- avant-hier
في أغسطس 1977 بدأت سلسلة من الأحداث الغريبة والمرعبة في الحدوث في منزل يبدو عاديا في إنفيلد شمال لندن
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00:00This video is brought to you by S.T.A.R.
00:30Oh my God.
00:37Oh, I'm so hungry.
00:40If you're not, here I come.
00:44Oh, it's there.
00:46Oh my God.
00:51Oh my God.
02:00One night, the parents are out and she's lying in bed.
02:05She can hear this drip, drip, drip.
02:09She gets out of bed and goes to the bathroom and turns off all the taps, gets back into bed, a bit scared, sticks her hand under the bed and the dog licks it.
02:20But she can still hear it. Drip, drip, drip.
02:27Drip. So she gets up and goes to the kitchen, makes sure the tap there is turned off properly, gets back into bed, sticks her hand under the bed, dog licks it.
02:39But she can still hear it. Drip, drip, drip.
02:46And now she realises it's coming from the wardrobe in her bedroom.
02:50Terrified, she gets up, goes over to the wardrobe and opens it.
02:57The dog is hanging from the rail. Blood dripping from its slit throat.
03:05And written on the back of the wardrobe. In blood. Humans can lick to.
03:14That's rubbish.
03:16That's rubbish.
03:20It's not rubbish, she was terrified.
03:22It wasn't.
03:23I'm going to sleep.
03:28Drip. Drip, drip.
03:32Drip. Drip. Drip.
03:36What if the dog's in there with his throat slit?
03:39We don't have a dog.
03:40Oh my God, what's that?
03:48What was that?
03:49Maybe she should take the day off.
03:51I can look after.
03:52People took a day off every time they got the kurt.
03:54The whole blooming world would blame her at Holtz.
03:57Because Margaret knows what to do and has given her the necessary.
04:00Just have a look.
04:00Have a nice turn, Johnny. See you at Christmas.
04:03So that's only if you survived the first day of big school.
04:05Get out of your chair or I'll bang your heads together.
04:08No!
04:22Monsters.
04:25Nervous?
04:26No.
04:28I was just thinking, why wasn't there any clothes in the wardrobe?
04:33I mean, how come she could see the writing on the back?
04:37I don't know.
04:39Maybe the liquor was wearing them.
04:40Oh, pervert.
04:46You can hang around with me if you like.
04:48I'll bloody kill you!
04:57It wasn't me!
04:57I'll bloody kill you!
05:11It wasn't me!
05:11Billy uses it all the time.
05:19You...
05:19Maybe it was Johnny.
05:21Blame the one who isn't here.
05:23Look, no more!
05:24Do you hear me?
05:24I have got enough to deal with as it is!
05:27What does it feel like?
05:36Like someone's yanking on your insides.
05:39You don't feel the bleeding.
05:41You feel the pads getting heavy.
05:42Is that having mud in your pants?
05:44Oh!
05:45Quiet in there!
05:47Night.
05:48Sleep tight.
05:49Don't let the bed bugs bite.
05:50Oh, stop it.
06:01I'm really tired.
06:02You stop it!
06:10It's not funny more, Flip.
06:12I'm not doing anything.
06:14I'm not doing anything.
06:20I'm not doing anything.
06:22Janet.
06:28Hold my hand.
06:29Come on, you bleeding hands.
06:30That's not my hand.
06:33Oh, piss off.
06:42This is your kill you.
06:46It's inside the room.
06:50What is wrong with the both of you?
06:56Haven't we all had enough of the day already?
06:58The same bed.
06:59It's bad enough wearing your sails there.
07:00And I think it's...
07:20Watch me, watch!
07:27Oh, dear, dear.
07:33Oh, brave God.
07:36Oh, that was a bit of a nasty shock, wasn't it, eh?
07:39It hurts.
07:41Well, let's have a look, shall we?
07:43Am I bleeding?
07:50Bear dreams?
07:54No.
07:58Did you dream about her?
08:00No.
08:01Any plans for the day?
08:13Hello?
08:15Oh, yes, yes, this is Morris Gross, yes.
08:18Oh, oh, right, then.
08:21Oh, thank you, thank you for thinking of me, SBR.
08:26Well, I'll...
08:27No, of course, I'll do my best.
08:29Thank you very much.
08:30Goodbye.
08:34Oh, something's come up.
08:35Oh, you have to go then, Morris.
08:37Yes, yeah, yeah, no, of course, yes.
08:38Yeah.
08:39Oh, it's probably nothing, but...
08:47Yeah.
08:49All right.
09:00Hello?
09:01Ray?
09:02Yes, Ray?
09:03I have to see you.
09:05I have to see you.
09:35That's a domino.
09:38Mm.
09:39There's a marble.
09:40And that.
09:41Look at their hands.
09:43Has your paper published these yet?
09:45No, they're waiting on more of a story.
09:47We didn't know else to call.
09:48They'd already tried the police.
09:51Here they are.
09:52Margaret, Janet, Billy.
09:55Morris Gross, from the Society of Psychical Research.
09:58The cavalry's arrived.
10:00Janet.
10:02What?
10:05I'm Margaret and Billy, if I got that right.
10:08Mr. Bentz was just telling me that you've had the police here.
10:12For all the use of that was.
10:13They didn't believe us at first.
10:15Then that check, I met the lady police officer.
10:17Thought she was going to piss herself.
10:19Janet!
10:19To be honest, I'll read it at one of them sent us if it wasn't for the police.
10:23No.
10:23Gives the story credibility.
10:25No offence.
10:26No.
10:32No.
10:33No.
10:37No.
10:38Redecorating.
11:03It's been like that since Dad left.
11:17Thought you said it was brand new.
11:23Don't know what's wrong with it.
11:26It was working fine.
11:31What are you doing?
11:51Grandma, do you photograph that?
11:53I'd like to have a copy for my own files.
11:55Is this what you do for a living?
11:57I have a business. Inventing things.
11:59So, what's the Society of Cyclical Research then?
12:03Psychical research. It's a group of people who are interested in this sort of thing.
12:07How come we got you?
12:09Well, I've been pestering the secretary for some time for a case and I don't suppose everybody can afford to take the time off.
12:16Are you rich?
12:17Janet Hodgson?
12:18Janet Hodgson?
12:19What sort of question is that?
12:20You mind your manners? Get in that bath.
12:24You got any of this to grow?
12:30Three.
12:31Three.
12:32Oh, it's nice.
12:33I'm making Johnny's bed up for you, if you ever want to kick something off.
12:36Oh, very kind.
12:38One, one, one, two, one, two
12:45I don't know.
13:15Now, this knocking, Margaret, how many at a time?
13:28Three.
13:29No, first it was in fours, then threes.
13:33I'm interviewing Margaret now, Janet.
13:35I'll do you later if that's all right with you.
13:38Why does she get to go first?
13:39You were in the bath.
13:40Why do we always have to use her disgusting bathwater?
13:43Because I'm the oldest.
13:45Have a nice bath, Billy.
13:48The water's lovely.
13:49The water's lovely.
13:50The water's lovely.
13:54The water's lovely.
13:55The water's lovely.
13:57The water's lovely.
13:59It was the water's lovely.
14:01The water's lovely.
14:01It's the water's lovely, Peer.
14:03The water's lovely.
14:06I don't think so...
14:09But of course, you should.
14:11With the water's lovely, we have the water.
14:13Have a nice bath.
14:14Billy?
14:44Billy?
15:12Billy?
15:25Billy?
15:31Billy?
15:35Billy?
15:36What happened?
15:37Horrible. Oh man, I saw him through that.
15:42Shh.
15:43It's all right.
15:45Let's see.
15:47Okay.
15:53I saw it.
15:57It's cracked.
15:58I saw something horrible.
15:59We shouldn't have been looking through it. It's not yours.
16:01So, the night that it happened.
16:08Are there lots of photographs around?
16:10No, it's a pretty rare phenomenon.
16:13How many have you seen?
16:14Hold on a minute. Who's asking the questions here?
16:19How did anybody get any sleep here with that canary going on all the time?
16:23He only sings when there's someone in the room. At night, zip.
16:27My turn. What are your pills for?
16:29What pills?
16:29You run when you walk.
16:32Old bones.
16:33Liar, liar. Your pants are on fire.
16:36I do have old bones.
16:39And I've also got a thing called angina.
16:42That's what the pills are for.
16:44It's a sort of tightening of the chest, you know.
16:47I get tight in my chest sometimes.
16:50Like, there's a scream inside that can't come out.
16:53It's a sort of a carbone.
16:55The physical weapon.
16:57If it's not Ooh, it's Luke.
16:58If it's Washington, it's another gun.
16:59It's not a April Bad 9000.
17:00It's a dream.
17:01Oh yeah.
17:02It's half a day.
17:04It's a fact that you don't stay outside.
17:06You don't have the 1942 had to see it.
17:12punk
17:13The half a day surprise first.
17:14You don't have the탕.
17:15This motherfucker.
17:16I don't know.
17:46Oh, dear me. What's happened here?
18:08I'm getting in with Mum.
18:09Don't go! Baby, what happened again?
18:11I was asleep and then crashed and it was over there.
18:18I'm getting in with Mum.
18:21I'm getting in with Mum.
18:30I was only doing it to you, believe me.
18:58It's like you never will.
19:02Just get some sleep.
19:28Just get some sleep.
19:58I'm getting a bit long in the tooth, the grandmother's footsteps.
20:26I saw it as clearly as I can see you now.
20:46And you're not just saying it's because you broke the teapot.
20:49Janet!
20:50Oh, God!
20:52My first ever cover story.
20:54Oh!
20:54Thank you very much.
20:55Well, let's have a look.
20:57Oh!
20:58I don't think they mess around with your poach too much, Marius.
21:02And look.
21:03Sure is.
21:04Here we are.
21:06Nice one of you, Janet.
21:08Look at you!
21:09Fair enough to eat your heart out.
21:10It wasn't me.
21:19It was the poltergeist.
21:20People.
21:23I'm not doing nothing.
21:25Must be the poltergeist.
21:27Didn't ask for it.
21:28So, why do you look so fucking pleased with yourself?
21:32That's you, isn't it?
21:34A strange happening.
21:37Pick up your mess.
21:38Why don't you get the poltergeist to help you?
21:51No!
21:51No!
21:51No!
21:52No!
21:52No!
21:52No!
21:53No!
21:53No!
21:54No!
21:55No!
21:56No!
21:57No!
21:58No!
21:59No!
22:00No!
22:01No!
22:02No!
22:03No!
22:04No!
22:05No!
22:06No!
22:07No!
22:08No!
22:38No!
22:39No!
22:40No!
22:41No!
22:42No!
22:43No!
22:44No!
22:45No!
22:46No!
22:47No!
22:48No!
22:49No!
22:50No!
22:51No!
22:52No!
22:53No!
22:54No!
22:55No!
22:56No!
22:57No!
22:58No!
22:59No!
23:00No!
23:01No!
23:02No!
23:03No!
23:04No!
23:05No!
23:06No!
23:07No!
23:08No!
23:09No!
23:10No!
23:11No!
23:12No!
23:13No!
23:14No!
23:15No!
23:16No!
23:17No!
23:18No!
23:19No!
23:20No!
23:21No!
23:22No!
23:23No!
23:24No!
23:25No!
23:26No!
23:27No!
23:28No!
23:29No!
23:30No!
23:31No!
23:32No!
23:33No!
23:34No!
23:35Sunny!
23:36No!
23:37No!
23:38No!
23:39No!
23:40No!
23:41No!
23:42No!
23:43No!
23:44No!
23:45No!
23:46No!
23:47No!
23:49versuchen
23:50have you?
23:52Well relax's Janet.
23:53Just just let the thoughts
23:54eb from your mind.
23:56Like um,
23:57like water going down a plug hole.
23:59Every new thought comes along
24:03None.
24:09That's okay.
24:11We can learn together.
24:17Front door.
24:19Hello?
24:21Maurice Gross?
24:23Yes.
24:25Guy Playfair, how do you do? I'm a colleague of yours at the SPR.
24:27Yes, yes, of course.
24:29I saw the mirror, thought maybe you could use a hand.
24:31Oh.
24:35Guy Playfair, is that your real name or is that just a few books?
24:39For my books, I use Guy Lyon Playfair.
24:41You play fair with me, I'll play fair with you, okay?
24:47Play fair.
24:49So, are the poltergeist in Brazil different from the ones here?
24:53Well, let's just wait and see, shall we?
24:55Can you pop the kettle on for us?
24:59Guy.
25:00It's a spirited thing, isn't it?
25:02I thought there were four of them.
25:03Well, the older boys at residential school.
25:05Boarding school.
25:06Behaviour problem.
25:07Oh, right.
25:08That little chap, I can't make out a word he's saying.
25:10Billy, well, he has a speech impediment.
25:11Oh, good.
25:12I thought it was me.
25:13Listen, I hope you don't think I'm butting in.
25:15No, no, no, no, no.
25:16I'm glad for the help and the expertise.
25:19Please.
25:32What's it do?
25:33Just imagine it isn't there.
25:34Ow.
25:35Uh-oh.
25:36Ow.
25:37Stop that.
25:38Stop that.
25:39Stop that.
25:40Stop that.
25:41Stop that.
25:42Stop that.
25:43Stop that.
25:44Stop that.
25:45Yeah.
25:46Yeah.
25:47What you have to do,
25:48you have to do,
25:49you have to do.
25:50My dad, you have to do it.
25:51All elles, you have to do it.
25:52Where they are.
25:53Let go.
25:54Go.
25:55What is it?
25:56What are you doing?
25:57Oh?
25:58Who has to do it in this house?
25:59Oh.
26:00What is it?
26:01We have to do it.
26:03You have to do it.
26:04I know.
26:05What is it?
26:06My dad, why are you doing it?
26:07I know.
26:08You're a Fasten, what is that?
26:10Was it going to wear up the door?
26:11Right.
26:12How are you doing it?
26:13I know you're halfway up.
26:14What is it?
26:15Hey.
26:43Oops.
26:45How does it get them to fall from that height and just stop dead?
26:51It?
26:52The public eyes.
26:53Oh, for goodness sake.
26:54We saw it.
26:55I saw naughty children throwing marbles.
26:57But did you, though?
26:59And tell me, how can it, or they, get one to go over that light,
27:04hit that lamp with such velocity that it destroyed it?
27:07You saw that.
27:08Now, forgive me, Guy.
27:09One thing I know is trajectories.
27:11The six years in the Royal Artillery in the war.
27:14Hold the front page.
27:16Marble behaves oddly.
27:17Another strange happening.
27:19It is strange.
27:20Yes, but you don't go running to the papers bandying around the good name of the SPR.
27:23The first time we can't explain something.
27:25I didn't go running to the papers.
27:26They came running to us.
27:27And who called them?
27:28They did.
27:28They were in for the money.
27:30Hot money.
27:31And incidentally, they didn't call the papers.
27:33The neighbours did.
27:34When they'd experienced something.
27:37So that's me, the Hodgians.
27:41Three neighbours, the boys with the mirror, and the woman police officer.
27:44I can tell you about the journalists.
27:45And who is this woman police officer?
27:46For all we know, she's as gullible as you are.
27:52You're not here to lend a hand, are you?
27:54Professor Beloff sent me.
27:59He's worried that you're bringing the august society of which he is president into disrepute
28:06with your credulity and your mirror headlines.
28:09So you're here to close me down?
28:12I'm not looking to make friends, Morris.
28:15Well, I'm going to bed.
28:18You're going to have to put me up.
28:19I'm not looking to make friends, doesn't he?
28:34I'm not looking to make friends.
28:37I don't know.
29:07I don't know.
29:37I don't know.
30:07I don't know.
30:37I don't know.
31:07I don't know.
31:37I don't know.
32:07I don't know.
32:37I don't know.
32:39I imagine a canary and all...
32:41I know what it wants.
32:45It wants to help me.
32:47I don't know.
32:51I don't know.
32:53I don't know.
32:59I don't know.
33:01I don't know.
33:09I don't know.
33:11I don't know.
33:21I don't know.
33:23I don't know.
33:24I don't know.
33:33I don't know.
33:35I don't know.
33:45I don't know.
33:47I don't know.
33:49I don't know.
33:50I don't know.
33:51I don't know.
33:53I don't know.
33:55I don't like that thing looking at me.
34:02Come on, let's pop me back in the bed, shall we?
34:08Right.
34:10Jump in there, you get nice and tucked up, that's it.
34:13Just straight.
34:18So, see, what do you mean?
34:20It's that one eye.
34:21Maybe if there was two, it'd be a bit friendlier, eh?
34:24And some sticky-out ears and a big smile.
34:28What was it like in the war?
34:31Well, scary, exciting, boring, slight life, really.
34:37That was a different age.
34:39Food was rationed.
34:41No sweets.
34:42No chocolate.
34:44Tell me a story from them times.
34:46No, no, come on, you don't want to hear about all that.
34:48I do.
34:54Well, it wasn't all bad.
35:04Run up to D-Day, I went to a tea dance, and there was the most beautiful girl that I'd ever seen.
35:13She was dancing with another girl, and I just knew I had to go up and ask her to dance.
35:23She agreed to see me at the same time, same place, next week.
35:32It was the longest week of my life.
35:36That way time came.
35:37I was there, and I waited, and I waited, and, you know, she didn't show up.
35:50I hadn't got her name.
35:51I didn't know where she lived.
35:53I mean, stupid.
35:54That's what it was like in wartime.
35:56The girl I was meant to be with.
36:06The woman I was meant to be with.
36:13Gone forever.
36:16Just as I was walking away,
36:19she came running around the corner apologizing for being lame.
36:23I proposed to her that day.
36:25Cor, then what happened?
36:28They said it wouldn't last, but here we are, 33 years later.
36:33Come on.
36:34I think it's time to go some sleep.
36:38It's all my fault.
36:41Right before it started, we were playing hide and seek.
36:46It's out of bounds, but I hid in the graveyard at the end of the road.
36:50Maybe something come home with me.
36:53I'll look into it, but...
36:54I don't think that's anything you need to lose sleep over.
36:59You haven't done anything wrong.
37:03Don't leave me alone with it.
37:05What with that?
37:09It.
37:09I won't.
37:10Come on.
37:14I won't.
37:16Come on.
37:16Now tell me, how can a girl sleep in her bed do that?
37:46Of course, just because it's the whole street doesn't mean it isn't a poltergeist.
38:06The government and the unions would love that. They'd give them a break from blaming each other.
38:12I get the impression that you don't want there to be a poltergeist.
38:16No, it's not that. It's not that at all, although I wouldn't wish a poltergeist on anyone.
38:22It's just that I, um, what I don't want is people whipping themselves up into a frenzy over things that can be explained away quite easily.
38:29Tell me, um, tell me about one of your cases in Brazil.
38:39Well, there's a village about 200 miles west of São Paulo.
38:47No power cuts there. There's no electricity.
38:56Well, there was, supposedly, was a house possessed by spirits.
38:59Most of the attention was centered around this 13-year-old boy, Braulio.
39:03And he had such a sort of wide-eyed innocence that, of course, I was insanely suspicious.
39:12Even when I saw him nearly choke to death, as he sicked up a half-alive frog, tears of shock in those wide eyes, I thought, it's a trick.
39:24It's a conjurus trick.
39:28But?
39:28Well, um, then I saw him levitate.
39:34I saw him slam repeatedly against the wall.
39:37And he would vomit out far much things than a frog.
39:42What happened?
39:45Um, he died.
39:47God, how awful.
39:50Don't worry, I don't think we're dealing with anything like that here.
39:53Because he's Enfield?
39:54No, because high-spirited girls have been pulling these sort of pranks for centuries.
39:58It's impossible to believe it.
40:03So you see it for yourself.
40:04That's what I always say.
40:12So how long have you been a member of the society?
40:15Uh, it was just after our daughter died.
40:18So that's, that's just over a, over a year now.
40:22Your daughter died a year ago?
40:24My God, what a ghastly, Boris.
40:26I'm so sorry.
40:28Did you, uh, did you know it was coming?
40:33Uh, bolt out of the blue.
40:35Late night phone call.
40:37Every parent's worst nightmare.
40:38She'd been running back of her boyfriend's motorbike.
40:41So there was an accident.
40:43The thing is, almost immediately afterwards,
40:46we felt, and other members of the family,
40:49that Janet was trying to contact us.
40:51Janet?
40:51Yeah, that was my daughter's name.
41:02Oh, there we are.
41:03Oh, there we are.
41:12How could you not mention that your daughter was called Janet?
41:14Well, it's not relevant.
41:16Oh, it is.
41:19It is, one might say, it is the relevant fact.
41:22It's grief.
41:23Hang on a minute.
41:25When people scream poltergeist,
41:26the first question I always ask is,
41:28what's the payoff for them?
41:30I couldn't be clearer.
41:31You're running away from your grief.
41:32I saw a teapot move on his own accord right there.
41:37You see what you want to see.
41:39You see what you want to see.
41:40A silly old man and Guy Lyon play fair,
41:42the great expert.
41:43I am the expert.
41:47This is over.
41:54You're a journalist.
41:55If this is fraud,
41:57then you should be able to find proof of fraud.
42:00All right.
42:02All right, I'll stay.
42:03I'll find out what's really going on.
42:04On one condition.
42:05You're not here.
42:09I can't do that, no.
42:11I promised Janet I wouldn't leave her alone.
42:14Well, you wouldn't be leaving her alone.
42:15You'd be leaving her with me.
42:19Right.
42:27It's just for a bit.
42:32No.
42:46No.
42:50No.
42:51No.
42:53You...
42:53I don't know.
43:23I don't know.
43:53I don't know.
44:23I don't know.
44:54The Enfield Haunting makes your Sunday night on Sky Living HD.
44:58Watch part two next week at nine.
45:01Make sure you add it to your planner now.
45:03Or if you can't wait till then, you can watch the whole series right now on demand.
Recommandations
45:16
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À suivre
1:27:25
1:27:45
6:40
5:16
6:44
4:26
4:26
42:19
42:57
42:21
42:53
42:50
42:20
42:32