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00:00No!
00:22Stop! Stop! Stop!
00:24I'll see you later.
00:26I'll see you later.
00:28It's 3 times.
00:30God!
00:51I'm not sure.
00:51I'm not sure.
00:52I'm going to be sure.
01:00Shhh, Shhh, Shhh, Shhh, Shhh.
01:03Shhh, Malini, do the phone.
01:05Do the phone.
01:16Mr. Zheadi.
01:30Mr. Zheadi.
01:39Go ahead, go ahead.
01:44Mr. Raza, go ahead.
01:52Mr. Zheadi.
01:53Mr. Zheadi.
01:54Mr. Zheadi.
01:55Mr. Zheadi.
01:56Mr. Zheadi.
01:57Mr. Zheadi.
01:58Mr. Zheadi.
01:59Mr. Zheadi.
02:00Mr. Zheadi.
02:01Mr. Zheadi.
02:02Mr. Zheadi.
02:03Mr. Zheadi.
02:04Mr. Zheadi.
02:05Mr. Zheadi.
02:06Mr. Zheadi.
02:07Mr. Zheadi.
02:08Mr. Zheadi.
02:09Mr. Zheadi.
02:10Mr. Zheadi.
02:11Mr. Zheadi.
02:12Mr. Zheadi.
02:13Mr. Zheadi.
02:14Mr. Zheadi.
02:15Mr. Zheadi.
02:16Mr. Zheadi.
02:17Mr. Zheadi.
02:18Mr. Zheadi.
02:19Mr. Zheadi.
02:20Mr. Zheadi.
02:23Go! Go! Go!
02:46How did you do that?
02:47Amni!
02:48Amni!
02:49Amni!
02:50Lashkar.
02:52Where is the Lash?
03:01Sir, it was here.
03:03What does it mean here?
03:05Where is the Lash?
03:07I don't know, sir.
03:08It's gone.
03:09What?
03:10Lash? It's gone?
03:12Who is the Lash?
03:14Aditi.
03:16Who is Aditi?
03:17Who is our film heroine?
03:19Actress.
03:22Who is the Lash?
03:23If Aditi's Lash came here, it means that Aditi is alive.
03:37No, sir.
03:39Sir, it was here.
03:40We saw it.
03:41We died.
03:42We died.
03:43We died.
03:44We died.
03:45We died.
03:46Sir.
03:47When we came here, there was only water.
03:49Did anyone come here and see anyone?
03:51No, sir.
03:52Sir, we saw it.
03:54The mother and daughter came here.
03:56We saw it, sir.
03:58But, sir, when we came here, there was no one.
04:00Yes, sir.
04:01No, sir.
04:02No, sir.
04:03We saw it.
04:04We saw it.
04:05They came here.
04:06They came here.
04:07There was a doll.
04:08And she was going to steal the doll.
04:10What?
04:11Is this a joke?
04:13No, sir.
04:14It's not a joke.
04:15Because when I came here, I saw it myself.
04:18Who did you?
04:20Sir, I work for a newspaper.
04:22And my boss sent me here.
04:24To see the mother and daughter's story, is it true or not?
04:29So, you mean the mother and daughter's story?
04:32Yes.
04:33Yes, sir.
04:37Who is this woman?
04:39She was a woman here.
04:41And the mother and daughter killed her.
04:44Now, we say that her soul grows here.
04:48After seven years, she killed four or five.
04:52What?
04:53That's right.
04:54This hotel is a woman.
04:56No, sir.
04:57Sir.
04:58Yes.
04:59It's a daru, sir.
05:06Daru?
05:07Excuse me.
05:08Please.
05:09Please.
05:14Did Aditi get into the daru?
05:16No, no.
05:17She didn't get into the daru.
05:19Who is it?
05:21I'm a producer of the film.
05:24Who is the daru here?
05:25Who is the director?
05:26That's the director.
05:28She's the director of the show.
05:30She starts to be in the evening of the show.
05:31She's the director of the show.
05:32She's the director of the show.
05:33Where is she?
05:34Where is she?
05:35She's the director of the room.
05:36Pankaj, go and tell her the director.
05:41Sir, when we were outside,
05:44we saw a woman on the streets.
05:46She was running away from her hands and shoulders.
05:50What?
05:52And sir,
05:53she was running away from her head.
05:55She was running away from her head.
05:57She was running away from her head.
05:59Harvi,
06:00walk and see us.
06:02Who is this person who is he?
06:05Sir.
06:09Sir,
06:10What's happening in your hotel?
06:12You are dying into the earth.
06:14People are sickening.
06:15Any person is running away from her head.
06:17Any person who is running away from her head.
06:19The person is running away from her head.
06:20Sir,
06:21I have only heard you now, but I have also seen you today.
06:25But I am retiring from here.
06:27You won't go anywhere.
06:29And you too.
06:30We will leave the hotel and we won't go anywhere.
06:41Where are you from now?
06:43I was in Rome.
06:44I was listening to Halla Gulab and I came out.
06:47And you?
06:48She is my wife.
06:49We have said that you are not your wife.
06:51I am asking you where were you.
06:53I was in your room.
06:55And you were with them?
06:56I was with Vikram.
06:58I was with Vikram.
06:59Vikram?
07:00Who is Vikram?
07:01Sir, I am Vikram.
07:02I am the hero of his film.
07:04But you?
07:05I was sleeping at that time.
07:07I was sleeping at that time.
07:08Everyone was sleeping at that time, Abhijit.
07:10Everyone was sleeping at that time.
07:12I don't know anything about anyone.
07:14Abhijit.
07:15We are working.
07:16We call one person to ask each other.
07:19You will know who is sleeping.
07:21And you are using them.
07:36Hey!
07:37Who are you?
07:39Oh, my God.
08:09Oh, my God.
08:20Hello?
08:22Excuse me.
08:26Director, aatmiriya, a bandar?
08:28Aisai koii rata hai?
08:30Kaccharai hai jage.
08:31Sab bikra huayai.
08:34Hello?
08:36Hey, yad, kamara toh khali hai.
08:39Mhm.
08:42Might the director not hide at all?
08:47Maka chaakai...
08:48Who are braids, Maka cha?
08:49Pankaj, these are all things that are false.
08:52Take these things out of your mind!
08:59Who are you?
09:01Are you coming to me?
09:03Why are you killing me?
09:05Get out of here!
09:13What happened sir? Is there any problem?
09:15No, no, no. There is no problem.
09:17We are going to have a lot of fun.
09:19Come on, come on!
09:21Come on, come on!
09:23Sir, come on!
09:25Come on!
09:26Come on!
09:27Come on, sir!
09:28Come on!
09:29Come on!
09:30The director tells us that you have so much pressure
09:32that he can't stand up.
09:35Come on!
09:39Come on!
09:40Come on!
09:41Come on!
09:42Come on!
09:46Go on!
09:48Come on!
09:49Come on!
09:50Come on!
09:51Come on!
09:52Come on!
09:53Run!
09:54Let's go!
09:55dinner!
09:56All right.
09:57Please keep your head.
09:58Please keep your head.
09:59Please keep your head.
10:09Add to your head.
10:10Now you can't do it.
10:11The reason you have is to leave.
10:14Have you seen it?
10:15We'll come back.
10:16Then who's the those who have been hidden by you?
10:17I've heard my head start.
10:19You've seen it, but it makes it so easy.
10:20And then who's the person who has gone with you?
10:22What do you think?
10:23No, do you think?
10:24Come on.
10:32Come on.
10:37Sir, sir!
10:42Sir, sir.
10:45Sir, I'm telling you, sir.
10:46I don't tell you, sir.
10:48I've seen a person here.
10:49I've seen her.
10:50Sir, stop.
10:52Stop.
10:54Stop.
10:55Stop.
10:59You guys...
11:00Why are you here?
11:03Your film's heroine, Aditi,
11:06she's dead.
11:08And she's dead from the hotel.
11:12Aditi's dead?
11:14What are you saying?
11:15When did it happen?
11:16How did it happen?
11:20Hey, Kujia.
11:21How did it happen?
11:22How did it happen?
11:23How did it happen?
11:24How did it happen?
11:27Sir, I'm telling you first of all.
11:30I'm going to kill Aditi.
11:31I'm going to kill Aditi.
11:32My hero heroine was a problem.
11:34But if the film was completed,
11:36it would not be completed in 25 days.
11:38I'm going to kill Aditi.
11:40I'm going to kill Aditi.
11:41Yes.
11:42This is all your mind-present heroine, Aditi.
11:44Why didn't you tell your wife
11:45that she made me a lot of pressure
11:47to take her heroine?
11:49Manos, what is the truth?
11:52Aditi was what was going on in your life?
11:55Tell me.
11:56Sir, the film of this producer
11:58was not a bikini.
11:59That's why she had to do it.
12:00That's why she had to do it.
12:01That's why she had to do it.
12:02That's why she had to do it.
12:03In the film set,
12:04there was a heroine's death.
12:05So, watching this news,
12:06it would be destroyed by people.
12:07Stop it!
12:10Stop it.
12:11Stop it.
12:12And tell me.
12:15How did the blood flow come out?
12:19Sir,
12:20I don't know anything about this.
12:21Sir,
12:22this is all my advice.
12:23We had a glass in Aditi's room.
12:25There was a drink.
12:26Do you understand?
12:27You drink in the whole unit?
12:29No.
12:30I don't care about it.
12:31Sir, they have to ask the other people.
12:33Sir, Abishi's room is good.
12:34You can tell me.
12:35You have to ask me today,
12:36to get a bottle of my car from my car?
12:38What?
12:39Sir, I don't think that it's a bit of pressure.
12:41I can't get any bottle of this.
12:43And if you,
12:44if you don't,
12:45you don't buy anything,
12:46it's good.
12:48Is there someone who came to Manoj's room for the car?
12:53No, Sir.
12:54No, we're not.
12:55Abiji,
12:56this is a great deal.
12:58Oh, no one has no idea of the director's room.
13:02No one is an actor, no one is a technician, no one is a producer.
13:08Then...
13:09Yes sir.
13:11Then, the glass of wine will reach the glass of Aditi's room.
13:15Aditi's glass is gone from the room.
13:18And in the hotel, the soul is gone.
13:20It's great.
13:21The soul?
13:22Sir, it's been a soul.
13:25Not you.
13:26Then, the soul is gone from the room.
13:29Do you have a job, Pankach?
13:31You go and help the room from the room.
13:32Sir Manoj is saying that he is trying to do something to him.
13:36We...
13:37Let's check his house.
13:40Look at this.
13:50Sir?
13:51Yes.
13:52Is that the glass of Aditi's room in the room?
13:55Yes.
13:55Yes.
13:58Wait a minute.
14:01Cool.
14:03Cool.
14:04Cool.
14:04Cool.
14:05Cool.
14:06Cool.
14:07Cool.
14:08Yeah.
14:09Cool.
14:09Cool.
14:10Cool.
14:11Cool.
14:12Cool.
14:12This is an open source.
14:16Your Holyoke, it has a clear source.
14:23Listen, it's here.
14:31Here's your face.
14:32This is a garden of a house.
14:35Your house will be in your house.
14:38Is there any garden of my house?
14:39So you believe that if you have any clothes or clothes,
14:45that person could be the one who was in your house.
14:53Vikram and Malini? Where are they?
14:57Sir, that was a little bad for Malini,
15:01so Vikram left him to leave his house.
15:04Yes sir, those people told me.
15:07How did you get to leave?
15:09No one will go.
15:12Do you understand?
15:14No one is going to go to a girl.
15:16The blood is still a bad person.
15:18The blood is still a bad person.
15:20And remember to remember,
15:22the blood is still in this hotel.
15:27You will have to go to a man with a man with a man with a man with a man with a man with a man with a man.
15:39Sir, Vikram and Malini?
15:41Who are you from here?
15:42Let's go to the man with a man with a man with a man with a man.
15:44Yes.
15:45Sir, what's going on in this hotel?
15:46No one is going to leave.
15:47No one is going to be in this hotel.
15:48No one is going to be in the hotel.
15:49No one has to go to the hotel.
15:50Sir, sir, there's no one in the office, sir, there's no one in the office, sir, there's no one in the office, sir.
16:09Sir, I think that the woman and his daughter...
16:12What's the problem, Kachi?
16:13Tell me one thing.
16:14This Malini, you're a victim, you don't have to give up.
16:16Sir, I don't care about Malini's room, sir, there's no one in the office.
16:19Malini, damn it!
16:21Sir, I'm sure.
16:26This?
16:31Wig!
16:34This wig is the women's clothes.
16:38This is the woman's clothes in Manoj's room.
16:43Oh.
16:44Sir, I think this whole game is playing Vikram.
16:47This wig and the women's clothes are wearing here.
16:50This is Malini and Neelam, when he was in Aditi's room,
16:53then he didn't have this on his bed?
16:57This is the game plan.
16:58Vikram, first of all, he killed Aditi's room,
17:01and then this wig and Neelam went to Aditi's room.
17:06He was late.
17:07Like Neelam and Malini was in his room,
17:10then he saw Aditi's room.
17:12He looked at Aditi's room.
17:13He looked at Aditi's room.
17:14He looked at both of them.
17:15Hmm.
17:16That's it.
17:17Vikram is coming from there.
17:18And one more thing.
17:19He put his clothes in this room,
17:21so that someone won't fall out of the room.
17:24But, sir,
17:25how did the clothes in Manoj's room
17:28go to Manoj's room?
17:29Vikram was gone to Manoj's room.
17:31He took a glass to take Daru's room.
17:33That was Aditi's room in the room.
17:34In the same time,
17:36the clothes in Manoj's room
17:38went out of the room.
17:39Sir, the food director has been drinking so much,
17:42sir,
17:43he doesn't know what's going on.
17:45Sir,
17:46Rajiv said that,
17:48when it opened,
17:49he was with Vikram.
17:51If Rajiv was with Vikram,
17:53then how can he be in Vikram's room?
17:56Abhijit,
17:57this Rajiv
17:59is saying,
18:00this Rajiv
18:01is saying,
18:02this Rajiv,
18:03this Rajiv.
18:04Vikram is coming from here.
18:05Let me ask this to Rajiv.
18:14Rajiv,
18:15sir,
18:16they took care of him,
18:17but they will come in a little while.
18:20He was not in his room.
18:22We were in the corridor.
18:23They didn't see him there.
18:24Where did he go?
18:26And you,
18:27Malini.
18:28Where is Vikram?
18:29He was with you, right?
18:31Sir,
18:32Vikram took me to my room.
18:34He told me
18:35that he will come back to me
18:36a very necessary camera
18:37and he will come back a little while.
18:39But he is still not alone.
18:41And I was very scared
18:42so I went down.
18:44I am sorry,
18:45I am sorry,
18:46I am sorry,
18:47I am sorry,
18:48sir.
18:49Abhijit,
18:51he is a waiter,
18:52he is a manager,
18:53he is a manager,
18:54and he is a lambu,
18:55kaka,
18:56watchman,
18:57three of them,
18:58he is a man.
18:59When we said
19:00that no one will go here,
19:02there will be no one from here.
19:03If they all stop in the house,
19:05then there will be no one will go.
19:07But sir,
19:08we have not done anything.
19:09See,
19:10this is just for you all.
19:11I am sorry,
19:12Munkat,
19:13take them.
19:14Go.
19:17Freak,
19:18go ahead.
19:22Turviy,
19:23Moridhuri.
19:25Moridhuri.
19:29Moridhuri.
19:33Moridhuri.
19:48Moridhuri, Kekan.
19:50Moridhuri.
19:53He's there.
19:55Come on.
19:56Sir, come on.
19:57Sir, this is the story of Poulby.
19:59You can get these toys and gloves.
20:02And look, there's a lot of a new way to it.
20:05It's a great way to it.
20:06Oh, wow, this is the way to it.
20:07I'm not.
20:08Sir, what are you doing now?
20:09Sir, you're doing nothing right now.
20:11Sir.
20:12You have to get the gun here.
20:13You get the gun here.
20:14You can get the gloves and gloves in.
20:15I'm looking for it.
20:16I'm looking for it.
20:18I'm looking for it.
20:19You're looking for it.
20:21You're looking for it.
20:22You're looking for it.
20:23Let's go, let's see.
20:33This is a parking area.
20:35Yes.
20:36There are cars too.
20:38Sir.
20:45Look, this is a bike and tire.
20:48Yes, this is a motorcycle and tire.
20:51Sir, you didn't have to kill someone on the bike?
20:55No, Freddy.
20:57This is a CIA officer.
20:59You can't kill someone.
21:01This is something else.
21:08What's that?
21:11Sir, you don't have to kill someone.
21:17Let's go.
21:20Calm down.
21:21Calm down.
21:26Rajiv.
21:27Rajiv.
21:28Rajiv, go.
21:31Rajiv?
21:32Rajiv.
21:35What happened?
21:36Who's your situation?
21:39Sir.
21:40Who's your situation?
21:41Who's your situation?
21:42Who's your situation?
21:43Who am I?
21:49Someone!
21:50Oh!
21:51Oh
21:54This mother-in-law had to be scared of the mother-in-law
21:58Yes, I think that this mother-in-law has been full of work. She has escaped from here.
22:05Ready? Do your work.
22:07For the motorcycle's information, you can send the highway patrol and local police stations.
22:12Hurry up!
22:14Sir!
22:21Here, sir.
22:27Wow!
22:28Rags!
22:29Look at that.
22:31Rajiv Ji is still a shock.
22:33Sir.
22:36I was in the car.
22:40Rags, I don't know.
22:42The producer has a tension.
22:47Sir, I told Kaka that I'm going out.
22:51I'm not with Mikram.
22:53But, sir, I don't want to give my hand to Aditi.
22:57Pankar, take it.
22:58Let's go.
22:59My mama!
23:00Rags!
23:01Rags!
23:02Rags!
23:03Rags!
23:04Rags!
23:05Rags!
23:06Rags!
23:07Rags!
23:08Rags!
23:09Rags!
23:10Rags!
23:11Rags!
23:12Rags!
23:13Rags!
23:14Rags!
23:15Rags!
23:16Rags!
23:17Rags!
23:18Rags!
23:19Rags!
23:20Rags!
23:21Rags!
23:22Rags!
23:23Rags!
23:24Kaka has not done this, Kaka?
23:26Yes sir, that's why Kaka died.
23:28And he gave both the waiter and manager to this work.
23:32Yes, he made it.
23:34Who gave him the souls?
23:36Who gave him the Aditi?
23:38So he will go to the whole soul.
23:40And who can take him to the soul?
23:42Sir, he was a journalist, right?
23:44Tanya, he was talking a lot.
23:46Yes, Tanya too.
23:48Okay?
23:50But where is he?
23:54No transaction.
24:21Kuiper, Kuiper.
24:24Good!
24:38Noriyan!
24:39Noriyan!
24:40Noriyan!
24:41Noriyan!
24:47Noriyan!
24:52Oh, my God.
25:22Oh, my God.
25:52Oh, my God.
26:22Oh, my God.
26:52Oh, my God.
27:22Oh, my God.
27:52Oh, my God.
28:22Oh, my God.
28:52Oh, my God.
29:22Oh, my God.
29:52Oh, my God.
30:22Oh, my God.
30:52Oh, my God.
31:22Oh, my God.
31:52Oh, my God.
32:22Oh, my God.
32:52Oh, my God.
33:22Oh, my God.
33:52Oh, my God.
34:22Oh, my God.
34:52Oh, my God.
35:22Oh, my God.
35:52Oh, my God.
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