- 4 days ago
HE FOUGHT WITH BULLETS AND WAS FILMED WITH GLORY Pancho Villas Legend WESTERN MOVIE 2025
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Short filmTranscript
00:00:01Turn around and get on the gutter!
00:00:04I get it! I get it!
00:00:13Sir!
00:00:14You must be really devoted to this cause!
00:00:17Require a month,
00:00:18there's nothing Sam Draven can't get devoted to.
00:00:21Plus all the gold teeth I can pull.
00:00:23Watch your ass, sonny boy!
00:00:30Another day, another dollar.
00:00:41Hurst Publications,
00:00:43you don't have any qualms about manipulating public opinion
00:00:46in favor of a man many people consider to be nothing more
00:00:49than a socialist rabble rouser.
00:00:51Unlike your employer, Mr. Hurst,
00:00:53this company has no interest whatever in meddling in politics,
00:00:57foreign or domestic.
00:00:59For the millions,
00:01:00he's trying to free of a cruel dictatorship.
00:01:02Pancho Villa hardly needs Mutual's help
00:01:04to enhance his reputation as the George Washington of Mexico.
00:01:08for thefryers AWESY
00:01:13to come in every part of US as in the argument
00:01:18tylko niedogTech
00:01:20i Galileo!
00:01:21No!
00:01:31No bloody hell!
00:01:35I'm out here!
00:01:37Francisco, you aren't dead yet, eh?
00:01:40Still alive, sir. Felicitaciones!
00:01:42Vamanos!
00:02:21These are just civilians, aren't they?
00:02:42Yeah.
00:02:43You make the mistake of supporting Pancho Villa, you wind up being a tree ornament.
00:02:51It saves ammunition.
00:02:53Kiddense!
00:03:07Kiddense!
00:03:08Kiddense!
00:03:09Kiddense!
00:03:10Kiddense!
00:03:11Kiddense!
00:03:12Kiddense!
00:03:13Kiddense!
00:03:14Kiddense!
00:03:15Kiddense!
00:03:16Kiddense!
00:03:17Kiddense!
00:03:18Kiddense!
00:03:19Kiddense!
00:03:20Kiddense!
00:03:21Kiddense!
00:03:22Kiddense!
00:03:23Kiddense!
00:03:24Kiddense!
00:03:25Thanks, Patience.
00:03:55Padre, Padre, Padrecito.
00:04:03General Villa, qué honor para nuestro pueblo que esté usted aquí.
00:04:08Pues muchas gracias.
00:04:10Viene a confesión, ¿verdad?
00:04:12Sí. ¿Qué le parece si le confieso yo a usted primero?
00:04:15Eh, venga.
00:04:17¿Sabes qué confesión me van ahora?
00:04:19¿Me conocen a la muchacha?
00:04:22¡¿Conoce a la muchacha?!
00:04:24¿Sabes qué edad tiene? ¡Tiene catorce años!
00:04:27Kid's gonna have a playmate soon. Somebody knocked her up.
00:04:31¿Por qué no es una virgen ahora?
00:04:33¡Venga a ser de rodillas! ¡Venga a ser de rodillas, hombre!
00:04:36Ahora vamos a confesar. ¡Ave María Purísima!
00:04:39No, sin pecado concibida, no, Padrecito.
00:04:42That figures.
00:04:43What?
00:04:44The father's the father.
00:04:46No le escuche, no le escuche nadie. Pídale perdón públicamente, hombre.
00:04:49No, no, yo me voy a ocupar de la familia.
00:04:51He's swearing to take care of the kid and the baby however long they need it for.
00:04:56¡Abre la boca!
00:05:00Puede que la familia le perdone.
00:05:02Puede que yo le perdone.
00:05:04Pero creo que Dios no le va a perdonar.
00:05:06Desgraciado.
00:05:09¿Satisfecho, padre?
00:05:11Andale.
00:05:24Hiya, Charlie.
00:05:26Si, porque quiere mi terminar.
00:05:29Good work, Frank.
00:05:30You didn't get in my way once.
00:05:32Thank you, Henny.
00:05:34Not a field today, Mr. Thayer.
00:05:37Being smack in the middle of the killing ground.
00:05:39It's shameful to admit how exciting I found it.
00:05:43No, strictly a survivor sensation.
00:05:45Someone else's death serving as your own reprieve.
00:05:49You're in good company, Mr. Thayer.
00:05:52Shamelessness is a big following down here.
00:05:55Bank robbers, painters, poets, soldiers of fortune.
00:06:00Enough anarchists to blow up Wall Street ten times over.
00:06:02Healing Jews and fighting Jews.
00:06:04Morris Roushbaum, a surgeon from Indiana.
00:06:07Sam Drebin, machine gunner from the Bronx.
00:06:11General Angeles came over from the Federales.
00:06:14Studied von Klauswitz, well read.
00:06:17An idealist.
00:06:19He's the other side of the peso to General Fiera.
00:06:21He gets really ugly unless he kills at least one prisoner before breakfast.
00:06:26From the merely curious to the merely morbid.
00:06:29All of us in via's orbit.
00:06:31All of us in via's thrall.
00:06:33Hey, hey, hey, hey!
00:06:36You take home a nice recuerdo, boy, amigo, a souvenir.
00:07:06Be careful, because I give you some crawly souvenirs in your underwear.
00:07:27Her husband got killed in the fighting's day. Her youngest son, too.
00:07:33Charlie, get this.
00:07:44He just gave her more money than her old man saw in his entire life.
00:07:49Juan, what will they think, Juanito, my American friends, when they see the movie of Pancho Villa?
00:07:56Well, I think Mr. Doheny is going to be very impressed indeed.
00:08:05He worships the ground that is Mexico. Doheny worships what's underneath it.
00:08:10Your Senor Herz is also muy, muy, muy nervioso.
00:08:15Very nervous.
00:08:17Do you know how much he owns Mexico, Francisco, Senor Herz?
00:08:21How many acres?
00:08:23Siete millones.
00:08:25More like eight.
00:08:27Eight million acres.
00:08:28How many head of cattle have you stolen from him?
00:08:30Sixty thousand, he says.
00:08:31Oh, you are loco, Juanito.
00:08:34Sixty thousand.
00:08:35Fifty thousand, maybe.
00:08:37Maybe fifty thousand the most.
00:08:40So, Francisco, today was not too, um...
00:08:46Boring.
00:08:48Boring. It was not too boring.
00:08:50You became more a man a little, I think, today.
00:08:54Maybe you and your amigos.
00:08:56Yeah, I'd say we had a good start.
00:08:58Today, I think they found a little bit their huevos.
00:09:02Even though a few of them got a little wet.
00:09:04Yeah, si, si, si, si, si.
00:09:07Bueno, bueno.
00:09:09Una medallita.
00:09:11Una medallita para su confirmacion.
00:09:15Por sus servicios a la revolucion.
00:09:20You will help.
00:09:22Por ustedes habrán los americanos que también al sur de la frontera hay esperanzas.
00:09:28You will help Americans know that hope does not stop at the border.
00:09:31It's my virgin of Guadalupe.
00:09:32I'm deeply honored, sir.
00:09:36Debería estarlo.
00:09:37He says he should be.
00:09:39Porque tiene la única virgen que queda por aquí.
00:09:42You've got the only virgin left around here.
00:09:45Ándale, ándale.
00:09:46Ándale.
00:09:48Ándale.
00:09:50Ándale.
00:09:52Ándale.
00:09:53Ándale.
00:09:59Ándale.
00:10:00mind that our camera operators had to constantly deal with movement of men and horses, exploding
00:10:05bombs, clouds of gunpowder, but what you're looking at is without a doubt never-before-seen
00:10:11footage of live action shot on an actual field of battle.
00:10:15Never-before-seen footage?
00:10:17You still can't see it.
00:10:24They'd have bit the dust a lot better if D.W. Griffith had directed it.
00:10:30Let me assure you that every one of these men and women and every child died in the very best way that they could.
00:10:39There he is, boys, on motion picture film for all the world to see, General Pancho Villa.
00:11:00Despite its technical flaws, clearly more people will discover Pancho Villa from a few feet of this crude historic film than from the reams that have been written about he struggled to rid Mexico of its greedy robber barons,
00:11:26the only ones to profit from their cozy marriage with rapacious American interests.
00:11:31Unfortunately, not everyone happens to be the socialist lover that John Reed is.
00:11:36Hurst, no surprise, is putting on nuts through a ringer.
00:11:40Pardon me.
00:11:41Mm-hmm.
00:11:42With all he's got invested in Mexico, Hurst tends to lose one or two of his fortunes down there.
00:11:46Speak up, Harry. We're a whole country apart, for God's sake.
00:11:50Listen to this. Pandering to Villa's overblown vanity, the perpetrators of this clumsy excuse of a film clearly demonstrate that they have a far greater interest in selling tickets to a gullible public
00:12:00than in telling the real truth about the self-styled General Villa and his ragtag army would marry a piece of modern artillery to its name.
00:12:11Mightn't it be more productive for you to be reading the one end?
00:12:13You know what's so galling about all this? It's all true. We had so little control over what was happening, Villa comes off as some kind of simple star-struck cowboy.
00:12:21Give me the strudel.
00:12:22We didn't offer a clue to his complexity, to his greatness. What a movie that would make.
00:12:28This would all be better said to someone with a checkbook, wouldn't it?
00:12:33He's been beaten and tortured all his life. They say that he still has whip scars across his back. He was a convict before he turned 20.
00:12:41Frank, it's midnight. Before he was 12, he was already being hunted by the law. Now, now there are places in Mexico where he is the law.
00:12:48Don't make me fire twice in one week, Frank.
00:12:51He's the James Boys. He's Billy the Kid. He's Napoleon. All rolled into one. But he asks nothing for himself. He takes nothing.
00:13:00He builds schools where there were none. He seizes the homes of the wealthy. He redistributes the land. He gives it to the poor. He feeds them.
00:13:06He even prints his own money. He prints his own money? Well, the man's not all bad, is he?
00:13:11Tell me that this material would not make a fantastic moving picture.
00:13:15Forget it. The Times said the one we made looked like a high school player that couldn't afford the costume.
00:13:21For my money, and that's sure as hell what every penny of it was, we gave Pancho Villa more than his shot.
00:13:28But we didn't. That's the whole point.
00:13:30Be realistic. You'd never crowd all that stuff into a two-reeler, not in a million years.
00:13:35I'd make it more like seven.
00:13:38Seven reels?
00:13:39Seven reels.
00:13:40You smoke some of that funny stuff down in Mexico, Frank.
00:13:43Who in their ripe minds is going to want to sit through a movie that runs for over an hour?
00:13:48There's never a first until someone tries it.
00:13:52Don't give me fortune cookers in the middle of the night, Frank.
00:13:55And seven reels is a whale of a show you're ready to give away for a Nicola ticket.
00:13:59Then double it.
00:14:04Double it?
00:14:07A dime? A dime, a ticket?
00:14:08A dime, a ticket. One good first deserves another.
00:14:13These are exciting thoughts, Frank.
00:14:15They are.
00:14:17I'm definitely getting excited.
00:14:19Don't let me stop you.
00:14:23If only they didn't all look so crummy down there.
00:14:26For ten cents, people are going to want to see a hell of a lot more than a bunch of barefoot buggers jumping around in the cactus.
00:14:32We can help them look better.
00:14:33I know we can.
00:14:35I'll have to run this past E.W., of course.
00:14:38He'll see the possibilities in a minute.
00:14:40I promise you.
00:14:42The life of General Villa.
00:14:44Okay, okay, okay, okay.
00:15:08I see Scott and I ask you, but I call him
00:15:16where are you?
00:15:17Where are you?
00:15:19Where are you?
00:15:21Wait, my brother.
00:15:29I'm almost done.
00:15:33The books of the Hacienda.
00:15:35400.000 hectares.
00:15:41He had to work a lot of chaman
00:15:43to have so much land.
00:15:45A land.
00:15:49A man only needs the land
00:15:51enough to feed his hunger.
00:15:57And a little bit,
00:15:59to get it.
00:16:01Come on, it's yours.
00:16:11Well.
00:16:15What's your name?
00:16:19Don Luis.
00:16:21Mi firma.
00:16:23En un papel blanco.
00:16:25No por mucho tiempo.
00:16:27Su infinita generosidad
00:16:29no préstamo a los pobres.
00:16:31¿De cuánto?
00:16:33Pues lo suficiente
00:16:35para que se empareje usted con ellos.
00:16:37Para que sepa
00:16:39lo que es no tener medio centavo.
00:16:41Ni media mula.
00:16:43Ni un pedazo de pan
00:16:45por romperse el lomo.
00:16:47Hasta que el único sabor
00:16:49que conozca
00:16:50sea la sal
00:16:51de sus lágrimas.
00:16:55Ande, fírmele ya.
00:17:01¡Fírmele ya, hombre!
00:17:03Antes de que le sirva sus huevos a los puercos.
00:17:05He oído mucho de este libro.
00:17:19¿Usted ya lo leyó?
00:17:21Ningún hombre puede presumir de culto
00:17:23si no ha leído al Quijote.
00:17:25Ya me insuló.
00:17:27Voy a cultivarme un poquito.
00:17:29¡Vamos!
00:17:31¡Volvete!
00:17:33¡Volvete!
00:17:35He oído mucho de este libro.
00:17:37¿Usted ya lo leyó?
00:17:39¿Usted ya lo leyó?
00:17:41Ningún hombre puede presumir de culto
00:17:43si no ha leído al Quijote.
00:17:47Ya me insuló.
00:17:49Voy a cultivarme un poquito.
00:17:51¡Vamos!
00:17:53¡Volvete!
00:18:09¡Pancho!
00:18:11Sí.
00:18:12Aquí.
00:18:19Francisco.
00:18:20Hello, sir.
00:18:21Francisco, too.
00:18:23Do I know you were coming?
00:18:24Oh, I sent a telegraph.
00:18:26Well, when I see it, then I would know you were here.
00:18:31I miss you many times, mi amigo, many times.
00:18:33I've missed you.
00:18:34Yeah, bueno, bueno, bueno.
00:18:36The Virgin, does she answer your prayers?
00:18:38Not with my Spanish. She doesn't.
00:18:41No, it's no Spanish. Never Spanish. Mexicano.
00:18:45Two things Spain give to my people. The church and the whip.
00:18:54You should write a book.
00:18:55Oh, maybe I have to read one or two first.
00:18:58Mira.
00:18:59Esto es para ti. Una copia de tu película. Este es la batalla de Ohinaga.
00:19:10This is the bottle.
00:19:11Yeah.
00:19:15So much death.
00:19:17Two little circles.
00:19:21Magic.
00:19:24Tomorrow we must liberate a proyecto somewhere.
00:19:27Tell me, are you hungry, thirsty?
00:19:29No, no problemo. Esto es muy bien.
00:19:31How's it? Great wealth, huh?
00:19:33No one drop of ice cream.
00:19:44If my father saw us here, me and my brother,
00:19:47he would say, vamos muchachos,
00:19:49before your hair grows a boot.
00:19:53A room like this, such a room.
00:19:56Could be only for dawn.
00:19:59Or for a foreigner.
00:20:02Aquí no hay mestizos.
00:20:06Into a room like this, my father could only crawl
00:20:08to beg for some food for himself.
00:20:11For his family.
00:20:15There are books here
00:20:17that weighed more than he did when he died.
00:20:23Welcome back to Mexico.
00:20:29Are you all right, Francisco?
00:20:44Yes, thanks.
00:20:45Is the horse riding you well?
00:20:46Uh-huh.
00:20:47Uh-huh.
00:20:49Dígame, you did not come all this way,
00:20:53only to bring me my film, right?
00:20:55Eh?
00:21:02Another movie!
00:21:03You wanna make another movie with Pancho Villa?
00:21:05Yes, sir.
00:21:06Same deal as last time.
00:21:07Same money.
00:21:09Well, if President Wilson has lifted the arms embargo,
00:21:14money is not a problem for Pancho Villa anymore.
00:21:17Tell me, has there ever been a movie of Don Quixote?
00:21:20Do you know?
00:21:22No.
00:21:23Not that I know of.
00:21:24No, sir.
00:21:25I know one movie of Don Quixote,
00:21:27and Senor Edkin wants to make two of Pancho Villa.
00:21:29Two of Pancho Villa.
00:21:30We believe that this story,
00:21:32this photo play,
00:21:34will greatly enhance your popularity,
00:21:36and it's gonna go a long way to helping the revolution.
00:21:38You still have a lot of enemies in high places.
00:21:41Yeah.
00:21:42That's the best place for enemies.
00:21:44High up where you can see them.
00:21:46Well, look.
00:21:47You may be doing me a very, very good thing.
00:21:49Remember, Don Quixote, my amigo.
00:21:52A man must not fight windmills.
00:21:57Via positively not interested.
00:22:08Returning New York immediately,
00:22:10awfully sorry, did my level best.
00:22:13Frank and Thayer.
00:22:15And the nephew.
00:22:27The nephew.
00:22:28My friend!
00:22:29The nephew.
00:22:30They say it.
00:22:31Yes.
00:22:32It's becoming an Englishman.
00:22:33Yeah.
00:22:34To be honest with you,
00:22:36Mr. Ventor.
00:22:37Thank you, my friend.
00:22:38But don't give me that happy pay on luck.
00:22:39You're on my land.
00:22:40If you and your bloody bandid,
00:22:42I think you could just ride off here with my horsemen.
00:22:43Get up!
00:22:49Don't give me that happy pay on luck.
00:22:51You're on my land.
00:22:52You and your bloody bandit
00:22:54don't think you could just ride off here
00:22:56with my horses and my guns, eh, amigo?
00:23:01Soldiers of Pancho Villa.
00:23:07You've been robbing me blind and you bloody well know it.
00:23:13Come here, Mr. Benton. Come here with me.
00:23:26...in Mexico of English ranch owner William Benton
00:23:29that the latest example of the socialist Villa's rabid hatred of foreigners
00:23:33reinforces the Hearst Corporation's demand
00:23:36that the civilized nations of the world act at all haste
00:23:40to introduce the self-styled general to the business end of the rope.
00:23:44A este disque general.
00:24:10...in America.
00:24:34Mr. Aiken.
00:24:35Mr. Aitken?
00:25:00Does the general have any questions?
00:25:02The general has no questions.
00:25:05Whenever engaging the enemy, you guarantee...
00:25:08That's you, sir.
00:25:09I know I am. You.
00:25:11You guarantee that any fighting by the forces under your command
00:25:15will occur only between the daylight hours of 9 a.m. and 5 p.m.
00:25:19De acuerdo.
00:25:21Agreed.
00:25:22There is to be no night combat whatsoever,
00:25:24and the mutual company, that's us,
00:25:27is to be informed and consulted as to the nature of any and all military engagements.
00:25:31Yes, yes, yes.
00:25:33Cat-Pring, Ivy Singh, Iris Alpa.
00:25:35It's very simple.
00:25:36Yes, yes.
00:25:38Very good, sir.
00:25:39In the event that a major exchange cannot be filmed,
00:25:42you will agree to restage such battles or stage new ones
00:25:45as may be necessary for the benefit of the mutual company's cameras.
00:25:48For its part, the mutual company agrees to furnish wardrobe...
00:25:51Eh...
00:25:52Usted se queda aquí, eh?
00:25:53Porque sin usted esto no camina.
00:25:54Eh?
00:25:55Estare con usted cada segundo del día.
00:25:58Cada segundo del día.
00:25:59Problem?
00:26:00He wants to make sure Frank's gonna be working on this one, too.
00:26:02No, Francisco.
00:26:03No, Francisco.
00:26:04No, Francisco.
00:26:05I promise you, General, this fine young man is gonna be with you every damn momentum of the day.
00:26:18Momentum.
00:26:19Whatever you need, whatever you want, this is gonna be your man.
00:26:21Every bit of it is gonna be mine.
00:26:23It's right here, sir.
00:26:2625,000.
00:26:2925,000, as before.
00:26:33I take it we have a deal, sir.
00:26:36Un momentum.
00:26:38Un momentum.
00:26:39The soldiers of Pancho Villa have left behind...
00:26:43...many...
00:26:44...warforos...
00:26:45...viudas.
00:26:46Uh, lots of widows and orphans.
00:26:48He's up to his ass in them.
00:26:50They're very sad.
00:26:52They're very poor.
00:26:53The general is most sensitive.
00:26:55Si, si.
00:26:56Sensitive.
00:26:57A leader must be...
00:26:59...muy, eh...
00:27:00...muy sensitive.
00:27:02Muy sensitive.
00:27:04You must give to Pancho Villa when into Mexico City, uh...
00:27:09...after the Revolución.
00:27:11¿Cómo se dice una copia de la película?
00:27:13A print?
00:27:14A print, a print.
00:27:15Arma tarde importante.
00:27:17Yeah.
00:27:18He wants his own print.
00:27:19I think he wants to have his own premier down here.
00:27:22Exactamente.
00:27:24Pancho Villa too needs nickels.
00:27:27Many nickels for those who lost so much...
00:27:30...and for those who lost...
00:27:32...so many.
00:27:34Yeah.
00:27:35I will be very happy to write that into the agreement this very minute, sir.
00:27:38No es necesario, my good sir, for Pancho Villa...
00:27:44...your hand is your word.
00:27:50Certainly.
00:27:51Of course.
00:27:53It's my pleasure, sir.
00:27:55I...
00:28:08Too long.
00:28:09I want to keep people alive.
00:28:10I don't know.
00:28:11It's my pleasure.
00:28:12It's my pleasure to have you all.
00:28:13I find a good man.
00:28:14I can't keep people alive.
00:28:15It's my pleasure.
00:28:16I just like pictures of people...
00:28:17...and you look at them.
00:28:18I have a good toast.
00:28:19I love their eyes.
00:28:20I love them.
00:28:21Hell yeah, my happy man!
00:28:22I love them.
00:28:23I love them!
00:28:24You're my little man!
00:28:25I love them!
00:28:26I love them!
00:28:29You love them.
00:28:30I love them!
00:28:31I love them!
00:28:32I love them!
00:28:33I love them!
00:28:34I love them.
00:28:35You love them!
00:28:36Woo!
00:28:54Hiya, Duffy.
00:28:55Hey, Frank.
00:28:56The trip was okay.
00:28:57Nice to see you, Carl.
00:28:58Thanks for meeting.
00:29:00Hiya, Charlie.
00:29:00How are you?
00:29:05Where's the scotch, Frank?
00:29:06Didn't you bring it?
00:29:08I see you've got gloves this time.
00:29:10Mm-hmm.
00:29:11Welcome to Mexico.
00:29:19General Veer, please allow me to introduce our director.
00:29:25This is Mr. William Christie Cabanet.
00:29:28I am so looking forward, sir.
00:29:31And this is Miss Teddy Sampson, who will play the role of your sister.
00:29:34And this is Miss Irene Hunt, who will be your mother.
00:29:46And Charlie Rocher, of course, you know from Oanaga.
00:29:53Are your huevos all dry now, Charlie?
00:29:55For the moment.
00:29:56And this, sir, is Mr. Raul Walsh.
00:30:03General.
00:30:04He'll be playing the young Pancho Villa.
00:30:06Tell me, Raul Walsh.
00:30:08You know even which end of the whole shits.
00:30:10Pamela, come on.
00:30:16Mommy!
00:30:25Go!
00:30:25Go!
00:30:25Let's go.
00:30:55Let's go.
00:31:25Let's go.
00:31:27And say goodbye, Mom.
00:31:29Very nice.
00:31:30Yes, sis.
00:31:31Go get you a little of that.
00:31:33Mm-hmm.
00:31:34And lovely.
00:31:35Okay.
00:31:36Yeah.
00:31:37And it's farewell, Pancho.
00:31:39Let's go.
00:31:40And he goes.
00:31:42And...
00:31:44Cut!
00:31:46Okay.
00:31:47Very nice.
00:31:49Um, get more of a routine goodbye, Raul.
00:31:52Oh.
00:31:53Listen, your character has no way of knowing what tragic events the day's gonna bring.
00:31:58So keep it big.
00:31:59Make it small.
00:32:00Okay?
00:32:01Okay?
00:32:02I want to suggest...
00:32:03Adrian, give me a wee bit less.
00:32:04Just hearts.
00:32:05No flowers.
00:32:06Okay?
00:32:07Unamas, people.
00:32:08Oh.
00:32:09As pronto as possible.
00:32:10Por favor.
00:32:11Make up.
00:32:12Okay?
00:32:13Let's go, people.
00:32:15No!
00:32:16Don't think, darling.
00:32:17Just act.
00:32:18Okay.
00:32:19Let's just make a movie here.
00:32:20That's enough.
00:32:21That's enough.
00:32:22Okay?
00:32:23Look, he's a Mexican.
00:32:24Mexican sweat.
00:32:25He's fine.
00:32:26Leave him alone.
00:32:27Carl, crank him.
00:32:28Okay.
00:32:29Uh-huh.
00:32:30And from the kiss, por favor.
00:32:31And...
00:32:32Action.
00:32:33Much better.
00:32:34Much better.
00:32:35And sis.
00:32:36Lovely.
00:32:37Okay.
00:32:38And farewell, Pancho.
00:32:39Off he goes.
00:32:41Goodbye, Pancho.
00:32:42That's good.
00:32:43One last look at mom and sis.
00:32:45A fond look.
00:32:46Fond.
00:32:47Fond.
00:32:48Fond.
00:32:49You love him.
00:32:50You love him.
00:32:51You love him.
00:32:52Good.
00:32:53Wham-bam.
00:32:54Out the door.
00:32:55And...
00:32:56Perfect.
00:32:57Cut.
00:32:58Print.
00:32:59Beautiful.
00:33:00Next set up.
00:33:01Mcduff?
00:33:02Unquestionably the most expensive
00:33:03and longest motion picture ever contemplated.
00:33:04So reads the mutual film company publicity.
00:33:06An unprecedented seven 15-minute reels,
00:33:08two of which will be filmed during the upcoming
00:33:10of Torreon, for which Villa's forces are now preparing.
00:33:18The mutual company promises an additional five reels
00:33:20devoted to a specially written photo play.
00:33:23The factual story of the heroic life of Pancho Villa.
00:33:27Falso.
00:33:28Todo is falso.
00:33:29Every page is a page of lies.
00:33:32Cervantes no se limpiaria el culo con esta mierda.
00:33:35I don't understand.
00:33:37Mierda means shit.
00:33:39I-I know that.
00:33:40I just don't know why you say that.
00:33:41Pancho Villa becomes an outlaw when the federalists take away his father's land.
00:33:46The land of Pancho Villa's father was his grave!
00:33:49Mr. Akin just feels that-that's more colorful.
00:33:52That's only dramatic license.
00:33:53It is a license to lie!
00:33:54You don't understand.
00:33:55Oh yes, I understand.
00:33:57I understand that never, never does Pancho Villa want the world to see his sister Mariana raped by federalists.
00:34:04But that's what turned you into a rebel.
00:34:06I know why I became what I became.
00:34:09Pancho Villa does not have to see a movie to find out who is Pancho Villa.
00:34:13Presidente Villa, from where does this fantasia come?
00:34:20You have learned nothing from Juan Grit.
00:34:23There will never be a Presidente Villa.
00:34:25But there-
00:34:26Never!
00:34:27There could be.
00:34:28A revolution is to feed the hungry bellies of the people, not the ambition of Pancho Villa.
00:34:31All right, but it's a wonderful scene.
00:34:32Somebody beat us!
00:34:40Okay.
00:34:41Okay?
00:34:42We can make it a dream sequence.
00:34:45Pancho Villa's dream is for a man of education to be Presidente of Mexico.
00:34:49Okay.
00:34:50Your Presidente Wilson.
00:34:51He was a professor, see?
00:34:53Pancho Villa is a professor of horses and soldiers.
00:34:56I see.
00:34:57That-that's exactly what General Grant was.
00:34:59And he became President.
00:35:00Grant?
00:35:01Yeah.
00:35:02That drunk dog face.
00:35:03He killed Mexicanos like he killed his whiskey bottles.
00:35:06I-I had no idea.
00:35:08No, in your history books there are no bad Americanos.
00:35:11Grant, he came before there was oil to steal.
00:35:14He came for the gold.
00:35:15He came for the silver.
00:35:16He came for the azúcar.
00:35:17That's an insulto.
00:35:18You wanna shoot the battle of Torreon?
00:35:20You bring your cameras to Torreon!
00:35:22You shoot the life of Pancho Villa that Pancho Villa has never lived!
00:35:26Mutual his fortune sunk into this.
00:35:29Lies are expensive, Francisco.
00:35:31Senor Ica, he tells to the world he will tell the truth about Pancho Villa!
00:35:36This-esta basura-this is fake garbage!
00:35:41May I ask you, sir, did you murder William Benton?
00:35:54I-I don't believe you did, but a hell of a lot of your enemies are trying to convince
00:36:07a hell of a lot of other folks that you did.
00:36:10If you can believe Jack Reed, there are plans in the works in Washington right now.
00:36:14Plans to invade Mexico and make Chihuahua our 49th state.
00:36:18Plans to finish you off!
00:36:20Knock you off!
00:36:21Any way they can.
00:36:25You have to understand that this is the kind of story the public expects.
00:36:30That they demand.
00:36:31When they go to the movies, you give them what they want.
00:36:34They give you what you want.
00:36:35And what you want is something you have never needed more in your life.
00:36:41Their approval.
00:36:46I think every time you see me, you grow one more huevo, Francisco.
00:36:52And just not move.
00:37:03Everyone just move.
00:37:05Just mountain todos.
00:37:07And run to greet them.
00:37:10Welcome your hubbies home.
00:37:12Ladies.
00:37:13Ladies, come on.
00:37:15Ladies.
00:37:16Ladies.
00:37:17Let's go, ladies.
00:37:18Saludelos, senoros.
00:37:19Come on, come on.
00:37:20Arriba.
00:37:21Come on, vamos.
00:37:22Vamos venga.
00:37:23Arriba.
00:37:24Come on, vamos.
00:37:25Vamos venga.
00:37:26Arriba.
00:37:27Mr. Cabernet.
00:37:28Can I get some hugs and kisses here?
00:37:29Abrazos.
00:37:30Besos.
00:37:31Brazos.
00:37:32Come on, vamos.
00:37:33Vamos venga.
00:37:34Ladies, come on.
00:37:35Come on.
00:37:36Oh, sweet Jesus.
00:37:37Cut!
00:37:38Cut!
00:37:39Cut!
00:37:40Save it, Charlie.
00:37:41It's just not in their nature.
00:37:42Christy, these women are shy.
00:37:43Shy?
00:37:44They're as wooden as fucking Indians.
00:37:45Most of them are fucking Indians.
00:37:47Give me five minutes.
00:37:51Okay.
00:37:52Okay, muchachos.
00:37:53Arriba na trabajo parada.
00:37:54Come on.
00:37:55Let's go.
00:37:56Come on, let's go.
00:37:57And come out, Raul.
00:37:58And cue the ladies.
00:37:59Ladies.
00:38:00Yeah.
00:38:01Yeah.
00:38:02Yeah.
00:38:03Yeah.
00:38:04Yeah.
00:38:05Yeah.
00:38:06Yeah.
00:38:07Come on.
00:38:19They have a little melanctomy.
00:38:20Can I make it a bucket of food?
00:38:25Yeah.
00:38:26Yeah, yeah.
00:38:32Well, hey n'oh.
00:38:33He has his own train.
00:38:37It's just one more thing. He's liberated from the government.
00:38:41Fitted out a few hospital cars, take care of the wounded, made one for the press.
00:38:47Like a city on wheels. I walked it the other day. It's two miles long.
00:38:57Hi, fellas.
00:38:58Hey, Frank.
00:38:59Hello, Dad.
00:38:59Hi, Charlie.
00:39:00These are the Sanchez brothers. Abraham, Anastasio.
00:39:05What is that, Anastasio?
00:39:08Ever paralyzed anybody in Spanish before?
00:39:12So this will be the lab. We'll be able to develop our own film.
00:39:16This is the editing room.
00:39:18We're going to be able to watch our own dailies, which I think will make a real difference in our work.
00:39:24It's going on and on, aren't I?
00:39:27You've changed down here.
00:39:29Have I?
00:39:29When I first met you, it was hard to know you were even around.
00:39:34Hmm.
00:39:36I never once had that problem with you.
00:39:40I gathered.
00:39:42Well, I guess I was fairly obvious.
00:39:45Girls don't mind that one bit.
00:39:46What do we got here, boss?
00:40:04Ah, new wardrobe.
00:40:07Civil War surplus?
00:40:09Yeah, I think it's got a good deal on it.
00:40:12You don't think these guys are going to mind?
00:40:14Dressing up like the losing side?
00:40:16Ah, I think we'll keep that our little secret.
00:40:18The impressive French, 75 millimeters.
00:40:42Perfect for the job.
00:40:43I mean, really, Mary Pickford doesn't take this long in makeup.
00:41:02Mary Pickford isn't running a revolution on the side.
00:41:04And don't think she couldn't.
00:41:06Here we go.
00:41:11How do I look?
00:41:12Una sugerencia, si me permita.
00:41:15No cambiae absolutamente nada.
00:41:18You're weary, General.
00:41:32Trappings of power mean nothing to you.
00:41:35Your every goal has been achieved.
00:41:38You've avenged your family.
00:41:40You've righted the wrongs against your people.
00:41:43Many lives have been sacrificed.
00:41:44But in the end, you have saved the life of your beloved Mexico.
00:41:51But the work of a president is never done.
00:41:55Lawrence.
00:41:59And return to your desk, General.
00:42:02And pick up the pen.
00:42:05And sign the document.
00:42:07Good.
00:42:09Lawrence, take the paper and leave.
00:42:11Bow and go.
00:42:12And now the weariness returns.
00:42:20Can you give me a sigh, General?
00:42:25Un suspiro.
00:42:27Un suspiro.
00:42:32Bueno.
00:42:32Beautiful.
00:42:34And now your speech.
00:42:36Into the camera.
00:42:38Into the lens that is the eye that sees for all the world.
00:42:41Fui forzado a sacrificar muchas vidas en mi búsqueda por la justicia.
00:42:55Pero al final, he salvado la vida de mi amado México.
00:43:00¡Bien!
00:43:01¡Bien!
00:43:02¡Bien!
00:43:03¡Bien!
00:43:04¡Bien!
00:43:04¡Bien!
00:43:04¡Bien!
00:43:05¡Bien!
00:43:05¡Bien!
00:43:06¡Bien!
00:43:07¡Bien!
00:43:07¡Bien!
00:43:08¡Bien!
00:43:08¡Bien!
00:43:09¡Bien!
00:43:09¡Bien!
00:43:09¡Bien!
00:43:10¡Bien!
00:43:11¡Bien!
00:43:12¡Bien!
00:43:13¡Bien!
00:43:15¡Bien!
00:43:16¡Bien!
00:43:21We wrap hoe to you, sir.
00:43:22One take.
00:43:23¡Arriba, Nilo!
00:43:27Is there anything the man cannot do?
00:43:28It is easy to be president in a movie.
00:43:34In a movie, Pancho Villa could be the pope.
00:43:37In the end, there would be other better men who would sit in Mexico City.
00:43:43And you'll do what? Surely not retire.
00:43:46The government would open a factory to make good saddles and bridles.
00:43:51Pancho Villa, his hands are good with leather.
00:43:55Pancho Villa's hands are leather.
00:43:58And you would settle for just doing that?
00:44:00Si, that and watch.
00:44:03Mexico does not become another star on the flag of the country.
00:44:07And what about you?
00:44:12What Pancho Villa wants?
00:44:14For himself?
00:44:16Yeah.
00:44:20A parade when he dies.
00:44:25A parade with many tears and many flowers.
00:44:29For the children to miss his candy.
00:44:34A funeral.
00:44:36Many poets and singing.
00:44:39And at the end, a tomb.
00:44:42A big tomb.
00:44:44They can come.
00:44:46People can come and see Pancho Villa.
00:44:53We'll be always there.
00:44:55For them.
00:45:00Always.
00:45:01B.
00:45:02Bony
00:45:13Bony
00:45:16Bony
00:45:19Oh, my God.
00:45:49I've seen in my head the very first time I laid eyes on you.
00:45:54Was I okay?
00:45:56You want to try one more take?
00:45:59Is it too soon?
00:46:02I don't know.
00:46:03Maybe not.
00:46:07Oh, I'm sure not.
00:46:13Onward and upward's a ticket.
00:46:14That's what Mom will always tell me.
00:46:19Amigos, tomorrow we leave to begin the last chapter of the Revolución.
00:46:30Mañana atacaremos Torreón.
00:46:35Después de Torreón, justo después de Torreón, ganaremos la Revolución.
00:46:41Bravo, gentlemen.
00:46:58Bravo.
00:47:02Andale, andale.
00:47:03You have much to film in the battle, my friend.
00:47:09The battle, sir?
00:47:10The battle of Torreón.
00:47:12Oh, I won't be going with you.
00:47:14No, I finished my part in this film.
00:47:17I'm going to New Jersey.
00:47:19New Jersey?
00:47:19Start a new one.
00:47:21Really.
00:47:22You can call my agent.
00:47:23Uh, excuse me, JLV.
00:47:26I don't go, sir.
00:47:29I'm afraid you have to call me.
00:47:32Well.
00:47:36Duffy, you too?
00:47:39You're not going?
00:47:40No, sir.
00:47:42My work's through here, sir.
00:47:43Only the camera operators are going.
00:47:46Well.
00:47:48Attention!
00:47:49Enemy, comandante!
00:47:51What's happening?
00:47:51I'm not sure.
00:48:00Oh, my God.
00:48:03Calling for a firing squad.
00:48:18Here, Pancho Villa is the director.
00:48:20Here, Pancho Villa says who is finished and who is not finished.
00:48:26Of course, with you.
00:48:28Attention, peloteo!
00:48:30I'm good.
00:48:33Prepare-in!
00:48:36Apunta-in!
00:48:38General, follow!
00:48:40Now you know what you will miss at Torreón.
00:49:04Oh, my God.
00:49:05Doc!
00:49:05Let's go!
00:49:05Oh, my God!
00:49:05Oh, my God!
00:49:07Oh, my God!
00:49:08Oh, my God!
00:49:22Oh, my God!
00:49:23Chrissie, will you take this?
00:49:25Oh, no!
00:49:26Oh, no!
00:49:27Oh, no!
00:49:28Oh, no!
00:49:28Oh, my God!
00:49:30Oh, my God!
00:49:30Oh, my God!
00:49:31Too bad the Americans don't do no jazzing, huh?
00:50:01They're not, guys. They're heroes of the revolution.
00:50:03Oh, the hell they are.
00:50:08Put the gun away.
00:50:16General, these boys have been such a help to the movie,
00:50:19and now you're gonna turn them into soldiers?
00:50:25Huh?
00:50:26The revolution doesn't matter.
00:50:30No, no, no, you can't.
00:50:31Is this what you want for the children of Mexico?
00:50:34Schools for only some, Harvard just for yours,
00:50:37death for the rest?
00:50:47Very good.
00:50:48One boy for you, one boy for Villa.
00:50:51How can anyone possibly make that choice?
00:50:54Very simple.
00:50:56Chomacos,
00:50:57go to that train wagon
00:50:59the most fast that you can
00:51:01and come back to here.
00:51:02Let's go!
00:51:03Let's go!
00:51:24I want for you.
00:51:25I'll take the winner.
00:51:26Refunde este huesudo en el tren.
00:51:27Vámonos.
00:51:30Refunde este huesudo en el tren.
00:51:31Vámonos.
00:51:32Vámonos.
00:51:33You're quite as glad.
00:51:35You're quite as glad for the world,
00:51:36do you see anything?
00:51:37I'm afraid they will be,
00:51:38you're quite as cute.
00:51:39I won't leave you alone.
00:51:40I won't leave you alone.
00:51:41You're quite as steady.
00:51:42You're quite as bad.
00:51:43I'm still there.
00:51:44I'll be great.
00:51:45I'm a big one.
00:51:46Some of those old men.
00:51:47I've been to the next lady.
00:51:48I've been the first party to the lost lost.
00:51:49I've been to the last two years.
00:51:50But now, this is all about,
00:51:51We are to play with no space.
00:51:52Well, we're to go!
00:51:53Let's go!
00:51:54Over the last two days.
00:51:55Cycle and the famous black girl
00:51:56Crescences to the Lord
00:51:57Women,
00:51:58and now they're gonna look like
00:52:32Now we find the end of the shot.
00:56:16Keep firing.
00:57:24Oh, Francisco.
00:57:34Ven.
00:57:35Mira.
00:57:36Ven, ven aquí.
00:57:37Come here.
00:57:38Mira, mira, mira.
00:57:39Aquí, en el centro, in the valley of Torreón, is the armory of Huerta.
00:57:46Enough guns for Pancho Villa to make a hundred revolutions.
00:57:50A Torreón, Pancho Villa will give to his General Ángeles and to your Senor Aiken,
00:57:56del mucho, mucho boom, boom, fucking boom, boom.
00:58:00Excuse me, sir.
00:58:02You're attacking from here.
00:58:04This is the east?
00:58:05You're firing at the federales from the east.
00:58:08Is there any special reason for that plan, sir?
00:58:10Si, because it's mine.
00:58:14What?
00:58:15Your camera's gonna shoot into the sun, eh?
00:58:20Your lenses are not strong enough.
00:58:22Nowhere near enough now, sir.
00:58:24Maybe you can move the cameras to the sides.
00:58:26This is why the sun can come across, eh?
00:58:28Or...
00:58:29Or what?
00:58:32Vamos, hombre, habla!
00:58:33Could you possibly change your attack so that you fire from the west instead of the east?
00:58:39That would give us so much better a picture.
00:58:41Your way.
00:59:08Tenemos un plan.
00:59:10Vamos a mover el culo.
00:59:12Tengo hambre.
00:59:30Ven, Pancho, ven.
00:59:33Tú no te está esperando.
00:59:35El torreón que será tu tumba.
00:59:40Aquí tenemos todo preparado.
01:00:06Action, señor Griffith.
01:00:28Action.
01:00:30Action.
01:00:31Action.
01:00:31Action.
01:00:36Atención.
01:00:37Action.
01:00:40Atención, soldados millistas.
01:00:43Atención, revolucionario.
01:00:50La hora del ataque ha llegado.
01:00:52Enviva.
01:00:53La hora de un México libre ha llegado.
01:00:57Enviva.
01:00:57Enviva.
01:00:58Enviva.
01:00:58Lo que ve del frente no es torreón.
01:01:04It's the future! It's the peace! It's the freedom!
01:01:34Let's go!
01:02:04I'm going to go.
01:02:34Oh
01:03:04Oh
01:03:34Oh
01:03:44Oh
01:04:04Oh
01:04:34Oh
01:04:39The thing is it's always easier for an army to defend a position than it is for one to take it
01:04:45I suppose you're right took the Turks 500 years capture Constantinople
01:05:04Oh
01:05:14What's this
01:05:16Francisco if we fight the federalist for a thousand years we cannot beat them unless we fight them this way by day
01:05:22We can win the battle by night. We will win the war
01:05:25But you always must have known that in the dark. I can smell the federalist fear fear comes defeat
01:05:31You never really intended to honor our contract did you my only contract is always with Mexico yeah
01:05:38There's no choice. It's better for Pancho Villa to lose the movie than to lose the revolution
01:05:44Yeah, yeah, tanto comes a respetado. Yeah, it's a lady me to get a little touch of
01:05:56And the Lee
01:06:01I
01:06:07One take
01:06:15What the hell was in there
01:06:17The Peronis hide the ammunition in the church this way they go to heaven faster
01:06:23Then you fly now
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