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Step into the world of rapid-fire wit and classic slapstick with Room Mayhem – a 1938 Marx Brothers masterpiece set in a chaotic hotel. Watch as Groucho, Chico, and Harpo deliver relentless comedy, clever schemes, and laugh-out-loud moments in this timeless gem of Hollywood's golden era. Perfect for lovers of vintage humor and iconic cinema!
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Short filmTranscript
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00:03:38He walked in on me unexpectedly.
00:03:42He'll discover your bill any minute.
00:03:44$1,200 worth of credit to a shoestring producer.
00:03:46How will I explain it?
00:03:48If he finds out you're my brother-in-law, it'll cost me my job.
00:03:51It was a business proposition.
00:03:53In return, for a little credit to me and 22 of my actors,
00:03:56I gave you a 10% interest in the show.
00:03:59Don't forget, you begged to get in on the ground floor.
00:04:01You mean I was railroaded into it by you and Flossie.
00:04:05You do me a favor and kindly keep your wife's name out of this.
00:04:08Do you realize you're talking about the woman you love?
00:04:11And besides, she happens to be my sister on my mother's side.
00:04:16Hello, boss.
00:04:17The rehearsal, she's a wonder.
00:04:19Hello, Benelli.
00:04:20Yes, sirree, it's a wonderful.
00:04:22I still think it's a terrible play, but it makes a wonderful rehearsal.
00:04:26Hello?
00:04:27Room service.
00:04:28Just a minute, Benelli.
00:04:29You can't eat here anymore.
00:04:31Well, there's only one thing to do, Joe.
00:04:32I'll have to scram.
00:04:33But, Gordon, I can't let you skip.
00:04:35You'd have to leave your luggage.
00:04:36All right, I'll leave my luggage.
00:04:37Well, we can wear a lot of clothes.
00:04:38Hey, Benelli.
00:04:39Put on three of my suits.
00:04:41Now, you can say you extended credit and good pay.
00:04:44Baker, here we go again.
00:04:46Come on down.
00:04:46Give us a hand.
00:04:47Well, you don't want 22 people skipping all in one day, do you, Joe?
00:04:50Of course not.
00:04:51But I...
00:04:52You see, Joe, their bills are charged to me.
00:04:54So they can't be held responsible.
00:04:56Now, the minute I'm out, we'll have the whole cash we register under their own names.
00:04:59And starting from today, instead of one big bill, you'll have 22 little ones.
00:05:02Hello?
00:05:04Joe, it's for you.
00:05:07Hello.
00:05:09Oh.
00:05:10Oh, yes, Mr. Wagner.
00:05:11I'll be right down.
00:05:12I'll be out of here in 15 minutes.
00:05:1417 years of a hotel business and I have to pull a stunt like this.
00:05:18Well, this only goes to prove what I always said.
00:05:35The hotel is no good.
00:05:36I'm afraid you're right, Benelli.
00:05:38Say, can you put me up for the night?
00:05:40Yes, but you'll have to sleep on the shelf.
00:05:43What's the matter with the floor?
00:05:44I'm on the floor.
00:05:46What happened to the bed?
00:05:47I can't get it out of the wall.
00:05:51Come on, Fanker.
00:05:52Give us a hand.
00:05:55I see you came prepared.
00:05:57No, he just don't believe in shirts.
00:05:59Oh, on 8th he is, eh?
00:06:04Hey, maybe he can put me up for tonight.
00:06:06At the Metropole?
00:06:08You wouldn't want to stop there, boss.
00:06:09That's the worst lock house on 8th Avenue.
00:06:12Well, looks like I'll have to curl up in the shelf with you.
00:06:15Sure, you're much better off.
00:06:17Besides, you'd have to sleep sideways at his place.
00:06:23I thought he had a large bed over there.
00:06:25He has, but he's got four other guys living with him.
00:06:27They're packed in like a bunch of sardines.
00:06:29What, running out again?
00:06:42Hello, beautiful.
00:06:43You can't leave.
00:06:44You must stay here.
00:06:44I found a backer for you.
00:06:45He's coming up here.
00:06:46Who is he?
00:06:47Where'd you get him?
00:06:47He's an investing agent, a man named Jenkins.
00:06:49He just walked into the office and won an interview with Fremont.
00:06:52And he has money to invest in a play.
00:06:53What kind of a straitjacket did he wear?
00:06:55I talked him out of doing business with Fremont.
00:06:57I told him all about you, Gordon.
00:06:58And I gave him a copy of Hail and Farewell, which he's reading this very minute.
00:07:02Too bad you made the appointment up here.
00:07:05I don't know what to do.
00:07:06If I stay, I may lose the cast.
00:07:08If you don't, you'll lose your backer.
00:07:09But you must be here when he comes.
00:07:12That may be Mr. Jenkins now.
00:07:14Man the pumps, boys.
00:07:16Just a minute.
00:07:21Mr. Gordon Miller?
00:07:28In the flesh.
00:07:29My name is Davis.
00:07:31Davis?
00:07:32Yes, the author of Hail and Farewell.
00:07:35Oh, well, this is a surprise.
00:07:37I guess I should have telegraphed you I was coming.
00:07:40Not at all.
00:07:41Don't mind the appearance of the room.
00:07:42We were just cleaning up a bit.
00:07:43I hope I'm not intruding.
00:07:45Certainly not.
00:07:47This is Miss Marlowe, who is going to star in your play.
00:07:49This is Mr. Benelli, my assistant.
00:07:52And this is Mr. England, the brains of the organization.
00:07:54That'll give you an idea of the organization.
00:07:58Well, I guess I'll go down and register.
00:08:01You intend to check in here?
00:08:04Well, before I do that, there's something I'd like to talk to you about.
00:08:08You see, I haven't any money to speak of.
00:08:11Oh.
00:08:13I was depending on the advance.
00:08:16Davis, of course, I could give you the money.
00:08:17It's really of no importance, but my advice to you is to go back home.
00:08:21Let me send for you, let's say, a week before we open.
00:08:24Oh, but you see, I've left home for good.
00:08:26I've burned my bridges behind me.
00:08:28I see, but you could go back if you wanted to.
00:08:31My mother seemed very happy when I left.
00:08:33Only a mother's mask.
00:08:35At this moment, she may be sitting at the fireside, wringing her hands.
00:08:39But we have no fireside.
00:08:40You have no fireside?
00:08:42How do you listen to the president's speeches?
00:08:43What time does the next bus leave for Oswego?
00:08:49Excuse me, Miss Marlowe.
00:08:51In a little while, you'll be thanking me for this.
00:08:53Well, I appreciate all your advice.
00:08:54The next bus leaves at 9-2.
00:08:55If you hurry, you can make it.
00:08:56It's an air-cool bus.
00:08:57Come on, I'll help you down with your bag.
00:08:59This is an awesome, Paul.
00:09:00The decision of your life.
00:09:01Now, wait a minute.
00:09:03I don't want to appear stubborn, but I'm afraid I couldn't go back now.
00:09:07Now, listen, Davis.
00:09:08If you people have lost interest in my play, I wish you'd say so.
00:09:11I'm sure Morton Fremont would buy it.
00:09:14I've got a letter of introduction to him.
00:09:16Fremont?
00:09:17I guess you've heard of him.
00:09:19Davis, I'm beginning to see your point.
00:09:21You just don't want to go home.
00:09:22Well, that's it.
00:09:23No, you're forcing our opinion on him.
00:09:25It might make him neurotic.
00:09:27Now, about this advance.
00:09:28All you actually need it for is board and lodging?
00:09:31Yes.
00:09:32Davis, your problem is solved.
00:09:33You move right in here with us.
00:09:34Oh, no.
00:09:35No, no, not another word.
00:09:36You're my guest.
00:09:37This is Liberty Hall.
00:09:39You mean live with you?
00:09:41Precisely.
00:09:42Oh, thanks.
00:09:43Thanks a lot.
00:09:48Oh, by the way, Davis, if you happen to have any money on you, it might be a good idea
00:09:52to let me put it in my vault downstairs.
00:09:53I have 67 cents.
00:09:55You got a 67 cents and you're asking us for an advance?
00:09:58He's always clowning.
00:10:00Well, if you fellas don't mind, I think I'll wash up.
00:10:03Yeah, go ahead.
00:10:04The rest of us are already washed up.
00:10:06Well, there's only one thing to do.
00:10:07I'll have to ask Mr. Fremont for an advance on my salary.
00:10:10Thanks.
00:10:12Thanks.
00:10:12I still have some cinders left in my ears from that train ride.
00:10:16Save them for fuel, Davis.
00:10:17It looks like a hard winter.
00:10:23Baker, I'm surprised at you.
00:10:24Yeah, you ought to be ashamed of yourself robbing a stranger.
00:10:31You know, I think he's reforming.
00:10:33He didn't steal the depiction.
00:10:34Yes, that's the first encouraging sign I've seen.
00:10:37Now I know how Gypsy Rose Lee feels.
00:10:41Hail and farewell.
00:10:44Arthur, Arthur, Arthur.
00:10:47Hello?
00:10:48Who wants Benelli?
00:10:50Hold on.
00:10:51You know any policeman?
00:10:52Policeman, what's his number?
00:10:54Hello?
00:10:56What's that?
00:10:58But, officer, this is the first I hear about this.
00:11:00Okie doke.
00:11:06I'll be right over.
00:11:09Well, what do you know about that?
00:11:11I've just been dispossessed.
00:11:13Dispossessed?
00:11:13From that rat trap?
00:11:14I know what I'll do.
00:11:15I'll hock at the typewriter.
00:11:16Oh, no, you don't.
00:11:17You explain it to Davis.
00:11:18Never mind Davis.
00:11:19I'm going to hock at myself.
00:11:21But I need it more than you do.
00:11:22The cop says he wants to give me a ticket.
00:11:23My moose head is blocking the fire pump.
00:11:25Now, wait a minute.
00:11:26I can't wait.
00:11:27I tell you, I've got to have it.
00:11:28If I don't hurry up, the cop is going to dispossess me from the sidewalk.
00:11:32Say, this certainly is a nice bathroom.
00:11:35I never lived in a hotel before.
00:11:39Oh, I had a valet come up and lay out your things.
00:11:42Oh, thanks.
00:11:43Well, I'll get down to register for you.
00:11:44If anyone calls, I'll be right back.
00:11:51Hello?
00:11:53Is this the We Never Sleep collection agency?
00:11:56Well, this is Leo Davis of Oswego.
00:12:01Oh, no.
00:12:01I'm living here at the Hotel Whiteway, room 920.
00:12:06Yeah, that's right.
00:12:09Well, I got behind in my payments on the typewriter,
00:12:12and they turned it over to you for collection.
00:12:15Well, now, if you'll send a man over here,
00:12:17I'd be only too glad to pay off the balance.
00:12:20Come in.
00:12:22Oh, that's quite all right.
00:12:24Goodbye.
00:12:24Goodbye.
00:12:26Oh.
00:12:29Oh, I'm sorry.
00:12:30I thought that this was Mr. Miller's room.
00:12:32It is.
00:12:33He'll be right back.
00:12:35Are you an actress?
00:12:36No.
00:12:37No, I'm the manager's secretary, Miss Manny.
00:12:40Well, what'll I tell Mr. Miller?
00:12:42Why, nothing.
00:12:44I mean, uh...
00:12:45No, no, it's not important.
00:12:47Excuse me.
00:12:49What did you say your name was?
00:12:51Manny.
00:12:52Hilda Manny.
00:12:52I used to know somebody called Manny up in Oswego.
00:12:56Oscar Manny?
00:12:57Yeah.
00:12:58He used to give me piano lessons.
00:13:00Why, he's my uncle.
00:13:01You don't tell me.
00:13:02Well, what do you know?
00:13:06Well, won't you sit down?
00:13:12Uh, uh-oh.
00:13:14Would you care for a chocolate?
00:13:16I got him on the train.
00:13:17Thanks.
00:13:18Twelve hundred and hours.
00:13:21Gribble, I can't understand what's going on here.
00:13:23You say Miller skipped?
00:13:24So I was given to understand, Mr. Wagner.
00:13:27What did he skip?
00:13:28Well, I...
00:13:28I'm not sure.
00:13:33I just want to know one thing, Gribble.
00:13:36What in blazes goes on inside that head of yours?
00:13:39But, Mr. Wagner, I explained...
00:13:40The credit limit of this unit is five hundred dollars.
00:13:42Well, Miller kept stringing me along from day to day,
00:13:45showing me backers, telegrams.
00:13:47I never expected him to skip.
00:13:49Why, he's a crook, a deadbeat.
00:13:51If I catch him, I'll have him arrested.
00:13:52I'm sorry, Gribble.
00:13:54I'll have to charge you with the difference
00:13:55between the limit and the loss.
00:13:57It'll be exactly seven hundred dollars.
00:13:59Mr. Wagner, I protest.
00:14:00Bill!
00:14:02I was sent here to put this unit on its feet.
00:14:05If I succeed, there's a vice presidency waiting for me.
00:14:09And I'm not going to let anybody stand in my way.
00:14:12I'm going up to room 920 and find out for myself.
00:14:17You know, I almost forgot what I came in for.
00:14:19But maybe since you wrote the show,
00:14:21I could ask you instead of Mr. Miller.
00:14:23You see, it's, uh...
00:14:24Well, it's about an actor.
00:14:27Someone you like?
00:14:28Oh, I think he's wonderful.
00:14:31Oh, I see.
00:14:33Well, he's a waiter in a hotel.
00:14:35He was a big star in Russia in the Moscow Art Theater.
00:14:39Moscow Art Theater?
00:14:40You know, he could play the father in Hail and Farewell.
00:14:43He's quite a middle-aged man, and...
00:14:45Well, he's getting so discouraged,
00:14:47and anything you can do for him would...
00:14:49Gee, I just can't picture you with a middle-aged man.
00:14:52But I don't see...
00:14:54Oh, no, no, it's nothing like that.
00:14:57It's just a favor I'm doing him.
00:14:59Oh, I see.
00:15:01Well, sure, I'd be glad to hear him act any time.
00:15:05Any time.
00:15:06Say, who knows?
00:15:07I may be discovering a great actor.
00:15:09Oh, you've made me so happy.
00:15:13Well, I guess I'd really better be going now.
00:15:16Thanks for everything.
00:15:17And for the chocolates, too.
00:15:19Maybe I could hear that Russian actor act now.
00:15:22That is, I'd like to meet him if you could be there, too.
00:15:25Oh, that's wonderful.
00:15:26Come on down.
00:15:27Oh, I'm keen.
00:15:31I'll get him, and he can act for us on the mezzanine.
00:15:33That's swell.
00:15:49I can't understand this, Gribble.
00:15:51You said they checked in this Davis without cleaning the room?
00:15:53That's what the clerk said.
00:15:55Gribble, the more I get into this thing,
00:15:56the less I seem to know.
00:15:58But there's one thing I'm sure of.
00:16:01There's a screw loose in this hotel somewhere,
00:16:04and I'm going to find it.
00:16:04Mr. Wagon, you only give me a chance to investigate.
00:16:07Investigate?
00:16:08You allow this chiseler to move in.
00:16:10Move in 22 other people.
00:16:1222 people I can't even find.
00:16:14And now you're...
00:16:15You're Mr. Davis?
00:16:22Huh?
00:16:23Mr. Miller, perhaps.
00:16:25No.
00:16:25Wrong again.
00:16:27Jumping butterballs, Gribble!
00:16:28I've checked in another man!
00:16:29And that makes 23!
00:16:31There must be some mistake.
00:16:31I'll say there is.
00:16:32Who's living here anyway?
00:16:34I'll take that.
00:16:36I'll find out what's going on here.
00:16:37Oh, boy.
00:16:40I had a tough time getting him through the revolving door.
00:16:42Don't talk to me.
00:16:44What's that?
00:16:45In the dining room.
00:16:46I'll be right down.
00:16:48Don't leave this room, Gribble.
00:16:50I have work to do.
00:16:51Mr. Wagner...
00:16:51There are 22 people having dinner down there
00:16:53and charging it all to Miller!
00:16:58Jumping butterballs!
00:17:00He's mad.
00:17:00I thought Gordon was going to skip.
00:17:04Well, he's not the skipper he used to be.
00:17:06You see, we're expecting a backer,
00:17:08so we had to change our plans.
00:17:09Yes, and Wagner's charging me with $700
00:17:11of Miller's bill.
00:17:12Me, personally.
00:17:13Kiss me, Joe.
00:17:13Christie just brought me a backer.
00:17:15Backer.
00:17:15Backer.
00:17:16I'm sick of hearing that word.
00:17:18Then you went and wished her this is Davis.
00:17:20Anybody want me?
00:17:22Are you Davis?
00:17:23Leave it to me, Joe.
00:17:23Have you any money?
00:17:25Well, no, I haven't.
00:17:26Oh, are you from the
00:17:27We Never Sleep collection agency?
00:17:29I'm the hotel manager.
00:17:30Let me tell you something, Mr. Davis.
00:17:32There's $1,200 charged against this room,
00:17:34and if you move in here with Miller,
00:17:35I'm going to bill you for half of it.
00:17:37Say, what sort of a hotel is this?
00:17:39You move in and you owe $600 right away.
00:17:42Pay no attention to me.
00:17:44He's excited.
00:17:44I'm not excited.
00:17:46Gordon, you haven't got a dime
00:17:47and you never will have.
00:17:48All you've done is ruin me.
00:17:49Oh, come on, Joe.
00:17:50Now, you've got to give me a chance.
00:17:51I'm going to pick up a backer.
00:17:51Yes, I'm sick of hearing about your backer.
00:17:54Yes, speaking.
00:17:56Oh, old Mr. Jenkins.
00:17:57Yes, come right up.
00:17:59Joe, we're out of the woods.
00:18:00My backer's on his way up now.
00:18:03Now, you go down and tell Waggon
00:18:04if he doesn't behave himself,
00:18:05I'll buy this hotel and make him a bell-off.
00:18:07No, that's too good for him.
00:18:08I'll make him a guest.
00:18:09This isn't a trick.
00:18:09Your backer's really coming?
00:18:11He's on his way up now.
00:18:12Now, if you just leave us alone
00:18:13for the next 15 minutes.
00:18:14Waggon told me not to leave this room,
00:18:15but I guess this is important.
00:18:16You bet it is.
00:18:19Well, what's the matter with you, Oswego?
00:18:21Well, I'm just a little disappointed, that's all.
00:18:24You wrote and told me you were a great manager.
00:18:26I am a great manager.
00:18:27A great manager never puts his own money into a play.
00:18:30You were all so nice and so kind.
00:18:33I thought I was moving into some sort of a club.
00:18:37Look, everybody does it this way.
00:18:38Every honest producer has a backer.
00:18:41A manager puts his own money into a play,
00:18:42hmm, right away you know he's a crook.
00:18:44Shh, money.
00:18:51Mr. Jenkins, I believe.
00:18:52Yes, Mr. Miller.
00:18:53Come right in.
00:18:55This is Mr. Benelli, my treasurer.
00:18:56How do you do, Mr. Jenkins?
00:18:58Mr. Davis, my author.
00:18:59How do you do, John?
00:19:00Mr. Jenkins, I'm glad to meet you.
00:19:02I've never met a backer before.
00:19:04Won't you be seated, Mr. Jenkins?
00:19:08I presume Miss Marlowe has told you all about our meeting.
00:19:12Quite.
00:19:13I see you have a copy of my play with you.
00:19:15It's a great idea, isn't it?
00:19:16Quite.
00:19:17I enjoyed the play very much.
00:19:19I'm the investing agent for a very wealthy man.
00:19:21I'm sure you'd recognize the name if I mentioned it.
00:19:24Who is he?
00:19:25Do I know him?
00:19:26You see, there's a young lady involved.
00:19:28Oh, and she would like to play a small part?
00:19:30How did you know?
00:19:32It came to me in a dream, Mr. Jenkins.
00:19:34Well, my employer's ready to put up, oh, $15,000.
00:19:40$15,000?
00:19:41Well, I think we could just about manage on that.
00:19:46Yeah, it's a little skimpy.
00:19:47Yes, it is.
00:19:48But I think by cutting an edge here and there, we could probably slip through.
00:19:51I'm sure Davis won't mind writing in a part for the young lady.
00:19:54I won't change a line in the play.
00:19:57Shakespeare didn't change any lines.
00:19:59Shakespeare didn't owe $1,200.
00:20:01You will not have to change a line of the play.
00:20:02The young lady can play one of the miners.
00:20:04But the miners are all men.
00:20:07Do me a favor, Davis, and keep sex out of this conversation.
00:20:09I've never produced anything but clean plays.
00:20:11If you'll have the papers ready, I'll sign them and give you the check at, shall we say, 10.30 tomorrow morning.
00:20:17Shall we say at your office at 10.30 tomorrow?
00:20:20Why not here?
00:20:21You mean up here?
00:20:24I'd rather not meet at my office.
00:20:26There's always the danger of publicity.
00:20:28You can easily understand my client's position.
00:20:34Well, tomorrow morning, 10.30, then.
00:20:40You couldn't make that tonight, huh?
00:20:42No, I'm afraid not.
00:20:43Tomorrow morning at 10.30.
00:20:45It's a pleasure to see so much enthusiasm.
00:20:47And you.
00:20:48See you all tomorrow.
00:20:49Goodbye, Mr. Kennedy.
00:20:50Oh, goodbye.
00:20:51Watch the traffic light.
00:20:52We got a backer.
00:20:54We got a backer.
00:20:56We got a backer.
00:20:57Hey, Joe.
00:20:59I've got the money for the play.
00:21:00Yeah, we got a backer, Joe.
00:21:01$15,000.
00:21:02Glory be.
00:21:03I'll have the check tomorrow morning at 10.30.
00:21:06Didn't you get a couple of hundred dollars on account?
00:21:07I couldn't, Joe.
00:21:08It might have spoiled everything.
00:21:09We have to have money today.
00:21:10Wagner's furious.
00:21:11Mr. Miller, your entire cast is in the lobby.
00:21:13They've been locked out of their rooms.
00:21:14He can't do this to me.
00:21:15If I lose my cast, I'll sue him.
00:21:17If I lose my backer, I'll kill him.
00:21:18Gordon.
00:21:19Now, Gordon, don't start anything else.
00:21:21The actor's got to sleep someplace.
00:21:22Can't you put them in the ballroom?
00:21:23It's just for overnight.
00:21:24Suppose Wagner goes into the ballroom and sees them.
00:21:26If Wagner comes in, they'll start dancing.
00:21:29All right, all right.
00:21:30Here are the keys.
00:21:32I'll take care of it.
00:21:32But please tell him to keep quiet.
00:21:33I will.
00:21:34Come to do soft shoe dancing.
00:21:37I'm going to get out of here.
00:21:38You can't do that.
00:21:39I don't want to lose my clothes.
00:21:40They're all I've got.
00:21:48What's this?
00:21:51They checked somebody else in?
00:21:52Why, no.
00:21:53This is Mr. Miller.
00:21:55Oh, so you didn't skip after all.
00:21:59Mr. Wagner, I demand that you reopen all those rooms in the 19th floor.
00:22:02The occupants are my guests, and I'm responsible for that bill.
00:22:05Then who's responsible for yours?
00:22:06Davis?
00:22:07I'm responsible for Davis.
00:22:12And who are you?
00:22:13I'm Davis.
00:22:16Gribble, he's skipping right under your very nose.
00:22:19I am not skipping.
00:22:20No, we're just bringing some things in.
00:22:25Miller, I want a substantial payment.
00:22:27Are you prepared to make it?
00:22:27I'll give you the entire $1200 tomorrow.
00:22:29Tomorrow will do.
00:22:30We must have something today.
00:22:32Wagner, you have an empty theater downstairs.
00:22:34You haven't been able to rent it for three years.
00:22:36This is your chance.
00:22:36Give me Lamarro and...
00:22:37I am not interested.
00:22:39Miller, I'll give you just 20 minutes to clean up this bill.
00:22:42Otherwise, I'll be like that.
00:22:44I see you're familiar with hotel procedure.
00:22:47Very well.
00:22:49Now, don't try the old gag of staying in the room.
00:22:52I'll force you out.
00:22:53I'll send in painters, fumigators.
00:22:56You should have sent in fumigators weeks ago.
00:22:59Go on, Gribble.
00:23:02I'll pull this hotel out of the red
00:23:04if I have to check in every room myself.
00:23:07Ha, ha, ha, ha, ha, Godfrey!
00:23:19Now I am going to lose my clothes.
00:23:21What's the matter?
00:23:40No.
00:23:41Well, what's the matter now?
00:23:42How do you like that?
00:23:44Just because he owed six months' rent,
00:23:45they threw him out of his place.
00:23:47Well, six dollars is six dollars.
00:23:52I take it he intends to stay here with us?
00:23:54I guess so.
00:23:55You mean four of us in one room?
00:23:57Ah, that's without the painters and fumigators.
00:23:59But let's fight it out, men.
00:24:01We've got to keep this room until 10.30 tomorrow morning
00:24:03or we're doomed.
00:24:04We'll have to sleep in shift.
00:24:06I'll take the night shift.
00:24:07All right, you take the night shift
00:24:08and I'll take the day shift
00:24:09and I'll be in Scotland to follow you.
00:24:11Is there a tourist camp in the neighborhood?
00:24:13Wait a minute.
00:24:22Suppose one of us got sick.
00:24:24That's the idea.
00:24:25I can't pull a sick man out.
00:24:26It's against the law.
00:24:27Remember, I had kidney trouble at the Aster
00:24:29and gallstones at the plaza.
00:24:30Oh, those were the happy days.
00:24:32Why didn't I think of that before?
00:24:33Benelli, into that bed.
00:24:35No, it's no good.
00:24:35I'm not registered.
00:24:37Faker.
00:24:38Get into that bed.
00:24:39No, he's no good, too.
00:24:40He's not registered.
00:24:41No, he's no good.
00:24:55Davis, what's the matter with you?
00:24:57Yeah, you look terrible.
00:24:59Oh, I feel fine.
00:25:00No, you don't.
00:25:01Hey, wait a minute.
00:25:01What are you fellas trying to do to me?
00:25:03You've got to play sick.
00:25:04No, no.
00:25:05You can't let me down.
00:25:06But I'm in good health.
00:25:08You've got a contagious disease.
00:25:09Yeah, the measles.
00:25:10I've had the measles.
00:25:11It's a relapse.
00:25:12Faker, get the iodine and give him a good case of measles.
00:25:13Wait a minute.
00:25:14Give me a chance to think.
00:25:15Oh, it's no time to think.
00:25:17This will keep us in the hotel.
00:25:26Couldn't I have a disease with my clothes on?
00:25:28Hey, leave me alone, will you?
00:25:30What are you going to do to me?
00:25:32Hey, make it bigger.
00:25:33That don't look like a measle.
00:25:34That looks like a freckle.
00:25:35Oh, come on, will you?
00:25:40All right, all right.
00:25:41No, I'll take it.
00:25:42Take it easy.
00:25:43All right.
00:25:47Whoa.
00:25:53Oh, it's a beauty boat.
00:25:55You're a second Michelangelo.
00:26:00Slip this to him while I step outside and see if the coast is clear.
00:26:02It's room 920.
00:26:08I want to get them out right away.
00:26:09Don't worry, boss.
00:26:10We'll have them right out.
00:26:11I'll show them they can't fool around with me.
00:26:13Here comes trouble.
00:26:20Not me, boss.
00:26:21Not me.
00:26:21That's what's in the morning.
00:26:22What the?
00:26:28Jumping butter balls!
00:26:47I'm weak.
00:26:48If I don't get something to eat pretty soon, I'm going to collapse.
00:26:51Say, we're just as hungry as you are.
00:26:53Yeah, but you fellas are used to it.
00:26:55I've never gone without food for 18 hours before.
00:26:59It's all a matter of willpower.
00:27:01If you just make up your mind.
00:27:02I can make up my mind, all right, but I can't do anything with my stomach.
00:27:07How about a two-handed game of peanut butter while we're fasting?
00:27:09No, I'm just going to concentrate on the food.
00:27:12If there was only something left, we could hock.
00:27:35How about that moose head?
00:27:37Oh, no, you don't.
00:27:38I shot him with my own hands.
00:27:40I ate him up to the neck, but I refused to part with the rest of him.
00:27:48If I could get my watch out of hock, I'd hock it again.
00:27:50I'm so hungry, I see spots before my eyes.
00:27:57Me, too.
00:28:00Mine are beginning to look like hamburgers.
00:28:03If you see one with onions, save her for me.
00:28:07My mother's the best cook in Oswego.
00:28:11All right, all right.
00:28:12You're breaking my heart.
00:28:13Room service.
00:28:18Better use a different dialect this time.
00:28:21Hello?
00:28:23This is Dr. Glass.
00:28:25Uh, Glass, the house physician.
00:28:28The patient in room 920 is very ill.
00:28:31He must have food immediately.
00:28:34Just developed a tapeworm.
00:28:37Tapeworm?
00:28:37I see.
00:28:42Said the tapeworm will have to register.
00:28:47Two hours ago, you told me Faker was coming up here with a turkey.
00:28:51That he won in a raffle.
00:28:52Maybe he's getting it stuffed.
00:28:54I didn't say he won it exactly.
00:28:55I said he was going to win it.
00:28:57After all, he's running the raffle.
00:28:58He has as good a chance as anyone else.
00:29:00All you've done is take advantage of me.
00:29:03You're pulling the silver frame off my mother's picture.
00:29:06You stole my roller skates.
00:29:08And you even took 67 cents out of my pocket while I was asleep.
00:29:12Well, I had to feed a cast of 22 people, didn't I?
00:29:14I wasn't here 10 minutes when you'd pawn my typewriter.
00:29:18That isn't even my property.
00:29:20I still owe money on it.
00:29:22Well, I may even be arrested.
00:29:25Gee.
00:29:26What's the matter?
00:29:28My head's going around.
00:29:31It must have been something you ate.
00:29:33Get into that bag.
00:29:36Come on.
00:29:36Come on.
00:29:37Hurry up.
00:29:37Get in.
00:29:43Oh.
00:29:43How do you do, impresario?
00:29:46Oh, hello, Mr. Smirnoff.
00:29:49Oh.
00:29:50I am sorry.
00:29:51You don't feel good, Mr. Davis.
00:29:54I promised Mr. Smirnoff we'd hear him read the part of the father.
00:29:57Thank you, Mr. Davis.
00:30:01Benelli, uh, we might have a part for Sasha.
00:30:05Well, maybe.
00:30:08Stand over there, Sasha.
00:30:12Turn around.
00:30:16What do you think, Benelli?
00:30:18He looks just right to me.
00:30:20I could eat him raw.
00:30:23Sasha, could you get us a meal out of the hotel?
00:30:25Well, but they shut you off room service.
00:30:28I know, but if you could make a little mistake like delivering the right meal to the wrong room.
00:30:32Deliver a meal to the wrong room?
00:30:35We got a terrific part for you.
00:30:37A terrific part.
00:30:38Yes, but it's so terrific that unless Davis gets some food in the system, he'd be too weak to tackle it.
00:30:43I don't care about food for myself, Sash.
00:30:46But if you let a great American author starve to death, his blood will be on your hands.
00:30:49You know what the penalty is for murder in this country?
00:30:51Well, uh, I just left a big order on service elevator.
00:30:57I got to deliver him upstairs, but I don't know.
00:31:01You see, I take big chance.
00:31:04Might lead to a Hollywood contract.
00:31:06Hollywood!
00:31:08Oh, somebody.
00:31:09Gentlemen, you are singing music in my ears, I...
00:31:13But if Mr. Wagner find out...
00:31:14Think of the other Russians who made good in the same way.
00:31:19Gregory Ratov.
00:31:20Nazimova.
00:31:21Ginger Radovich.
00:31:24Three years I sleep in the kitchen.
00:31:26I now got courage.
00:31:27But now, I got courage.
00:31:30I do it.
00:31:36Gee, he has a lot of talent.
00:31:38Sure, I seen him carry 12 dishes at one time.
00:31:41How do you do?
00:31:48I'm looking for Mr. Leo Davis.
00:31:50Who are you?
00:31:51My name is Timothy Hogarth.
00:31:53I represent the We Never Sleep collection agency.
00:31:58Come in, Mr. Hogarth.
00:31:59Come in.
00:32:00It's a pleasure to meet a man who never sleeps.
00:32:02Yeah, you must come up and take a nap sometime.
00:32:03Yes, do.
00:32:04Say, maybe we can go in Vortable together.
00:32:06You never sleep and we never eat.
00:32:08Well, uh, is Mr. Davis about?
00:32:10No, uh, Mr. Davis is not here.
00:32:13Oh.
00:32:14How soon will he be back?
00:32:16Mr. Hogarth, I have bad news for you.
00:32:18I'm afraid he's never coming back.
00:32:20Oh.
00:32:21They've gone away?
00:32:23They took him away.
00:32:25Oh.
00:32:26Is he ill?
00:32:28Worse than that, he went crazy.
00:32:30Glory be.
00:32:32Well, I'm sorry to hear that.
00:32:34Hmm.
00:32:36But I understand that he got in from Oswego yesterday.
00:32:39No, he escaped from Oswego.
00:32:42Poor man.
00:32:44Hmm.
00:32:46Well, there's a matter of $42 due on his typewriter,
00:32:51which I've been delegated to collect.
00:32:53I'm afraid you'll never get it.
00:32:55He tore up all his money.
00:32:58He must be out of his mind.
00:33:01Hmm.
00:33:01Well, in that case, I'll have to take back the typewriter.
00:33:08Oh, he took it with him.
00:33:10To the madhouse?
00:33:11He likes to hear the little bell ring.
00:33:16Well, I've never made any collections in a madhouse.
00:33:19I have my orders.
00:33:26Where did they take him?
00:33:28The maternity hospital.
00:33:32Maternity hospital?
00:33:34But I thought you said he was crazy.
00:33:36Well, if he wasn't crazy, he wouldn't go to the maternity hospital, would he?
00:33:41You can't miss him.
00:33:42Second straight jacket to the left.
00:33:43Oh, by the way, don't mention it to the hotel people.
00:33:49Oh, no.
00:33:51I understand.
00:33:53Good day, gentlemen.
00:33:54Good day.
00:33:55Good day.
00:33:58You shouldn't have told him a thing like that.
00:34:01Why not?
00:34:01You can't sue a lunatic.
00:34:03Well, they may send a letter to my mother.
00:34:05So what?
00:34:05Your mother knows you're not crazy.
00:34:07Gee, I don't know where I'm at.
00:34:10Mr. Gribble says I owed $600.
00:34:12Downstairs, they think I've got a tapeworm.
00:34:15And this man thinks I'm a lunatic.
00:34:19Did you get the tyke?
00:34:28I'm around the food.
00:34:31Close it off.
00:34:32Good night.
00:34:34Surround the tyke.
00:34:42Well, we had no cranberries anyhow.
00:34:53Gentlemen, I bring you a banquet.
00:34:56Food!
00:35:01Oh!
00:35:02Oh!
00:35:02I'll come back for the diff.
00:35:16Snap the lock, Sash.
00:35:18I'll come back for the diff.
00:35:19Well, it's too heat.
00:35:19Now, you says...
00:35:20How?
00:35:23Oh!
00:35:25Remember tickets?
00:35:28I and the Yankees.
00:35:32You said...
00:35:34We had oneicles.
00:35:36I'm halfway.
00:35:37I don't know what it was.
00:35:38They kept coming.
00:35:39Has it got all the 감사?
00:35:39I've heard some $10.
00:35:45I am Aristotle.
00:35:45Don't get lost.
00:35:46Either.
00:37:18To you, Davis.
00:37:19Hello?
00:37:21Oh, hello, Hilda.
00:37:24Oh, no, I'm not really sick.
00:37:26Oh, I can explain everything.
00:37:29All right, I'll meet you down the lobby right away.
00:37:34Oh, yeah, I'd love to.
00:37:38Goodbye.
00:37:38Where are you going?
00:37:41I'm going to meet the woman I love.
00:37:44But you're supposed to be sick and bad.
00:37:46That's the only thing that's keeping this play alive, the fact that we've got a sick man here.
00:37:50Don't you want the play to go on?
00:37:51Now, listen, fellas.
00:37:53You've starved me and robbed me, and I've gone along with you because I thought I owed it to the play.
00:37:58Well, there's one thing more important than any play, and that's love.
00:38:03It only comes once in a lifetime.
00:38:04Well, once is enough for me.
00:38:06I'm going now, and I'll brain any man that tries to stop me.
00:38:12Yeah, that's a fine thing.
00:38:14Yesterday we wanted you to go home.
00:38:15You didn't want to go.
00:38:16Now we want you to stay.
00:38:17You want to go.
00:38:18Make up your mind.
00:38:19My mind is made up.
00:38:23Love.
00:38:24He talks just like one of the characters in his play.
00:38:26I don't know.
00:38:27I like a love.
00:38:28I like it, too, but there's a time and place for everything.
00:38:31I like it any time.
00:38:33Hey, Faker.
00:38:34How about you?
00:38:35Was you ever in love?
00:38:40Of course, I like them a little bigger.
00:38:47I'll get it.
00:38:49Hello, Christine.
00:38:52Hello.
00:38:54Well, where did this banquet come from?
00:38:57One of the waiters wants to be an actor.
00:38:59And I borrowed two dollars from the porter, dashed out of the office, and expected to find
00:39:02you all gnawing at the carpet.
00:39:04Got the contract?
00:39:05Copy that right from Fremont's Best.
00:39:06It's in the bag next to the corned beef sandwich.
00:39:09Is this it with the mustard on it?
00:39:10Yeah.
00:39:11You know, I think I'm going to like this.
00:39:13I never had a contract with mustard on before.
00:39:19And I'm going to like it.
00:39:32I think I'm going to like it.
00:39:33And I know what?
00:39:34Christine, sit over there and play nice.
00:39:37Baker, get in there and start groaning.
00:39:40Just a minute.
00:39:41Get that banana out of your mouth.
00:39:42Where's the iodine, supposed to have for the measles?
00:39:44Never mind the measles. He's got a tapeworm now.
00:39:48Just a minute, Mr. Wagner.
00:39:50Seems to be something wrong with this lock.
00:40:02Miller?
00:40:03How did that meal get here?
00:40:05Dr. Glass ordered it for the patient.
00:40:07Dr. Glass did nothing of the kind.
00:40:09I refuse to argue with a house dick.
00:40:11I'm not a dick. I'm a doctor.
00:40:12Dr. Glass.
00:40:16I want to know how this meal got up here.
00:40:19Can't I get to the bottom of anything?
00:40:21They check in. They check out.
00:40:23They skip. They don't skip.
00:40:25They get sick. And now this meal.
00:40:27I'll fire that waiter.
00:40:28I'll fire the whole darn kitchen.
00:40:30Shh. Quiet, please.
00:40:32There's a patient in the room.
00:40:35Mr. Davis has a tapeworm.
00:40:37Glass thought it was the measles.
00:40:38I'm not responsible for complications.
00:40:39He's got laryngitis, too.
00:40:41We had to get a nice.
00:40:42Oh.
00:40:44That groan doesn't sound authentic to me.
00:40:46Wait a minute.
00:40:47That's not Davis.
00:40:48I met Davis yesterday, and he didn't look anything like that.
00:40:51Certainly not.
00:40:51The man's aged 10 years on account of the service in this hotel.
00:40:54Well, his hair wasn't red yesterday.
00:40:56It's a very rare case.
00:40:57He's got a red tapeworm.
00:41:01Well, there's certainly something screwy going on around here.
00:41:05Miller, will you consent to have this Davis removed to a hospital at the expense of the hotel?
00:41:09It's up to Dr. Benelli.
00:41:11What do you think, doctor?
00:41:12The patient is too sick to be moved.
00:41:17How do you feel, young man?
00:41:19He's hungry all the time.
00:41:20Please let the patient speak for himself.
00:41:22How can he speak for himself when he's got laryngitis?
00:41:24I insist the patient speak for himself.
00:41:26There you are.
00:41:29You heard what he said.
00:41:30I wish you'd hurry, doctor.
00:41:32It's time for the patient's nap.
00:41:33He won't sleep till I find out what's going on here.
00:41:36Miller, you've committed fraud.
00:41:37The only thing that keeps me from putting him out this instant
00:41:39is the remote possibility that this man might have some disease.
00:41:43His pulse is normal.
00:41:44That's what you think, you little quack.
00:41:46Quack, I refuse to be insulted.
00:41:48Doctor, I question your ethics.
00:41:49I'll have you investigated.
00:41:51Say ah.
00:41:52No, no.
00:41:53Ah.
00:41:54No, no.
00:41:55Ah.
00:41:56Ah.
00:41:56Ah.
00:41:58Ah.
00:42:00Ah.
00:42:01Ah.
00:42:02Ah.
00:42:03Ah.
00:42:04Ah.
00:42:05Ah.
00:42:07Ah.
00:42:07Ah.
00:42:07Ah.
00:42:08Ah.
00:42:09Ah.
00:42:10You'll never be able to see the tape on that way.
00:42:12Gribble, I thought you knew better.
00:42:13No, Mr. Wack.
00:42:14Allowing yourself to be put with this way by a bunch of...
00:42:17This is all so unnecessary.
00:42:18I handle my guests in a different way.
00:42:19And I don't like your way.
00:42:21It's not the right way, Wack.
00:42:22I'm the manager here, and I refuse to allow you to insult my guests.
00:42:25What guests?
00:42:25The whole time that deep floor is...
00:42:27Oh.
00:42:27Ah.
00:42:27Ah.
00:42:28Yes, and I'll lock out this deadwood, too.
00:42:30I'll show you.
00:42:30You and who else?
00:42:31Help.
00:42:32Get out of your office and argue.
00:42:33There's a sick man here.
00:42:34Hurry up, Doctor.
00:42:35Do something.
00:42:36Get him healthy.
00:42:37Get him out of here.
00:42:38Now, calm down, Wagner.
00:42:39My back will be here any minute.
00:42:40I'm not interested in your backer.
00:42:42All I'm interested in is getting this man out of here.
00:42:49Where are you taking him?
00:42:50I always consider the modesty of my patience.
00:43:00I'll step out of the case.
00:43:04I have terrible news.
00:43:06He has disappeared.
00:43:07Disappeared?
00:43:08He's not in the maternity hospital.
00:43:10He's gone.
00:43:11They transferred him.
00:43:12Oh.
00:43:13To the county hospital.
00:43:14Gold, Mike Graham.
00:43:15Before they transfer him again.
00:43:16The county hospital?
00:43:18But I...
00:43:18There's no time to lose.
00:43:19Scram.
00:43:20Hail and farewell.
00:43:21Hail and farewell.
00:43:22Hail and farewell.
00:43:23Hail and farewell.
00:43:27Wonderful.
00:43:28Terrific.
00:43:29Sensational.
00:43:30I didn't think he could do it.
00:43:31How do you like it, Wagner?
00:43:32That was the same for my second act.
00:43:34Miller, I've been a hotel man for 30 years.
00:43:37I've met all sorts of...
00:43:38Hello.
00:43:39Huh?
00:43:40Yes, this is Mr. Wagner.
00:43:42What's that?
00:43:44Nineteen people jumping butterballs!
00:43:48Nineteen people were discovered living in the ballroom.
00:43:50Throw him out!
00:43:51Come on, Gribble.
00:43:52We'll find out about this.
00:43:56Now, Wagner.
00:43:58Hail and farewell.
00:43:59I'm going to throw my entire cast out of the hotel.
00:44:07Christine, get down and tell them all the wait in the lobby.
00:44:09All right.
00:44:12That bag is perfectly well.
00:44:14Mr. Wagner will be glad to find it out.
00:44:15Listen to me for one minute, will you?
00:44:17Tell him tonight, tomorrow, but not now.
00:44:19I'll tell him right now.
00:44:20I'll give you a piece of the show.
00:44:21I don't want the piece of the show.
00:44:22I'll put your name in the program.
00:44:24I don't want my name on the program.
00:44:25Put that fake doctor's name on the program, whoever he is.
00:44:28I'm going down and tell Mrs.
00:44:31Where's my bag?
00:44:33What have you done with my bag?
00:44:34You must have left it in the bathroom, Doc.
00:44:35You have nothing against you.
00:44:53Take it easy, Don.
00:44:54You shouldn't have kissed me.
00:45:07I just couldn't help it.
00:45:09I've never done anything like that before.
00:45:12But I'll forgive you because you were so nice to Sasha.
00:45:24Well, I guess that'll hold that fake doctor for a while.
00:45:36Yes?
00:45:36Speaking.
00:45:38Oh, come right up, Mr. Jenkins.
00:45:40Benelli, he's here, the backer.
00:45:42He's here.
00:45:43Sandy Claws.
00:45:43Neck ties.
00:45:44Hey, Fanker, where are you?
00:45:49He's walked out on us.
00:45:50How do you like that?
00:45:51That's two sick men running around.
00:45:53You know, Benelli, we may start an epidemic in this town.
00:45:56You get downstairs and see if you can find them.
00:45:58Wagner, catch your sight of them or sunk.
00:46:01Oh, Mr. Jenkins.
00:46:03How are you?
00:46:03Glad to see you.
00:46:04Come right in.
00:46:05Well, I see we're all alone today.
00:46:08Yes, I thought...
00:46:09Yes, I thought it would be much better that way.
00:46:12Yeah, it's much better.
00:46:13I have the contract right here.
00:46:15Fifty shares of Hail and Farewell made out in the name of Simon Jenkins.
00:46:18Just a few paragraphs.
00:46:20Simon Jenkins.
00:46:21Fifty shares.
00:46:22Transferable, of course.
00:46:23Of course.
00:46:24I see.
00:46:25That's fine.
00:46:27Fine.
00:46:27Well, you're going to see the signature on this check anyway, so you might as well know
00:46:31who your backer is.
00:46:34Would you ever hear of...
00:46:35Zachary Fisk?
00:46:37Zachary Fisk himself.
00:46:38That's the man I represent.
00:46:40Now you realize why I don't want any publicity.
00:46:42Mr. Jenkins, you don't have to go any further.
00:46:44Now, this check's made out to me naturally, but of course I'll just endorse it over to you.
00:46:49Calvary City, California?
00:46:51That means about five days before I'll get the money.
00:46:54I thought I could get started today.
00:46:56Young energy.
00:46:58Well, I could have our bank wire a certification to your bank if that'll help.
00:47:02If it isn't too much trouble.
00:47:03Why, it's no trouble at all.
00:47:04I'll make a note of it.
00:47:06Now, Mr. Jenkins, if you'll be good enough to sign the contract...
00:47:09Oh, uh, Mr. Miller, I must remind you once again, the name of Zachary Fisk must remain in the background at any cost.
00:47:15Mr. Jenkins, you have my word, and you know what that's worth.
00:47:20Where's Davis?
00:47:22Will you go away?
00:47:23This is the deal I told you about now.
00:47:25You'll leave us alone for five minutes.
00:47:26Miller, you can't put me off any longer.
00:47:28Now, even your phony sick man is gone.
00:47:30And that gives me every legal right to demand this room immediately.
00:47:32Who is this man?
00:47:34Never mind who I am.
00:47:35Who are you?
00:47:36Will you go away?
00:47:36You can't take those pictures now.
00:47:38Pictures?
00:47:38Mr. Wagner's my press agent.
00:47:40He has an idea for me.
00:47:41I have only one idea.
00:47:42I'm a publicity man, Mr. Miller.
00:47:44Oh, it concerns the cash.
00:47:45I'm here for money.
00:47:46I have the check.
00:47:47What check?
00:47:47Whose check?
00:47:49Whose check?
00:47:50Mr. Jenkins happens to represent one of our greatest financiers.
00:47:52Mr. Miller, I don't give a hoot who he represents.
00:47:55But Pete St. Wagner, will you get out of here before I fire you?
00:47:58Fire me?
00:47:59Who do you think you're talking to?
00:48:01I don't like this.
00:48:02Sorry, wrong room.
00:48:04Isn't that your assistant?
00:48:05Mr. Gribble, take Wagner out of here.
00:48:07Gribble, take Miller out of here.
00:48:08Shut up.
00:48:09Joe, take Wagner away.
00:48:10I practically got the check in my pocket.
00:48:11Oh, Mr. Wagner, please.
00:48:12I'm not leaving this room.
00:48:14Two Millers out.
00:48:14Are you trying to blackmail me?
00:48:16Mr. Jenkins, see what you've done?
00:48:20Miller's my brother-in-law.
00:48:21I'll vouch for him.
00:48:22Brother-in-law?
00:48:23Well, that explains everything.
00:48:27Gribble, you've committed fraud.
00:48:28I'm going to call the police.
00:48:29Police?
00:48:30Here, you mustn't do that.
00:48:31Mr. Jenkins, please.
00:48:32Let me go.
00:48:32I'm not interested in choices.
00:48:34I'm going for a real deal.
00:48:35Oh, look, Mr. Jenkins, please.
00:48:36Fire me.
00:48:37I have a contract.
00:48:37Yes.
00:48:39Good heavens.
00:48:42How did he get out of here?
00:48:43Dr. Glass.
00:48:44They've kidnapped him.
00:48:46Look, Mr. Jenkins, first place we didn't do it, second place we don't know who he is.
00:48:49He may be left over from the last convention.
00:48:50How do you like it?
00:48:58It's the same for my second act.
00:49:00I don't like it.
00:49:01If you don't like it, we'll put in another scene.
00:49:02You can have any scene you want.
00:49:15Well, what are you going to do now?
00:49:16Don't ask me.
00:49:17You're supposed to be the doctor.
00:49:18Don't worry.
00:49:19They won't get away with this.
00:49:21I'll put them all behind bars, including Gribble.
00:49:23Shall I get you a drink?
00:49:24Are you all right?
00:49:25I haven't been all right since you came to this hotel.
00:49:28You see what your brother-in-law did?
00:49:30His mind's wandering.
00:49:31My mind's not wandering.
00:49:32I don't blame Miller for tying me up yet.
00:49:34A perfectly good reason.
00:49:35He was transacting a legitimate deal.
00:49:37I hold you responsible for what he did to me.
00:49:39You drove him to it.
00:49:40Say, you're not Miller's brother-in-law, too.
00:49:44All I know is that Zachary Fisk is backing his play,
00:49:46and that's a good enough recommendation for anybody.
00:49:48Zachary Fisk?
00:49:49I heard every word in the bathroom.
00:49:51That man you insulted was an agent for Mr. Fisk.
00:49:53He has a check for Miller signed by Fisk himself.
00:49:55Fisk?
00:49:56Why didn't Miller tell me?
00:49:58Because he's afraid of publicity.
00:50:00Because he's afraid of you.
00:50:01Yes, everybody's afraid of you.
00:50:02You've steamed into this hotel like a tugboat.
00:50:04You took charge without faith in anybody's judgment.
00:50:06Nobody can talk to you.
00:50:08Joke-bean fireballs!
00:50:09I'm through with this hotel, Mr. Wagner.
00:50:13I'll thank you to remove my shingle from the elevator.
00:50:18Please, gentlemen, I'm exhausted.
00:50:20But you must listen.
00:50:20Yeah, couldn't be helped.
00:50:21I'm not accustomed to this sort of thing.
00:50:23Will you please let me out of here?
00:50:25Excuse me, Mr. Jenkins.
00:50:26I want to apologize.
00:50:28There's another Miller in the hotel.
00:50:29That's none of my business.
00:50:30He had the bills.
00:50:31Oh, these gentlemen have plenty of credit here.
00:50:33Mr. Miller can have anything he likes.
00:50:35All right, all right.
00:50:36I had no idea if Zachary Fisk had anything to do with this.
00:50:38Zachary Fisk, how did you?
00:50:40Where did he...
00:50:40Dr. Glass heard everything in the bathroom.
00:50:42Dr. Glass?
00:50:42Who told him?
00:50:43No, it's perfectly all right.
00:50:44We'll keep it quiet.
00:50:45Now, if you'll just endorse the check, Mr. Jenkins...
00:50:47Well, I don't feel well.
00:50:48It'll only take a minute.
00:50:49All you have to do is sign your name.
00:50:50I have a weak heart, and you'd better hurry.
00:50:53Here's the pen.
00:50:53I'll vouch for these gentlemen.
00:50:55All right, all right.
00:50:57Mr. Jenkins, it would be our pleasure to have you as a guest.
00:51:00Entirely without charge, of course.
00:51:01Yes, thanks, Mr. Same.
00:51:02I'm going direct to my doctor.
00:51:08Good day, gentlemen.
00:51:15Will you please show me the right way out of here?
00:51:18This way, Mr. Jenkins.
00:51:20Over here.
00:51:22Goodbye, Mr. Jenkins.
00:51:22Goodbye, Mr. Jenkins.
00:51:23Goodbye, Mr. Jenkins.
00:51:24Goodbye, Mr. Jenkins.
00:51:24Goodbye, Mr. Jenkins.
00:51:24Goodbye, Mr. Jenkins.
00:51:25Well, Mr. Jenkins, I'll take that check.
00:51:34Oh, no, you don't.
00:51:35I'll take it.
00:51:36I'm the treasurer.
00:51:37I'll make a deposit.
00:51:38And as soon as the check clears, which will be in about five days...
00:51:41Well, I'd feel a whole lot happier if you'd let me deposit it in our bank.
00:51:44What am I going to do for money?
00:51:45Well, you can draw against the check.
00:51:46We'll bank for you, and when the check clears, we'll turn over the balance.
00:51:49That's only fair, Gordon.
00:51:51No, I can't take any chances.
00:51:53This is a shaky hotel.
00:51:54How do I know you won't go in the bank and see?
00:51:56Well, I'll make out a paper, guaranteeing the whole amount to you personally.
00:51:58Yeah, how do we know your credit is good?
00:52:00Well, I want this bill wiped off my first report.
00:52:02And I can't do that unless I have a check deposit that's against it.
00:52:05Now, Gordon, for once in your life, pay a bill.
00:52:07Oh, you might as well.
00:52:09All right, I'll do it for you, Joe.
00:52:18Oh, thanks, Miller.
00:52:20And by the way, I want to move out of this brousy little dungeon immediately.
00:52:24I want the best suite in the hotel.
00:52:26I'll give you the bridal suite.
00:52:27All right, and about three brides.
00:52:29I'm awfully sorry I misjudged you.
00:52:31Well, good luck.
00:52:32I hope you have a hit.
00:52:32I'll draw off the lease on the theater.
00:52:34Got the check?
00:52:35Here it is.
00:52:37Zachary Fisk.
00:52:38Well?
00:52:38Well?
00:52:48Well?
00:52:49Hail and farewell.
00:52:51Goodbye, Mr. Davis.
00:52:52Christine, I'm paying a bill.
00:53:01Darling.
00:53:02Oh, boy, that's great.
00:53:03But how about the cash, boss?
00:53:04Yes, they can't live in the lobby.
00:53:06Everybody move in again.
00:53:07The hotel is wide open.
00:53:09David.
00:53:10What about it?
00:53:11Fifteen grand.
00:53:12I just saw Mr. Jenkins in the lobby.
00:53:14I suppose he told you.
00:53:15He told me.
00:53:16He's going to stop payment on the check.
00:53:18He said the only reason he endorsed it was just to get out of here.
00:53:21But he can't do that.
00:53:22He signed a contract.
00:53:24Or did he?
00:53:31Gee, I feel sick.
00:53:32Four months to get it and one minute to lose it.
00:53:36They can't do this to me.
00:53:38I'm going to sue the hotel for $100,000.
00:53:40You haven't got a leg to stand on.
00:53:41Then I'll sue Zachary Fisk.
00:53:42I'll sue Jenkins.
00:53:43But he didn't sign the contract.
00:53:45There must be somebody I can sue.
00:53:47Gee, I'm sorry, but I guess I'll have to take my play to Mr. Fremont.
00:54:13But you can't do that.
00:54:14It's all we have.
00:54:15Well, I know that, but I...
00:54:17Well, it isn't fair.
00:54:18We've worked on it for five months.
00:54:19I've missed my lunches for rehearsals.
00:54:21Well, I realize all that, but I can't wait another five months.
00:54:25I've got to make some money.
00:54:27You're thinking of Hilda, aren't you?
00:54:29Not only that, but...
00:54:30Well, if it's the waiter you're worried about, he'll get the part, won't he?
00:54:34Gee, I don't know what to say.
00:54:36If we only had another backer.
00:54:39Davis, we have a backer.
00:54:41Wagner's putting that check through his bank, isn't he?
00:54:43Yeah.
00:54:43Well, for five days, we have $15,000 worth of credit.
00:54:46Gordon, you're not...
00:54:47Why not?
00:54:47We're all rehearsed.
00:54:48We can open in five days.
00:54:49Sure.
00:54:50All we need is scenery and costumes.
00:54:52And we can charge that to the hotel.
00:54:53But it's illegal.
00:54:54It's...
00:54:55It's...
00:54:55Relax, Davis.
00:54:57Wagner is backing the play.
00:54:58Jumping butterball!
00:55:00Well, Joe, in a little while, our fortune will be made.
00:55:18Your 10% of the show will make you a rich man.
00:55:21You and Flotty can have a bridal suite, too.
00:55:22I certainly hope so.
00:55:26Say, that waiter looks great in that pot.
00:55:28How'd you happen to think of him?
00:55:29Sasha?
00:55:30The minute I set eyes on him, I said to myself, there's the great actor.
00:55:33I can spot him a mile away, especially if I'm hungry.
00:55:37Come in.
00:55:39Oh, there you are, Mr. Wagner.
00:55:41They told me you was up here.
00:55:44Mr. Wagner!
00:55:45Oh, it's nothing.
00:55:46Would you mind signing this receipt again?
00:55:48Well, uh...
00:55:48What receipt?
00:55:49Come back later.
00:55:50I'm busy.
00:55:51But the bank clerk rejected your signature.
00:55:53The bank?
00:55:53I just signed something.
00:55:54It's nothing, Joe.
00:55:55Come back in the morning.
00:55:56I must have it tonight, Mr. Wagner.
00:55:57This is not Mr. Wagner.
00:55:58Let me see that receipt.
00:55:59I'm the hotel manager.
00:56:00Not Mr. Wagner.
00:56:01No wonder that signature ain't good.
00:56:03Good heavens!
00:56:05It was just as big a blow to me.
00:56:06The check?
00:56:07It bounced!
00:56:08I walks into your office this afternoon.
00:56:10This gentleman says he's Mr. Wagner and signs a receipt.
00:56:12The bank won't accept the signature.
00:56:14Look, buddy, you go back to the bank and tell him Mr. Wagner can't be reached.
00:56:16But this is strict order.
00:56:17Well, come back in the morning.
00:56:19$15,000.
00:56:22Now, don't get panicky, Joe.
00:56:23Pull yourself together.
00:56:25And for Pete's sake, don't tell Wagner.
00:56:36I was saving my little surprise till now.
00:56:41Well.
00:56:43How do you like it, Joe?
00:56:44What?
00:56:45Oh, I...
00:56:46I like it.
00:56:46Well, then let's have a drink on it.
00:56:48Right off the ice.
00:56:49Finest stuff there is.
00:56:50I'm overwhelmed.
00:56:52Well, after all, you're a guest in good standing now, you know.
00:56:55Well, of course, you still owe us a little bill, don't you?
00:57:03Well, as soon as I finish dressing.
00:57:11You know, regardless of how I feel about that fellow personally, I still think it was a good idea to make this gesture.
00:57:25Yes, sir.
00:57:27After all, eh?
00:57:29Say, you look pale.
00:57:31Something wrong?
00:57:32Well, uh, I don't feel so good.
00:57:35Hmm.
00:57:36It must have been that fish we had for dinner.
00:57:39The food in this hotel is certainly crummy.
00:57:43Imagine...
00:57:44Imagine a shrewd manipulator like Fisk putting his money in a piece of cheese.
00:57:49Not me.
00:57:54Oh, come now.
00:57:55Snap out of it.
00:57:56Take it easy.
00:58:05Hello?
00:58:06Hello?
00:58:07Oh, what's this on?
00:58:09Well, put him on.
00:58:11La-da-da-da.
00:58:12Dee-dee.
00:58:13It's a clerk at the bank.
00:58:15Hello?
00:58:18Yes, this is Mr. Wagner.
00:58:22Verify what signature.
00:58:24What receipt?
00:58:26Just a moment.
00:58:28Did you sign my name to a receipt today?
00:58:31Why, yes.
00:58:32No.
00:58:33What's it for?
00:58:37Some check came back.
00:58:40Probably some tragedy.
00:58:41I have to get a headache powder.
00:58:45So why don't you take us up with my bookkeeper?
00:58:47I can't be bothered with!
00:58:51What's that?
00:58:53Zachary Fisk?
00:58:55You investigated?
00:58:57He stopped it!
00:58:58Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:59:01In the morning, in the morning, in the morning, in the morning.
00:59:07I'm heading for the last round of...
00:59:13He long, little luggie, he long, little luggie...
00:59:17He long, little luggie, he long...
00:59:22I'm heading for the last round of...
00:59:27He long, little luggie, he long, little luggie, he long...
00:59:31Wagner, you don't know how lucky you are.
00:59:35You're in the hotel business.
00:59:37No headaches.
00:59:37So no worries.
00:59:38Oh, Brother Wagner, let's start the champagne flowing.
00:59:41Oh, you don't mind if Benelli joins our little party?
00:59:43Oh, no, no.
00:59:45In fact, I insist.
00:59:47But I hope to make it a real party.
00:59:51I have another surprise for you, boys.
00:59:54Ha-ha!
00:59:55A big surprise.
00:59:58Now, don't go away.
01:00:02I'd like to get a license to hunt, Wagner.
01:00:04Uh, he'd look great alongside of my moose.
01:00:08Hey, what's the big surprise?
01:00:09I just ran into Mr. Wagner, and he insisted I come in here and have a drink.
01:00:14He's gone backstage to get Faker, too.
01:00:16He said he had a great big surprise just for the four of us.
01:00:19Gee, I always thought they celebrated after an opening, not before.
01:00:22That depends.
01:00:23With a show like this, you celebrate before.
01:00:25It's awfully hard to celebrate while you're running from an audience that wants its money back.
01:00:33Hello?
01:00:35Gribble.
01:00:35Yes, Joe?
01:00:40What's the matter?
01:00:41Who told him?
01:00:42Joe!
01:00:43Joe!
01:00:48Wagner found out?
01:00:49They called him from the bank.
01:00:51Well, what's he going to do?
01:00:53Joe couldn't talk.
01:00:55I don't see what you fellas are so frightened about.
01:00:58Mr. Wagner was bound to discover it anyway.
01:01:01There's nothing he can do now.
01:01:03I'm going down and face him.
01:01:06Maybe the kid's right.
01:01:07Come on, let's go down.
01:01:11Hey, where do you think you're going?
01:01:12Get back in there.
01:01:13Well, you can't keep me here.
01:01:15Oh, can't we?
01:01:16The house sticks.
01:01:17Get in there, Cornpet, and be quick about it.
01:01:19Hey, you can't do this to me.
01:01:20I'm the author.
01:01:21Here's your hat.
01:01:24Oh, what's the use?
01:01:25I give up.
01:01:27I've got actors in the dressing room, scenery on the stage, and an audience in the theater.
01:01:31And I've got to sit in the hotel room on opening night waiting to be arrested.
01:01:35Gee, I never thought I'd be arrested for writing a play.
01:01:40Clayton goes up in 20 minutes.
01:01:4719 minutes.
01:01:50Phil and I were going to be married right after the opening.
01:01:54Congratulations.
01:01:56Gee, I guess they'll take our fingerprints.
01:01:58They got mine.
01:01:59Have you been in jail?
01:02:01Sure, it's not bad.
01:02:02You behave yourself, they make you a trustee.
01:02:08If we only had some money, we could bribe those hotel dicks.
01:02:12Maybe the hotel would advance us some.
01:02:17And stay in there.
01:02:21Well, the quartet is complete.
01:02:23What'll we do now?
01:02:24Sing, sweet Adeline?
01:02:24I got an idea.
01:02:30Let's turn in the fire alarm.
01:02:31We start a riot and we can...
01:02:32Can't have a fire alarm without a fire.
01:02:34All right, then, let's have a fire.
01:02:36Well, even with the fire, we've still got 15 more minutes.
01:02:55Any more brilliant ideas, Benelli?
01:02:59How about the window?
01:03:00How high up are we?
01:03:09No, that's too high.
01:03:12You know, there must be an easier way of killing yourself.
01:03:16I once killed myself.
01:03:20I mean, that was my initiation into the fraternity.
01:03:23They made me do a phony suicide act.
01:03:26I scared the chemistry professor stiff.
01:03:30Say, uh, this chemistry professor,
01:03:32he really believed you committed suicide?
01:03:35Oh, yes.
01:03:36He was going to send for an ambulance.
01:03:44That's just what I was thinking.
01:03:46You mean we carry him out?
01:03:47Of course.
01:03:48He drinks a bottle of poison.
01:03:49We have to rush him to the hospital.
01:03:50The house takes half to let us through.
01:03:51Oh, that sounds great.
01:03:53Yeah, but don't forget,
01:03:54you haven't got three chemistry professors standing out there.
01:03:56We'll make it look authentic.
01:03:57Davis, you go into the bathroom.
01:03:59We go out in the hall screaming.
01:04:00They rush in, and there you are.
01:04:01There's a headache.
01:04:02No, not dead.
01:04:03Just dying.
01:04:04You're still living.
01:04:05That's why we're rushing you to the hospital.
01:04:06You're in great danger.
01:04:07Then, after you carry me out,
01:04:08we sneak in the theater and see the show.
01:04:11Exactly.
01:04:12You wouldn't think I came from Oswego five days ago.
01:04:15Hey, Faker.
01:04:16Come here.
01:04:18You help Davis.
01:04:19Now, you go into the bathroom,
01:04:20and remember, count up to 50 before you start dying.
01:04:22I know what to do.
01:04:27Well, how did you like my little surprise?
01:04:31In about 15 minutes, when the show is in full swing,
01:04:35the sheriff will come along
01:04:36and take everybody who's seen me off the stage.
01:04:37Wagner.
01:04:38Right in view of the audience.
01:04:39But Wagner.
01:04:39And now, if you're the pleasure of hearing me
01:04:40call my lawyer, who'll get the sheriff.
01:04:42Mr. Wagner, please.
01:04:45What's that?
01:04:49Who's in there?
01:04:49Oh, you drove me to it all you've done.
01:05:02Give me that bottle.
01:05:06Get him some water.
01:05:09This is terrible.
01:05:11He's driving a whole bottle of poison.
01:05:16No, that's the poison you're giving him.
01:05:18Why didn't you stop him?
01:05:20I didn't take him seriously when he said
01:05:21you were driving him to suicide.
01:05:23I suppose I'll have to testify to that at the inquest.
01:05:25Well, don't stand there, Gribble.
01:05:29Do something, you idiot.
01:05:30Get the house doctor.
01:05:31Get the house doctor.
01:05:31It was nice, like Hall Avenue.
01:05:32No, you blackhead.
01:05:33That means publicity.
01:05:35He's going fast.
01:05:37Oh, no, wait, no, wait, no, wait, no, wait.
01:05:40An antidote.
01:05:41That'll do it.
01:05:42Gribble, you run down to the drugstore
01:05:43and send those house dicks away.
01:05:45We must keep this quiet.
01:05:47He's turning blue.
01:05:48Oh, we must do something.
01:05:50We've got to save him.
01:05:51Miller, you work on him.
01:05:53Don't let him die.
01:05:55Jumping butterballs.
01:06:01This is our chance to see the show.
01:06:03Yeah, the minute he finds out you're not dying,
01:06:05send for those sheriffs and stop the show.
01:06:06Davis, there's only one thing for you to do.
01:06:08You'll have to stay up here and keep on dying
01:06:10for two and a half hours.
01:06:11What?
01:06:11Till the show's over.
01:06:12Well, why?
01:06:13I want to see the show.
01:06:14Well, if you don't keep on dying,
01:06:15there'll be no show.
01:06:16Gee, I don't know whether I can keep it up
01:06:18for two and a half hours.
01:06:20It's all right.
01:06:20We'll help you.
01:06:21Neil!
01:06:23Leo!
01:06:24Mr. Gribble said you were dying.
01:06:26It's only a plot, darling.
01:06:27I'm all right.
01:06:28Hilda, we're in a jam.
01:06:29We've got to pretend that Leo is dying
01:06:30or Wagner will close the show.
01:06:32Oh, I'm beginning to understand.
01:06:33Good.
01:06:34You get downstairs and keep an eye on the show.
01:06:35And if anything goes wrong,
01:06:36come up and tell us.
01:06:37Gee, it's just like a play, isn't it?
01:06:39All right, darling.
01:06:40I'll do my best.
01:06:41And if I don't come back,
01:06:42then you'll know it's good news.
01:06:43And if you do come back,
01:06:44bring four bottles of poison.
01:06:46Hurry up before they come back.
01:06:50And groan, grunt, stagger about.
01:06:52Don't die too soon.
01:06:52You must take your time.
01:06:54And you mustn't die before 11 o'clock.
01:06:56Don't you worry.
01:06:57I'll give you the best performance
01:06:59you ever saw in a hotel bedroom.
01:07:01That's the spirit.
01:07:03Come on.
01:07:04Good luck, Davis.
01:07:05Drop dead.
01:07:07Are you sure we've good enough?
01:07:08Yes, but this doesn't do it.
01:07:09I don't know what we're going to do.
01:07:10Nobody ever committed suicide
01:07:11in this hotel before.
01:07:12Here, Miller, here's some epic hack.
01:07:13Give him a dose of it.
01:07:14Give him plenty.
01:07:15Come on, dribble your own thumbs.
01:07:17Yes, I can.
01:07:20Come on, Davis.
01:07:21A little epic hack wouldn't hurt you.
01:07:23Come on.
01:07:23Here, here.
01:07:26Somebody take this and give it to him.
01:07:28Oh, come on, come on.
01:07:29All right.
01:07:29Come on.
01:07:31I'll be as fast as I can.
01:07:32This man dies.
01:07:33We'll get all that space.
01:07:34We'll get right back.
01:07:35I'll go.
01:07:35Oh, what the papers we should do with this?
01:07:37This will bring him out.
01:07:38Oh, I'm so ashamed.
01:07:40Oh, you're going to be fine.
01:07:41Oh, yeah.
01:07:42Yeah, no.
01:07:43Hurry, dribble.
01:07:44Hurry, you don't see us doing anything.
01:07:48Why, you know.
01:07:49We always do this.
01:07:50We'll do it.
01:07:51Hurry, really.
01:07:52Yes.
01:07:53We'll do it.
01:07:54Put some more eggs in there.
01:07:55Hey, you are.
01:07:56Just wait.
01:07:56All right, give me.
01:07:58Yeah.
01:07:58Can't you groan anymore?
01:08:15If I groan once more, that Ippicat you gave me will come up and spoil the whole show.
01:08:21Well, in that case, consider yourself dead.
01:08:24Oh.
01:08:25He's dying.
01:08:27It's all over.
01:08:28It's hard to cease beating.
01:08:30What a horrible end.
01:08:32Such a young man.
01:08:34All he said was mother.
01:08:37Oh-ho.
01:08:38On the stage downstairs, they have barely begun your immortal second act.
01:08:45While up here, you have already finished your last act.
01:08:49Too soon.
01:08:51Too soon.
01:08:53He died too soon.
01:08:56An hour too soon.
01:08:57I'll never forgive myself for this.
01:09:02Oh, now, don't take it too hard.
01:09:05We should have sent for an outside doctor.
01:09:07But he kept recovering.
01:09:09And dying.
01:09:11And recovering again.
01:09:13It all happened so suddenly.
01:09:15Yes, too darn suddenly.
01:09:18Every time we gave him the Ippicat, he seemed to get better.
01:09:21Yeah.
01:09:21Maybe we should have given him more Ippicat.
01:09:25As a matter of fact, I think we gave him too much.
01:09:27If we could only bring him back.
01:09:30An hour ago, we were at each other's throats.
01:09:35And now?
01:09:39A thing like this makes you realize.
01:09:43It certainly does.
01:09:45You struggle for money!
01:09:48What good is it?
01:09:49You never know who's next.
01:09:54Yes.
01:09:55Here today, gone tomorrow.
01:10:00Goodbye, Leo.
01:10:02Good night, sweet prince.
01:10:09Well, I guess we've all got to go sometime.
01:10:14It's too bad he didn't die at the Aster.
01:10:17You mean, uh, it's bad for the hotel?
01:10:20Well, it isn't good.
01:10:22There's bound to be a scandal.
01:10:25Oh, well, I guess I may as well notify the police.
01:10:28Wait, is that necessary?
01:10:30It's the law.
01:10:31But if we could arrange...
01:10:32Arrange what?
01:10:33Well, uh, if his body wasn't found in the hotel proper.
01:10:36Well, naturally, it would help us.
01:10:39We could dump him in the alley.
01:10:41Oh, no, no!
01:10:43How can you be so sacrilegious?
01:10:45The body not cold yet.
01:10:47What are you thinking of?
01:10:48I'm not going to violate the law.
01:10:49I'll have to call the police.
01:10:51Listen, Wagner.
01:10:52There's no hotel law that prevents a couple of guests from carrying out a drunken friend, is there?
01:10:55We could lug him out the back way.
01:10:57And into the theater.
01:10:57He'd be found in a seat.
01:10:58The author saw his own play on the stage and took poison.
01:11:01Instead of a suicide, you'd have a mystery.
01:11:03And it wouldn't happen in the hotel.
01:11:05Uh, no, no, I'm sorry.
01:11:07I've got to call the police.
01:11:08Just a minute, Mr. Wagner.
01:11:09Don't phone yet.
01:11:10Why not?
01:11:11Well, before they take him from us, couldn't we say a few words over him?
01:11:16That's the least we could do.
01:11:18Well, yes, of course.
01:11:20I, uh, my friends, my heart is too full to say what I really think.
01:11:30Davis is no longer with us.
01:11:33It doesn't seem possible.
01:11:35He was a great playwright who died too soon.
01:11:40Yes.
01:11:41Well, love.
01:11:42Love.
01:11:42Love.
01:11:42Love.
01:11:43Love.
01:11:44Love.
01:11:45Love.
01:11:45Love.
01:11:45Love.
01:11:46Love.
01:11:46Love.
01:11:47Love.
01:11:47Love.
01:11:48Love.
01:11:49Love.
01:11:49Love.
01:11:50Love.
01:11:53Ha' on.
01:11:55Amen.
01:11:58Yes.
01:12:00Swing low, sweet chariot, come and forever carry me home.
01:12:15Swing low, sweet chariot, come and forever carry me home.
01:12:18Carry it, come and fall to carry me home.
01:12:30If you get there before I do, come and fall to carry me home.
01:12:46He's not in the county hospital.
01:12:48Tell all my friends I'm coming to come and fall to carry me home.
01:13:16Shall I phone for the police now, Wagner?
01:13:24I'll do it.
01:13:26This whole thing was my responsibility.
01:13:28You go downstairs.
01:13:29I'll phone the police.
01:13:30All right, Wagner.
01:13:34Get me the...
01:13:35Please.
01:13:36That's the same phone he used when he spoke to his mother up in Oswego.
01:13:40Only an hour ago.
01:13:43All right.
01:13:52Now remember, I don't feel responsible for his death.
01:13:55I never knowingly hurt anybody in my life.
01:13:58Wagner drove me to my death just as he drove Leo Davis.
01:14:10Wagner, you and I have got to dispose of this dead body.
01:14:14Maybe we could sell it to some medical students.
01:14:16Oh!
01:14:17Not with conditions the way they are.
01:14:18Come on.
01:14:19We'll dump him in the alley.
01:14:20Me carry him?
01:14:21I couldn't do that.
01:14:22Come on.
01:14:23We'll just pretend he's drunk.
01:14:24Give me a hand.
01:14:25I can't!
01:14:26That dagger!
01:14:27That paper!
01:14:28I'll dispose of the dagger.
01:14:29Come on, Wagner.
01:14:30We have no time to lose.
01:14:34Ah!
01:14:35He's not cold yet.
01:14:37I'll fix that.
01:14:38I'll phone for some ice.
01:14:39Hello?
01:14:42Room service.
01:14:43Send up enough ice to cool a warm body.
01:14:46Let's take him down the service elevator.
01:14:48I won't have him insulted.
01:14:49He'll go with a regular passenger.
01:14:50Well, someone might see us.
01:14:52Oh!
01:14:58Come on.
01:15:09I can't stand this much longer.
01:15:11Take it easy.
01:15:12We're dumping right here.
01:15:22We're doomed.
01:15:23Take it easy.
01:15:24Well, Mr. Miller, your show is certainly going great.
01:15:26Well, that's fine.
01:15:27Oh, what do you got there?
01:15:28Where?
01:15:29Oh, there.
01:15:30One of my actors.
01:15:31He's passed out in the excitement.
01:15:33I need him for the third act and look at him.
01:15:35You'd think he was dead.
01:15:36Yes, wouldn't you?
01:15:37Your friend looked as though he had a smooth flow, too.
01:15:40Yes, but he'll get over it.
01:15:41Come on, Wagner.
01:15:50How do you do, Mr. Miller?
01:15:51Yes.
01:15:52How's it going?
01:15:53It's a terrific hit, Mr. Miller.
01:15:54For a little lie.
01:15:56For this.
01:15:57Washington and Lincoln live.
01:16:00And although I speak to you with a foreign accent,
01:16:06till I speak for any world and free America, you win.
01:16:14Glad.
01:16:19They're crazy about it.
01:16:20But what about the other dead man?
01:16:22With a hit like this, we'll give him the biggest funeral this town has ever had.
01:16:25Arthur!
01:16:26Arthur!
01:16:27Arthur!
01:16:28Arthur!
01:16:29Arthur!
01:16:30Arthur!
01:16:31Arthur!
01:16:32Arthur!
01:16:33He's been over here!
01:16:34We have won.
01:16:35We could not have won, except for the sacrifice of our late comrades, who gave his life that we might win.
01:16:44Bring the bodies.
01:16:45The latter's fate.
01:16:46The latter's fate.
01:16:47The latter's fate.
01:16:48The latter's moment of leverage.
01:16:51Hundred and tribe.
01:16:58We've owned the tariff with his soldiers.
01:17:01바inger.
01:17:02You've enjoyed it.
01:17:03You've got money.
01:17:04It was the wind, sir.
01:17:05As long as you drunken.
01:17:07For the l plastering.
01:17:08Alex.
01:17:09You always return to the analyzed, fed the기도.
01:17:12You always return to the water, you always salt and preservit.
01:17:13With his soldiers.
01:17:15Jack.
01:17:16I just pretend to watch the troops, Gustav?
01:17:17If you get there before I do, come and go to carry me home.
01:17:32Yeah, ma'am.
01:17:33Tell all my friends I'm coming too.
01:17:39Show them up.
01:17:40Come and go to carry me home.
01:18:10The End
01:18:27The End
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