Mystery of Barbie by Jonathan Cahn

Success Spark

🎀 “The Mystery of Barbie” isn't just about a toy—it’s about culture, identity, and spiritual influence. In this powerful and eye-opening message, Jonathan Cahn dives deep into the hidden symbolism behind the Barbie phenomenon and how it connects to ancient gods, spiritual forces, and the modern battle over gender, identity, and innocence.   Discover how the Barbie brand has transformed from a simple doll to a global icon—and how this transformation may reveal a deeper prophetic mystery that aligns with ancient paganism and biblical prophecy.   🔥 You won't look at culture—or toys—the same way again!   ⏰ Timestamps with Emojis   00:00 ⏯️ Intro to the Mystery  02:41 🧸 Barbie’s Origins & Cultural Impact  07:10 ⚧️ Gender Identity Themes  10:50 🏛️ Ancient Deities & Pagan Parallels  15:45 🔥 Influence on Children & Society  18:30 📖 Biblical Context & Warnings  22:50 🧠 Spiritual Discernment  24:53 🛐 Final Thoughts & Takeaways   ❓ Why Watch This?   🧠 Gain biblical discernment about modern culture   🎭 Uncover the spiritual forces influencing entertainment   📜 Learn how Barbie ties into ancient pagan symbolism   ⚠️ Be equipped to protect your children from deceptive influence   🔍 Understand how even pop culture can reveal end-time clues   🔥 Hashtags   #SuccessSpark, #JonathanCahn, #MysteryOfBarbie, #BarbieSymbolism, #BiblicalDiscernment, #PopCultureAndFaith, #EndTimeProphecy, #SpiritualWarfare, #BarbieExposed, #PropheticInsight, #BarbieMovie2023, #CultureWar, #FaithAndCulture, #ModernIdolatry, #GenderDebate, #TruthUnveiled, #ChristianPerspective, #IdentityCrisis, #BarbieDeconstructed, #CulturalDeception, #ProtectTheChildren, #BarbieAndSpirituality, #BiblicalWarning, #JonathanCahnTeaching, #BarbieAndBible, #ExposingDarkness, #BarbieDecoded, #ChildrenAndMedia, #SpiritualEyes, #CulturalAwakening   🔍 Keywords    Jonathan Cahn Barbie mystery, Barbie prophecy explained, spiritual meaning of Barbie, Barbie and paganism, Barbie spiritual influence, Barbie cultural impact, ancient gods Barbie symbolism, Barbie movie decoded, Barbie and identity confusion, Barbie and spiritual warfare, Jonathan Cahn Barbie analysis, Barbie hidden meaning, Barbie biblical connection, Barbie deception exposed, spiritual roots of Barbie, Barbie and gender agenda, Barbie and child influence, Barbie and end times, Barbie ancient parallels, Barbie modern idolatry, Barbie and prophecy, Barbie spiritual warning, Barbie hidden message, Barbie cultural mystery, Barbie Bible prophecy, Barbie 2023 explained, Barbie movie truth, Barbie prophecy Jonathan Cahn, Barbie and faith, Barbie Christian truth   🏷️ Tags    Jonathan Cahn Barbie, Barbie mystery exposed, Barbie and end times, Barbie decoded, Barbie prophecy, Barbie ancient symbols, Barbie and pagan roots, Barbie 2023 explained, Barbie hidden meaning, Barbie cultural warning, Barbie and gender crisis, Barbie identity agenda, Barbie Christian analysis, Barbie spiritual roots, Barbie and prophecy, Barbie faith perspective

Transcript

00:0050s, Barbie, but the fact that Hollywood could take that doll and turn it into an attack

00:06on half of the human race, on marriage, on life itself, is a sign of just how sickened

00:12our culture has become.

00:14I'm going to give you a glimpse of just one scene that's going to give an expose to all

00:19the others, and it's going to take it to another dimension.

00:22Ben Shapiro did a review of the movie to show how profound the movie is in its dumbness,

00:27but I'm going to take it to another realm, that of the spiritual.

00:31First, this has to be the most widely distributed anti-man movie ever made.

00:36Never before has there been a major motion picture directed at children, girls, to the

00:41effect of indoctrinating them against men.

00:45Just a few years ago, this motion picture could not even be made as a children's movie, but

00:50it shows you how rapidly our culture is changing, or rather, deteriorating.

00:55What kind of movie it actually is, is going to be revealed in the text from its actual dialogue.

01:03I'm going to read it.

01:04It comes from the lips of Barbie herself.

01:06She says this,

01:08By giving voice to the cognitive dissonance required to be a woman under the patriarchy,

01:16you robbed it of its power.

01:19Let me say that again.

01:20By giving voice to the cognitive dissonance required to be a woman under the patriarchy,

01:26you robbed it of its power.

01:28What kind of human communication is that?

01:31It's not.

01:32It's certainly not normal human communication.

01:34It's the kind of sentence you find in a handbook of radical feminism, or a film made

01:39by Joseph Stalin's Revolutionary Council, or the Arts for the Propagation of Marxist Doctrine.

01:45And that gives you an idea of what we're actually dealing with.

01:48Some people would say,

01:50Well, the movie's just about fun, so why are you treating it so seriously?

01:53Well, that's the point.

01:54It's not about fun.

01:56If it were, you would never have such words and phrases and sentences.

02:00That reveals something very serious.

02:02When you think of entertainment and children's entertainment,

02:05the first two words that come to mind are not cognitive dissonance, or the patriarchy.

02:10No, those are words that are used in propaganda and brainwashing.

02:14And yet it's aimed at your children, particularly at your daughters.

02:18And focusing it all on a doll is a brilliant way to propagandize or brainwash children.

02:24And because children are impressionable, such things do and will have an effect,

02:29as they plant seeds that will impact the future, even of our culture.

02:33What about the continual use of the word patriarchy?

02:37It's presented as something to be taken as an absolute reality.

02:41In this context, it's a buzzword employed in the writings of radical feminism,

02:45as a specter responsible for all the evils in the world.

02:49It's a word used by radical feminists, many of whom hate men.

02:53And that it's used over and over again in this movie is no accident.

02:56Because the movie depicts men as evil or dangerous.

03:00At best, they're presented at the beginning just as jerks, useless, inferior creatures with no real purpose.

03:06And then after experiencing the, quote, real world, the men, the evil creatures that they are,

03:11begin to take over Barbie land.

03:13The men brainwash the women into submission, into being wives, as in marriage,

03:19which radical feminism views as something to be destroyed,

03:22or agreeable girlfriends, another evil.

03:25Why? Because men are evil.

03:27That's what men do.

03:29Men must be defeated.

03:30In this movie, the idea of men and women actually loving each other,

03:34or needing each other, or complimenting each other, is an anathema.

03:38Marriage is rejected for the sake of the sisterhood.

03:41Women must separate themselves from men, in favor of being with women.

03:45Thus, women are not to need men, as they can fulfill all the functions of manhood by themselves without men.

03:52And men, likewise, are not to need women, as they can presumably fulfill all the functions of womanhood by themselves without women.

03:59Now, imagine a movie aimed at boys that depicted women as inferior, useless, and evil creatures that had to be conquered.

04:06And boys or men had to separate themselves from them.

04:08What would be the reaction?

04:10And yet, Hollywood is vilifying half of the human race.

04:14And it's okay?

04:15So the victory here is when the women conquer the men.

04:18How do they do it?

04:19By manipulating them.

04:20Because men are not only prone to evil, but to extreme stupidity.

04:24Into fighting each other.

04:25Since men are always ready to explode into violence.

04:28And all this is a common technique of propaganda films.

04:32Communist propaganda presents capitalists as the problem.

04:35Antagonists bent on evil.

04:38Give them an inch, they'll take over the world.

04:40And they'll oppress and subjugate the common people, the proletariat.

04:44In Nazi propaganda, the problem is the Jews.

04:47Who are also bent to evil.

04:49Give them an inch, they'll take over society.

04:52They'll take over the world.

04:52They'll subjugate the Aryan races.

04:55It's the same thing here.

04:56Except that the antagonists here, the dangerous evildoers, are half the human race.

05:00And those whose existence with regard to women is actually linked to love and family and life in real life.

05:08The separating of man and woman in this movie is not an accident.

05:11Any more than it's an accident that one of the Barbies in the movie is actually a transsexual.

05:17Or that Barbie alludes to gay masturbation among the Kens in a movie aimed at children.

05:23What kind of culture pushes this on children?

05:25A sick culture.

05:26But it goes deeper.

05:28And here's the reveal.

05:29And it's there at the very opening of the movie.

05:32It's all there.

05:33The movie opens up with a scene of girls playing with baby dolls.

05:37The narrator says that since the beginning of time, girls have played with dolls.

05:42But, note the word but, leading into the idea that there's a problem in this.

05:46What is the problem?

05:47She says, but the dolls were always and forever baby dolls.

05:52Always and forever.

05:54Baby dolls are now a problem.

05:56And they were an endless, relentless, interminable problem.

06:01Just as important are the visuals.

06:03The girls are shown with dolls, caring for them as would their mothers, holding them, nurturing them, feeding them, combing their hair.

06:11And interestingly, the girls appear unhappy, somber, or miserable.

06:17As if they're engaged in an act of slavery that they're forced to be part of.

06:21Which is interesting because the scene depicts girls playing with dolls.

06:25Note the word playing.

06:26You play because you want to play.

06:27It's something enjoyable.

06:29Something you want to do.

06:30Fun.

06:30But the film inverts that and depicts the play as slavery.

06:33Another subtext of radical feminism.

06:36And something else.

06:37The opening is taken from Stanley Kubrick's Science Fiction 2001 A Space Odyssey.

06:43That opening.

06:44What does that opening scene focus on?

06:47Apes.

06:48Look at the apes here as they wake up.

06:51So the girls now wake up.

06:53So now the little girls are put into the place of apes.

06:57It's not an accident.

06:58It's not incidental.

07:00It's central to the scene and to the message.

07:02The girls are as apes.

07:05In Kubrick's film, the apes represent the primitive.

07:08So in Barbie, girls who play with baby dolls are represented as primitive, unenlightened.

07:13In other words, motherhood is primitive.

07:15Women as mothers.

07:16Mother and child.

07:17It's a primitive, unenlightened, negative state.

07:20Again, the doctrines of radical feminism.

07:23In Kubrick's movie, to answer the primitive state, an object appears.

07:27It's a monolith, an upright, rectangular stone slab.

07:30The apes are puzzled, disturbed, in awe.

07:33It's there to change them away from their primitiveness, their lowly state.

07:38So to answer the primitive state of women, as in motherhood, an object appears as a monolith,

07:45but it's Barbie.

07:46She stands above them as a colossal goddess, or a towering idol of a goddess,

07:51and she's there to transform them from their primitive state, linked to motherhood.

07:57In 2001, the apes cautiously approach the object, touch it, and back away.

08:01In Barbie, one of the girls, or primitive ape people, cautiously approaches the object,

08:09just like the apes, touches the leg of Barbie, and backs away.

08:13In 2001, the effect of the object is to transform the ape away from primitiveness, apeness,

08:19into enlightened apes, and the enlightened apes use bones to kill other apes.

08:25But in Barbie, the effect is even more profound.

08:28Because in Barbie, she winks at them, the girls are mesmerized and transformed by her spell.

08:33As the ape lifted up the bone to kill an animal or an ape,

08:37the one girl lifts up her baby doll that she's been caring for.

08:42And what does she do?

08:43She smashes the baby doll against another baby doll,

08:47and against the rocks, the head of the baby cracks open, explodes.

08:52You see the decapitated head of a baby against a rock.

08:57Just as the ape smashed the bone into the head of a dead animal carcass.

09:01And so the baby's head is decapitated,

09:03while another baby is smashed into it and onto the ground.

09:07And in every direction is an explosion of flying baby pieces.

09:13In 2001, the ape throws his stick into the air.

09:15So the girl then throws into the air, the sky, the baby,

09:23to transform it into the words Barbie.

09:27This is the opening of the movie Barbie.

09:31It's all there in the very first scene.

09:34All that you need to know about the movie.

09:36It's all there.

09:37It's all exposed.

09:38With all its sugarcoating and pink colors and smiles,

09:41this is the ultimate spirit behind the movie.

09:44And we're going to go even deeper.

09:46We're going to expose it with something even deeper.

09:49I'm going to come back to this scene at the end, but understand it.

09:52We have to look at the mystery of Barbie.

09:55Where did she come from?

09:56Where did she...

09:58What's her origins?

09:59Well, the word Barbie means stranger or foreigner.

10:03Where did Barbie come from?

10:04Came from another land.

10:06She came from post-war Germany.

10:08She was taken from a German doll named Bill Lilly.

10:13Her first appearance is a character with a fortune teller.

10:17Bill Lilly was a form of a sex doll.

10:20She was even sold in sex shops.

10:23Parents considered her inappropriate for children.

10:27She flouted sexual morality.

10:29She was depicted as a sex worker, a prostitute.

10:33So Bill Lilly came to America in the form of Barbie.

10:38Look at the two.

10:44Look at the pattern of Bill Lilly's clothing.

10:47Now look at the pattern of Barbie's clothing when she first appeared.

10:51That's how she first appeared.

10:52It's the same outfit you see in the goddess-like image of Barbie at the beginning of the movie.

10:57You see it in the first image of Bill Lilly.

11:01Yes, Barbie was based on a prostitute.

11:04Now let's go even deeper.

11:05What does Barbie have to do with an ancient Mesopotamian goddess?

11:10I wrote of this key in The Return of the Gods.

11:13When a civilization turns away from God, it doesn't become neutral or empty.

11:18When it turns away from the Spirit of God, other spirits enter into it.

11:22The principle is actually recorded in the Bible in a parable given by Jesus

11:26about a spirit that comes out of a man and then returns to the man with seven more spirits.

11:32So when a culture or civilization that has known God departs from God, drives a spirit out,

11:38the house does not remain empty.

11:40Other spirits enter into it, the same spirits that were cast out of it.

11:44That is the foundation of the book The Return of the Gods.

11:47Now one of the most ancient of these spirits that I reveal in the book

11:52is that of a goddess known in the Bible as Ashtorah or Ashtorath.

11:57In Sumer, she was called Inanna.

11:59In Babylon, she was called Ishtar.

12:02Ishtar was the goddess of sexuality, sexual immorality.

12:06She's depicted, she was always depicted as a young woman.

12:09She was depicted as a young woman on her own, independent.

12:13She was often depicted as taking roles traditionally assumed by men.

12:18She was not the goddess of marriage.

12:20She was rarely linked to marriage.

12:22Her ways were generally averse to marriage or motherhood.

12:26She was the goddess of women who were overall not married.

12:30Her ancient literature was pornographic.

12:33Mesopotamian culture was filled with her images and idols, figurines,

12:37little figures that people kept in their houses.

12:40Girls would have undoubtedly looked up to her as a model.

12:44As with Ishtar, Barbie is also depicted as an iconic young woman.

12:48She's the most widely disseminated figurine of a young woman on earth.

12:54And since the time of the figurines of Ishtar.

12:57Her origins were that of a sex doll as Ishtar was the goddess of sex.

13:02Ishtar was a prostitute goddess.

13:04She was the goddess of prostitutes and a prostitute herself.

13:08So Barbie was based on a prostitute doll, Bill Lilly.

13:12Ishtar was depicted, as said, as a female independent of males who took on roles and functions traditionally assumed by men.

13:20So too Barbie.

13:22Ishtar was rarely connected with marriage or motherhood.

13:25So too Barbie.

13:27A prostitute weakens marriage.

13:28And so the worship of Ishtar was corrosive to marriage.

13:31And the spirit of Ishtar weakened it along with motherhood.

13:34Even in our culture now.

13:35The return of the goddess.

13:36And so the coming of Barbie represents and heralds a turning away from the ideal of marriage and motherhood.

13:43And so the girls open the Barbie movie by smashing their babies.

13:49As Mesopotamian girls looked up to Ishtar as a model.

13:53So modern girls have looked up to Barbie as a model.

13:57Ishtar was famous for having a boyfriend.

13:59His name was Tammuz.

14:00Tammuz was always a secondary character.

14:11Always in the shadow of Ishtar.

14:13In effect an accessory to Ishtar's mythology.

14:17Tammuz and his various incarnations were symbols of emasculated man.

14:22So Ken was always a secondary character.

14:24Always in Barbie's shadow.

14:26An accessory to Barbie.

14:27Ishtar was the active agent in her mythology.

14:31While Tammuz was more passive and bland.

14:34Barbie is the active agent in her lore.

14:37And Ken is the more passive, bland one.

14:40In the return of the gods I open up the ancient inscriptions about Ishtar.

14:44Where it says she grinds away the masculinity of men.

14:48Now look at the Barbie movie.

14:50And look at Ken and the men in the movie.

14:52What does it do?

14:53It grinds away the masculinity of men.

14:56The men there are devoid of masculinity.

14:59The spirit of Ishtar inhabits our culture.

15:02And seeks exactly this.

15:03To grind away the masculinity of men.

15:06And the femininity of women.

15:08Ishtar dominates and subjugates her lovers.

15:11She even destroys Tammuz.

15:13In the movie Barbie.

15:15Ken is vanquished along with the other men.

15:19Ishtar is depicted as defying male authority.

15:22So to the doll from which Barbie sprang.

15:24Ishtar sought to bend, break, and subvert conventions, roles, and moral parameters.

15:30So too did build Lily from which Barbie originated.

15:35What about the term and concept of the patriarchy?

15:38That keeps coming up in the movie.

15:40The movie rails against the patriarchy.

15:41Ishtar or Inanna was the daughter of the ancient god Anu.

15:47He was the head of a pantheon of gods, a patriarchy.

15:51Ishtar or Inanna continually defied the authority of the patriarchy.

15:56And thus the war against the patriarchy.

15:59It was in the 1960s that America began intentionally removing God from its culture.

16:05Barbie was introduced into America just at that moment.

16:08As the 1960s were about to begin.

16:10And it was in the 1960s that her popularity skyrocketed.

16:14Ishtar was the goddess of sexuality.

16:16And it was the 1960s in which came the sexual revolution.

16:20And in which also came the dramatic weakening and destruction of marriage.

16:24The movie advocates that women be separated from men and men from women.

16:27Whether it's Barbie's rejection of Ken and a marriage proposal to be with women.

16:33And the war or separation of men and women in Barbie land comes into play throughout the movie.

16:40In The Return of the Gods I write of the spirits that accompanied Ishtar.

16:45And I share this ancient inscription.

16:47They tear away the wife from the man's embrace.

16:52Again, they tear away the wife from a man's embrace.

16:56And I write in the book,

16:58So the goddess' most dramatic return to the world would be joined to the spirits that separated man from woman and woman from man.

17:07And that would work towards the deconstruction of marriage and the disintegration of the family.

17:12So this spirit and the spirit of the goddess tears man away from women and woman away from men.

17:18They take a wife from a man's embrace and a husband from a wife's embrace.

17:21So the spirit inhabiting our culture now removes men from women and women from men.

17:27In the movie, the women take up all the important roles of society and the men are separated into meaningless pursuits.

17:33So how do you remove men from women and women from men?

17:37You do it through the weakening and destruction of marriage.

17:40You do it through divorce.

17:41You do it by telling men and women they don't need each other.

17:45By telling them that the other is a hindrance to them.

17:47You do it by telling them that they can perform every role of the other.

17:52And you tell them that they can replace the other without the other.

17:55Men can replace women and the functions of women.

17:57And women can replace the functions of men.

18:00You replace them with same-sex sexuality.

18:03Where men separate from women to be with men.

18:05And women from men to be with women.

18:08You replace them by telling them that one can become the other or be transitioned into the other.

18:14That was Ishtar.

18:15And that is the movie Barbie.

18:18The subtext is men and women don't need each other.

18:21And are actually hindrances to each other.

18:23And men should become separated from women and women from men.

18:27And the fact that you have allusions to homosexuality or transsexuality is all part of it.

18:33The movie Barbie is a manifestation of the spirit that's been indwelling, inhabiting America.

18:39Increasingly since the 1960s.

18:41Since the time Barbie came.

18:43Am I saying that Barbie is Ishtar?

18:44No.

18:45But I am saying that the spirit of the goddess will appear and will manifest in a multitude of manifestations.

18:52The gods were icons of their culture.

18:54And so the metamorphosis of American and Western civilization is going to manifest in the changing of its icons.

19:00Barbie is an icon.

19:02And it's a manifestation of that spirit.

19:04And that metamorphosis.

19:05Even the movement away from the dolls of babies and little children to a doll that came from a sex toy is part of it.

19:13It represented the beginning step.

19:14The first step.

19:15The step of women away from motherhood and marriage.

19:17To an existence that had no necessary connection to men.

19:21And that brings us back to that opening scene.

19:24The little girls who under the spell of Barbie turn away from motherhood.

19:29From caring for their baby dolls and instead begin to destroy them.

19:34It all goes with everything else in the film.

19:36Play has a purpose.

19:37It prepares children for adulthood.

19:40Young animals engage in play based on their behaviors that they'll need as adults.

19:44So it's not an accident that girls by nature have always played with baby dolls.

19:49It's preparation for motherhood.

19:51So what does it mean to have a movie aimed at children where the girls who turn from caring for and nurturing their dolls,

19:59they begin destroying and smashing their dolls.

20:02If caring for a baby doll corresponds to the caring of a baby,

20:07then what does the smashing of a baby doll correspond to?

20:10It corresponds to the destruction of babies.

20:14It's no accident that the same generation that turned against marriage and motherhood

20:18pioneered the killing of over 60 million babies in abortion.

20:23It was only about 10 years after Barbie came on the scene that abortion on demand began in America.

20:29In the opening of 2001,

20:31the apes that have been lifted up by the monolith end up using bones to beat enemy apes to death.

20:37A kind of chilling scene.

20:39But the opening of Barbie is even more chilling because it represents the smashing,

20:43not of an enemy,

20:44but of one's own baby.

20:47What do you think that seed that was planted in the minds of girls who watched that scene in that movie will give birth to?

20:55Will they be more likely or less likely to value motherhood and babies?

21:00More or less likely to have abortions?

21:03And that goes back to Ishtar.

21:05Ishtar in her Phoenician incarnation, or Astart, in the Bible as Ashtora,

21:11was also linked to the smashing of babies, to child sacrifice.

21:15In fact, some believe that her cult of prostitution helped supply the cult of child sacrifice.

21:20And this goes back to something I revealed in the return of the gods.

21:25That the ancient spirits are first identified in the Bible as the Shedim in Hebrew.

21:30Behind the gods were the Shedim, means spirits, as in Ishtar.

21:34But the word Shedim in Hebrew is linked to the word for destruction.

21:38The Shedim, the gods, the spirits, were the destroyers.

21:42Their aim is to destroy.

21:43And their strategy is to cause individuals or societies to destroy themselves.

21:49And the way they do it is to remove purpose.

21:51Men from manhood, women from womanhood, marriage from marriage, boys from boyhood,

21:56girls from girlhood, children from childhood, and mothers from motherhood.

22:02When you remove purpose, it leads to destruction.

22:06In the book, I wrote that the gods are always focusing on the young, the children.

22:10Because when you get the children, you've got the culture and you have the future.

22:14When you remove the purpose of children, then you can destroy marriage, family, gender,

22:19a culture, a nation, a civilization.

22:23It's no accident that we now have a movement to transition girls into boys and boys into girls.

22:29And what more self-destructive act than to cause individuals to destroy their own babies,

22:36their children, the fruit of their lives, their future.

22:38That's exactly what these spirits did in ancient times.

22:43When Israel turned away from God, it's written, they caused their children to pass through the fire.

22:47They offered them up.

22:49Smashed babies.

22:50Think about it.

22:51Motherhood and the maternal instinct is vital for life.

22:55If you destroy that or even weaken it, what is it going to lead to?

22:59It has to lead to death.

23:01And so it did back then.

23:02And so it will now.

23:04The scripture says we war not against flesh and blood, but against powers, principalities.

23:10And this is part of it.

23:11Don't be blind to what is taking place.

23:14And if the propaganda or attack is sugar-coated, that doesn't make it any less dangerous.

23:20It makes it more dangerous.

23:22Poison that is candy-coated is more dangerous than poison that is not.

23:26Parents, it's your charge and your responsibility to guard your children, your sons and your

23:32daughters, from any harm, whether by television, the school system, or the movies.

23:37You would not give your children candy-coated poison.

23:40Don't take them to see such things.

23:44And even if they can't understand why, stay in your homes until the plague has passed through

23:49the land, the pink plague.

23:50And if they have seen it or similar things, then talk to them.

23:55Administer the antidote.

23:56What is the antidote?

23:58The gods and spirits came in into the vacuum of God's absence.

24:02The antidote is the presence of God.

24:05Don't lead them to the Barbie movie.

24:07Lead them to God.

24:09Only in God can you find the purpose of womanhood, manhood, childhood, life.

24:14Only in God can you find the purpose of your own life.

24:17In Messiah, Yeshua, Jesus.

24:20He said, let the little children come to me and don't keep them away, for such is the

24:25kingdom of God.

24:26He is still the answer, still the way, still the truth, still the light, still the one who

24:31gives life meaning and purpose.

24:33If you want others to see this message, press like.

24:36And if you don't want to miss the messages that are going to be coming from this site,

24:40press subscribe.

24:41And also check out the Facebook page with my name on it, and hopeoftheworld.org.

24:45Until next time, this is Jonathan Cahn saying, stay strong in the Lord and in the power of

24:51His might.

24:53Shalom.

Category

Transcript

Recommended