HOT MILF MOVIE
Wendi Westbrook, Barbara Niven
A drug lord's prison connections make this a dangerous and deadly assignment for undercover FBI agent Danielle Peters.
*
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Wendi Westbrook, Barbara Niven
A drug lord's prison connections make this a dangerous and deadly assignment for undercover FBI agent Danielle Peters.
*
#watchfreemovie
#watcnow
#fullmovie
#watchonlinemovie
#freestreaming
#StreamingNow
#MovieRecommendations
#MustWatch
#ClassicMovies
#Thriller
#Mystery
#WatchOnline
#TopRatedMovies
#CinemaLovers
#DramaFilm
#ForeignFilms
#AwardWinning
#MovieOfTheDay
#InstantClassic
#FeelGoodMovies
#RetroMovies
#MovieClips
#BestCinematography
#StreamingTonight
#LateNightMovies
#RomanticDrama
#Top10Movies
#PopcornTime
#MovieMarathon
#LoveStory
#romanticmovie
#WatchFree
#FreeMoviesOnline
#FilmOfTheYear
#BestMoviesEver
#Comedy
#FunnyMovie
#mustwatchmovie
#Movie
#Film
#filme
#Movies
#FullMovies
#ActionMovies
#ComedyMovies
#HorrorMovies
#DramaMovies
#RomanticMovies
#ThrillerMovies
#EuropeanFilms
#europeanmovie
#FrenchCinema
#SpanishMovies
#ItalianFilms
#GermanMovies
#EuropeanMovieClips
#EuropeanFilmFestival
#BestEuropeanMovies
#TopEuropeanFilms
#ClassicEuropeanCinema
#EuropeanDramaFilms
#EuropeanFilmAwards
#ScandinavianMovies
#EuropeanHorrorFilms
#EuropeanComedyMovies
#EuropeanArtFilms
#EuropeanIndieFilms
Category
🎥
Short filmTranscript
00:00:00Transcription by CastingWords
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00:01:59Get up!
00:02:01Get up!
00:02:29Get up!
00:02:31Get up!
00:02:33Get up!
00:02:35Get up!
00:02:37Get up!
00:02:39Get up!
00:02:41All right, Zelda!
00:02:43That was a bad day!
00:02:49I hope you stay out of solitary this time, Zelda!
00:02:51Wash up! We got two minutes!
00:02:59Let's go!
00:03:25Hey.
00:03:27Sorry?
00:03:29I didn't see you there.
00:03:31Get that broom away from me
00:03:33before I stick it down your throat.
00:03:41Put your fucking hands.
00:03:59Hi, Sarah.
00:04:01What are you reading, dear?
00:04:03It's called a book, and it doesn't have any pictures in it, so you wouldn't be interested.
00:04:17There's something I want to talk to you about.
00:04:19I'm not interested.
00:04:21Oh?
00:04:23I think you will be.
00:04:25Where is he?
00:04:27Where is he?
00:04:29Oh?
00:04:31I think you will be.
00:04:33Where is he?
00:04:35I'm not a boy.
00:04:36I'm just kidding.
00:04:37I think you will be.
00:04:38I don't know.
00:04:39Oh?
00:04:41I don't know.
00:04:43I don't know.
00:04:44I don't know.
00:04:45I don't know.
00:04:46I don't know.
00:04:47I don't know.
00:04:48Oh.
00:04:49Oh.
00:04:53Oh.
00:04:56Whoo.
00:05:04Hey.
00:05:11Oh.
00:05:13Oh.
00:05:15Tell me where you're from.
00:05:26No!
00:05:42Oh, shit.
00:05:45Out!
00:05:47Out!
00:05:48Out!
00:05:49Out!
00:05:50Out!
00:05:55Bring it up!
00:05:57Bring it up!
00:05:58Get it out!
00:05:59Bring it up!
00:06:00Bring it up!
00:06:01Stop it!
00:06:02It's a snap!
00:06:03Get it down there!
00:06:04Take it on!
00:06:05Strike it up!
00:06:06That's enough!
00:06:07That's enough!
00:06:08That's enough!
00:06:09Bring it up!
00:06:10Where's Zelda?
00:06:11I haven't seen her.
00:06:12Shit!
00:06:13Shit!
00:06:14Alright, that's it!
00:06:19Get her dying!
00:06:20Ah!
00:06:21Get her!
00:06:25My girl...
00:06:26Break it up!
00:06:27Break it up!
00:06:28Bring it up!
00:06:29All right, who started it?
00:06:32She didn't.
00:06:33Bitch started hitting on me for no reason.
00:06:35I did not!
00:06:36Shut up!
00:06:37Get that crazy bitch away!
00:06:38Shut up!
00:06:39Sarah!
00:06:40Shut up!
00:06:41Sarah!
00:06:42Who started it?
00:06:43I don't care.
00:06:44I'll put them all in solitary.
00:06:45Good idea.
00:06:46Let's go!
00:06:47Fly!
00:06:48Move it!
00:06:49Get her!
00:06:50Come on, move it.
00:06:51There.
00:06:52You, there!
00:06:55Get over there.
00:06:56Move it, Dot!
00:06:58Quick phone around me!
00:07:12Get in the cell!
00:07:13You there!
00:07:14Are you there?
00:07:15I hate you to see you.
00:07:16Shut up, Zelda.
00:07:17Bitch.
00:07:18Get in the cell, Peters.
00:07:20Look, they were trying to kill Sarah.
00:07:21Yeah, I've heard it before.
00:07:22Get in the cell.
00:07:24They had a knife.
00:07:25Look, Peters, I don't like troublemakers.
00:07:28I'm not.
00:07:29Shut up and sit down.
00:07:31And if you're a real good girl, I might let you out
00:07:33in a week or two.
00:07:33You're a bitch.
00:07:44Sarah?
00:07:45You okay?
00:07:58What happened out there?
00:08:03Nothing.
00:08:33Sal 17.
00:08:47Cell 17.
00:08:55Cell 17.
00:09:05What?
00:09:17It's L-17.
00:09:36What?
00:09:37Message for you.
00:09:47Message for you.
00:10:17It says you got yourself a new roommate.
00:10:22Peters.
00:10:23I don't know why, but the warden thinks you're something special.
00:10:26Well, I don't.
00:10:27And while you're on my cell block, you do exactly as I say.
00:10:29You got that?
00:10:32Yeah.
00:10:35Good luck.
00:10:36They weren't going to kill me.
00:10:48Oh, yeah?
00:10:48What makes you so sure?
00:10:50All they wanted was...
00:10:52forget it.
00:10:54I don't know why, but...
00:10:55If it makes you feel any better, thanks.
00:11:14Go to sleep.
00:11:16Fuck!
00:11:36Are you okay?
00:11:38I thought I warned you.
00:11:50No more illegal searches.
00:11:52Look, Tina, drugs are getting in here, but not on my ship.
00:11:54On yours.
00:11:55That's bullshit!
00:11:56I am sick of you and your disgusting little searches.
00:11:59Screw you.
00:12:00Get out of my way.
00:12:02Ow!
00:12:03My arm!
00:12:04You're breaking my arm!
00:12:05If I wanted to break it, you've heard it snap already.
00:12:09Now lay off the prisoners.
00:12:11Especially Sarah.
00:12:12You got that?
00:12:13And if I don't?
00:12:15Oh!
00:12:16All right!
00:12:17All right!
00:12:17Understood!
00:12:18Just let me go!
00:12:19Oh!
00:12:21Oh!
00:12:21Are we clear now?
00:12:23Everything's gotta be by the book with you, Lamb, doesn't it?
00:12:26That's right.
00:12:27That way nobody gets hurt.
00:12:51All right, please.
00:13:04Is this your first conjugal visit?
00:13:06Um, yes.
00:13:08Well, these are the rules.
00:13:09You and the prisoner you're visiting are confined to the room at all times.
00:13:13There are guards stationed outside, so don't do anything stupid.
00:13:17If you have an emergency of any kind, just call out.
00:13:20If you wish to leave, call out.
00:13:23If we hear anything suspicious, we will come in for inspection.
00:13:26If we hear any fighting, violence, or anything out of the ordinary,
00:13:30again, we will come in for inspection.
00:13:33Is this understood?
00:13:34Yeah.
00:13:35Yeah.
00:13:41Your wife will be here in a minute.
00:13:43Yeah.
00:13:50Hi.
00:13:51Hi.
00:13:52Hi.
00:13:53So what do you think, huh?
00:13:54Gene.
00:13:55General.
00:13:56General.
00:13:57What are you doing?
00:13:58Take off your clothes.
00:13:59What?
00:14:00Take off your clothes.
00:14:01Why?
00:14:02Take off your clothes.
00:14:03Get under the covers.
00:14:04If they were looking in on us, you've got to make this look good for me.
00:14:08Are you telling me they're going to be watching us?
00:14:10They might be watching us right now.
00:14:11Come on.
00:14:12Listen, Jerry.
00:14:13I've been in this.
00:14:14What's wrong?
00:14:15What do I do?
00:14:16What do you do?
00:14:17It would take you so long to come here to visit me.
00:14:18I mean, six months?
00:14:19You could come two months ago.
00:14:20Come on.
00:14:21Come on.
00:14:22Come on.
00:14:23What's wrong? What did I do?
00:14:25What do you do?
00:14:27It'd take you so long to come here to visit me.
00:14:29I mean, six months?
00:14:31You could come two months ago.
00:14:45Come on.
00:14:53Good morning.
00:14:55Good morning.
00:15:01All right, how was it?
00:15:03What do you think?
00:15:05I guess you married him for a reason.
00:15:09Do you want to know a little secret?
00:15:11Yeah, sure.
00:15:15He's not really my husband.
00:15:17Get out of here.
00:15:19The prison thinks that you're married?
00:15:21Yeah.
00:15:23My husband is a forger.
00:15:25I mean, he does, like, credit cards, IDs, screen cards,
00:15:29wedding certificates, you name it.
00:15:31Boy, we used to pull some scams together, you know.
00:15:35I mean, just small-time stuff, but still,
00:15:37that's what landed me in here, so...
00:15:39I don't know, lucky bastard, he's still out there free, though.
00:15:43I just...
00:15:45I just hope he's not, you know, like, scamming on me
00:15:47with another dame on the side, or...
00:15:49Anyway.
00:15:55So how about you?
00:15:56I mean, you mentioned that you had a boyfriend the other day.
00:15:57What's up with you and him?
00:15:59You don't know who I am, do you?
00:16:03Just another little cutie doll in here, I guess.
00:16:05My boyfriend was Carlos Vega.
00:16:11He's a drug dealer, big time.
00:16:15You?
00:16:17Shacked up with a drug dealer?
00:16:19What's so funny about that?
00:16:21I don't know, I mean...
00:16:23I just expected you to be, like,
00:16:25living with your...
00:16:26poetry teacher or something.
00:16:30I guess I'm not the typical drug dealer's whore.
00:16:34No.
00:16:35No, you're not.
00:16:38Well...
00:16:40You know how it goes sometimes.
00:16:42When I was 16, I ran away from home,
00:16:44and, uh...
00:16:45like a lot of other girls.
00:16:47By the time I realized it was a mistake,
00:16:49I couldn't go back,
00:16:51and, uh,
00:16:52then I met Carlos at this party.
00:16:54I needed some money and a place to stay,
00:16:56and he offered me both.
00:16:58I knew how he made his money,
00:17:00but I took it.
00:17:04So then what happened?
00:17:06I finally came to my senses and I left.
00:17:09Believe me, it wasn't easy.
00:17:12But...
00:17:13Then, I mean, how did you end up in here?
00:17:14I shot a man.
00:17:19He tried to rape me.
00:17:21I was hiding out from Carlos,
00:17:23and there was this man,
00:17:24I don't know who he was,
00:17:25but I think Carlos sent him.
00:17:29So is Carlos trying to kill you?
00:17:31Not exactly.
00:17:32I have something he wants back really bad.
00:17:35Well, why don't you just give it back to him,
00:17:37and maybe he'd leave you alone?
00:17:39It's my insurance.
00:17:40Without it, he'd have already killed me.
00:17:42I'm really beginning to wonder about you, Peters.
00:17:51You did it again.
00:17:54Looks like you're gonna have some company
00:17:55when we transfer you tomorrow, Sarah.
00:17:58Danielle, you're coming with me?
00:18:01Good behavior.
00:18:03I don't belong in this joint anyway.
00:18:06I can tell it's gonna be a real cozy ride tomorrow.
00:18:09Get your stuff ready.
00:18:11We leave in the morning.
00:18:12Early.
00:18:18What is her problem?
00:18:28What are you doing?
00:18:30Where are you taking me?
00:18:31I'm being transferred tomorrow.
00:18:32It's already been approved.
00:18:33Not quite.
00:18:35I'm not so sure that you're fit for a transfer at this time.
00:18:40What are you talking about?
00:18:41You don't have the authority to keep me here.
00:18:44The doctor does.
00:18:46You got something you want to tell me, maybe?
00:18:52You are a stubborn little bitch, aren't you?
00:18:54We'll just see what the doctor has to say.
00:19:06Doctor, this is the prisoner who needs evaluation for transfer.
00:19:09As I told you, she was in a fight the other day,
00:19:11and was hurt, and hasn't been well.
00:19:13She was beaten badly by another prisoner.
00:19:15She's unfit for transfer, in my opinion.
00:19:21Sarah Sands?
00:19:24Is that right?
00:19:27Sarah, your past medical history looks good.
00:19:30But you understand, Sarah, we can't transfer you
00:19:32without being certain about your condition.
00:19:35It's something the state stipulates for its own protection.
00:19:38I feel fine, doctor.
00:19:40I wasn't injured in the fight.
00:19:42I'm fine.
00:19:45All right, Sarah, go ahead.
00:19:47Get undressed, please.
00:19:52All right.
00:19:54Get the hell out of here.
00:20:08Hold it.
00:20:19Okay.
00:20:20Come on, forward.
00:20:26Stay on the yellow line.
00:20:30Come on, Peters.
00:20:32Don't hold it up.
00:20:36Name and number.
00:20:37Sarah Sands, 54776.
00:20:43Name and number.
00:20:45Name and number!
00:20:47Danielle Peters, 1-2-5-1-3.
00:20:56Name and number.
00:20:58Margaret Murphy, 0-2-2-1-5.
00:21:03Ha, ha, ha!
00:21:05Oh, my God!
00:21:33We are one, two, three, two, three.
00:21:36We are one, two, three, one.
00:21:42You can't be one, two.
00:21:44You can't be one, two, three.
00:21:46Wait a second.
00:21:50We are one, three, three.
00:21:52We are one, three, four.
00:21:54We have one, three, four.
00:21:56In his arms, we have two, five.
00:21:58The Comic-Con is a fire.
00:21:59Hey, so what the hell is this thing
00:22:22that Carlos wants back from you so bad?
00:22:24Oh, come on. I mean, it's been bugging me
00:22:30ever since you mentioned it yesterday.
00:22:35What the hell is it?
00:22:37It's a little black book filled with numbers and codes, that's all.
00:22:41It's something that could put an end
00:22:43to Carlos's underworld dealings.
00:22:46Oh. So that's why he wants it back so bad.
00:22:50That's why, as long as I have it somewhere,
00:22:52he won't dare kill me. Without it, I'd be dead already.
00:22:56What makes you so sure?
00:22:57I'm still here, aren't I?
00:22:59Well, that's true.
00:23:01Well, why don't you just go to the police with it?
00:23:05Are you crazy? They can't protect me from Carlos.
00:23:09Well, I hope you got that thing well hidden, girl.
00:23:13I do.
00:23:14And I have a really good memory.
00:23:30Hey, chauffeur.
00:23:32Come on, aren't we there yet?
00:23:36Cool it, Maggie.
00:23:37You're on the second stop anyway.
00:24:07Hey! Hey! Stop! Stop! Stop! Stop! Come on. I've been in a car accident. My brains are
00:24:29hurt. Come on. No, come on. Please come on. We've been in a car accident. Hang on. I'll
00:24:35check it out. Why don't you call in our position, and I'd better call in the ambulance, too.
00:24:39Look, I don't want to hear a peep out of any of you.
00:24:41This is the Department of Corrections, vehicle number 00941. Hey, this one's got a
00:24:53poor. She's alive. Come in. Come in. Get down. Get down. Get down. Get down. Don't you dare get near that engine, bitch. I'll just waste all of you in there, and I mean it. You wouldn't want that, would you? Come on, lady. You're
00:25:22sitting duck here. Just give us Sarah, and we'll be all right. Come on. Let's be friends. Let's talk about it, okay? Hey, you wasted my best gal. Now I am willing to forgive and forget.
00:25:34All right. Give us Sarah, and you can go on your merry way. Hey, man. I ain't got nothing to do with it, all right? She's right here. She's right here, and I will help you.
00:25:43Oh, man. I'm sorry about that. I just couldn't resist. I hate loudmouths. Hope we can still be friends, huh? Quit fucking around and give us
00:25:57Sarah. I mean it. I can't do that. Why can't you do it? Are you afraid you're going to lose your job?
00:26:02Sarah. You guys are late. I'm sorry, Slash. We had some problems.
00:26:23Listen, lady. I got party guests here, and you're in a whole heap of trouble. I suggest you...
00:26:27Come on. Come on. Let's go get them.
00:26:57That bitch hit my tire. Well, don't just stand there. Go get some help, you idiot.
00:27:06Come on. Jesus, won't this thing go any faster?
00:27:08I'm trying. I'm trying.
00:27:10Something's wrong.
00:27:13We're going to have to go on foot. Come on.
00:27:18Come on, Sarah. Let's go.
00:27:20Sarah?
00:27:22No!
00:27:24She's dead.
00:27:26Come on, Peters.
00:27:28Come on.
00:27:29You've got to leave her.
00:27:30Let me out!
00:27:36Come on.
00:27:37Quick, down here.
00:27:44Hold it!
00:27:45Give me the gun.
00:27:46Give me the gun.
00:27:47What are you talking about?
00:27:48I don't know who you are, Peters. I'm not taking any chances now.
00:27:52Tina, I'm a federal agent. Special Agent Danielle Peters with the FBI.
00:27:56FBI, my ass. Give me the gun.
00:27:58Unless you want your little friends back there to catch up to us.
00:28:01Here.
00:28:07Jesus Christ!
00:28:09Why don't you just try using the keys?
00:28:10Because I don't have the keys back in the van.
00:28:12Now start running.
00:28:13You out front.
00:28:14Move it!
00:28:21This is bullshit.
00:28:22Fucking bullshit.
00:28:26Hey Slash, you better see this.
00:28:27What is it?
00:28:28It's Sarah, she did.
00:28:30You're a fucking bitch!
00:28:32God damn!
00:28:39Hold.
00:28:44Turn around.
00:28:45Slowly.
00:28:49Hold out your arms.
00:28:58Now cuff yourself to my wrist.
00:29:01Just to make sure you don't try anything funny.
00:29:04Tina, this is not necessary.
00:29:05That was the key.
00:29:09So if you're thinking of going anywhere without me, don't.
00:29:12Tina, I am not a convict.
00:29:14I am a federal agent working undercover, all right?
00:29:17Right.
00:29:18I was assigned to keep an eye on Sarah to find out what she knows and to protect her.
00:29:22Well, it doesn't look like you did such a great job then, does it?
00:29:25Well, it doesn't look like you did either, did you?
00:29:28You are my prisoner, Peters, so start walking.
00:29:31Move it.
00:29:33Fine.
00:29:36Hello?
00:29:40Can anybody hear me?
00:29:42Tina, we are in the middle of a deserted road.
00:29:44Do you really think anybody's gonna hear you?
00:29:46Just stop it, Peters.
00:29:47This way.
00:29:51Come on.
00:29:52Hang on.
00:29:53I got an inch.
00:29:55Are you finished?
00:29:56Yes, I'm finished.
00:29:57I had to handcuff myself to the biggest mouth in the prison.
00:30:02Hey, look, there's a telephone.
00:30:03Let me make a call.
00:30:04Why would I let you do that?
00:30:07I'll call the bureau.
00:30:08They'll send a car out and it'll be the proof that you need, okay?
00:30:11You just don't give up, do you, Peters?
00:30:13Tina, this is a federal investigation.
00:30:16And you know what?
00:30:17If you don't let me make a call, I'll see to it that you're sharing a cell with Zelda by tonight for interfering in a federal investigation.
00:30:25You got that?
00:30:26Okay, one call, but I'm watching you, Peters.
00:30:27Come on.
00:30:28Slow down.
00:30:29Speed up.
00:30:30God.
00:30:31Now that I can just remember my calling card number.
00:30:33Damn.
00:30:34Do you have a quarter?
00:30:35Do I look like a bank to you?
00:30:36No.
00:30:37Fine.
00:30:38What are you doing?
00:30:39I'm getting some change.
00:30:40You are not breaking into that phone booth while you were handcuffed to me, Peters.
00:30:42Fine.
00:30:43You're right.
00:30:44What if I saw this?
00:30:45I'm sorry.
00:30:46I told you not to do that.
00:30:47Change.
00:30:48Okay, what if I saw this?
00:30:49I'm sorry.
00:30:50What if I saw this?
00:30:51I'm sorry.
00:30:52It's not a call, I'm sorry.
00:30:53No, I'm sorry.
00:30:54This is going to be a call on card number.
00:30:55Damn.
00:30:56Do you have a quarter?
00:30:57Do I look like a bank to you?
00:30:58No.
00:30:59Fine.
00:31:00What are you doing?
00:31:01I'm getting some change.
00:31:02You are not breaking into that phone booth while you were handcuffed to me, Peters.
00:31:04Fine.
00:31:05You're right.
00:31:06What if I saw this?
00:31:07I'm sorry.
00:31:08I told you not to do that.
00:31:09Change.
00:31:13Carlos, what do you think?
00:31:36Turn around.
00:31:37Give me some stills right away.
00:31:46That's beautiful, baby.
00:31:47Beautiful.
00:31:47Exactly what I want.
00:31:49We'll have dinner tonight.
00:31:50Thank you, Carlos.
00:31:52God damn it!
00:31:53Be careful with that fabric!
00:31:54Oh, I'm sorry, Mr. Vega.
00:31:56I apologize.
00:31:58I shouldn't yell at you like that.
00:31:59But that fabric's for my show this weekend.
00:32:01Please, be careful with it.
00:32:07It didn't happen with the slashes in the back.
00:32:15God damn it!
00:32:31Bendejo!
00:32:34Yuck, Carlos.
00:32:45What the fuck is this?
00:33:12Did I tell you to use these colors?
00:33:14Huh?
00:33:15Did I tell you to use these colors?
00:33:17No, Mr. Began, no.
00:33:18Que cabeza.
00:33:22Slash.
00:33:32I heard about the ambush.
00:33:35Very messy, Slash.
00:33:37Very messy.
00:33:40Oh, man, Carlos, I did everything just the way you said.
00:33:43I went in there.
00:33:43It was so clean, man.
00:33:45I'm sorry.
00:33:48Sarah's dead.
00:33:50Well, then.
00:33:51I hope you found out where she hid the code book.
00:33:53See, that's the thing.
00:33:55Oh!
00:33:55Feds are closing in on me, and you come in here with that kind of fucking news?
00:34:01I'm very disappointed in you, Slash.
00:34:04Very disappointed.
00:34:05Oh, Carlos, man, I did everything right.
00:34:07Everything just the way you said.
00:34:08It wasn't me.
00:34:10It wasn't me.
00:34:10It was this girl.
00:34:11She came out of nowhere.
00:34:11She started shooting.
00:34:13She ain't no regular prisoner, Carlos.
00:34:14She ain't no regular prisoner.
00:34:17Just give me one more shot, man.
00:34:18I know I can get her.
00:34:19I know I can.
00:34:19You know, Slash, I've always loved this country.
00:34:25My work, my women.
00:34:28But if this bitch turns out to be a fed, I'm gonna have to leave.
00:34:34I'm sorry, man.
00:34:34Just give me one more shot.
00:34:36I can do it.
00:34:37I'll make it real clean.
00:34:41Wait for me outside, Slash.
00:34:43Oh, come on.
00:34:43I'll just go in just a couple of...
00:34:45Outside.
00:34:47Yeah, man.
00:34:48Let's go.
00:34:58Rodario, phone.
00:35:12Hello?
00:35:13Yeah.
00:35:13It's me.
00:35:14Si, senor.
00:35:15I want you to find out about a woman.
00:35:18Where she lives, who she lives with, everything.
00:35:22I don't care what it costs, what you gotta do.
00:35:25Just do it.
00:35:27Do it now.
00:35:28Right now.
00:35:29Yesterday.
00:35:30Si, senor.
00:35:30Comprende?
00:35:31Si.
00:35:34Stupid flights.
00:35:35Hey, there's the car.
00:35:36Come on, let's go.
00:35:37Yeah.
00:35:37Can you stand up?
00:35:39Okay.
00:35:40Ow!
00:35:41Get off the...
00:35:42FBI, don't shoot.
00:35:45All right.
00:35:46Get out of the car.
00:35:48Slowly.
00:35:52Keep your hands where I can see them.
00:35:54Let me see some ID.
00:36:02There.
00:36:02Are you satisfied now?
00:36:07Maybe.
00:36:07Oh, God.
00:36:09Come on.
00:36:10I'll go along with it for now.
00:36:12Shut up and get in.
00:36:18Let's go.
00:36:19Can we go get some ice cream?
00:36:32No, Jessica.
00:36:33You know we can't because it's getting late and you're going to have dinner soon.
00:36:37And besides, your mom wouldn't like it.
00:36:39Don't sign up.
00:36:42Margie!
00:36:43Mar!
00:36:44Margie!
00:36:45Margie!
00:36:54All right.
00:37:03Yeah!
00:37:04Come here.
00:37:27Tina, this is my field supervisor, Jerry.
00:37:30Glad to meet you, Tina.
00:37:31Nice to meet you.
00:37:32Have a seat.
00:37:34Both of you.
00:37:39Thanks, John.
00:37:40Rich.
00:37:46Got some bad news, Danielle.
00:37:50A few hours ago, someone kidnapped your daughter.
00:37:55There were two men.
00:37:57We don't know who they were.
00:37:59But we think they may have been hired by Carlos Vega.
00:38:01But why?
00:38:03I mean...
00:38:06If it was Vega, you'd probably think she found out where Sarah hid that code book.
00:38:11In which case, he's probably using Jessica to try to negotiate his freedom.
00:38:15I'm really sorry, Danielle.
00:38:19We're doing absolutely everything that we can.
00:38:23What about Mary?
00:38:24I mean, is she okay?
00:38:27Yeah, she's fine.
00:38:28She just got roughed up a little bit.
00:38:30That son of a bitch hurts, Jessica.
00:38:36I'll kill you.
00:38:37Listen, Danny.
00:38:38You can't be irresponsible right now.
00:38:41At present, we don't even know if it was Vega that took Jessica.
00:38:45Sit down.
00:38:46Bring yourself together.
00:38:46Listen, you're okay.
00:38:50I've got to ask you a couple of questions.
00:38:55We've been busy since the time you called in.
00:38:57We covered the prison van along with Sarah's body.
00:39:00We analyzed everything she's possessed that we know of, both in and outside the prison.
00:39:04Her clothes, her books, everything.
00:39:07But we came up empty.
00:39:09We've got no clue right now where she had that damn code book.
00:39:13We're right back at square when we've got nothing on Carlos Vega.
00:39:18So I've got to ask you, is there anything you can tell us
00:39:20that can give us a lead on that damn code book?
00:39:25She just told me that, in addition to hiding it, that she memorized it.
00:39:30That doesn't do us any good right now, does it?
00:39:34Excuse me.
00:39:35I mean, if you don't mind my asking, what is this code book?
00:39:38Vega is, um, Vega's a drug dealer that we've been after.
00:39:48And Sarah was his girlfriend.
00:39:52And when she felt that her life was in danger, she stole the code book.
00:39:57And it has all of his money laundering and his drug contacts in it.
00:40:03So that's what you were after then?
00:40:04Yeah.
00:40:09Listen, um, why don't you go on home?
00:40:12Try to get some rest.
00:40:14I'll keep you informed if anything develops.
00:40:18Wait a minute.
00:40:19You're taking me off the case?
00:40:22I'm sorry, Danielle.
00:40:23You know the rules.
00:40:25I can't have an agent be personally involved.
00:40:27We're talking about my daughter here.
00:40:31She is kidnapped because of me.
00:40:33And you expect me to just go home and sit and wait while you keep me informed?
00:40:39I'm sorry, Terry.
00:40:40I can't do that.
00:40:44Let's not have somebody drive you.
00:40:46I'll go.
00:40:46Don't bother.
00:40:48I've got my own car here.
00:40:49Tina, um, you haven't been properly debriefed.
00:40:57I'm going to have to trust you not to repeat anything you've heard here.
00:41:00Not a word.
00:41:01Not to anyone.
00:41:04It's what I like about the government.
00:41:05All those little secrets.
00:41:09Yeah.
00:41:09God, I really love your car.
00:41:26How fast does this thing go anyway?
00:41:28It does, okay.
00:41:29Just don't try pegging the needles.
00:41:31I just paid it off, all right?
00:41:31Don't worry.
00:41:33You sure you don't want to come in for some coffee?
00:41:34No.
00:41:35It's been a long day.
00:41:36I have a friend who lives close by.
00:41:38She'll let me crash there.
00:41:40All right.
00:41:41Just bring it back in the morning.
00:41:42Okay.
00:41:43Don't worry.
00:41:45You sure you're going to be all right?
00:41:48Well, nothing that a hot shower won't kill for the time being.
00:41:54Night.
00:41:55Night.
00:41:55Night.
00:42:09Night.
00:42:10Night.
00:42:10Night.
00:42:10Night.
00:42:10Night.
00:42:11Night.
00:42:11Night.
00:42:11Night.
00:42:11Night.
00:42:12Night.
00:42:12Night.
00:42:12Night.
00:42:12Night.
00:42:13Night.
00:42:13Night.
00:42:13Night.
00:42:13Night.
00:42:13Night.
00:42:14Night.
00:42:14Night.
00:42:14Night.
00:42:15Night.
00:42:15Night.
00:42:45I'm sorry, Jess.
00:43:15I'm sorry.
00:43:45I'm sorry.
00:44:15So, at last we meet, up close and personal, Miss Federal Agent.
00:44:22What do you want?
00:44:26Such a silly question.
00:44:29But to the point, I guess.
00:44:30Carlos wanted me to tell you, oh, yeah.
00:44:38He's got your little girl.
00:44:41Say!
00:44:43Temper, temper.
00:44:44You don't want to lose your head over this now, do you?
00:44:46Leave your little girl an orphan?
00:44:49I don't think so.
00:44:50If he hurts Jessica, he can bet I will personally see him dead.
00:44:55Relax.
00:44:57Your kid's gonna be okay for as long as you cooperate.
00:45:01Well, if he's worried about his precious little code book.
00:45:05Just tell him you needn't be.
00:45:08Sarah didn't tell me anything before you so stupidly killed her.
00:45:12We got a problem there because, um, no matter what you tell us, how are we gonna believe you?
00:45:21So, here's the deal.
00:45:24If you or your federal agents come anywhere near Carlos,
00:45:28you just might find that little kid of yours just kind of floating upside down in a swimming pool.
00:45:33So, I would convince your friends just to lay off Carlos for a little while.
00:45:39Give him two weeks so we can get out of the country.
00:45:41And when he feels good and safe, he'll get your kid back.
00:45:48Yeah.
00:45:49And how can I be sure he'll do what he says, huh?
00:45:53You got his word.
00:45:55See?
00:45:56We're holding all the cards.
00:45:58Carlos wanted me to make sure that you knew that the only reason that you and your little girl are alive
00:46:05is because you're gonna cooperate with us.
00:46:08Never!
00:46:11You know, personally, I would love to see you dead.
00:46:18I would love to kill you.
00:46:20But Carlos, he kind of wants you and Freddy here to kind of get to know each other a little better.
00:46:37That's a...
00:46:37What do I do with the body?
00:46:50I'll call a friend.
00:46:51He'll take care of it.
00:46:53Oh, God.
00:46:54I look terrible.
00:46:55Go ahead and sit.
00:46:56You got an antiseptic in here?
00:46:57Yeah.
00:46:57So how'd you learn to fight like that?
00:47:02To protect myself from prisoners like you.
00:47:05I'm really glad you came back.
00:47:07Yeah, I didn't think you should be alone tonight.
00:47:10It's not good to me.
00:47:11It's not too bad.
00:47:13Tina, I'm going after Carlos Fagan.
00:47:14I need your help.
00:47:15Uh-uh.
00:47:16You heard your boss.
00:47:17You're off the case.
00:47:19Scott, my daughter.
00:47:20What am I supposed to do?
00:47:22The Bureau is never going to get Carlos help.
00:47:24He'll be out of the country before they even figure out what they can pin him on.
00:47:27Danielle, I'm just a prison guard.
00:47:29I'm not trained for this kind of stuff.
00:47:31Well, what about Jesse, huh?
00:47:34I'm sorry.
00:47:34I really don't think that Carlos Vega is taking Jessica out for ice cream in the park.
00:47:38The FBI is going to handle it.
00:47:40The FBI?
00:47:42They're all tied up in their procedures and rules.
00:47:44They're never going to be able to act fast enough.
00:47:48Look, Danielle.
00:47:49Come on, I'd really like to help you, but...
00:47:52I mean, just the two of us?
00:47:53It's crazy.
00:47:54First, okay, we'd have to break every law in the book to get to Carlos.
00:47:58And second, minor detail here, we'll get killed.
00:48:01And if we don't get killed, we'll get locked up.
00:48:03At the very least.
00:48:05Look, Carlos Vega is a cold-blooded killer.
00:48:08A ruthless convict, and the man has to be stopped.
00:48:11Hello?
00:48:12Hello?
00:48:12Hasn't what has happened in the last 24 hours convinced you of that?
00:48:18Tina, I've got to get Jesse back.
00:48:24You can at least have a shower first.
00:48:37Okay, so just take a second.
00:48:40I've got to bypass this log-on password.
00:48:41I don't want to put them in the file.
00:48:43I don't know.
00:48:44Someone's so sure we should be doing this.
00:48:47Tina, just trust me.
00:48:48Hurry up.
00:48:51There.
00:48:52I'm in.
00:48:54That's Carlos Vega?
00:48:55Mm-hmm.
00:48:56Why does he look familiar?
00:48:58You know, Carlos Vega, the fashion designer.
00:49:01You're kidding me.
00:49:02You mean the Vega?
00:49:03God, he does some great stuff.
00:49:05Wish I could afford it.
00:49:06Yeah, me too.
00:49:08He used this business as a front.
00:49:10As far as we can tell, the business is totally legit.
00:49:13Which makes it a great cover for all his drug dealings.
00:49:15Oh, wait, wait.
00:49:16Look out.
00:49:18Looks like Jerry's investigation has narrowed it down to two locations that they think Carlos is holding Jesse.
00:49:23One's his mansion, and the other is this warehouse he's got under an assumed name.
00:49:30Hmm.
00:49:31His mansion's like a fortress.
00:49:34Heaven knows he'd be guarding it wherever now.
00:49:36Yeah.
00:49:37What about this warehouse, though?
00:49:38You think Jesse might be in there?
00:49:44Could be.
00:50:02Okay.
00:50:04Well, that's the warehouse.
00:50:06We should probably go in on foot from here.
00:50:09Looks quiet.
00:50:11Yeah, it does.
00:50:30You know what to do, right?
00:50:34Yeah.
00:50:36You okay?
00:50:41I'm fine.
00:50:41Let's just do it.
00:50:43Excuse me.
00:50:44Look, this is going to be real easy.
00:50:46All we're going to do is go in and take a look around.
00:50:48I'll take the lead, but I can't want you to cover me now if the shit starts flying.
00:50:51Oh, that's comforting.
00:50:53Come on.
00:50:54I doubt if he'd just leave the door open for us, do you think he means he's trying to hide something?
00:51:06Maybe that's exactly what he wants us to think, though.
00:51:20Come on, let's go.
00:51:21Come on, let's go.
00:51:41Come on.
00:51:41Come on.
00:51:42Come on.
00:51:48It's too quiet.
00:51:56I know.
00:51:58Come on, let's go.
00:52:12All right, you stay here.
00:52:22I'm going to go inside and check it out.
00:52:23Be careful.
00:52:42I can't believe there's nothing.
00:53:06Guess that means we're breaking and entering his mansion next?
00:53:09You bet your sweet ass.
00:53:10Drop your guns.
00:53:10Put your hands in the air.
00:53:12Come on, do it now.
00:53:21Look, maybe we can work something out, huh?
00:53:24I'm serious, you guys.
00:53:26Look, we'll do something for you.
00:53:28Do something for us.
00:53:30You know what, Tina?
00:53:31I'm sorry, look at these guys.
00:53:32They don't look like the kind of guys that that's going to work with.
00:53:34Dan, no, would you do it?
00:53:35I'm trying to work something out here.
00:53:36Hold it right there.
00:54:03Nobody move.
00:54:09This time you're over the line.
00:54:10You almost killed two of my men.
00:54:12Well, they should have identified themselves.
00:54:14Don't you open your mouth.
00:54:15I'm not finished.
00:54:17You completely ignored the fact that I've taken you off this case.
00:54:20Not to mention Tina, who you've now got investigating in a top-level federal investigation with no security clearance of any kind.
00:54:27Did you even think of the danger you're putting her in?
00:54:29Hey, it was my choice.
00:54:30I was acting on my own.
00:54:32Oh, were you?
00:54:33Well, you're not an agent.
00:54:34You don't act on your own in a federal case.
00:54:36Well, I do.
00:54:38When it comes to my daughter's life, not you or the Bureau or anybody else is going to stand in the way of that.
00:54:43Really?
00:54:44Were you thinking of your daughter's safety?
00:54:46Or are you just thinking about your own guilt?
00:54:48Don't fuck up this case just because you feel guilty about putting Jesse in danger.
00:54:52It's not your fault.
00:54:55Now, sit down.
00:55:00Despite what you think, we have been doing all we can.
00:55:04We've been surveying Carlos' mansion and the warehouse.
00:55:08You could have really screwed things up at the warehouse, but I don't think his men saw what happened.
00:55:13I can't help but think that you have some information you're withholding from me.
00:55:19Has Carlos contacted you?
00:55:22Has he threatened to hurt Jessica?
00:55:27No.
00:55:31If you have any proof that he's holding her, I can get a search warrant in two hours.
00:55:36Oh, come on, Jerry.
00:55:37Jerry, you know as well as I do that Carlos Vega would know about a search warrant before the ink even had a chance to dry.
00:55:44Do you have any better ideas?
00:55:48Listen, Danielle, I've been after Carlos Vega for a long time.
00:55:53I want him bad.
00:55:55Now with Jessica being kidnapped, I...
00:55:57But I can't just bust in there.
00:56:00We have to do this right or we're never going to hold him.
00:56:04I know, Jerry.
00:56:05Do you have any proof that he's got her?
00:56:11No.
00:56:15I have no choice but to suspend you.
00:56:18No!
00:56:18What?
00:56:19And Tina, this is not your business.
00:56:20I suggest you go home.
00:56:21Hey, you mind?
00:56:39Oh, no, go ahead.
00:56:40I'm starving.
00:56:41Chivas is always such a fun guy.
00:56:46You know, as much as I hate to admit it, he was right about one thing.
00:56:49Hmm.
00:56:51I was totally out of line asking for your help on this.
00:56:53Don't be ridiculous, Danielle.
00:56:56No, I'm serious.
00:56:57I had no right to get you involved.
00:56:59Will you give me a little credit?
00:57:00It was my decision.
00:57:01Thanks.
00:57:05You're welcome.
00:57:10You are still going after her, aren't you?
00:57:13I don't think I have much choice, now do I?
00:57:15Mm-mm.
00:57:16So, count me in.
00:57:18No, I cannot ask you for your help on this.
00:57:23It'll be too dangerous.
00:57:24Well, you're not asking me, are you?
00:57:25I'm telling you, you need me.
00:57:27And I'm telling you, no, it'll be too dangerous.
00:57:30Will you give me a little credit?
00:57:32I'm a prison guard.
00:57:33I can handle myself.
00:57:35Besides, I think I sort of have a knack for this job, don't you?
00:57:38Hmm?
00:57:44All right.
00:57:47Padna.
00:57:48Padna.
00:58:02Excuse me, Jennifer, you have a phone call?
00:58:07Hello?
00:58:08Jennifer.
00:58:10Hi.
00:58:11Danielle Peters.
00:58:12Oh, Danielle, hi.
00:58:14Listen, um, I'm in a bit of a bind.
00:58:18I'm kind of neat to see you.
00:58:20Yeah.
00:58:20Yeah, I'll be back.
00:58:22All right.
00:58:23I'll see you again.
00:58:24Okay.
00:58:25Bye-bye.
00:58:28You're welcome.
00:58:29Hi, Jennifer.
00:58:41May I introduce to you Jennifer Springer, probably one of the most sought-after Paris models.
00:58:46I know.
00:58:47Hi, I'm Tina Lamb.
00:58:48Hi, Tina.
00:58:48Glad you were even putting her in person, I hate you.
00:58:50Stop.
00:58:51You know, I'm really sorry I'd have to drag you into all this, Jen.
00:58:55No problem.
00:58:56Trust me.
00:58:57I want to do all I can to help you, Danielle.
00:58:59Jennifer's not only a high fashion model, but she also works for several European secret
00:59:03service agencies on occasion.
00:59:05Really?
00:59:05And I guess it was, what, um, a couple of years ago we worked together on a case.
00:59:09Right, yeah.
00:59:10And at one point it got pretty hairy and...
00:59:12And basically she saved my ass.
00:59:15Jeez.
00:59:15I don't know that it was nearly exciting or half as heroic as she makes it out to be.
00:59:20It was a close call.
00:59:23So here I am.
00:59:25Let's get down to business.
00:59:27What's the plan, boss?
00:59:28Well, I'm positive that Carlos has got Jesse somewhere in his mansion.
00:59:32Mm-hmm.
00:59:33He's got a fashion show coming up on Sunday.
00:59:35That's in two days.
00:59:37So we don't have much time.
00:59:38My guess is as soon as that fashion show's over, he's going to try and leave the country
00:59:42and take Jess with him.
00:59:43Right, so we have to do something before then.
00:59:46We're planning tomorrow night.
00:59:47Oh, his mansion's a really weird place.
00:59:50I mean, for his safety, he's built his own fashion business,
00:59:54including his garment factory in his backyard.
00:59:56Security's really tight around there, though.
00:59:58But he's real quirky about it in that he relies more on armed guards
01:00:02and less on electronic surveillance.
01:00:05We may be able to use that to our advantage then.
01:00:08Bingo.
01:00:09I do know a little bit about his habits.
01:00:12I know that he always prepares for his shows at his mansion.
01:00:14That means the models always go there first for the rehearsals and preparations.
01:00:19Then he wraps up and ships out to the show.
01:00:21Exactly.
01:00:22So Saturday night, the place should be teeming with models.
01:00:25And that's our opportunity to get in.
01:00:26Right.
01:00:27And that's where we need you, Jen.
01:00:29Wait a second.
01:00:31What about the FBI?
01:00:33Good old Jerry's probably going to have his men covering the mansion, won't he?
01:00:37Well, we'll just have to hope that we find Jessica before they find us.
01:00:42Right.
01:00:43Let's give it a shot.
01:00:45Good evening, ladies.
01:01:12Hi, guys.
01:01:13How's it going?
01:01:14Fine.
01:01:15Uh, listen, we had a little bit of a problem with the bomb scare earlier,
01:01:18so we're having to check everybody in.
01:01:20I know it's a hassle, but I hope you don't mind.
01:01:24Well, we're very late already, so I hope it doesn't take long.
01:01:27No, it should just take a minute.
01:01:29Would you lady step out of the car, please?
01:01:32Uh...
01:01:32A chance to find the car?
01:01:40Sorry about this.
01:01:41Really.
01:01:48All right, I'll need your names.
01:01:52Jennifer Springer.
01:01:54Oh, yeah.
01:01:55I've seen your work.
01:01:56Oh, have you?
01:01:57Yeah.
01:01:57That's great.
01:01:58Oh, this is Lori.
01:02:03She does my hair and makeup.
01:02:05Hi.
01:02:06Hi.
01:02:09Oh, it's just makeup and stuff.
01:02:11It's okay.
01:02:12It, uh, seems we have a problem here.
01:02:15Your names aren't on the list.
01:02:16You've got to be kidding me.
01:02:18No.
01:02:19I cannot believe this.
01:02:20My agent just called me a few hours ago and told me to drop everything.
01:02:23I got here as soon as I could, and now this?
01:02:26Jen, do you mean to tell me that we came all the way over here for nothing?
01:02:29Look, I can call in.
01:02:30We can clear this up.
01:02:31Look, I'm sure they just didn't get a chance to put my name on the list yet.
01:02:34I mean, can't you just let us through?
01:02:35You know who I am.
01:02:38No.
01:02:39Are you girls trying to keep me from calling this in?
01:02:41No.
01:02:42We're late for rehearsal already, all right?
01:02:44You know how Carlos is about this.
01:02:46No!
01:02:46Way to go, Rambo.
01:02:56Hey, you guys were in trouble.
01:02:58I had to do something.
01:02:59Well, I know, but what about the plan?
01:03:00You think they're not going to realize these two guys are missing?
01:03:02Yeah, and the feds would spot what's happened if they haven't already.
01:03:05Did we abort?
01:03:07No.
01:03:08We're not going to get another chance.
01:03:09Thank Danny.
01:03:11Jennifer, you go in with me.
01:03:13Go around back.
01:03:14Yeah.
01:03:15Hey, you could say thank you.
01:03:17Thanks.
01:03:43Jennifer.
01:03:45Yeah?
01:03:47Talk about money.
01:03:50God, this place is huge.
01:03:51Yeah, I know I talked to you.
01:03:58Tina's going to go check out the warehouse.
01:03:59We should see it at the garment factory.
01:04:01Oh, all right.
01:04:02Come on.
01:04:04You go first.
01:04:05Okay.
01:04:05Okay.
01:04:13This place is really huge.
01:04:33We've got a lot of ground to cover, kiddo.
01:04:34Yeah.
01:04:36You think Jessica's over there?
01:04:40I don't know.
01:04:40Check it out.
01:04:41Yeah, right.
01:04:41Okay.
01:05:03Hi.
01:05:05Hi.
01:05:05Hi.
01:05:11So now what do we do?
01:05:19Um, I think I'm going to go take a look around, okay?
01:05:23Okay.
01:05:23Okay.
01:05:23All right.
01:05:25Okay.
01:05:36Okay.
01:05:36I don't know.
01:06:06I don't know.
01:06:36This is the dress and shoes that you'll be wearing this evening if you'd like to go and slip those on.
01:07:17Thanks.
01:07:30You've got to be a detective.
01:07:33Nothing.
01:07:35So now what do we do?
01:07:37I don't know.
01:07:39I guess we just keep looking.
01:07:57So...
01:07:59We meet again, pretty lady.
01:08:03Mr. Vega, I redid the turquoise so-cut evening gown.
01:08:09That's fine, fine. Terrific.
01:08:19That dress.
01:08:21It's just beautiful, beautiful on you.
01:08:23Of course, Carlos. It's one of your creations.
01:08:25Have we met? You look awfully familiar.
01:08:27Uh, yes.
01:08:29We were introduced a couple of years ago at another show.
01:08:31Um, Jennifer Springer.
01:08:33Ah, Jennifer Springer.
01:08:35Of course, I know the name.
01:08:37Glad to have you.
01:08:39Now that we've been introduced,
01:08:41who might this be?
01:08:43This is my, uh,
01:08:45personal makeup and hair stylist, Lori.
01:08:47Well,
01:08:49don't let me keep you then.
01:08:51The next room,
01:08:52and the stairs,
01:08:53and the stairs...
01:08:54and the stairs.
01:08:56And the stairs?
01:08:57Excuse me, ladies.
01:09:24I was just wondering if I might ask your opinion on something.
01:09:28Well, actually, it's more of a question rather than an opinion.
01:09:32You see, I was just wondering whether or not you've had any luck finding your kid.
01:09:40I'm sorry, son of a bitch.
01:09:43I'm waiting for an answer.
01:09:48Where is she?
01:09:49I can do it by myself.
01:09:58So what did you do with Tina?
01:10:13Okay.
01:10:14Tina!
01:10:15Ah, your pesky little friend.
01:10:18Not to worry.
01:10:19We're going to visit with her right now.
01:10:28They need you upstairs to approve the dresses.
01:10:30I don't give a fuck about no damn dresses right now.
01:10:34Can't you see the feds are closing in on me?
01:10:36You just get Roberto Carangelo on the phone.
01:10:39Tell him to transfer my money to the Swiss accounts.
01:10:42And tell him I said every last cent.
01:10:43Or have Rosario blow his head off.
01:10:44Go ahead.
01:10:45Yes, Carlos.
01:10:47Ladies, your friend is waiting.
01:10:55It's party time.
01:10:57Sit, bitch.
01:10:57Did you ladies actually think you could come into my house,
01:11:17La Casa de Carlo Vega,
01:11:19and fuck with me?
01:11:23Now, I thought we had an understanding, you and me.
01:11:26You know, I'm okay.
01:11:29Your kid's okay.
01:11:32So, with that in mind, tell me,
01:11:37why did the feds send you in here?
01:11:40I mean, what is it they're up to?
01:11:44They're not up to anything.
01:11:48We came in here on our own.
01:11:51Look, I want my daughter back.
01:11:52If you just give me my daughter
01:11:55and let my friends go,
01:11:57you can do whatever you want with me.
01:12:01And then what?
01:12:03The feds are going to let me just waltz out of here?
01:12:06Is that what you're telling me?
01:12:08Look, Sarah never told me anything
01:12:10about your stupid little code book.
01:12:13The feds don't have anything on you.
01:12:15Oh, so then I should let you all go.
01:12:22Well, I don't think that's such a good idea.
01:12:27Slash, what do you think?
01:12:29I don't know.
01:12:31Little Miss Federal Agent hasn't been too nice to me.
01:12:35I wouldn't trust her.
01:12:36Si, si.
01:12:38Dorado.
01:12:42Go play.
01:12:45Take your house off of me!
01:12:47Don't slip her!
01:12:47Now!
01:12:48Si, si.
01:12:49Just let her go!
01:12:50Si.
01:12:50Look, why are you doing this, huh?
01:12:52What do you want from us?
01:12:54Why don't you just tell us
01:12:55what the feds are up to outside, okay?
01:12:57We came in here on our own.
01:12:59They've taken me off the case.
01:13:01Yeah, well, why don't you tell us what you do know?
01:13:04I mean, just think of what you're doing
01:13:06to that poor friend of yours.
01:13:07Not to mention what you're doing
01:13:09to that poor little daughter of yours.
01:13:12Jesus Christ.
01:13:14I don't know anything.
01:13:17Just listen to her.
01:13:18She's telling you the truth.
01:13:20They don't have your code book,
01:13:21and I don't know what they're planning, all right?
01:13:24Okay, ladies.
01:13:25Let's cut the fucking bullshit.
01:13:27Slash?
01:13:28Yeah?
01:13:29Let's take them for a little walk.
01:13:31Come on, princess.
01:13:36Come on.
01:13:37Come on.
01:13:45Come on.
01:13:48She's talking about changing the way.
01:13:51Come on, give a little girl.
01:13:52Smile, smile.
01:13:53All the party guests have fun.
01:13:55Have fun.
01:13:55Smile, we know.
01:13:57All the party guests have fun.
01:13:58Little lady, smile.
01:14:00Come on, smile.
01:14:02All them, they're models, hon.
01:14:03You could be pretty too, but you ain't gonna be, not after I'm done with you.
01:14:08You haven't seen my knife tricks, have you?
01:14:10Too bad, babe.
01:14:12It's my specialty.
01:14:13Really, I thought your specialty was being Carlos' pet bulldog.
01:14:19Bitch.
01:14:22Get out of here!
01:14:24Get down, get down!
01:14:25Stay with us!
01:14:27I'm going through the gate and down under the...
01:14:30This is the FBI!
01:14:31Put down your office!
01:14:32I repeat, this is the FBI!
01:14:34You are surrounded!
01:14:53Come on, bitch.
01:14:54Come on.
01:14:56You think you got it?
01:14:57You come to me, bitch.
01:15:02No!
01:15:14How's about this?
01:15:16Take him off right now.
01:15:24No!
01:15:24Get him!
01:15:25FBI!
01:15:50Drop your weapons!
01:15:52Drop them!
01:15:55Let her go, let her go.
01:16:25Congratulations, Ms. F.B.I.
01:16:29You made it to the bonus round.
01:16:31Now, how do they say it?
01:16:33I could kill her now, or I could kill her later.
01:16:36You decide.
01:16:49You know what?
01:16:50You picked the wrong kid to kidnap.
01:16:55Danny!
01:16:57It's not worth it.
01:17:01Come on.
01:17:03Back off, Danny.
01:17:05Get this dirt out of here.
01:17:07Nobody until I say so.
01:17:11Okay.
01:17:13Jesse!
01:17:15Jesse!
01:17:17Jesse, you're okay.
01:17:19Jennifer.
01:17:21Jennifer.
01:17:23Jennifer.
01:17:24Jennifer.
01:17:25Jennifer.
01:17:26You saved everybody all day.
01:17:27Oh, Jen.
01:17:29Oh, Jerry.
01:17:31Thanks for coming in after us.
01:17:33You didn't leave me much choice, did you?
01:17:34After the way you busted into this place.
01:17:35Hey, I'm just glad Jessica's okay.
01:17:37I'm just sorry you didn't get Carlos.
01:17:39I don't think we have any problem holding.
01:17:40The code book?
01:17:41That's it.
01:17:42Oh, my God.
01:17:43But, I mean, how did you get it?
01:17:44Sarah.
01:17:45You know, she had a tattoo of a small black rose on her thigh.
01:17:46First, I didn't think anything about it.
01:17:47Because most inmates have tattoos of some kind.
01:17:48But it kept bugging me.
01:17:49So I did the same thing.
01:17:50I did the same thing.
01:17:51I did the same thing.
01:17:52I did the same thing.
01:17:53I did the same thing, did you?
01:17:54After the way you busted into this place.
01:17:55Hey, I'm just glad Jessica's okay.
01:17:56I'm just sorry you didn't get Carlos.
01:17:57I don't think we have any problem holding him.
01:17:59The code book?
01:18:00That's it.
01:18:01Oh, my God.
01:18:02But, I mean, how did you get it?
01:18:04Sarah.
01:18:05You know, she had a tattoo of a small black rose on her thigh.
01:18:09First, I didn't think anything about it.
01:18:11Because most inmates have tattoos of some kind.
01:18:14But it kept bugging me.
01:18:15So I did some rechecking.
01:18:17Turns out she has an aunt who lives in Texas.
01:18:20She's the only member of her family that Sarah stayed in touch with after she ran away from home.
01:18:23This aunt began growing black roses some years ago.
01:18:27She's actually quite well known for them.
01:18:29There's no such thing as a true black rose, so anything that even comes close is considered very rare.
01:18:34And this aunt sent Sarah black roses on her birthday, telling her how rare she was.
01:18:39And we found out that's where she had sent the code book in case anything happened to her.
01:18:43Well, she was definitely a rare breed.
01:18:47Looks like she told you what you wanted to know after all, huh?
01:18:50Yeah.
01:18:51I also did some checking on you, Tina.
01:18:53What?
01:18:54I had to make sure you weren't a plant by Vega.
01:18:56Jerry.
01:18:57Oh, give me a break.
01:18:59Well, I found out that you've applied to the bureau a couple of times.
01:19:03You know about that?
01:19:05Yeah.
01:19:06You may not know this, but I can make sure appointments go through for specially qualified applicants.
01:19:11I told you I had an act for this stuff.
01:19:15Yeah, and I need all the help I can get keeping an eye on a particular agent.
01:19:20I know what you're doing.
01:19:21Hey!
01:19:22Danielle, do you have any idea the kind of trouble an agent that was on, say, suspension would be in if they were involved in the kind of activity going on here tonight?
01:19:30Fortunately, your suspension's going to begin after you come back to the office and do all the paperwork on this case.
01:19:38I think, uh, two weeks with Jessica should be about enough.
01:19:44Come on, Jess.
01:19:46Oh, it's Jerry.
01:19:47Can it be three?
01:19:48God.
01:19:49Don't push it.
01:19:50Don't push it, Peters.
01:19:52Come on, let's get out of here.
01:19:53Oh, I was wrong.
01:19:54You are a fun guy.
01:19:55Oh, shut up.
01:19:56Come on, sweetie.
01:19:57Look what the lab guys have to do, please.
01:20:23We'll catch them.
01:20:24We'll catch them next time.
01:20:25I'll be right back.
01:20:26Oh, God.
01:20:27Oh, God.
01:20:28I'll be right back.
01:20:29You've got some shit.
01:20:30We'll catch them next time.
01:20:31Yeah.
01:20:32Yeah.
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