- 2 days ago
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😹
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00:00:00The
00:01:47Kim, put your head back slowly.
00:01:50More.
00:01:51That's it.
00:01:53Now move it forward again.
00:01:58Okay.
00:01:59That's good.
00:02:00Look to your left, Kim.
00:02:01And keep laughing, all of you.
00:02:04Remember, you want to be possessed, Kim.
00:02:07Good.
00:02:08That's it.
00:02:10That's it.
00:02:11Keep laughing.
00:02:12Good.
00:02:12Sexier.
00:02:13Make it sexier.
00:02:14Just a few more, then we can stop.
00:02:23Keep it up.
00:02:24Your water nymphs.
00:02:24Have fun.
00:02:25You're drunk with desire.
00:02:26Touch your lap.
00:02:27Move around more.
00:02:27Offer yourself, Kim.
00:02:28You love it.
00:02:30You too, Christine.
00:02:31That's it.
00:02:31Good.
00:02:33More abandoned.
00:02:34Let yourself go.
00:02:36Surrender to pleasure.
00:02:37Now, Kelly, take her around.
00:02:39You think it was a bright idea?
00:02:40Were you shooting that story with Kim?
00:02:42Yeah, I think so.
00:02:44Even if it's not the same thing.
00:02:46Oh, Tommy knows his work.
00:02:48And Kim's beautiful.
00:02:50But you were something else.
00:02:52I'm getting cold in here.
00:02:53Don't show it.
00:02:54You're supposed to be hot.
00:02:55I can't believe it's been three years.
00:02:57It's more like a lifetime.
00:02:59Where's the makeup artist?
00:03:01Okay, come on out, girls.
00:03:05Evelyn!
00:03:08Evelyn!
00:03:10Where's the makeup girl?
00:03:12I don't know.
00:03:12I guess she's inside.
00:03:14What do you mean she's inside?
00:03:16Here I am.
00:03:16Oh, finally.
00:03:17I'm not paying her to sit on her ass.
00:03:19Look, the girl's makeup is running.
00:03:21Do you mind getting to work?
00:03:23How come your brother always gets a man?
00:03:24Come on, let's go.
00:03:25Look, we're losing the light.
00:03:28Here, Kim, let me help you.
00:03:30Gloria.
00:03:31Oh, hello, Mark.
00:03:32I'm watching you.
00:03:33You are?
00:03:34Yes, and I'm going crazy.
00:03:37If I told you I was playing with it,
00:03:40would you come over and help me?
00:03:42No, don't be angry.
00:03:44It's not true.
00:03:45Don't hang up.
00:03:46I just have to tell you how beautiful you are today.
00:03:48More than usual.
00:03:50Are you wearing your panties now?
00:03:54No, don't be dangerous.
00:03:54Don't hang me down your skirt.
00:03:56You don't know how much pleasure I get just watching you.
00:03:59Do you want to let me see you in the nude?
00:04:02I'd be forever grateful.
00:04:05Listen, Mark.
00:04:06You've been watching a show right under your window that isn't so bad.
00:04:10Be happy with that, huh?
00:04:11You're not like those others, Gloria.
00:04:14You could put out my fire, all right.
00:04:18You're a sex goddess.
00:04:19You make my member throb with desire.
00:04:21Who wants to penetrate your flower and explode?
00:04:23This is getting boring, Mark.
00:04:25And you're not very funny.
00:04:31Outline her upper lip a little more.
00:04:33Here.
00:04:33Do you have much more to shoot?
00:04:35Oh, a couple of hours.
00:04:37I'd say less.
00:04:40The light's going.
00:04:42Come on.
00:04:43Then I'll go inside and help Evelyn.
00:04:45You're all staying for dinner, I hope.
00:04:47Oh, quel dommage.
00:04:48Kelly and I have to catch a plane tonight.
00:04:50We have a fashion show in Paris tomorrow morning.
00:04:53Sorry, Gloria.
00:04:55Thanks, anyway.
00:04:56C'est un bon voyage.
00:04:58Au revoir.
00:05:03Okay, Kim, let's start over here.
00:05:05Tony, we're ready.
00:05:07Tony.
00:05:08Tony.
00:05:13This guy had just finished making love with a girl.
00:05:18I'm sorry, he said.
00:05:21If I'd known you were a virgin,
00:05:23I'd have taken more time.
00:05:24But, honey, she says,
00:05:27if I'd known you had more time,
00:05:29I would have taken my panties off.
00:05:33You're right, Roberto.
00:05:37Evelyn, as usual, the dinner was just perfect.
00:05:43What would Gloria do without you?
00:05:47You're the best at everything.
00:05:50Now, now, don't be unpleasant.
00:05:51He doesn't have to work at it.
00:05:53It's a natural gift.
00:05:57Speaking of natural gifts,
00:05:59I found a gift for you.
00:06:01To my darling, Gloria.
00:06:14They're sweet.
00:06:16Well, after that little coup de théâtre,
00:06:18I think I shall be going.
00:06:20Good night.
00:06:22Good night.
00:06:22I'm coming with you.
00:06:25The night is still young.
00:06:26Good night, Roberto.
00:06:34Don't be late, Tony.
00:06:35Tomorrow we'll have to choose the pictures.
00:06:37Okay, boss.
00:06:41Do you need a ride, Kim?
00:06:42No, thank you.
00:06:43I'll stay a while longer.
00:06:44I came with my own car.
00:06:45Hmm.
00:06:46Okay.
00:06:48Aren't you scared to go home on your own?
00:06:51You never know who you might run into.
00:06:54Just as long as he's cute.
00:06:56Listen, honey.
00:06:57There are times when you and I have the same needs.
00:06:59I'm going to bed now.
00:07:05I want to be at work early tomorrow.
00:07:11The next issue has got to be especially good,
00:07:14seeing as you're back with us.
00:07:15I'm sure it will.
00:07:17Good night.
00:07:20See you soon, Kim.
00:07:21Night.
00:07:26Has it been long since you took an interest in the magazine?
00:07:29It's over a year now,
00:07:31since the day of the accident.
00:07:33It's over a year now, since the day of the accident.
00:07:59Do you like talking about it?
00:08:15Why not?
00:08:17You know, the day you married Carlo,
00:08:19a lot of people thought you were only doing it for his money.
00:08:21Well, don't you believe it?
00:08:23I married because I was in love.
00:08:25No other reason.
00:08:30And never once did he ask me to stop posing in the mood.
00:08:33Instead, he gave me the chance to start a magazine of my own.
00:08:36I was the one who decided to stop modeling
00:08:38and put all that behind me
00:08:39because I wanted to be with him
00:08:41and have his children.
00:08:43I was afraid I wouldn't have time for work.
00:08:45Besides, there was Evelyn,
00:08:46always so efficient and ready to help.
00:08:49But maybe Carlo and I were too happy,
00:08:51and fate decided to teach us a lesson.
00:08:53I'll never forget that day he was killed,
00:08:55and a wind came up and his people turned over.
00:08:58He was like a child who was in love with a toy,
00:09:01determined to reach a record of 200 kilometers an hour.
00:09:05Well, he left me well off.
00:09:06The magazine, everything.
00:09:09And the memories of all we shared in this house.
00:09:12Now I have to start to live for myself again,
00:09:15as well as for Carlo.
00:09:16You're right, Gloria.
00:09:17I'm afraid I'd board you.
00:09:28Oh, no, on the contrary.
00:09:31If I didn't have to get up early,
00:09:32I'd stay here all night.
00:09:40You don't have to come with me.
00:09:41I know the way.
00:09:43Ah, it stopped raining.
00:09:45I'll call you tomorrow.
00:09:45Bye.
00:09:47Bye.
00:10:17Bye.
00:10:18Bye.
00:10:19Bye.
00:10:20Bye.
00:10:21Bye.
00:10:22Bye.
00:10:23Bye.
00:10:24Bye.
00:10:25Bye.
00:10:26Bye.
00:10:27Bye.
00:10:28Bye.
00:10:29Bye.
00:10:30Bye.
00:10:31Bye.
00:10:32Bye.
00:10:33Bye.
00:10:34Bye.
00:10:35Bye.
00:10:36Bye.
00:10:37Bye.
00:10:38Bye.
00:10:39Bye.
00:10:40Bye.
00:10:41Bye.
00:10:42Bye.
00:10:43Bye.
00:10:44Bye.
00:10:45Bye.
00:10:46Oh, my God.
00:11:16Oh, my God.
00:11:46Oh, my God.
00:12:17Hello?
00:12:18Your blonde model has just been murdered.
00:12:21Her body's floating in your swimming pool.
00:12:23Do you hear me?
00:12:25You're not very funny, Mark.
00:12:28I'd much rather hear your vulgarity than this stupid excuse to phone me.
00:12:32She was killed with a bitch form.
00:12:35Believe me, Gloria, it wasn't a pretty sight to watch.
00:12:38Didn't you hear anything?
00:12:39No.
00:12:40Well, if you wanted to frighten me, you have.
00:12:45Now, let me get some sleep, please.
00:12:48Too bad you turned the pool lights on.
00:12:50I might have been able to see the murderer's face.
00:12:53It might have been a woman.
00:12:54She had long, blonde hair.
00:12:55Are you listening?
00:12:56Yes.
00:12:57Do you want me to call the police?
00:12:59You're not putting me on, Mark.
00:13:01Oh, no way.
00:13:03Well, shall I call the police or will you?
00:13:04No, wait.
00:13:05Let me go and look first.
00:13:06Listen, Gloria, you better not.
00:13:08You won't like what you see there.
00:13:09Only a wild, crazed animal could kill someone like that.
00:13:12You'd better stay in the house.
00:13:35Evelyn?
00:13:40Evelyn?
00:13:41Evelyn?
00:13:42I'm sorry.
00:14:12I didn't mean to scare you.
00:14:14I...
00:14:14I just went into the kitchen to get a drink.
00:14:17Mark just told me.
00:14:19He said that he saw Kim murdered in the poultry's mouth.
00:14:22And you believe him?
00:14:23That boy's sick.
00:14:24He's sick in the head.
00:14:26Don't pay any attention to him.
00:14:27Go back to bed and forget it.
00:14:30Nothing has happened, I'm sure.
00:14:31Come on.
00:14:32I'll bet on it.
00:14:34Good night, Gloria.
00:14:35Good night.
00:14:37Good night.
00:14:37Good night.
00:14:37Good night.
00:14:37Good night.
00:14:42Good night.
00:14:43Good night.
00:14:43Good night.
00:14:43Good night.
00:14:44Good night.
00:14:44Good night.
00:14:45Good night.
00:14:45Good night.
00:14:46Good night.
00:14:46Good night.
00:14:47Good night.
00:14:47Good night.
00:14:47Good night.
00:14:47Good night.
00:14:48Good night.
00:14:48Good night.
00:14:48Good night.
00:14:49Good night.
00:14:49Good night.
00:14:49Good night.
00:14:50Good night.
00:14:51Good night.
00:14:51Good night.
00:14:51Good night.
00:14:52Good night.
00:14:52Good night.
00:14:53Good night.
00:14:53Good night.
00:14:54Good night.
00:14:54Good night.
00:14:55Good night.
00:14:55Good night.
00:14:56Good night.
00:14:56Good night.
00:14:57Good night.
00:14:57Good night.
00:14:58Good night.
00:14:58Good night.
00:14:59Good night.
00:14:59Good night.
00:15:00Good night.
00:15:00Good night.
00:15:01Good night.
00:15:01Good night.
00:16:02Sit on you!
00:16:13Good morning.
00:16:14Good morning.
00:16:16Good morning.
00:16:17Good morning.
00:16:18Good morning.
00:16:18Good morning.
00:16:20Yes, the lighting's good.
00:16:21Can you use that one?
00:16:22I don't know.
00:16:23I prefer this one.
00:16:24Look.
00:16:25Yes, it's got movement.
00:16:26But so does this.
00:16:27And I like the line of her body.
00:16:29What do you think, Gloria?
00:16:30Oh, they're all good, Roberto.
00:16:33Tony, I know you'll pick the right ones.
00:16:35And Kim is marvelous.
00:16:36Okay, let's go with these three.
00:16:41Yeah.
00:16:42Just a moment.
00:16:42I'll connect you.
00:16:43Oh, before I forget, Evelyn.
00:16:46Kim left her lighter last night at my house.
00:16:49Will you give it to her?
00:16:50Mm-hmm.
00:16:51She'll be happy to know she didn't lose it.
00:16:52Why don't you go into the other office to choose the pictures?
00:16:58Because it's yours.
00:17:00Well, in there I feel like a fish out of water.
00:17:02Well, then put on your scuba gear.
00:17:05There's a shark waiting for you.
00:17:07Laura!
00:17:07I couldn't get her out.
00:17:09She knew you'd come in sooner or later.
00:17:11And so she waited.
00:17:13She's waited in every year?
00:17:15Not quite.
00:17:16But over an hour, for sure.
00:17:18Come on.
00:17:19Find an excuse.
00:17:21She'll just come back another time.
00:17:23Ah.
00:17:23And I was feeling so good.
00:17:25Tear her to pieces, Gloria.
00:17:27Otherwise, she'll tear you to pieces.
00:17:37Ah, welcome back, Gloria.
00:17:41And to what do I owe this pleasure?
00:17:48Are you here for the usual reason?
00:17:50I'd say suffering has enhanced your beauty, my dear.
00:17:53But not my willingness to deal with you.
00:17:56But why don't you want to sell me your magazine?
00:17:59I know there are better things you'd like.
00:18:01For example?
00:18:03Hmm.
00:18:03To live.
00:18:05You might travel.
00:18:06You have plenty of money.
00:18:07Ah, my dear, when I think of how you were
00:18:11when I saw you for the first time,
00:18:14you were so provincial
00:18:15and ready to do anything for money.
00:18:18I had to support Tony and myself then.
00:18:21And as you can see, I did it.
00:18:24It's funny, now you're the one who needs me.
00:18:26Don't you ever think of thanking those
00:18:28who lent you a hand in the past?
00:18:31And who should I thank?
00:18:33Me, for example.
00:18:35You never helped anyone for nothing, Flora.
00:18:37Don't give me that.
00:18:39You're too selfish.
00:18:40But I was the one who got you started in modeling,
00:18:42or you'd have turned into a chief prostitute.
00:18:44You and your brother Tony didn't know where your next view was coming from in those days.
00:18:48Why, if it hadn't been for me, you'd be walking the street.
00:18:51If you hadn't had the good fortune, darling, to have known me.
00:18:55Walking the street, no.
00:18:57A prostitute, maybe.
00:18:59When there's nothing else, even prostitution's a way of keeping alive.
00:19:02How much do you want?
00:19:03And this is funny, you know.
00:19:05Here I am the victor.
00:19:07When you fought off all those men...
00:19:09Oh, my men.
00:19:10They never meant anything more than a Kleenex.
00:19:13Something you use and throw away.
00:19:15Girls are precious, though.
00:19:18You know how to hit someone where it hurts most.
00:19:21I do.
00:19:22And you?
00:19:23When I said I wouldn't work for you any longer, you did everything to ruin me.
00:19:27You even did your best to turn my husband against me with your vile eyes.
00:19:33Well, I'm not selling out, Flora.
00:19:35You better forget it.
00:19:36Now go.
00:19:37Okay, when you're poor again and you're too fat to make out with men, call me.
00:19:42You still have some capital.
00:19:44You know, those pictures you once posed for.
00:19:47I'd always be willing to buy them back again.
00:19:50I'm sure that you'd realize a good profit.
00:19:53Oh, naturally, my dear, I couldn't offer the same price.
00:19:56Those photographs still have some value.
00:20:00But, uh, mostly as souvenirs.
00:20:04There was another souvenir that you wanted from me and never got.
00:20:08And that you begged for.
00:20:10Be careful, Gloria.
00:20:11Don't make me change my feeling for you to hate.
00:20:14I warn you, the hate of a woman can be very bad.
00:20:26I'll be very happy.
00:20:46I'll be very happy.
00:20:48Let's go.
00:21:18Let's go.
00:21:48Let's go.
00:22:18Evelyn, you know you shouldn't drink.
00:22:28It's bad for you.
00:22:29What's wrong?
00:22:30Oh, I found this under the door.
00:22:37Oh, my God.
00:22:40Oh, my God.
00:23:10Take a look at this pitchfork.
00:23:12I found it in the gardener's tool shed.
00:23:13It looks like it's never been used before.
00:23:21Yeah.
00:23:23Strange.
00:23:23I've got a sample of the pool water.
00:23:29Take it to the lab for analysis.
00:23:32Don't think they'll find anything new.
00:23:34Just playing it safe.
00:23:36For the lab, too?
00:23:37Yeah.
00:23:37Any sign of burglary?
00:23:40No, nothing.
00:23:49Did you see him?
00:23:51He looks like anything but a cop.
00:23:53Because you watch television too much.
00:23:57They always make us out to be different than we are.
00:23:59I'm sorry.
00:24:06Forget it.
00:24:07I'm used to it by now.
00:24:08Since I joined the force, my hardest job is to get people to trust me.
00:24:11They usually take me for a hood.
00:24:13Please sit down, Inspector.
00:24:17I questioned that kid, Mark.
00:24:19He didn't try to hold back.
00:24:21He told me exactly what he witnessed here last night.
00:24:24It appears absolutely certain he saw a murder.
00:24:26He's the only witness we have, but I don't think he'll be very useful.
00:24:32All we know is the murderer was blonde.
00:24:34But there are lots of blondes, both men and women, and wigs besides.
00:24:38But why send that photograph?
00:24:40And pose Kim's body in front of a poster of me?
00:24:43And why was she killed?
00:24:44Right here, at my house.
00:24:47If we had the answers to all your questions, the case would be solved now.
00:24:50But by sending that photograph of her here, it looks like it points to me.
00:24:54Why?
00:24:54I don't know.
00:24:56And that's not the only thing that's baffling.
00:25:03It's either a warning or an attempt to implicate you.
00:25:06We'll investigate the background of that model and find out who her friends were.
00:25:09Inspector Corsi.
00:25:09Excuse me.
00:25:10Can I send the men back now?
00:25:12Is that one?
00:25:23And I know that they're fine.
00:25:27Here we go.
00:25:27��만
00:25:27It's a 자주iren.
00:25:28Oh, my God.
00:25:29We're going to see it.
00:25:30We're going to see it.
00:25:31We're going to see it.
00:25:33You're going to hear it?
00:25:34See you.
00:25:35Good morning.
00:25:35I know who it is.
00:25:36Your breakfast is served.
00:25:51You know you shouldn't spy on your neighbors.
00:25:54It's not very nice.
00:25:56Have you finished?
00:25:59I'll do as I like.
00:26:06Your father called from London last night, but you wouldn't answer.
00:26:17He said he'd call back today.
00:26:19Well, tell him I'm out.
00:26:21What about your mother?
00:26:24She's still on vacation, enjoying herself.
00:26:28Anyway, I don't give a good damn about either of them.
00:26:33Oh, thanks.
00:26:36Holy God.
00:27:01The beautiful model's corpse was found this morning in a garbage bin on Via Calderolo.
00:27:06Now, you are the news vendor who discovered Kim's body, whose picture appears on the cover of this magazine.
00:27:11Tell us in your own words how it happened.
00:27:13Well, I just finished enwrapping new issues of Pussycat and was going to put the plastic in the trash bin when I saw her, poor girl.
00:27:19Then what did you do?
00:27:20I called the police.
00:27:22And how did you feel?
00:27:23What was your reaction?
00:27:24Why, I was shocked.
00:27:26I got sick almost.
00:27:27To see her like that, eyes staring at me, bright blood all over her dress.
00:27:31Especially after seeing her so pretty and sexy on that cover picture.
00:27:33What?
00:27:34Hello?
00:27:34It was awful.
00:27:35You heard a pank of murderer, huh?
00:27:37Mark, how can you say that?
00:27:39The one who killed her did you a favor.
00:27:41Your magazine is going to sell like hotcakes now with her picture on the cover.
00:27:45Isn't it?
00:27:46...three years of age and unmarried.
00:27:48Police declined further comment at this moment.
00:27:50Now, back to our studio for the rest of the news on the Good Morning Dealer.
00:27:55A favor.
00:27:57Hmm.
00:27:58Only a sick kid like him could come up with an idea like that.
00:28:03Why do you talk to him?
00:28:06It's just that I pity the kid.
00:28:11Who are you calling, Evelyn?
00:28:13The printer.
00:28:15Ruggiero, is that you?
00:28:17Good.
00:28:18I was afraid you'd already left.
00:28:20Listen, I want another press run.
00:28:23Oh, you'd already figured we'd need one.
00:28:24Good.
00:28:25Yes, that should do it.
00:28:27I'll talk to you later.
00:28:29My God, Evelyn, do you think we should be exploiting her murder?
00:28:32Gloria, you're a publisher.
00:28:33You can't afford to pass up this chance.
00:28:35No, it's a mistake, Evelyn.
00:28:37Gloria, I'm always trying to increase our circulation.
00:28:40And now's the perfect chance.
00:28:41I want you to call Ruggiero back and cancel it.
00:28:43What for?
00:28:45By doing that, do you think it would bring Kim back?
00:28:47You know it wouldn't.
00:28:49So why?
00:28:50Yeah.
00:28:51I think Evelyn's right.
00:28:54Even though the killer didn't mean to do you a favor.
00:28:57How many copies are they printing?
00:28:59Well, come on.
00:29:04Here it is.
00:29:05The printer told me how many they ordered a little while ago.
00:29:08Oh, this is awful.
00:29:16Pour me a martini.
00:29:17Oh, forgive me, Millie.
00:29:28Isn't it a little early to be drinking?
00:29:31It's not quite 9.30 yet.
00:29:33Oh, well, my liver's about to explode anyway.
00:29:35The photographer said he should be finished with him by noon.
00:29:48And you say that Sabrina says she won't be coming back.
00:29:53That's right.
00:29:54She signed an exclusive contract with Pussycat.
00:29:57At double the salary that we offered her.
00:30:01That bitch is getting the best we have.
00:30:05Sometimes you just hit on the right idea by accident.
00:30:15Come on, I'll show you the studio.
00:30:17Fine, I'm curious.
00:30:35Here's the set.
00:30:42Well, what do you think of it?
00:30:44You like it?
00:30:45I think it's fantastic.
00:30:47And this is where I see Sabrina.
00:30:49Lost and alone in a world out of time.
00:30:51Haunted by surreal nightmares.
00:30:54Well, what do you say?
00:30:55It'll cost me a fortune.
00:30:57But how can I say no to you?
00:30:58I knew you'd like it.
00:31:03If you'd brought Evelyn, it wouldn't have been so easy.
00:31:08That's the reason.
00:31:09I only brought you along.
00:31:11Mm-hmm.
00:31:15Oh, I've got to talk to the set designer.
00:31:17Do you mind waiting?
00:31:18How long will you be?
00:31:2015 minutes.
00:31:21Okay, I'll have a look around.
00:31:39Hey, Johnny, you shouldn't scare the girls like that.
00:31:43Yeah, I suppose you're right.
00:31:44But if she's seen you without your makeup,
00:31:47she'd have probably faded.
00:31:48When you see the chief of the other tribe,
00:31:58you pick up your sword.
00:31:58Yeah, but don't forget the last shot.
00:31:59I had the sword like Gloria.
00:32:03Alex.
00:32:04How are you?
00:32:05Fine, and you?
00:32:06Okay, let me look at you.
00:32:08Ah, you're prettier than ever.
00:32:12Oh, listen, I've got a ten-minute break.
00:32:13Oh, good.
00:32:14Do you want to talk for a while?
00:32:14Do you mind?
00:32:15Why not?
00:32:18I didn't recognize you dressed like this.
00:32:23I know.
00:32:24How long has it been?
00:32:26Over three years, hmm?
00:32:27Yeah.
00:32:28And it was my fault.
00:32:30I don't want to rake over the past,
00:32:31but I want you to know that deep down
00:32:33I knew you were the right girl for me,
00:32:34and that if we kept going together,
00:32:36it would have ended in marriage.
00:32:39And the very thought of marriage really scared me.
00:32:41You're born free, eh?
00:32:46There's a right time for everything.
00:32:48And what frightens you today, for example,
00:32:50tomorrow might seem a good possibility.
00:32:53You mean you're saying you're a changed man?
00:32:55You?
00:32:55I could.
00:32:57Ah, you'll never change.
00:32:58You'll be a villain till the day you die.
00:33:01Am I really that bad?
00:33:04No, but it's very disturbing for the girl you're with.
00:33:08I guess with Carlo it was different.
00:33:11Oh, I'm sorry.
00:33:12I didn't mean to talk about him.
00:33:13I don't mind.
00:33:15After all, if we hadn't broken up,
00:33:17I would never have known Carlo.
00:33:18I guess I owe you one, Alex.
00:33:22Well, hang on.
00:33:23I'm about to make you a proposition.
00:33:28Come on, Alex.
00:33:29You've got me on pins and needles.
00:33:31What's the proposition?
00:33:32Am I supposed to believe
00:33:34that a leopard can change his spots?
00:33:37Yeah, why not?
00:33:38A big battle's been changed into a lamb
00:33:41by a very sexy Bo Peep.
00:33:42Oh, Alex.
00:33:48Now, change your expression
00:34:10to one of pleasure.
00:34:11That's it.
00:34:12Good.
00:34:15Thanks.
00:34:16Tony just called.
00:34:17He said the pictures are going to be great.
00:34:20I want you to have a look at the proofs
00:34:21for the next issue.
00:34:23Has Alex called me?
00:34:25Here?
00:34:25No.
00:34:26He's been gone more than a week
00:34:27and he hasn't even called the house yet.
00:34:29Maybe he's having trouble
00:34:30with the phones in Yugoslavia.
00:34:31I know the problems Alex has.
00:34:34They're either blondes or brumettes.
00:34:36Didn't you say it changed?
00:34:38Yes, but I don't know how much.
00:34:40Look.
00:34:41On page one, a photo of Sabrina.
00:34:43On page three, answers to Gloria's letters.
00:34:45Anne Wolf says she's almost finished writing them.
00:34:48And then...
00:34:48Of course you call me.
00:34:51Please don't mention his name
00:34:52or he might come back again.
00:34:54He spent days in here
00:34:55asking us all kinds of questions.
00:34:57Come on.
00:34:59Can we go on?
00:35:03Roberto.
00:35:05I'm going with Sabrina.
00:35:07Hmm.
00:35:07I could see she's the kind of girl
00:35:11who's not exactly lacking initiative.
00:35:14I'll see you later.
00:35:20Tony.
00:35:23Yeah, what?
00:35:25You're going to take her back to our studio?
00:35:27I don't know.
00:35:30Enjoy yourself.
00:35:31It's so hot in here, I can't breathe.
00:35:41The windows are all open.
00:35:43In fact, I'm beginning to feel chilly.
00:35:51Come on, darling.
00:35:53Don't take it so badly.
00:35:55You know, it happens to a lot of men sometimes.
00:35:58Yeah?
00:36:01You must be an expert.
00:36:03You don't have to be insulting
00:36:05just because you're angry.
00:36:06Better to just laugh it off.
00:36:10Yeah, you're right, I should.
00:36:12Guess I work too hard.
00:36:13Let's do it.
00:36:30Hello.
00:36:33Spoleto.
00:36:35Hotel Croazia.
00:36:36Oh, good evening.
00:36:37I'd like to speak with signor Alex Worth.
00:36:40He's an actor. He's shooting a motion picture there.
00:36:47Oh, there's no one shooting a film there now.
00:36:50I'm sorry. Thank you. You're back.
00:36:54Let me know if you need me to pose or for anything else.
00:36:57Yeah, sure.
00:37:05Ciao.
00:37:07Ciao.
00:37:10Ciao.
00:37:40Ciao.
00:37:41Ciao.
00:37:42Ciao.
00:37:43Ciao.
00:37:44Ciao.
00:37:45Ciao.
00:37:46Ciao.
00:37:47Ciao.
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00:38:00Ciao.
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00:38:03Ciao.
00:38:04Ciao.
00:38:05Ciao.
00:38:06Ciao.
00:38:07Ciao.
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00:38:46Ciao.
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00:39:04Ciao.
00:39:05Ciao.
00:39:06Ciao.
00:39:07Ciao.
00:39:08Ciao.
00:39:09Ciao.
00:39:10Ciao.
00:39:11Ciao.
00:39:12Ciao.
00:39:13Good morning, Tony.
00:39:14Hi.
00:39:15I hear sales are booming.
00:39:17They should.
00:39:19Thanks to all the work you've done.
00:39:27I've been calling Sabrina for days.
00:39:29She's probably gone out of town.
00:39:31Perhaps on a job.
00:39:32Just like that?
00:39:34Oh, come on.
00:39:35You know how models are?
00:39:36Yeah, I know.
00:39:37But I find it strange because she was expecting a call from me the next day to let her know how the pictures came out.
00:39:42If she was leaving the next morning, why would she ask me to call?
00:39:48What you're saying is that she asked you to call the night you slept together. Is that it?
00:39:52Oh, no.
00:39:53Oh, no.
00:39:54Oh, no.
00:40:11Not again.
00:40:12She was found this morning by some children. She was in a pond.
00:40:24The coroner says she's been dead a few days.
00:40:27I was probably the last one to see her alive.
00:40:30The last one, no. You're forgetting her killer.
00:40:33What's that strong odor of perfume I smelled on her? It's strange.
00:40:41That perfume helped kill her. Essence of tuberose.
00:40:46You mind explaining, Inspector? How could perfume kill her?
00:40:49It attracts bees. They must have been infuriated first.
00:40:52Then, attracted to the odor on the model's body, they began to sting her.
00:40:56It's certainly a devilish way to murder.
00:41:01What about that photo?
00:41:05You've convinced yourself the killer's real target is you, right?
00:41:08It seems to be obvious now.
00:41:11Look, try not to worry. And don't look for motives, because that's our work.
00:41:15I think from those photos, it's obvious I'm going to be the next victim.
00:41:18And when I asked Corsi, he said not to worry. He'll find the motive, he said.
00:41:21It's my picture with those dead girls. If it's not for that, for what?
00:41:25It's a threat, that's for sure.
00:41:28But maybe he just wants to scare you.
00:41:30But do you think that someone who's already killed two women only wants to scare me?
00:41:35To commit crimes like that, he must be paranoid.
00:41:38One can't guess what he's thinking.
00:41:44But there's something else.
00:41:47There's some detail I seem to have forgotten.
00:41:51Madam, may I go now?
00:41:53Yes, thank you.
00:41:54What were you saying?
00:41:55That poster of me with the dead girls.
00:41:57It's an old picture and only one person could have the negative.
00:42:01Who? Roberto.
00:42:03I gave him all those old negatives to hold that I got back from Flora.
00:42:06You have to tell Corsi.
00:42:07I better not.
00:42:08Why?
00:42:09The police would suspect him at once.
00:42:12They'd slap him in jail right away.
00:42:14Two girls.
00:42:15Both were models.
00:42:16And he's gay besides.
00:42:17He probably doesn't have any alibis for either of those murders.
00:42:20How would you know that?
00:42:21How would you know that?
00:42:23I'm guessing.
00:42:24You know, he spends the night going around looking for men.
00:42:28I didn't want to tell you stupidly.
00:42:29A lot of those negatives and a lot of valuable other stuff was stolen from my place.
00:42:42I'd invited around a couple of kids.
00:42:49Roberto, are you trying to tell me those negatives are in the hands of the murderer now?
00:42:54Probably.
00:42:57But not necessarily.
00:43:00It's not absolutely certain that the negatives the murderer has are the original ones, Gloria.
00:43:05That big poster of you and the shots with the bodies could have been made from a dupe.
00:43:09I'm sorry, I don't understand, Roberto.
00:43:12Technically, there's no problem.
00:43:15All you've got to do is take a photograph of a photograph.
00:43:18You've got as many negatives as you like.
00:43:21Obviously, when you print them, the quality becomes more grainy.
00:43:26But once you've blown it up to six feet by six feet, it's impossible to tell the difference.
00:43:32Then we're back to where we started from again.
00:43:37I hope you're not too disappointed to find out that I'm not the murderer.
00:43:43Oh, no.
00:43:44No, don't think that.
00:43:45I never believed it with you.
00:43:51Don't turn the light on.
00:44:15I
00:44:25Want to admire you Gloria
00:44:45Forced me to murder you
00:45:15Oh
00:45:24Tell me
00:45:26Oh
00:45:42Gloria
00:45:44It's okay. It's okay. Nothing's happened. It's just a bad dream. Oh, God terrible
00:45:56Dr. Lorenz is here. Thank you. You may go hello mark
00:46:07What are you doing I'm taking my daily walk just stretching my legs doc
00:46:18Keep on treating it as a joke and you'll never get out of that chair my boy
00:46:21You quack you think I'm enjoying myself being nailed to this chair day after day. No, I know how much you're suffering
00:46:30But I also know that your paralysis doesn't have any physical cause that's what you say
00:46:36My father my mother is what you all like to think you say. There's no damage to my spine, eh?
00:46:42So you figure all that's wrong is right here in my brain, huh?
00:46:52Therefore
00:46:54It's simply my fault that I'm crippled
00:46:57Sounds like you enjoy playing the victim
00:47:00Yeah, sure I like being that
00:47:05You know doctor you're pretty smart after all
00:47:09The truth is you don't want to walk you have a mental block because you feel responsible for the chintest death
00:47:15Yes
00:47:17Yes, you're right. She hadn't been in my car
00:47:22Jeans you might still be alive
00:47:26And I'd be walking
00:47:29And we didn't have been married
00:47:34My God
00:47:41No
00:47:45Please
00:47:56She work in blue films also
00:47:59Only this one
00:48:01But the public seems to have forgotten it
00:48:04Glory is quite respectable now
00:48:15Do we have to watch anymore? Leave it alone and sit down
00:48:29Good morning
00:48:31This must be important if you've called us all here
00:48:34I've decided to accept flora's offer
00:48:37You want to sell the magazine?
00:48:38I have no intention of working any longer here after all that's happened
00:48:46It seems the best solution
00:48:48But it's not as though you killed them
00:48:50But my pictures with those dead girls are you forgetting that?
00:48:53Or doesn't it worry you?
00:48:54Well, it won't help selling the magazine
00:48:57If the killer wants you it won't solve the problem
00:49:01Or you're going to go somewhere and hide
00:49:03Throwing away all your work and hours won't stop that crazy
00:49:06But if I stay here, she should have killed me
00:49:08But if I stay here, she should have killed me
00:49:36I'ts will call the Weekly
00:49:38I never miss my name
00:49:38If I stay here, I need tolaubWEK
00:49:41Or does it take me here?
00:49:42I don't know
00:49:42I don't know
00:49:44I can stay here
00:49:45JustК
00:49:46You just know
00:49:47It's notaratploys
00:49:50I cantank
00:49:52It
00:49:55Everything
00:49:55It's not
00:49:59Today
00:49:59I
00:50:00I
00:50:01It's not
00:50:03All
00:50:04It's not
00:50:04Hop down
00:50:05If I do
00:50:05I don't know.
00:50:35I don't know.
00:51:05I don't know.
00:51:36That girlfriend of mine is expecting us.
00:51:39But how did you know I'd be coming here today?
00:51:43I know everything.
00:51:45And what I don't know, I imagine.
00:51:48Isn't today the anniversary of Carlos' death?
00:51:50Yes.
00:51:52Yes.
00:51:52Yes.
00:51:53Yes.
00:51:55Yes.
00:51:57Yes.
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01:10:07Gloria, let me in.
01:10:10I have to see you.
01:10:12Evelyn!
01:10:13Evelyn!
01:10:16Evelyn!
01:10:19Gloria!
01:10:22Wait!
01:10:32Gloria!
01:10:34Gloria!
01:10:37Gloria, wait!
01:10:48No!
01:10:50No, please, somebody!
01:10:52Why are you running away?
01:10:56Gloria!
01:10:57I have to talk with you!
01:11:00It's me, Robert!
01:11:05Stop!
01:11:05Wait!
01:11:07Help!
01:11:16Help!
01:11:17Gloria, help me.
01:11:21I'm sorry.
01:11:27Oh!
01:11:32Oh!
01:11:32Oh!
01:11:32Oh!
01:11:32Oh!
01:11:32Oh!
01:11:32Oh!
01:11:32Oh!
01:11:33Oh!
01:11:33Oh!
01:11:33Oh!
01:11:34Oh!
01:11:34Oh!
01:11:34Oh!
01:11:35Oh!
01:11:35Oh!
01:11:35Oh!
01:11:36I can't understand any of this.
01:11:39Roberto obviously must have hated women.
01:11:42And especially you, Gloria.
01:11:44And why did he kill Tony? He liked him.
01:11:46It's difficult to know a killer's mind.
01:11:48But in the department store, what I clearly remember had a woman's voice.
01:11:52No, it wasn't a girl.
01:11:54The voice you heard at that moment might have sounded like a girl's voice.
01:11:58Assuming you're right.
01:12:01Why doesn't the rest of it make sense?
01:12:03That car that killed him, for example, why didn't it stop?
01:12:06Oh, I've got to blot it out, or I'll go mad too.
01:12:22Who is it?
01:12:23This is Mark. I see the police are there again. What kid?
01:12:27How does it feel to be surrounded by death?
01:12:29Stop calling you fool!
01:12:36Our battle seems to have finished.
01:12:58Though you certainly were a tough adversary.
01:13:00I'm sorry, my dear.
01:13:02I'm putting you out to pasture.
01:13:04You know, I suppose I really ought to thank you.
01:13:20I'm getting rid of a lot of bad memories.
01:13:23It's a shame you're so insensitive, Flora.
01:13:25I would have given it to you for the asking.
01:13:27Are you so proud of yourself now?
01:13:31Are you so proud of yourself now?
01:13:31Oh, my God.
01:13:58Eveline.
01:14:11Eveline.
01:14:15Kiel, where's Miss Eveline?
01:14:18She's gone, madam.
01:14:19She took all her things.
01:14:20She left this letter for you.
01:14:22Gloria, forgive me for leaving like this, but I worked for you, not the magazine.
01:14:31So what sense would it make for me to stay on, regretting what we no longer have?
01:14:35Good luck.
01:14:37She must think I have a will of iron.
01:14:39She wanted me to go on with the magazine after all of those killings.
01:14:43Yes, hello?
01:15:09Hello?
01:15:10Okay.
01:15:16Good.
01:15:18Good.
01:15:20Good.
01:15:22Good.
01:15:36Good.
01:15:38Oh, no.
01:15:46Oh, no.
01:16:08Tony, oh, dear God, no.
01:16:38Now it's your turn, Gloria.
01:17:00You can't escape.
01:17:08It's your turn to die.
01:17:13Come out.
01:17:15Show yourself.
01:17:16Kill me if you must.
01:17:17I can't take anymore.
01:17:19It's your turn, Gloria.
01:17:22Now it's your turn, Gloria.
01:17:32You can't escape.
01:17:39It's your turn, Gloria.
01:17:47How would you like to die?
01:17:49The police took the pitchfork I used to kill Kim, and I didn't have time to get more killer
01:17:56bees that liked Sabrina so much.
01:17:59I think of something, maybe on the order of how I did Susan.
01:18:08ahhh.
01:18:18No!
01:18:18Tony!
01:18:19No!
01:18:20It's me.
01:18:21What's the matter?
01:18:26what's the matter don't you like me don't you like me oh no I haven't become a
01:18:41transvestite I'm not even very good at that but why Tony but why you should know
01:18:51glory you're the only one I love I've always loved you since we were kids don't you kill
01:19:01those poor girls what made you do that you ought to thank me yeah that bitch Kim we're trying to
01:19:09take your place as a model and Sabrina your place in bed and I didn't want that that little sales
01:19:14girl Susan was trying to trap me even Roberto wanted to betray me I'm dead Gloria oh everyone
01:19:23thinks I'm dead I could have run away but I figured while you're alive I I'll never be free I want to
01:19:38see you naked one more time no no no no no Tony stop oh no help help
01:19:53and now
01:20:16no Tony please don't ask me that
01:20:27no what you're doing oh yes I do you belong to me only me
01:20:41go on I've always loved you glory every part
01:21:00your lips oh
01:21:07and your tongue
01:21:16and the curve of your white throat that leads to the valley between
01:21:30between those rose-capped hills.
01:21:46Now I want to see them.
01:21:49Nobody else will ever caress your body again, love.
01:22:05No, oh no.
01:22:08No, no, no!
01:22:10Take this off too!
01:22:14I said take them off!
01:22:19Tony!
01:22:40Is my brother alive?
01:22:41Yes, he'll make it.
01:22:43Though I'm afraid he'll need a wheelchair the rest of his life.
01:22:46I'm sorry, Inspector. She's still in shock. She has to sleep.
01:22:50Yes, I'm going.
01:22:53I hope that from now on life will be better for you.
01:22:56We'll see.
01:23:01Get well soon.
01:23:05You must try to sleep now. Call me if you need me.
01:23:16You must catch me.
01:23:24Thank you, Inspector.
01:23:25I'll beekin.
01:23:27I'll beekin.
01:23:28I'm sorry, Inspector.
01:23:29I'll beekin.
01:23:31I love you, Inspector.
01:23:34I'll beekin.
01:23:35I'll beekin.
01:23:37I think he'llszó, er,
01:23:38I don't know.
01:24:08I don't know.
01:24:38Did I frighten you? I'm sorry. I just had to see you.
01:24:49Here.
01:24:51Thanks.
01:24:52Gloria, you won't mind if I phone to tell you that you're beautiful. More beautiful.
01:24:57Of course you can, Mark.
01:25:00Do you know that I'm getting better? I'm beginning to walk a little now.
01:25:05I'm so glad. It's good to see you again.
01:25:08And you... you get better, huh?
01:25:10Yes.
01:25:10Don't forget me now. Promise?
01:25:20I won't.
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