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FunTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Artless Pervert!
00:32Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:38Do you have any idea how much this costs? And if they can't get it out-
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Oh.
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview us a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You'll learn things are very fast-paced here.
01:45I don't have time to ask twice.
01:46I don't have time to ask twice.
01:48I don't have time to ask twice.
02:06Hello, this is Cecilia.
02:28Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:33Until then, we cannot proceed.
02:35Okay, well, one second.
02:37Hello?
02:39Ms. Brooks?
02:40Shit.
02:44Who is this woman?
02:46His girlfriend or something?
02:47I wasn't done with my interview.
02:50We'll touch base soon, okay?
02:55Oh!
02:56Good luck.
02:59I thought you weren't interested.
03:02Take off your clothes.
03:03Right now.
03:05So, Ms. Brooks, what do you see in this room?
03:25Well, it's deliberate, controlled, powerful.
03:33It's impressive, but...
03:36But?
03:37It's not...
03:40satisfying.
03:41Bold again.
03:45Tell me, how do you know it's satisfying?
03:48Satisfaction lies somewhere in between.
03:52You think you can give me that?
03:54Think you can take the risk and find out?
04:05All yours.
04:09Hey.
04:10The women out there would do anything to be in the position you're in.
04:17Unless you have other ideas.
04:25Don't make me regret this risk.
04:27I don't plan to.
04:28The position's been filled.
04:32Go home.
04:35Get out!
04:36Damn.
04:37He doesn't have to be so rude.
04:38Pappy, your phone's upside down.
04:56Hi.
04:57How are you feeling?
04:58Hey, jubilation?
05:00Not doing too well, honey.
05:02Damn hospital postponed my surgery again.
05:05I'm so sorry, Pappy.
05:07I'm working things out with the hospital.
05:09I have some good news today, though.
05:12I'm sorry.
05:13Uh, I think that's my landlord.
05:14I have to go.
05:15Love you.
05:15Bye-bye.
05:18Oh.
05:20What the hell is he doing here?
05:24What are you doing here?
05:25Oh.
05:26What the hell?
05:28Hey!
05:29Whoa, whoa, whoa.
05:30Guys, whoa.
05:31Hey, don't take that!
05:35I did not agree to this!
05:38Actually, you did.
05:42The signing must reside on Mr. Mercer.
05:44I can't quite hear you.
05:46Must reside with Mr. Mercer for the duration of the project?
05:50Mm.
05:51How long?
05:52Keep reading.
05:54And definitely without exception?
06:02A gift.
06:03What the fuck?
06:06A gift?
06:07In exchange for being kidnapped?
06:09No thanks.
06:13I need to know where you're at.
06:15At all times.
06:17It's a tracker.
06:18What?
06:19Like a dark collar?
06:21Do you think you own me now?
06:23I wouldn't do that.
06:25Come on.
06:25Let's go.
06:26This is insane.
06:27Just...
06:28Give me a second to put Crumpet in his carrier and call my grandfather.
06:30There are no animals in the mansion.
06:34You must say goodbye to your little...
06:36Crumpet.
06:37What?
06:38Absolutely not.
06:39I told you in the contract that I will take care of everything.
06:44I don't care about the contract.
06:45What?
06:46Oh my god!
06:46Goodbyes are always so hard.
06:49Put me down!
06:50What are you doing?
06:54Welcome back, Miss Brooks.
06:57So, I'm not allowed to leave?
06:59If you leave, your contract will be terminated immediately.
07:03And what?
07:03You're just going to leave me all alone in here?
07:05Would you like me to join you?
07:06No, no, no, no.
07:18Why is it making that sound?
07:20Damn, if I leave, Pappy dies.
07:23Shit.
07:23I'm trapped with this monster.
07:25Oh my god, is this really happening?
07:28I'm stuck.
07:28I'm stuck.
07:36This is your uniform.
07:41Work hours have started already.
07:43Tidy yourself up.
07:45Report to Mr. Mercer.
07:49Oh, and uh...
07:51Chop chop, Miss Brooks.
07:53Mr. Mercer does not like to be kept waiting.
07:56Enjoy the view?
08:21No, I, um, just didn't want to disturb you.
08:25I don't mind if you stare.
08:27Sorry, sir.
08:28I was just interested in your build.
08:31The building.
08:32The build of the mansion that we're building to work on today.
08:39What time are we leaving for?
08:41Car leaves in ten minutes.
08:43Great.
08:44I'll be ready.
08:45How much further?
08:59Patience, Miss Brooks.
09:09Oh, I'm walking tougher.
09:11Hey, Foxy!
09:18I got something that'll keep that jaw clenched.
09:20Wow.
09:21Original.
09:22Mr. Mercer!
09:23We didn't know you was coming in today.
09:25Get off my property.
09:26What?
09:27You're fired.
09:28Leave.
09:29Oh, what the hell?
09:30I worked on the last nine Mercer mansions,
09:33and now I'm fired because of this bitch?
09:36If I collapse your loan...
09:38Wait.
09:38Did he just stand up for me?
09:40Sir, how about you continue your work with Miss Brooks,
09:45and I'll handle this.
09:48Come on.
09:51Everything's nearly finished.
09:52I'm going to have a team come in
09:53and make some final measurements over here,
09:55and I'll ensure they know how to keep their mouth shut.
09:58Uh, is this all marble?
10:01No.
10:06Seeing her in my house gives me a strange feeling.
10:09It's so beautiful.
10:10What is it about her?
10:12Why do I want to...
10:13Follow me.
10:20Wow, an elevator?
10:22By the way,
10:23what you did out there,
10:25thank you.
10:25I'd dismiss you just as fast
10:27if I wasn't pleased with your work, Miss Brooks.
10:29Remember that.
10:30Your first task for the client.
10:38I don't know anything about the client.
10:40Who is...
10:40We don't ask about the client.
10:43We only worry about what they desire.
10:45Okay.
10:47Am I allowed to know what the purpose of this room is?
10:50Yes.
10:51Great.
10:52The client would like this room transformed
10:56into their BDSM chambers.
11:01I hope she doesn't see right through me.
11:03So, how would you do it?
11:09Uh, um...
11:12Paint me a picture.
11:13Right.
11:14Uh, over here,
11:17I would put a chaise lounge.
11:22Velvet.
11:23Obviously.
11:23Obviously.
11:24And over here would be a great place
11:26to mount a swing.
11:27One with adjustable heights
11:28and handles.
11:30And next to it,
11:32we could put a cabinet
11:33for whips and toys and things.
11:35You're very well versed.
11:38I read a lot.
11:40Certain genres of certain books
11:42have certain details.
11:44Right, right.
11:45Of course.
11:47Yeah, it's perfectly normal.
11:48A lot of women read fantasy
11:50and romance
11:52and fantasy romance.
11:55Anyway, uh,
11:56this would be a great place
11:58to mount's wall cuffs.
12:19Don't pick up.
12:27Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32Uh, I understand.
12:34Is there anything I could do now
12:35to hold him there?
12:36Anything that could be done right now?
12:38We need your payment, Miss Brooks.
12:39By tomorrow morning.
12:41All $200,000.
12:43Okay, I'll get it to you.
12:45I promise.
12:48Sorry.
12:48Your contract explicitly states
12:50that I receive 100%
12:51of your attention at work.
12:55Who was that?
12:56It's personal.
12:58There are no personal calls
13:00at work.
13:02I'm sorry.
13:09Mr. Mercer,
13:10it won't happen again.
13:11I'll get to work right away.
13:13I'll have designs to you
13:14by tomorrow morning.
13:18Take it off.
13:19What?
13:24Your jacket.
13:27Mr. Mercer.
13:30I won't ask twice.
13:31Uh, what's this for?
13:45It's perfect.
13:48Now go get dressed.
13:48No need to pout, Miss Brooks.
14:11You'll be reading
14:12some of the top designers.
14:13I don't understand.
14:14How does this take priority over work?
14:16Am I your date
14:18or your designer?
14:19You are.
14:22When I say you are.
14:35Ladies and gentlemen,
14:38it is my pleasure
14:39to welcome you all
14:40to the annual
14:41architectural ball
14:43proudly hosted
14:44by the Mercer Group.
14:49I'd also like
14:50to welcome and introduce
14:51our newest interior designer,
14:54Miss Cecilia Brooks.
15:00I thought you said
15:01you had the job.
15:02I did everything
15:03that I could.
15:04Mitch must have slept
15:05with him in the interview.
15:06Fine.
15:07I'll fix it myself.
15:13So without further ado,
15:14please enjoy your drinks
15:15and have a wonderful night.
15:17may I have this dance?
15:27Oh,
15:27Sterling.
15:32I was hoping
15:34that maybe we could
15:35walk and talk
15:36or maybe dance
15:39and discuss.
15:40You must be working
15:41so hard.
15:43I was thinking
15:44maybe you would benefit
15:46from a designer
15:47who really knows you,
15:50your past.
15:52I'm not interested
15:53in rehashing
15:53our relationships,
15:54no.
15:55It was just a flight.
15:57It doesn't mean
15:58we can't be close.
16:01Sterling could be
16:02a difficult person
16:04to work for.
16:08You know you can
16:09come to me
16:10if you need anything.
16:16Get your hands off of her!
16:22What the hell
16:23are you doing here,
16:24Vincent?
16:25Folks,
16:25looks like the jester
16:26came to play!
16:30Get him out of here.
16:32It's all right, folks.
16:38Enjoy the party.
16:38It's okay.
16:40Are you okay?
16:42Why don't you go
16:42grab a drink
16:43and we'll take care of this.
16:52Crazy night, huh?
16:54Too crazy.
16:55I'm Nora,
16:56a close friend
16:57of Sterling's.
16:58So,
16:59tell me,
17:00how's the new position
17:01treating you?
17:02It's demanding.
17:05The client?
17:07What's your feel on them?
17:08Oh,
17:08I'm not at liberty
17:09to discuss that.
17:10Come on,
17:11it must be crazy, right?
17:13I really can't.
17:14What are you doing
17:25in here?
17:26Uh, Cecilia,
17:27I'm sorry.
17:28I'm so done
17:29with their whole world.
17:32Yeah,
17:33the head of the board
17:34was barking my ear off.
17:36Stop it!
17:37What?
17:38I'm just trying to help.
17:39Help?
17:40Really?
17:40That's rich.
17:42I mean,
17:43I am rich.
17:45You.
17:46You are a lot of things.
17:48From the moment I met you,
17:49you've controlled
17:49every aspect of my life,
17:50every movement I make.
17:52You're obsessive,
17:53cryptic,
17:54a perfectionist.
17:56But you're not rich.
17:58Not where it counts.
17:59Feel excuse me.
18:19I have work to do.
18:20This hand.
18:37What if?
18:39Maybe cuffs?
18:42What if we hang
18:42something around here?
18:43I'm fine.
18:50Is that me?
19:02Did I say
19:03you could come in here?
19:04Uh,
19:05you'll be happy to know
19:06that I worked on these
19:07all night.
19:17Maybe if you stayed
19:18at the gala,
19:18you would have
19:19learned something.
19:19Learned what?
19:21You follow through
19:22with your obligations
19:22so you wouldn't waste
19:23your time working
19:24on garbage.
19:25Garbage?
19:27I'll need five more
19:28by tomorrow morning.
19:29That will take me
19:30all night.
19:30Even making those two
19:32took me all night
19:32and I barely got them
19:33done in time.
19:34You've done it once before.
19:36You can do it again.
19:37Don't you think
19:38maybe,
19:39just maybe,
19:40that's an unreasonable
19:41amount of time?
19:42Maybe.
19:43I don't care.
19:44Wait.
19:46I should have remembered.
19:47It's not in the contract.
19:49Oh my god.
20:04Excuse me, miss.
20:05Where's my grandfather?
20:07I'm sorry.
20:08Usually if they're not
20:08in the room,
20:09it's because the insurance
20:10ran out or...
20:10Miss Brooks?
20:25Yes?
20:26I just wanted to inform you
20:27that your grandfather
20:28just received his first round
20:29of stem cell treatment.
20:31He's being very well
20:32taken care of.
20:32I don't understand.
20:33How is that possible?
20:35I can't afford that.
20:36I told you.
20:39I'll take care of everything.
20:40What?
20:42I can't believe this.
20:50Oh, but...
20:51But why?
20:53Why would you do that?
20:54Well, when I said
20:55I needed your undivided attention,
20:57I meant it.
20:58Now the only thing
21:01you have to worry about
21:02is me.
21:05I'm not your slave.
21:11Five designs
21:12by tomorrow morning.
21:19You're welcome.
21:19I've been expecting you.
21:28I have a feeling
21:28I'll be impressed.
21:31Brushed work
21:31is not work to be proud of.
21:37Is this you?
21:39And my parents.
21:39They must be so proud of you.
21:41They never got to see it.
21:42I inherited this company
21:43before I was old enough
21:44to run it.
21:46I'm so sorry.
21:47It was a long time ago.
21:48What happened?
21:49They vanished
21:50on a work trip into Europe.
21:52I guess I don't control
21:53everything after all.
21:54I'm going to deliver
21:55these designs to everyone.
21:57I have a surprise for you.
22:04To your first approval.
22:10It's beautiful.
22:13I do have a request, though.
22:16I was wondering if I could
22:17I could have a little freedom.
22:20From what?
22:21Me?
22:22No.
22:22No, not you.
22:25From this.
22:26Well,
22:27I need to keep track of you.
22:30I mean,
22:30what if...
22:32Sterling,
22:32I'm not your parents.
22:36I'll be fine.
22:37I just don't know
22:38if I'm ready for that yet.
22:40But you continue to impress me.
22:41I mean,
22:42you'll be free as a bird.
22:43I do have more surprises
22:58to show you.
22:59But, um,
23:00you're going to have to wait
23:02until tomorrow.
23:03Hmm.
23:04Full of surprises,
23:05aren't you?
23:06And that's why
23:11I can't let you go.
23:27What are you two doing here?
23:29There's not supposed to be
23:29anyone working today.
23:30We were just swinging by
23:31to assess a minor
23:32electrical concern.
23:33It seems that the circuit...
23:34It's nothing urgent.
23:34We're going to come back tomorrow
23:35with the rest of the crew
23:36and get it resolved.
23:39Okay.
23:41Thank you for the update.
23:43Thank you, Mr. Mercer.
23:48I've ordered these beautiful pieces.
23:50White marble.
23:53What the hell?
23:59It's kind of beautiful.
24:01No, no, it's a mistake.
24:04It's not too perfect.
24:07It's bold.
24:08It's not trying hard.
24:08It just...
24:10is.
24:11Well, I like my work
24:12to be intentional.
24:13Intentional.
24:16Well, I would argue
24:17that this elevates
24:19the intention of the space.
24:21The juxtaposition
24:22between control and chaos.
24:24You have good eyes,
24:25Ms. Brooks.
24:27Follow me.
24:28Thank you, Mr. Mercer.
24:28Thank you, Mr. Mercer.
24:29Thank you, Mr. Mercer.
24:30Thank you, Mr. Mercer.
24:30Thank you, Mr. Mercer.
24:31Thank you, Mr. Mercer.
24:32Thank you, Mr. Mercer.
24:33Thank you, Mr. Mercer.
24:34Your second task
24:35for the client.
24:37Master bedroom
24:38and nursery.
24:40Oh, the client's
24:41a family man.
24:42We don't discuss
24:43the client.
24:44Only satisfy
24:45their needs.
24:48Would you like
24:49to see your designs?
24:50Is it not what you thought?
25:11No, it's...
25:12It's not that.
25:12It...
25:13The power went up.
25:18There's no signal.
25:19Yeah, the soundproofing
25:21they put up
25:22cuts signal.
25:24What?
25:25No.
25:38It's not funny.
25:39I'm not laughing.
25:40How long until someone notices
25:42that we're gone?
25:43I don't know.
25:44An hour?
25:46Maybe two?
25:47Is it Nora?
25:49The client?
25:50What?
25:51No.
25:52You're not supposed to ask
25:53about the client.
25:54Just tell me.
25:55No.
25:56It's not.
25:57Is she...
25:58more?
26:00I built this room
26:02because I believed
26:03in your vision.
26:04I cleared your schedule.
26:06I cleared your stressors.
26:08All because...
26:10I wanted you.
26:11I wanted you.
26:41Sir, your seven o'clock is waiting upstairs.
27:01Tuck your shirt in, sir.
27:09I know.
27:12Who the hell are you?
27:15Calm down, sweetie. Put Crumpet down.
27:20Listen, sweetie, I work for Mr. Mercer. He hired me to take care of your grandpa and Crumpet until you return.
27:27Sweetie, what are you doing home?
27:29What am I doing?
27:32This is Agnes, my nurse. She's taking care of me.
27:35Oh, I'm sorry. I'm so embarrassed.
27:39Um, hello?
27:43Why are you in your apartment? If you're there, there's no need for Agnes to stay employed.
27:48Cece, you're ruining my chances.
27:51Go back, Cece.
27:52Oh, okay, okay.
27:54Everything's all right. Agnes has taken very good care of me.
27:57Okay, okay, Pappy. I'll go.
27:59Um, it was nice meeting you, Agnes.
28:01Nice to meet you, dear.
28:03What the hell? He has a girlfriend?
28:16A girlfriend?
28:23What was I thinking?
28:25You are...
28:28What's wrong?
28:30Holding you, man?
28:31Who's wrong?
28:33To be with her, Neil.
28:35Write."
28:38R dado.
28:40I will speak more and it's difficult to entail.
28:43Playerтр待 has ruptured.
28:46In theidovusaga's нужно?
28:48Gotcha now, bitch.
29:08I found her address.
29:18Sterling.
29:29Sterling, can we talk?
29:30I don't have the time, Miss Brooks.
29:32Sterling, it's important, please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:35You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
30:00You're about to be broke.
30:01Look, I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised, facing bankruptcy,
30:15and becoming the embarrassment of architecture,
30:17we could merge as Hale Mercer.
30:21Even has a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout,
30:33I'll publish the information,
30:36and Mercer Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it.
30:42More of a bribe.
30:48Get the hell out of my property.
30:50And out of my sight.
30:52Now!
30:53Now!
30:59Miss Brooks!
31:07In my office immediately.
31:09Are you sure you want me in there?
31:10Or not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:14I have designs, but they're not the originals.
31:19The originals are missing or lost.
31:23What do you mean, lost?
31:24I finished the designs last night and I fell asleep,
31:27but when I woke up, they weren't in my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:40I'm pretty sure you're the one who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:47Marley's going to be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
31:54Take her and her belongings to the project mansion.
32:04Anything I should know, sir.
32:06She can't be trusted.
32:09And check the cameras.
32:11We have a mole.
32:13Yes, sir.
32:18Miss Brooks.
32:21What are you doing here?
32:22Well, um, I, uh, had to get some artwork for the client.
32:31You don't trust me.
32:33That, too.
32:35You not trusting me?
32:37You were the one with another woman after all that
32:39I did this all for you bullshit.
32:41Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:45I saw you with her.
32:46Okay, okay, okay.
32:48If it makes you feel any better, I...
32:49I promise I'm looking into her.
32:55You promise?
32:57I promise.
32:59I thought you didn't trust me
33:20That you were mad at me
33:21No, you're too hard to resist
33:29Let's go inside
33:37Eyes like knives you cut right through
33:54Every look says what you do
33:57Pull me under soft and deep
34:00You're the secret I can't keep
34:04Breath on glass, you trace my name
34:07No one else can play this game
34:10You don't ask, you just take
34:14And I give, and I pray
34:16Well, hello. I'm here for Mr. Brooks.
34:21I'm sorry, what exactly is this for?
34:23I'm the treatment nurse. I'll be taking him to his appointment for today.
34:27Oh, Mr. Brooks doesn't have an appointment today
34:29I can assure you he does
34:30Well, thank you for coming
34:36Can I bring Crumpet?
34:38Yes, Mr. Brooks. Bring the cat
34:40Hello, Cecilia. I'll need your full cooperation.
35:04I have something of yours you might want back
35:06Now that I've got your attention
35:08I need a little favor
35:10Bring me Mercer's Legacy One design
35:12You can't do this
35:13But see, I already have, sweetheart
35:16Give me the designs
35:17Tell Sterling, and your sweet old pappy dies
35:20And your little cat, too
35:22Your choice
35:23I've been reviewing project management assets
35:26You're four days late on the Hudson property
35:29The client is not happy
35:30Mr. Mercer is not happy
35:33Pick it up, or I'll give your work to her
35:35She's three days ahead
35:36Is that a personal email?
35:39Sweetie, you don't have to do this
36:00Too late, old man
36:01Who the fuck are you?
36:04Your worst nightmare
36:06Baby!
36:07I'm so glad you made it
36:09I set all this up for you
36:11This better work
36:14No, no, you won't
36:17No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
36:47show me the video yes sir
36:56she knew how to evade the cameras i can't identify her but we knew her enough to let her in
37:05keep this video between us yes sir
37:17cecilia sterling you're not working from home today what are you doing here
37:28who have you been talking to no one i uh just i needed to pick up some paint samples and this
37:34was on the way on the way to what we're like 20 miles south of home i'm getting my necklace cleaned
37:42so if you can't find me or track me for any reason that's why
37:49why do you need your necklace cleaned i've just been working a lot
37:57the drafting table is super dusty and i i don't want to get messed up
38:00it's a woman thing
38:04i'm trusting you right now i know
38:14what the hell is going on
38:30good girl right on time well don't hesitate now sweetheart or they're dead
38:56come on cecilia do it
39:00sterling mercer's legacy designs just like i asked
39:09oh sterling you won't even know what hit you
39:13now let my grandfather go
39:15he's all yours
39:17a deal is a deal pretty lady
39:19i've had a change of heart
39:42please
39:47no
39:48this way
39:50wow
40:00you really know how to tie the room together darling
40:03sterling has my location
40:05you have no idea what you're in for
40:07oh but i think i do
40:10you see then that timer goes off
40:14you and that little tracker and this entire place will go bye bye
40:19and then that will pave way for the construction site
40:22of all hail designs
40:24he'll find me
40:26and when he does
40:27that's very unlikely cecilia
40:30now that sterling has this video
40:32no one's coming to save you
40:35screw you
40:36screw both of you
40:38oh
40:38oh
40:39oh
40:39but i almost have everything i need
40:44his financials his accounts
40:47you see
40:48the only thing that is missing
40:50my dear
40:51is the contact for sterling's project mansion
40:55what
40:56why does that matter
40:58well
40:58once i have the contact
41:01i can put in a bid
41:03under his
41:04therefore mercer will no longer have any names
41:07attached to any property
41:10that will never happen
41:13who's the client
41:18how much was the bid offer
41:21i don't know
41:24well you'll remember
41:27trust me
41:30even if i did
41:32i wouldn't tell you
41:34so
41:42tell me
41:45who is the client
41:48he took care of my family
41:50i'm never going to sell him out
41:52unless you forget sweetheart
41:58you already gave me
42:00the plans
42:01so therefore you are already a betrayer
42:05promise
42:06i don't
42:07know anything
42:08well i can see that you're a lady of your word
42:13which makes it kind of hard to believe you
42:15so
42:16tell you what
42:17this is how it's gonna go
42:19you're gonna tell me
42:22and then you
42:23pappy
42:24and little kitty
42:25can go free
42:27while mercer designs burns to the ground
42:30or
42:32i could kill you
42:35right here
42:36right now
42:38and mercer designs falls anyway
42:41okay
42:44decisions decisions
42:46wait no
42:47no i'll tell you
42:48i'll tell you anything you want to know
42:49please don't touch him
42:50i'll tell you
42:52tell me
43:02everything
43:04i don't
43:07i don't know a lot
43:09i just
43:10i know she's very private
43:12very secretive
43:14she only talks to sterling
43:16she's an older
43:18conservative
43:19woman
43:20liar
43:21that night that i dosed sterling with that sleeping elixir
43:26i found your little project mansion
43:30and that newly built bdsm room
43:32oh and then all the plans that i stole from cecilia's bedroom
43:35they were for a nursery
43:37both rooms that an elderly woman wouldn't need in a new home
43:41you drugged him
43:43yes
43:43i drugged him
43:45and then i ransacked his mail
43:53that's where i found you
43:54your address
43:56and your little cat and your little cat too
44:01well then
44:04looks like you chose
44:07oh
44:08oh i'm sorry my sweet miss but our short little affair is over
44:15excuse me
44:16well
44:17obviously i don't need your services any longer
44:21besides
44:22besides
44:22i don't
44:24do
44:25witnesses
44:26sterling
44:33help me please
44:34sterling wait it's a trap
44:36sterling please you have to help me
44:38watch out
44:38tell me how to disarm it
44:47now
44:48black wire
44:51black wire
44:52you little bitch
45:00oh norah stop
45:01put down the knife
45:02she kidnapped me i've been waiting here for hours for you
45:06put down the knife
45:08come on let me at her one last time
45:09she betrayed you
45:11she's the one who gave up the legacy one in the third floor
45:14wait how do you know about the legacy one project that was confidential
45:18that little bitch
45:19she told vincent everything
45:21no
45:22she's lying
45:23no
45:24it's all because of her
45:25she drugged you
45:29no i didn't you bitch
45:30when i thought i saw you with that woman
45:32then now you lost the designs
45:35no
45:36no it wasn't me
45:38okay vincent made me do it
45:40he said he threatened my family
45:41i had no other choice
45:43i don't believe you
45:45arrest her
45:47no
45:48no
45:50no
45:51jump some knife
45:52come on here
45:53come on here
45:54stop
45:54no
45:54baby did you please
45:57you have the right
45:58you're silent
45:59anything you say
46:01can't move against you
46:02i don't get this
46:03but i'm sorry
46:03wait no no i'm heinzverse
46:05i'm so sorry
46:07it's okay
46:07it's okay
46:08but i gave him your designs
46:10i didn't know what else to do
46:11i was trying to save them
46:12i didn't mean to
46:13you're safe
46:14you're safe
46:14okay
46:15vincent won't be able to touch the project
46:18i'm so happy you found me
46:26i thought
46:27always
46:28find you
46:29how
46:32because i know you
46:37that moment in the parking lot
46:40i knew
46:40from your eyes
46:42that you needed me
46:44i will always keep you safe
46:49hey
46:53hey
46:54would you two take it someplace else
46:56sorry baby
46:59i'll take you and crump at home
47:01oh thank goodness you're okay
47:09i want to tell you something sweetheart
47:12i love agnes
47:14i really mean it
47:15okay papi
47:16just get some rest
47:18i
47:18i mean it cc
47:20when a man knows
47:21he knows
47:22agnes
47:26it's been a long time since i've met someone as caring as you
47:29and i'd like you to be my wife
47:31yes
47:33i love you agnes
47:37marley
47:45what are you doing here
47:46miss brooks
47:47mind coming with me
47:50will you give me a second
47:51i want to change first
47:52i can't
47:54i can't
48:11woke up
48:12when the sky was pink
48:14coffee tastes like sugar dreams
48:17traffic sounds like melodies
48:20since we've been alive
48:22Come here.
48:38This is really beautiful.
48:42We work well together.
48:45I'm glad you think so, Cecilia.
48:49Yes, Sterling?
48:52I have something I need to tell you.
48:56About?
48:58There isn't a legacy, Kalai.
49:01Well, there is, but...
49:04It's not who you think.
49:07I don't follow.
49:11It's me.
49:12What?
49:13This. This is my legacy.
49:18Come here. I need to show you something.
49:22I made this for you.
49:32Wait one second.
49:33I thought if we put them next to each other, it would create balance.
49:48But then you came in.
50:05You're kind.
50:08Bold.
50:09Intuitive.
50:13Sterling.
50:15Beautiful.
50:17You gave this place a soul.
50:22Cecilia Brooks.
50:26Would you share the love we built together?
50:31Yes.
50:32Yes, Sterling.
50:33I said yes to you, to forever too, to every dream we're walking through.
50:52I said yes to you, to forever too, to every dream we're walking through.
50:56I said yes to you later.
50:57I saw what.
50:59I said yes to you, to every dream I do.
51:00I said yes to you.
51:00I said yes to me, but I saw him do the dream, học.
51:01And became alive.
51:02I said yeah.
51:02I said yes to you, to every dream we're walking through.
51:03I said yes to you, I said no that's all.
51:03I said no.
51:05I said no because it wasn't ever at all three dreams.
51:06But I said no.
51:07I said yes.
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