'll show you the two lines, please.
00:22I'm not telling you.
00:30If we can't make her stand, we can make her stand there for 3-4 years.
00:36We'll be able to dance along this stage.
00:42We can perform a dance after all.
00:47Who's Par2.
00:48That's a very good play.
00:50If you don't play, I'll show you something.
00:54No, you don't play it.
00:56You don't play it.
00:57The Viji Sarai is a hero.
01:00Everyone is not a hero.
01:02They are all the people who are in the frame.
01:05They are called and the music is not a master.
01:12We don't know what we're talking about.
01:15They are not saying Viji's name.
01:18They are not saying Viji's name.
01:20They are not saying Viji's name.
01:22I'm underrated when I'm here.
01:25I'm a hat or a grammar.
01:27I'm a hat or a grammar.
01:28I'm a underrated anchor.
01:30I'm a light or a hat.
01:31You're not a bad guy.
01:34I'm not a bad guy.
01:37I'm not a bad guy.
01:38There's two.
01:39There's no bad guy.
01:40There's no bad guy.
01:41There's no bad guy.
01:42Oh my god.
01:47I'm going to take the interview.
01:49I'll take the interview.
01:55This is one Indian and Flimmy Beat.
01:58Actually, if I give an intro to the editor,
02:00when I'm talking about BGM,
02:02how to show you the video.
02:04Because BGM is the name of BGM.
02:07It's Sam C.S.R.
02:09But it's not bad for BGM.
02:14I'm not doing the part.
02:16What is it?
02:18We have a code.
02:21That code is a good code.
02:23If there is a code, it is a good code.
02:27If we do a part,
02:29it is a hit.
02:31If we do a background,
02:33it is a hit.
02:35That's why we do a part.
02:37Is that actually a part?
02:39Yes, it is a part.
02:41We don't know who we are talking about.
02:45If you tell this BGM,
02:47and you say that BGM,
02:48even if you say the part,
02:50it's a big difference.
02:52If we do a hit part,
02:54it's a big thriller.
02:58It's not a love song,
03:00but there is a love song.
03:02It's a true song.
03:05There is a scene in the same.
03:06We'll talk about it,
03:08so tell the origin.
03:10You can't tell it.
03:12That's right. I can't tell you.
03:16But I think it's a big deal.
03:18Because I think it's a big deal.
03:19I think it's a big deal.
03:24That's a big deal.
03:25I think it's a big deal.
03:27So, how did you compose that?
03:32Ashley, I think it's a big deal.
03:35But I think it's a big deal.
03:37I think it's a big deal.
03:39It was almost 3-4 years ago.
03:42It was a long time ago. It was released later.
03:45But when I started working on this project,
03:49we were able to work on this project.
03:53We were able to work on this project.
03:56Why did you think that?
03:58It was almost 4-5 years ago.
04:01We were able to work on this project.
04:04We were able to work on this project.
04:06So, if we did the project with the project,
04:11we did the project.
04:12So, the project was a very low budget.
04:15And we were able to work on this project.
04:18We could have a very good source.
04:20So, we would like to work on this project.
04:24In this project, we were able to work on this project.
04:30We were able to work on this project.
04:33So, I am very happy to be here, so I am very happy to be here.
04:38So, you are doing the same thing, actually.
04:42I am not sure, but I know in the 70s, 75s, I know.
04:44You are doing the same movies, I am seeing the same movies.
04:48So, this movie is not an animator movie.
04:52So, how is the work plan, how is the process, how is the output, how is the output?
04:58Actually, I am very happy to be here.
05:01The main reason is that the director is a Jadaan, in Tamil.
05:06I am very happy to be here, but I am very happy to be here.
05:11But, we also do the music, I am very happy to be here.
05:18So, I am very happy to be here.
05:21The director is almost a musician.
05:24Oh, I am Aston Kuma.
05:25Yes, I am.
05:27So, they can tell us about the name of India,
05:30but in South India, we can't get a sound track,
05:34and we can't do anything.
05:36I'm going to get a lot of money.
05:38I'm going to say that it's a big deal.
05:40I'm going to say that it's a big deal.
05:45Plus, there's a scope of our musicals.
05:48I'm going to do an animation.
05:49I'm going to say that Tintin,
05:51or Lion King,
05:54the animation is international.
05:56I know that I can't get it.
05:58I can't get it.
05:59I can't get it.
06:00I can't get it.
06:02I can't get it.
06:04So, this is a first time.
06:06So, we can't get it.
06:08Plus, it's not a musical.
06:10There are many events.
06:14I'm going to see the first time.
06:16I'm going to see the audience in this interview.
06:18If you want to see the animation,
06:20a short film.
06:22This is a short film.
06:24I'll see you in this movie.
06:26But, I'm going to see the next film.
06:28But, we can see the work process.
06:32It's brilliant and a fun scale.
06:36So, once we get it,
06:38the whole film is coming,
06:40the whole show is coming.
06:42We haven't even heard it.
06:44We can see it every two years.
06:46We announced it for the director.
06:48So, this is the whole show.
06:50In the early 2000s,
06:52If you have a company, you can tell a company and you can tell the quality of your work.
06:59That's how it works.
07:01That's how it works.
07:03Yes, yes.
07:04So, you can tell a lot of people, right?
07:06100%.
07:07100%.
07:08100%.
07:09100%.
07:11100%.
07:12100%.
07:13100%.
07:14100%.
07:15100%.
07:16100%.
07:17100%.
07:18100%.
07:19100%.
07:20100%.
07:21So,先生, the story goes rough,
07:24So, we had to work on the story or try it together.
07:27You can try any teaching about it.
07:30All the knowledge,
07:32I can prove to you about it as well.
07:34For me, I learned what about it.
07:36How do we become a target audience?
07:40For now to write your things,
07:43we come before,
07:45we have some telling your company,
07:49except for phone and telephone then.
07:50so evening time in free time
07:52we tell a story if we visit a party
07:54if you come from a party
07:56we can go to a book
07:58its not true and it will be a book
08:00so we can't have food
08:02so this is a book
08:04so people are telling this pretty
08:06not a book
08:08so if you are a book
08:10you can write this story
08:12as to say something
08:14a book
08:16so we can write down
08:18they will speak in the own mind
08:20Yes.
08:21Now, if you want to know something about Narasimha or Siddharo or something like that,
08:26then the new age cinema will be a lot of music.
08:32But the instrument is also rooted.
08:36So, you can incorporate the orchestra and the orchestra will be super.
08:41Okay, fine.
08:42Let's get a little bit.
08:43Okay, done.
08:45Did you visit any of that?
08:48No, no. I was able to visit all my directors.
08:51I know that they are in production of five years.
08:54They are hard to get in.
08:56If they ask me what they are asking, they are doing that.
09:02So, we don't have any doubt.
09:04That's why we are doing online.
09:07They have no knowledge.
09:10So, they are a good idea.
09:12A good idea.
09:14Okay, fine.
09:15You all learned about MPA or MCA?
09:18MCA.
09:19We did both.
09:20We did both.
09:21We did both in this field.
09:23That's it.
09:24I think we are.
09:26But it's good.
09:28But it's good.
09:29But it's good.
09:30Actually, it's good.
09:31Accent.
09:32But you can't.
09:33You can't.
09:34I can't.
09:35I can't.
09:36I can't.
09:37I can't.
09:38I can't.
09:39I can't.
09:40But you can't.
09:41You can't.
09:42You can't.
09:43I can't.
09:44As you can't.
09:45If you have a touch on your mind.
09:46I am like that.
09:48Yes.
09:49I can bet you.
09:50I know that.
09:51But I know that.
09:52I just knew that,
09:53That's true.
09:54It's been very hard for that.
09:55So, it's good then.
09:57It was bad for an accident.
09:59The accident caused all of that,
10:01It's a loophole.
10:03Did you come for a wipe?
10:05You might even see it.
10:06Not like something.
10:07But didn't go the music director.
10:09My music director comes from here.
10:11What is the question?
10:13That's true.
10:14I'm going to try to do a little bit.
10:16Okay.
10:19I'm going to try to do Pushpa 2.
10:22That's a little bit of Ayogaya.
10:24My favorite Ayogaya.
10:25I'm going to try to do the music.
10:28I'm going to try to do it.
10:29But Ayogaya, Pushpa, and Pushpa are not related.
10:32I'm going to try to do this too.
10:34I'm going to try to do anything.
10:36I'm going to try to do it.
10:38Okay.
10:39There are plenty of references,
10:44but now the pushpa 2 is going to be the reference.
10:48If they're interested,
10:49then you will look for people.
10:52Okay.
10:53That's Ayogaya.
10:54So, there's still a point in my opinion.
10:56I'm going to try to try to get some more examples
10:59and there's some examples,
11:01I won't tell them anymore.
11:02There's nothing else.
11:04I'm not saying that there are different heroes,
11:06Whenever our team has a team, the team is better.
11:08So, we have to do that.
11:10If your team is here, we are going to have a chance.
11:13When you started the job, the talent started.
11:15This is how we will take a career with the talent.
11:17If we have to start the job of our talent,
11:19five years we get a job.
11:22If we do the job right now,
11:26our team is in a team.
11:30What kind would be your job for course?
11:34I hear of this.
11:36There is a lot of information,
11:38and he talks about such a big thing and such.
11:40I still think about it.
11:42There's someone who knows the story.
11:44I mean, I already have a hero.
11:48I did the same with Vijay sir.
11:50Vijay sir,
11:52everyone is not there,
11:54everyone goes directly and says
11:56to a call from the frame,
11:58there are no music or music.
12:00Okay, fine.
12:02Then you get 100% of your people,
12:06that's about 1000.
12:09Okay.
12:10But if you're not a new hero,
12:13in that situation,
12:15if you're a hero,
12:16you're going to go a little.
12:18So, we're going to be young.
12:20Why?
12:21We're going to be young.
12:23We're going to be young.
12:25We're going to be young.
12:27So,
12:28what happens,
12:30you're going to be there.
12:32At some time,
12:34we're going to be young
12:36and we're going to be young.
12:38It's awesome.
12:40In this situation,
12:42it's a big and huge look.
12:44Some more good.
12:46We're going to be young.
12:48Even though it's really great,
12:50it's another big new hit
12:52in the industry.
12:54We're going to be happy to be young.
12:56We will be happy.
12:57But we will come to the social media.
13:01Sam CS, he is not underrated.
13:05He will say something.
13:06He will say soho music.
13:09But I am happy.
13:13What do we say?
13:16The audience is here.
13:18If you are talking about this,
13:21it will be necessary.
13:23They will be able to hear you.
13:25I can't do anything.
13:27I will tell you that you can PR.
13:32I will PR.
13:34I will slow it down.
13:37I can't do anything like this.
13:39I feel like a audience is feeling.
13:43I have a video.
13:45I have a video.
13:47I have a video.
13:49I have a video.
13:51or you study sin.
13:53When someone comes to here,
13:54everything
13:57after it breaks,
13:58reiben it overstarted to..
14:01我想,
14:03about our foreigners really well.
14:07Do you think you've got nothing at all?
14:09No, you're not looking at it.
14:15If you think you wishial right then,
14:17you're happy with all your around.
14:18That's why I get 100,
14:20If you compare the IRW, you also have to feel that I'm already targeting.
14:27So we have to do a good job.
14:30If you don't know what to do with a brand, you can do a parking lot.
14:35The parking lot has a lot of emotions.
14:38Yes, ego and everything.
14:40Now I am a musician director.
14:42I am a musician and I am a musician.
14:44I am a musician and I am a musician.
14:46I am a musician and I am a musician.
14:48I am a musician and I am a musician.
14:50If I am a musician, I am a musician.
14:52Then I will do it.
14:53What I do is all I do is do with a field.
14:56You can do it?
14:58Yes, I do.
15:00Since you are a professional, the person is doing any of your profession.
15:02So, the reason is they are doing everything.
15:04They are dealing with различ injuries.
15:07They are doing everything.
15:09They're doing anything.
15:11They can say that they can do everything.
15:15But the person is doing everything.
15:17Now it's very small, it's very small business.
15:22If I'm going to talk to myself, I'll give you an interview.
15:28If I come to this interview, I'll be available.
15:31So, if I tell you, I'll give you an interview.
15:35It's good.
15:37I'm trying to say that I'm doing this.
15:39If I tell you something about this,
15:41I'll give my voice to my artist.
15:45I don't think it's a person to hear.
15:47We'll talk about this as a song in Tamil Nadu.
15:49We're talking about that song in Tamil Nadu.
15:52Why am I telling you?
15:54I don't want to start singing in Tamil Nadu.
15:55If I tell you, I'll give you a song in the music space or build up.
15:59Maybe I'll tell you,
16:01this is a 100% course,
16:03one else I'll tell you.
16:05I'm looking at this brand,
16:07if I happen to know that,
16:09If you go to the right place, you can go to the right place.
16:12That's another route.
16:14Okay, okay.
16:15Actually, there are some nice things that I've been doing.
16:19I'm doing a lot of things.
16:21I'm doing a lot of things.
16:23Like Sardar, 2R, HVN, Dhanushar,
16:28I'm doing a lot of things.
16:30That's not a problem.
16:32But the audience feels like that.
16:34I feel like I'm really happy.
16:37Do you guys go to the concert?
16:40How are you going to the concert?
16:42What are you doing?
16:43I'm working on the film music.
16:46So I'm working on it.
16:48I'm not explaining it every week.
16:52I'm not explaining it every week.
16:54But I've been making sure that we're all going for the next few weeks.
16:58That idea?
16:59Yes, I'm a man.
17:00But I'm not going to understand it.
17:01So I told him,
17:03I just don't get it for me.
17:05When I go to school and class, I know the name of the class.
17:14I know the name of the college.
17:17I will tell you about that.
17:20I will tell you about Sam CS Chennai.
17:25I will tell you about the address.
17:27I will tell you about Sam CS Chennai.
17:29I will tell you 100%.
17:31I will tell you about the address.
17:39This is how the problem is.
17:44I met the other institution to get creative.
17:45The work of this is 3D.
17:48Do you teach me the first stage?
17:50We teach you the second stage.
17:52You do not teach me the second stage.
17:55It is something you teach me.
17:57I told you it was the first Tamil 3D song.
18:02My idea is converted 3D.
18:05I took it to shoot first 3D.
18:08I told you it was a good thing.
18:11I told you it was a good thing.
18:15I told you it was a good thing.
18:17I told you it was a good thing.
18:19I told you that I did a good thing.
18:21I told you it was the song of Murvin.
18:24Vivek Mervin
18:26I was a part of the Mare
18:28I was doing a four-year-old
18:30But I did a background score
18:32I was doing a very good background score
18:36And it was an orchestral score
18:38I was taught as a basic art
18:42I was taught as a basic art
18:44If you want to do music director
18:46I would like to play a violin
18:48I would like to play a violin
18:50I don't know what I'm doing
18:52Okay, okay, for you then.
18:54Oh, that's why we can do music.
18:57That's why we knew what we were doing.
19:02Okay.
19:03So, that's why we didn't do anything.
19:06That's why we didn't do anything.
19:08That's why I got a live orchestra score.
19:10What's the reason for that?
19:12That's why we didn't do anything.
19:14That's why we didn't do anything.
19:16So, we didn't do anything.
19:18We didn't do anything.
19:20Okay.
19:21That's why there was a gap.
19:23Okay.
19:24That's why we started in 2017.
19:26That's why there was a break.
19:28Yes, yes.
19:29Then, how did you go to Hindi?
19:32Hindi, I've done it.
19:34I've done it right now.
19:35Now, when we started,
19:37we were talking about the director,
19:40we didn't say anything.
19:41We didn't say anything.
19:43We didn't say anything.
19:45We didn't say anything.
19:46We didn't say anything.
19:47We didn't say anything.
19:49We didn't say anything.
19:51We didn't say anything.
19:52We didn't say anything.
19:53We didn't say anything.
19:54We didn't say anything.
19:55Now, I've done Hindi for almost six movies.
19:58Now, I'm healthy.
20:00Okay.
20:01Now, what have we done?
20:02How do you feel like it?
20:03What do you feel like?
20:04Why did you feel like it?
20:05Why did you use a mother language?
20:07Why do you feel like it?
20:09I don't think it's in Hindi.
20:11That's why I'm strong.
20:12I don't know.
20:14Okay.
20:15We had a job, and we had a job.
20:19At the end, we had an army after that.
20:21The short day is not complete.
20:23Now, if you would, we would get a light in post-production.
20:27If you would, we would do something you would do if you would.
20:29And we would call it an understanding of post-production.
20:31We are doing agency.
20:34Pre-production agency, production agency, post-production agency.
20:38So, if you don't know what you're doing in production,
20:41Yes, it's not a community.
20:43If there are any shots, you can take a shot or not.
20:50If you have any shots, you can take a shot.
20:52This shot is also made.
20:53Now, we are doing a mechanical work.
20:57But it's not a hit.
20:58It's not a hit, it's not a hit.
21:01But it's a very good industry.
21:05What I feel is that I feel is a good person.
21:09We are very much in the music.
21:14We are very much in the technicals.
21:16Actually, we are very in the stunt choreographer,
21:19cinematographer, sound design.
21:22We are very in the South.
21:24Then, we are very in the composition.
21:29You are developing a dummy lyrics.
21:33We are not in the cell time.
21:36You are very in the director.
21:38Do you think it's a hit?
21:40No, it's a hit.
21:41It's a custom.
21:42For example,
21:43if we are talking about music,
21:45we are talking about lyrics,
21:46and we are talking about lyrics.
21:48We are talking about lyrics.
21:51So, what we are talking about is that
21:53they will be talking about lyrics.
21:55What we are talking about.
21:59So, we are talking about this.
22:01So, what we are talking about is
22:03for Map and
22:11Emotion is easy to get.
22:13That's why we have a reality.
22:15We are now looking at the reality.
22:18Do you have a reality?
22:20If we have a reality, we can't do anything.
22:23If we have a reality, we can't do anything.
22:27Now, we have a reality.
22:29But we will go to reality.
22:31We can't do anything.
22:33We can do anything.
22:35We can do that.
22:36100%.
22:37We can't do anything.
22:39We can do anything else.
22:41Then, the Rocketer is a one.
22:43Vikram Veda is connected.
22:45Vikram Veda is connected.
22:47He is connected.
22:49Is he a Sam CS?
22:51If you do anything on India,
22:53you can do anything on India.
22:55Vikram Veda is Sam CS.
22:57The theme is unique.
22:59There are two notes or four notes.
23:02You can do anything.
23:04You can do anything.
23:06If you have a name.
23:08So, every movie we try, we can do one or two,
23:14musicals.
23:15That's the attitude of musicals.
23:18We know that we know this,
23:21and we know this.
23:23How many songs are there?
23:24Actually, there are only a few songs.
23:26There are only a few songs, but it's a bit of a bit.
23:29Every two years we do,
23:33we know that we know this.
23:35If you do one or two,
23:38we can do one of those songs.
23:39If we don't do one of those songs,
23:41we can do one of those songs,
23:43and we can do one of them.
23:45But we can do one of them.
23:46We can do one of those songs.
23:48That's it.
23:49Then, what is the background score?
23:52Not the part?
23:53No, the two parts.
23:55The other person is in the book.
23:57It's not the same thing.
23:58Right, I ask.
23:59It's not the same thing.
24:01It's not the same thing.
24:02Oh my god.
24:04You can tell me.
24:06No.
24:08No.
24:10Let's talk about it.
24:12Vissousar.
24:14Vissousar is a part of it.
24:16Vissousar is a part of it.
24:18If you think about it,
24:20if you think about it,
24:22it will be a dialogue.
24:24It will be 10th failure.
24:26Vannavilla chinnapulll
24:28Vissousar is a part of it.
24:30If you think about it,
24:32Vissousar is a part of it.
24:34What you think is,
24:36the part is the feel
24:38You are always a part.
24:40You also like the insurface.
24:42The insurface is about the insurface.
24:44You know and even if you look like the insurface
24:46Like in the insurface,
24:48you do have a feel like this.
24:50Like the insurface is on the insurface.
24:52All you have to learn is a part of it.
24:54The insurface is a part of it.
24:56How do you see the sound?
25:01No, it's not that sound.
25:03In a press meet, Sam has a lot of sound and music.
25:09No, it's not that sound.
25:11What do you mean?
25:13There is a scene that is very dull.
25:16There is a scene that is in the editing table.
25:21You can do whatever you do.
25:25There is a scene that is full of music.
25:28There is not a scene.
25:29There is a lot of music.
25:31There is a lot of music.
25:32That is what we do.
25:33Let's go to the theater.
25:35Let's go to the theater.
25:37Let's go to the theater.
25:39Let's go to the theater.
25:41Let's go to the music.
25:43We can do music every 7 minutes.
25:46We can do music continuously.
25:48We can break out.
25:50It's psychological.
25:52Music continues to play.
25:54We can do music every time.
25:57We can do music every time.
25:59We can do the details.
26:02We can do the details.
26:03It's a lot of music.
26:06It's a lot of music.
26:08It's a lot of music.
26:09We can do music every time.
26:11You can do music every time.
26:12You can do music every time.
26:13But you can do music every time.
26:15So, you can do music every time.
26:17Who are you talking about?
26:18Baratwai Sari.
26:19Vidhyasagar.
26:20They are all coming out.
26:21But they got a lot of their work out.
26:23So that's why we are working out.
26:25Now, if we don't have any other work out of this, we don't get any other work out.
26:27Now, I'm going to listen to a new tune.
26:30And I'm like, oh, it's not going to be hit.
26:32So now, we are going to listen to the music and we have to do the music.
26:34That's why it's a good part.
26:35That's why it's a good part.
26:37That's a really good part.
26:39So we have to ask a composer to listen to the music.
26:41There are some of them who have missed it.
26:43But this is not the same way.
26:46So now, if you want to listen to the music and we are doing something,
26:49Adra, Kudra, Vetra...
26:53That's how I need to stay here.
26:54Okay.
26:55Then if you see the same thing in Kaidi Kabro, okay, sir,
26:56you can see that guys when you're in the comments.
26:59Can you talk about this?
26:59Let's talk about the release time.
27:02Really, we'll talk about that before.
27:03Kaidi 2, I'm in the comments.
27:05Kaidi 2, I've got you?
27:06I don't know.
27:06Well, I've got you in the comments,
27:07I'm saying thatiza he has got you.
27:09I'm saying you've got you in the comments.
27:11I said it.
27:12No, he didn't realize it.
27:14No, he doesn't come out.
27:15They say anything else.
27:17That's how I'm going to say.
27:18We will bring it to the people who are in the country.
27:20We will be able to do the entire country.
27:22Because it is an input to the country.
27:25It is important to know the story.
27:27If we are doing a music,
27:29we will ask not to speak about biriyane music,
27:31but it is not that one.
27:33It is a music that is a music that is a music that is in jail.
27:39If you are using a music that is a music that is not a music that is a music.
27:42So, if we want to talk about that,
27:45I don't know how to do that.
27:51Compose making is that right?
27:53100%
27:56Okay fine.
27:57Are you going to make a song?
27:59Do you mean you have songs?
28:01Do you want to make your songs?
28:04No, I don't know.
28:07What do you say?
28:10The songs are not coming.
28:13There are songs that are going to be in the same place.
28:16Comedy is not going to be in the same place, but it's not going to be in the same place.
28:20What do you think about this part?
28:22seizesseFact.
28:40I didn't remember it since I gotamento.
28:45It was four-승s & so,
28:49she kind of came in.
28:50That's the Illyraja sir voice.
28:53Yes, yes, yes.
28:54That's why we started the Illyraja sir voice.
28:58So, that's why we started the Illyraja sir voice.
29:01So, we started this party.
29:03Did you tell us about our style?
29:06Yes, that's why we started our style.
29:08Okay.
29:09So, are you a composer?
29:12Are you talking about what you're talking about?
29:14No, I'm not saying that.
29:15I'm not saying that.
29:17I'm saying that.
29:18That's why we are talking about our hero.
29:22I'll tell you.
29:23Okay.
29:24Now, we are talking about our character.
29:27Yes, yes.
29:28If you are talking about our character,
29:30we are talking about our character.
29:32That's why we are talking about our character.
29:34Yes, that's right.
29:35So, we are talking about the Illyraja style.
29:38Please, please.
29:40Yes, please.
29:41Please, please, I am not saying that.
29:43You will be talking about the Illyraja style.
29:44Thank you very much.
29:45That was the reason why we are talking about a quality,
29:47if you are looking at our character.
29:48That's right.
29:49That's right.
29:50Wow.
29:51Actually, we are talking about the time is not the time.
29:52That's right.
29:54Wow! Actually, there is no time.
29:56It's because of the cut-off.
29:59I've been doing a lot of this interview.
30:02I'm waiting for you to wait for a concert.
30:05I'm waiting for you to wait for a time.
30:07I'm going to send you a message.
30:09I'm going to send you a message.
30:11I'm going to send you a message.
30:13I'm going to send you a message.
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