00:00Oh, do concentrate, Glitz!
00:03How many times must I tell you?
00:05We're not dealing with reality!
00:07Why waste your breath on that simple-minded oaf?
00:20Talk to this simple-minded oaf!
00:24Back here.
00:25Fortunately, there is a reality that you and I can both agree on.
00:29The ultimate reality.
00:33Death.
00:35The undiscovered country from whose born no traveller returns.
00:40Puzzles the will.
00:42Hamlet, Act Three, Scene One.
00:45I really must curb these urges.
00:47I have no wish to be contaminated by your whims and idiosyncrasies.
00:52Cut.
00:54We thought we might as well carry on.
00:56Keep talking, fellas.
00:59Right.
01:04Can we do the close-up on the valleyard, then?
01:06Right, from this position.
01:10Just for the undiscovered.
01:12Why do you need a line down in there?
01:14Because we're going to lock off when we haven't shot it.
01:16You're right.
01:17Shoot!
01:18Can we just step back up?
01:20Thanks, Siege.
01:27David, speed.
01:29Stand by then, please.
01:30Nice and quiet.
01:32Shot 17, 19 and 19, eight, eight, one.
01:35Action.
01:37Fortunately...
01:39Could that?
01:42Action.
01:44Fortunately, there is a reality that you and I can both agree on.
01:48You don't have to have any more side on it.
01:50There.
01:51Or the other way.
01:52That's right.
01:53That's right.
01:54That's right.
01:55That's right.
01:56That's right.
01:57That's right.
01:58That's right.
01:59We've got a shadow now.
02:00Clips at speed.
02:01Thanks.
02:02Clips at speed.
02:04It opens up the gap.
02:05Right.
02:07We haven't got a gap there yet.
02:08Any turn?
02:09If you move the gap before this, we've got to cut two.
02:11No.
02:12He...
02:13He...
02:14I'll put the weight on the left.
02:16How's that?
02:17OK.
02:18OK.
02:19OK.
02:20OK.
02:21I'll put the weight on the left.
02:22OK.
02:23OK.
02:24How's that?
02:25OK.
02:26OK.
02:27OK.
02:28OK.
02:29How's that? That's it, now it's a bit too much.
02:32It's your arm, actually, that's the problem.
02:34Well, I'm not taking it off for you, though.
02:42You've got to be...
02:44You've got to be...
02:46There still was the shadow, isn't it?
02:48I'll have your shoulder round like that tomorrow.
02:50Is that all right?
02:52Lean a little bit in, Colin.
02:55Thank you very much.
02:57That's just too far with the elbow.
02:58Shot 19 and 19A, take four.
03:01Now, just lean in across, now.
03:04That's it.
03:05OK.
03:06OK, and eye line.
03:08And action.
03:10The undiscovered country.
03:11Sorry.
03:12Start again.
03:13Sorry.
03:14It's so beautiful, I wanted to see you.
03:18Action!
03:19Come now, Doctor.
03:21How else can I obtain my freedom?
03:24Operate as a complete entity,
03:26unfettered by your side of my existence.
03:29Only by ridding myself of you and your misplaced morality,
03:33your constant crusading, your...
03:36You are.
03:37Cut.
03:38Are you looking at the existing?
03:39Yep.
03:40I'm looking just above it.
03:41Yep.
03:42That car in here?
03:43Yep.
03:44No, it's all right.
03:45No, it's all right.
03:4627, take two.
03:47Action!
03:48Come now, Doctor.
03:49How else can I obtain my freedom?
03:51Operate as a complete entity, unfettered by your side of my existence.
03:54Only by ridding myself of you and your misplaced morality, your constant crusading, your...
04:00Your...
04:01Your...
04:02Your...
04:03Your...
04:04Can he move to his right, then?
04:05This will go right, Mr. Michael.
04:06Come now, Doctor.
04:07Action!
04:08Come now, Doctor.
04:09Action!
04:10Come now, Doctor.
04:11Action!
04:12Come now, Doctor.
04:13How else can I obtain my freedom,
04:14Operate as a complete entity,
04:15Unfettered by your side of my existence?
04:16Only by ridding myself of you and your misplaced morality,
04:21your constant crusading, your...
04:24Can he move to his right, then?
04:31Yes, we'll go back to Michael.
04:34All right, just a little bit of that.
04:41OK.
04:43Same line, Ike.
04:47Yep.
04:49OK.
04:51Twenty-seven, take three.
04:58Come now, Doctor.
05:00How else can I obtain my freedom?
05:03Operate as a complete entity, unfettered by your side of my existence.
05:09Only by ridding myself of you and your misplaced morality,
05:13your constant crusading, your...
05:19Twenty-seven, take four.
05:21Nice and quiet, please.
05:24Action!
05:25Come now, Doctor.
05:27How else can I obtain my freedom?
05:29OK.
05:30Whoop.
05:31Exactly the same eye line.
05:32Yeah.
05:33Cough.
05:34Cough.
05:35Cough.
05:36Twenty-seven, take four.
05:38Take a hot step to your left, Michael.
05:41That's it.
05:43All right.
05:44Stand by.
05:45Nice and quiet.
05:46Action!
05:48Action!
05:49Come now, Doctor.
05:50How else can I obtain my freedom?
05:53Up.
05:54You still want me to use as much voice?
05:56Yes, please.
05:57That's it.
05:59Yep.
06:00All right.
06:01Twenty-seven, six, take one.
06:02Chris?
06:03Yes.
06:04Should we narrow the eye line now?
06:05That's what I thought.
06:06Yeah.
06:07I mean, half as much again.
06:08There.
06:09How's that?
06:10That's fine.
06:11No, that's fine.
06:12That's fine.
06:13That's fine, Ian.
06:14Stand by.
06:15Nice and quiet.
06:16Action.
06:17Come now, Doctor.
06:18How else can I obtain my freedom?
06:19The eye line will be there.
06:20That's what I thought about the eye line, because that was too wide, really.
06:24And now I climb the stairs.
06:25Yes.
06:26Yeah.
06:27I know I climb the stairs.
06:28Stand by. Nice and quiet.
06:31Action.
06:32Come now, Doctor. How else can I obtain my freedom?
06:36The eyeline will be there. That's what I thought about the eyeline, because that was too wide, really.
06:50And now I climb the stairs.
06:53I've done that before.
06:55How's that?
06:58How is the eyeline?
07:09OK, stand by.
07:13This will be eight, though, John, is it?
07:15Seven.
07:1926. Check seven.
07:23Come now, Doctor. How else can I obtain my freedom?
07:27He's over here, Doc. Slippery customer, your other persona. No, he's over there.
07:41No, well, otherwise, it's this nudge. What am I going to do? Whack you in the...
07:44You're looking behind you again.
07:46That's it.
07:48I'm going for one I don't comprehend.
07:52Er, yes, you are.
07:54Can I come back and start?
07:56Yeah.
07:56Because you're reacting to Glitz having told you where he is.
07:59Take this, Peter.
08:00Right.
08:00Thank you very much.
08:01Thanks, Peter.
08:03Right. Nice and quiet, please.
08:05Shot 21 onwards.
08:08Take one.
08:11Action.
08:12What I don't comprehend is why you want me dead.
08:25No!
08:26No, let me rephrase that.
08:27It would satisfy my curiosity.
08:30To now...
08:31To...
08:31Yeah.
08:33Nip.
08:34Nip.
08:34Let's go again.
08:35Nip.
08:36Once more.
08:36No, let me rephrase that.
08:37To know why you should go to such extraordinary lengths.
09:07To know why you should go to...
09:08Nice and quiet now, please.
09:10Ready one to take four.
09:13Action.
09:17What I don't comprehend is why you want me dead.
09:21No.
09:22Now, let me rephrase that.
09:24It would satisfy my curiosity.
09:26To know why you should go to such extraordinary lengths to kill me.
09:32Cut.
09:33Cut.
09:33Cut.
09:34Cut.
09:36Cut.
09:37Cut.
09:38Cut.
09:39Cut.
09:40Yeah.
09:40I was wondered by...
09:43Are we at speed or not?
09:44Actors who did a lot of narrow-die acting.
09:46It's because of the bloody sun.
09:49Let's try it as a split.
09:51And then you can do the thing.
09:53Let's get you side on more.
09:55Me side on as well.
09:56Yeah.
09:58And in a bit.
10:00Me?
10:00Stand by then, please.
10:02We can do a bit of both can't we? You only want it split at the beginning and the end, don't you?
10:08That's okay. Yeah, and then you can touch him if you want.
10:12Who?
10:13You.
10:14Me?
10:15No, Doctor.
10:17But it's quite a good place for you. Why do you want to kill me?
10:20Alright.
10:21Bonk.
10:22We're at speed.
10:24I think the motorboat is too troublesome.
10:26Let's just rehearse it then.
10:28We're actually running two.
10:3021, 6, 5, and...
10:35Hang on, let's just get these split just right.
10:38Move your arm, move your arm attached.
10:40That's it.
10:42Action.
10:46What I don't comprehend is why you want me dead.
10:49No.
10:50No, let me rephrase that.
10:52It would satisfy my curiosity
10:55to know why you should go to such extraordinary lengths to kill me.
11:00Right.
11:01And then he'll disappear.
11:07Someone in back of shot.
11:08Of course, fellas.
11:09Ronnie, Ricky, sorry.
11:10Ronnie.
11:12Oh, do come along, please, chaps.
11:15I'm bored with this and I haven't even done it yet.
11:17Hahahaha!
11:18He's good.
11:19That's it.
11:21Got 28, take one.
11:22Action.
11:23Your constant crusading.
11:26Your...
11:27Idiotic honesty?
11:28Oaf.
11:29Microbe.
11:30Oh, pardon me for trying to help.
11:32Pardon me for trying to help. I'm neutral in this set-up, you know.
11:42We don't want any yet.
11:44Part for shot ten. Now, nice and quiet, please.
11:55Well, let's ask him, shall we?
12:02Thank you. Hold it there, please, sir.
12:17How'd that go?
12:19I thought for a minute...
12:20Can I pull you over your flesh?
12:22Yeah.
12:23We need to have the right place.
12:25Yeah, if you just drop a hand, is there any chance that we can actually...
12:30Pull it off again?
12:33Yeah. Yeah.
12:34Is there a problem?
12:35Hold on.
12:36Yeah. We'll have another go.
12:37It won't take a second just to start this, John, and we'll have another go.
12:41Excuse me.
12:42What did I do?
12:43What? What was that?
12:44What was wrong with it?
12:45It wasn't quick enough.
12:46It's a bit too slow.
12:47No, it wasn't quick enough.
12:49Can you grab it?
12:50Yeah, it was too long.
12:51No.
12:52Yeah.
12:53OK, thanks.
12:54Good.
12:55Steadily and slowly.
12:56OK, thanks.
12:57Good.
12:58Steadily and slowly.
13:065G, shop 10, part of, take two.
13:13Well, let's ask him, shall we?
13:16Thank you, cut.
13:17Hold it.
13:18Hold it there.
13:19Thank you very much, Michael.
13:21You all right, dear?
13:22Yes.
13:23Thanks.
13:24Well done.
13:25OK.
13:26Terrific.
13:27Terrific.
13:28I'm awfully sorry, sir.
13:29I don't seem to be able to locate Mr Chambers.
13:30Yes.
13:31Well, I rather thought you might have some trouble.
13:33Who's that?
13:34Ah!
13:35Don't just stand there, Mel!
13:36Help me!
13:37Unhand me!
13:38Stop!
13:39There!
13:40This is preposterous!
13:41You will regret this.
13:42Mr Chambers will demand an explanation for this indignity.
13:50You all right, dear?
13:51You all right, dear?
13:52Yes.
13:55You all right, dear?
13:56Yes.
13:57Well done.
13:58There's no explanation for this iniquitous, this wicked behaviour.
14:01Well, let's ask him.
14:03Shall we?
14:06Cut.
14:07Look, fellas, we're trying to record something in here and there's a lot of talking.
14:12Right, we've got that.
14:14How it comes off is in the lap of the God, so I'm going to try and go upwards.
14:17It's in the...
14:18Yes.
14:19But it's what I do with it when it's all off in my hand above his head.
14:21What do I do with it?
14:22Just drop it on his left, your right of his face.
14:26Say it again.
14:27On to the floor.
14:28Just your right.
14:29Yeah.
14:30His left of his face.
14:31Right.
14:32Right.
14:33Nice and close to it.
14:34Right.
14:35And let it go bonf.
14:36Okay.
14:37And your hand goes down and goes to his stomach.
14:39Okay.
14:40So we're trying to continue on the shot.
14:43Are we there?
14:45Yes.
14:46Right.
14:485G shot 10 part 2.
14:49Now quiet!
14:50That machine go fast.
14:51Action.
14:52Cut.
14:53Lovely.
14:54Yeah.
14:55Fine.
14:56Good.
14:58Nice expression now, Mike.
14:59Lovely.
15:00Lovely.
15:01Yeah.
15:02Fine.
15:03Good.
15:05Nice expression now, Mike.
15:07Lovely.
15:08You can do it again if you need to.
15:09No.
15:10We don't have to.
15:11That's all right.
15:12Good.
15:13Terrific.
15:14Right.
15:15Okay.
15:16Can we go and get his costume?
15:17Yeah.
15:18The other thing.
15:19Hmm.
15:20You can do it again if you need to.
15:21No.
15:22No, we don't have to.
15:23That's all right.
15:24Good.
15:25Terrific.
15:26Right.
15:27Okay.
15:28Can we go and get his costume?
15:29Yeah.
15:30The other thing.
15:31Hmm.
