- 7/13/2025
HE FOUGHT WITH BULLETS AND WAS FILMED WITH GLORY Pancho Villas Legend WESTERN MOVIE 2025
Category
🎥
Short filmTranscript
00:00:00Another day, another dollar.
00:00:16Hurst Publications, you don't have any qualms about manipulating public opinion in favor of a man
00:00:22many people consider to be nothing more than a socialist rabble rouser.
00:00:26Unlike your employer, Mr. Hurst,
00:00:28this company has no interest whatever in meddling in politics, foreign or domestic.
00:00:33To the millions he's trying to free of a cruel dictatorship,
00:00:37Pancho Villa hardly needs Mutual's help to enhance his reputation as the George Washington of Mexico.
00:00:58The voodoo.
00:01:10Come out here.
00:01:13Francisco, are you not dead yet, eh?
00:01:14Still alive, sir.
00:01:15Felicitaciones.
00:01:16¡Felicitaciones!
00:01:18¡Ámenos!
00:01:46¡Felicitaciones!
00:02:02¡Felicitaciones!
00:02:04These are just civilians, aren't they?
00:02:15Yeah.
00:02:17If you make the mistake of supporting Pancho Villa,
00:02:20you wind up being a tree ornament.
00:02:34It saves ammunition.
00:02:53Captain's mine.
00:03:04Thanks, Patience.
00:03:34General Villa, que honor para nuestro pueblo que esté usted aquí.
00:03:44Pues muchas gracias.
00:03:45Viene a confesión, ¿verdad?
00:03:47Sí.
00:03:48Que le parece si le confieso ya usted primero.
00:03:50Eh, venga.
00:03:51¿Conocen la muchacha?
00:03:57¿Conocen la muchacha?
00:03:59¿Sabes qué edad tiene?
00:04:01Tiene 14 años.
00:04:02Kid's going to have a playmate soon.
00:04:04Somebody knocked her up.
00:04:05¿Por qué no es una virgen ahora?
00:04:07Venga, se de rodillas.
00:04:08Venga, se de rodillas, hombre.
00:04:11Ahora vamos a confesar.
00:04:12Ave María Purísima.
00:04:14No, sin pecado concibida, no, padrecito.
00:04:16That figures.
00:04:17What?
00:04:18The father's the father.
00:04:21No, no le escucha nadie.
00:04:22Pídale perdón públicamente, hombre.
00:04:24No, yo me voy a ocupar de la familia, señor.
00:04:26He's swearing to take care of the kid and the baby
00:04:28however long they need it for.
00:04:30Abra la boca.
00:04:32Abra la boca.
00:04:35Puede que la familia le perdone.
00:04:37Puede que yo le perdone.
00:04:39Pero creo que Dios no le va a perdonar.
00:04:42Desgraciado.
00:04:44¿Satisfecho, padre?
00:04:46Andale.
00:04:59Hiya, Charlie.
00:05:01Sí, porque quiere mi temería.
00:05:03Good work, Frank.
00:05:04You didn't get in my way once.
00:05:06Thank you, Henny.
00:05:08How'd it feel today, Mr. Thayer?
00:05:11Being smack in the middle of the killing ground.
00:05:14It's shameful to admit how exciting I found it.
00:05:18No, strictly a survivor sensation.
00:05:20Someone else's death serving as your own reprieve.
00:05:23You're in good company, Mr. Thayer.
00:05:26Shamelessness is a big following down here.
00:05:29Bank robbers, painters, poets, soldiers of fortune.
00:05:34Enough anarchists to blow up Wall Street ten times over.
00:05:37Healing Jews and fighting Jews.
00:05:40Morris Roushbaum, a surgeon from Indiana.
00:05:43Sam Drebin, machine gunner from the Bronx.
00:05:47General Angeles came over from the Federales.
00:05:50Studied von Klauswitz, well-read.
00:05:52An idealist.
00:05:54He's the other side of the pace over General Fiera.
00:05:57He gets really ugly unless he kills at least one prisoner before breakfast.
00:06:01From the merely curious to the merely morbid.
00:06:04All of us in via's orbit.
00:06:07All of us in via's thrall.
00:06:34You take home a nice record, right, amigo?
00:06:39A souvenir.
00:06:40But be careful.
00:06:42Or should I give you some crawly souvenir in your underwear?
00:06:46General, I'm going to ask my help.
00:06:51They killed my children and my husband.
00:06:55Your husband got killed in the fighting today.
00:07:05Her youngest son, too.
00:07:08Charlie.
00:07:10Get this.
00:07:12He just gave her more money than her old man saw in his entire life.
00:07:23Juan.
00:07:25What will they think, Juanito, my American friends, when they see the movie of Pancho Villa?
00:07:31I think Mr. Doheny is going to be very impressed indeed.
00:07:34He worships the ground that is Mexico.
00:07:43Doheny worships what's underneath it.
00:07:45Your Senor Herz is also very, very, very nervous.
00:07:49Very nervous.
00:07:51Do you know how much he owns Mexico, Francisco, Senor Herz?
00:07:55Senor Herz, how many acres?
00:07:57Siete millones.
00:07:59More like eight.
00:08:00Eight million acres.
00:08:02How many head of cattle have you stolen from him?
00:08:0560,000, he says.
00:08:06Oh, you are loco, Juanito.
00:08:0950,000.
00:08:1050,000, maybe.
00:08:12Maybe 50,000 the most.
00:08:16So, Francisco, today was not too, um...
00:08:21Boring.
00:08:22Boring.
00:08:23It was not too boring, eh?
00:08:25You became more a man a little, I think, today.
00:08:28Maybe you and your amigos.
00:08:30Yeah, I'd say we had a good start.
00:08:32Today, I think they found a little bit their huevos.
00:08:37Even though a few of them got a little wet.
00:08:39Yeah, si, si, si, si.
00:08:41Bueno, bueno, una medallita.
00:08:45Una medallita para su confirmación por sus servicios a la revolución.
00:08:52You will help.
00:08:55You will help.
00:09:03You will help Americans know that hope does not stop at the border.
00:09:06It's my Virgin of Guadalupe.
00:09:09I'm deeply honored, son.
00:09:11Debería estarlo.
00:09:12He says you should be.
00:09:14Porque tiene la única Virgen que queda por aquí.
00:09:17You've got the only Virgin left around here.
00:09:19Ándale, ándale.
00:09:21Ándale.
00:09:22Ándale.
00:09:23Ándale.
00:09:24Ándale.
00:09:25Ándale.
00:09:26Ándale.
00:09:27Ándale.
00:09:28Ándale.
00:09:33Ándale.
00:09:34Ándale.
00:09:35Ándale.
00:09:36Ándale.
00:09:37Ándale.
00:09:38Ándale.
00:09:39Ándale.
00:09:40Ándale.
00:09:41Ándale.
00:09:42Ándale.
00:09:43Ándale.
00:09:44Ándale.
00:09:45Ándale.
00:09:46Ándale.
00:09:47of live action shot on an actual field of battle.
00:09:50Never before seen footage?
00:09:52You still can't see it.
00:09:59They'd have bit the dust a lot better
00:10:01if D.W. Griffith had directed it.
00:10:05Let me assure you that every one of these men and women
00:10:08and every child died in the very best way that they could.
00:10:11There he is, boys, on motion picture film for all the world to see,
00:10:18General Pancho Villa.
00:10:41Despite its technical flaws, clearly more people will discover Pancho Villa
00:10:53from a few feet of this crude historic film
00:10:56than from the reams that have been written about
00:10:58he struggled to rid Mexico of its greedy robber barons,
00:11:02the only ones to profit from their cozy marriage
00:11:04with rapacious American interests.
00:11:06Unfortunately, not everyone happens to be the socialist lover
00:11:09that John Reed is.
00:11:11Hurst, no surprise, is putting our nuts through a ringer.
00:11:14Pardon me.
00:11:16With all he's got invested in Mexico,
00:11:18Hurst tends to lose one or two of his fortunes down there.
00:11:21Speak up, Harry. We're a whole country apart, for God's sake.
00:11:25Listen to this.
00:11:26Pandering to Villa's overblown vanity,
00:11:28the perpetrators of this clumsy excuse of a film
00:11:32clearly demonstrate that they have a far greater interest
00:11:34in selling tickets to a gullible public
00:11:36than in telling the real truth about themselves.
00:11:38I'll take the pastrami on rye.
00:11:39Then in telling the real truth about the self-styled General Villa
00:11:42and his ragtag army would marry a piece of modern artillery to its name.
00:11:45Mind it be more productive for you to be reading the one end?
00:11:48You know what's so galling about all this?
00:11:50It's all true.
00:11:51We had so little control over what was happening,
00:11:53Villa comes off as some kind of simple star-struck cowboy.
00:11:56Give me the strudel.
00:11:57We didn't offer a clue to his complexity, to his greatness.
00:12:00What a movie that would make.
00:12:02This would all be better said to someone with a checkbook, wouldn't it?
00:12:08He's been beaten and tortured all his life.
00:12:11They say that he still has whip scars across his back.
00:12:14He was a convict before he turned 20.
00:12:16Frank, it's midnight.
00:12:17Before he was 12, he was already being hunted by the law.
00:12:19Now, now there are places in Mexico where he is the law.
00:12:23Don't make me fire twice in one week, Frank.
00:12:25He's the James Boys.
00:12:27He's Billy the Kid.
00:12:28He's Napoleon.
00:12:29All rolled into one.
00:12:30But he asks nothing for himself.
00:12:33He takes nothing.
00:12:35He builds schools where there were none.
00:12:37He seizes the homes of the wealthy.
00:12:39He redistributes the land.
00:12:40He gives it to the poor.
00:12:41He feeds them.
00:12:42He even prints his own money.
00:12:44He prints his own money?
00:12:45Well, the man's not all bad, is he?
00:12:47Tell me that this material would not make a fantastic moving picture.
00:12:50Forget it.
00:12:51The Times said the one we made looked like a high school play that couldn't afford the costumes.
00:12:57For my money, and that's sure as hell what every penny of it was, we gave Pancho Villa more than his shot.
00:13:03But we didn't.
00:13:04That's the whole point.
00:13:06Be realistic.
00:13:07You'd never crowd all that stuff into a two-reeler, not in a million years.
00:13:10I'd make it more like seven.
00:13:12Seven reels?
00:13:14Seven reels.
00:13:16You smoke some of that funny stuff down in Mexico, Frank.
00:13:19Who in their ripe minds is going to want to sit through a movie that runs for over an hour?
00:13:23There's never a first until someone tries it.
00:13:27Don't give me fortune cookers in the middle of the night, Frank.
00:13:30And seven reels is a whale of a show you're ready to give away for a nickel a ticket.
00:13:36Then double it.
00:13:38A dime?
00:13:39A dime?
00:13:40A ticket?
00:13:41A dime a ticket?
00:13:42A dime a ticket.
00:13:43One good first deserves another.
00:13:44These are exciting thoughts, Frank.
00:13:45They are.
00:13:46I'm definitely getting excited.
00:13:47Don't let me stop you.
00:13:48If only they didn't all look so crummy down there.
00:13:49For ten cents, people are going to want to see a hell of a lot more than a bunch of barefoot
00:13:52buggers jumping around in the cactus.
00:13:53We can help them look better.
00:13:54I know we can.
00:13:55I'd have to run this past EW, of course.
00:13:57He'll see the possibilities in a minute.
00:13:58I promise you.
00:13:59The life of General Veer.
00:14:18of General Villa.
00:14:48¿Me encuentras?
00:14:57Espérame, mi hermano.
00:15:03Ya casi.
00:15:08Las escrituras de la hacienda.
00:15:11Cuatrocientas mil hectáreas.
00:15:13Debió de haber trabajado mucho de chamaco
00:15:19para tener tanta tierra.
00:15:23Un hombre
00:15:24solo necesita la tierra suficiente
00:15:27para saciar su hambre
00:15:30y un poquito
00:15:33para que lo entierren.
00:15:37Venga, es suyo.
00:15:41Como quiere.
00:15:43¿Su firma?
00:15:54Don Luis.
00:15:56¿Mi firma?
00:15:58En un papel blanco.
00:16:00No por mucho tiempo.
00:16:02Su infinita generosidad
00:16:04le hará un préstamo a los pobres.
00:16:07¿De cuánto?
00:16:09Pues lo suficiente
00:16:10para que se empareje usted con ellos.
00:16:13Para que sepa
00:16:14lo que es no tener
00:16:15medio centavo.
00:16:17Ni media mula.
00:16:19Ni un pedazo de pan
00:16:20por romperse el lomo.
00:16:23Hasta que el único sabor
00:16:24que conozca
00:16:25sea la sal
00:16:26de sus lágrimas.
00:16:30Bien.
00:16:31Fírmele ya.
00:16:32Antes de que le sirva
00:16:39sus huevos
00:16:40a los puercos.
00:16:41He oído mucho de este libro.
00:17:07¿Usted ya lo leyó?
00:17:08Ningún hombre puede presumir
00:17:11de culto
00:17:12si no ha leído
00:17:14al Quijote.
00:17:21Llévenselo.
00:17:24Voy a cultivarme
00:17:25un poquito.
00:17:27Vamos.
00:17:28Volvete.
00:17:29Gracias.
00:17:30Gracias.
00:17:31Gracias.
00:17:32Gracias.
00:17:32Gracias.
00:17:33Let's go.
00:17:46Pancho.
00:17:46Si.
00:17:47Key.
00:17:54Francisco.
00:17:56Hello, sir.
00:17:57Francisco, too.
00:17:59Do I know you were coming?
00:18:00Oh, I sent a telegraph.
00:18:02Well, when I see it, then I would know you were here.
00:18:07I miss you many times, mi amigo, many times.
00:18:09I've missed you.
00:18:10Yeah, good, bueno, bueno.
00:18:12The Virgin, does she answer your prayers?
00:18:15Not with my Spanish.
00:18:16She doesn't.
00:18:17No, it's not Spanish.
00:18:19Never Spanish.
00:18:20Mexicano.
00:18:22Two things Spain give to my people.
00:18:26The church and the weapon.
00:18:30I mean, you should write a book.
00:18:31Oh, maybe I have to read one or two first.
00:18:34Mira.
00:18:46This is the bottle?
00:18:47Yeah.
00:18:48So much death.
00:18:51Two little circles.
00:18:54Magic.
00:18:56Tomorrow we must liberate a projecto somewhere.
00:19:02Tell me, are you hungry, thirsty?
00:19:04No, no problemos.
00:19:05Don't worry about it.
00:19:06A house of great wealth, huh?
00:19:08No one drop of ice cream.
00:19:10Chingados.
00:19:12If my father saw us here, me and my brother, he would say, vamos muchachos, before your hair
00:19:25grows a boot.
00:19:26A room like this, such a room.
00:19:31Could be only for Don or for a foreigner.
00:19:37Aqui no hay mestizos.
00:19:39To a room like this, my father could only crawl to beg for some food for himself, for his family.
00:19:47There are books here that weighed more than he did when he died.
00:19:58Welcome back to Mexico.
00:20:01Are you all right, Francisco?
00:20:20Yes, thanks.
00:20:21Is the horse riding you well?
00:20:23Uh-huh.
00:20:24Digame, you did not come all this way, only to bring me my film, right?
00:20:31Sería un honor para el señor Echen el que hiciera otra película para la compañía
00:20:37mutual.
00:20:38Another movie?
00:20:39You want to make another movie with Pancho Villa?
00:20:41Yes, sir.
00:20:42Same deal as last time.
00:20:43Same money.
00:20:44Well, President Wilson has lifted the arms embargo.
00:20:49Money is not a problem for Pancho Villa anymore.
00:20:52Tell me, has there ever been a movie of Don Quixote?
00:20:57Do you know?
00:20:58No.
00:20:59Not that I know of.
00:21:00Yes, sir.
00:21:01No.
00:21:02One movie of Don Quixote.
00:21:03And Senor Echen wants to make two of Pancho Villa.
00:21:06We believe that this story, this photo play, will greatly enhance your popularity.
00:21:12And it's going to go a long way to helping the revolution.
00:21:14You still have a lot of enemies in high places.
00:21:17Yeah.
00:21:18That's the best place for enemies.
00:21:19High up where you can see them.
00:21:21Well, look.
00:21:22He'd be doing me a very, very good thing.
00:21:24Remember Don Quixote, mi amigo.
00:21:26A man must not fight windmills.
00:21:28A man must not fight windmills.
00:21:41He's not going to do that.
00:21:42A man must not fight.
00:21:43I have to fight.
00:21:44That's it.
00:21:45I'm sorry to be a man.
00:21:46I'm sorry to be a man.
00:21:47I'm sorry.
00:21:48I'm sorry.
00:21:49I'm sorry.
00:21:50I'm sorry to be a man.
00:21:51I'm sorry to be a man.
00:21:52I'm sorry to be a man.
00:21:53Here we go.
00:22:23Oh, don't give me that happy pay on luck.
00:22:27You're on my land.
00:22:28You and your bloody bandit don't think you can just ride off here with my horses and my guns, eh, amigo?
00:22:37Soldiers of Pancho Villa.
00:22:39No bandidos.
00:22:43You've been robbing me blind and you bloody well know it.
00:22:46Come here, Mr. Benton.
00:22:54Come here with me.
00:22:55Here we go.
00:23:25Here we go.
00:23:55Mr. Aiken?
00:24:12Mr. General have any questions?
00:24:37Mr. General has no questions.
00:24:41Whenever engaging the enemy, you guarantee...
00:24:44That's you, sir.
00:24:45I know I am.
00:24:46You.
00:24:46You guarantee that any fighting by the forces under your command will occur only between the daylight hours of 9 a.m. and 5 p.m.
00:24:55There is no night combat whatsoever and the mutual company, that's us, is to be informed and consulted as to the nature of any and all military engagements.
00:25:07Yes, yes, yes, yes.
00:25:08Yes, yes, yes.
00:25:09Yes, yes.
00:25:10Yes.
00:25:11Yes, yes.
00:25:12Very good, sir.
00:25:14Very good, sir.
00:25:15In the event that a major exchange cannot be filmed, you will agree to restage such battles or stage new ones as may be necessary for the benefit of the mutual company's cameras.
00:25:24Yes.
00:25:25For its part, the mutual company agrees to furnish wardrobe.
00:25:27No?
00:25:28Eh.
00:25:29Usted se queda aquí.
00:25:30Ahem.
00:25:31Porque sin usted esto no camina.
00:25:32Eh.
00:25:33I start her con usted, cada segundo del día.
00:25:37Cada segundo del día.
00:25:38Problem?
00:25:39He wants to make sure Frank's gonna be working on this one too.
00:25:42No Francisco, no Francisco.
00:25:45Eh.
00:25:47I promise you, General, this fine young man is going to be with you every damn momentum of the day.
00:25:54Whatever you need, whatever you want, this is going to be your man.
00:25:57Every bit of it is going to be mine.
00:25:59Muy bien.
00:26:00Hang on.
00:26:01It's right here, sir.
00:26:0425,000.
00:26:0725,000, as before.
00:26:10I take it we have a deal, sir.
00:26:13Un momentum.
00:26:15Un momentum.
00:26:15The soldiers of Pancho Villa have left behind many workflows, viudas.
00:26:22Lots of widows and orphans.
00:26:24He's up to his ass in them.
00:26:26They're very sad.
00:26:28They're very poor.
00:26:29The general is most sensitive.
00:26:30Si, si.
00:26:31Sensitive.
00:26:33A leader must be muy, uh, muy sensitive.
00:26:38Muy sensitive.
00:26:40You must give to Pancho Villa when into Mexico City, uh,
00:26:44after the revolution.
00:26:47¿Cómo se dice una copia de la película?
00:26:49A print?
00:26:50A print.
00:26:50A print.
00:26:51A tarde importante.
00:26:53Yeah.
00:26:54He wants his own print.
00:26:56I think he wants to have his own premiere down here.
00:26:58Uh, exactamente.
00:26:59Uh, exactly.
00:26:59Uh, Pancho Villa, too, needs, uh, nickels.
00:27:03Many nickels for the those who lost so much, and for the those who lost, uh, so many.
00:27:10Yeah.
00:27:11I will be very happy to write that into the agreement this very minute, sir.
00:27:14Uh, uh, no es necesario, my good sir.
00:27:19For Pancho Villa, your hand is your word.
00:27:26Certainly.
00:27:27Of course.
00:27:29It's my pleasure, sir.
00:27:30I...
00:27:31Uh...
00:27:32Uh...
00:27:33Uh...
00:27:34Uh...
00:27:35Uh...
00:27:37Uh...
00:27:38Uh...
00:27:39Uh...
00:27:40Uh...
00:27:41Uh...
00:27:42Uh...
00:27:43Uh...
00:27:44Uh...
00:27:45Uh...
00:27:46Uh...
00:27:47Uh...
00:27:48Uh...
00:27:48Uh...
00:27:48Uh...
00:28:18Uh...
00:28:29Uh...
00:28:29Hiya, Duffy.
00:28:30Hey, Frank.
00:28:31Hope the trip was okay.
00:28:32Nice to see you, Carl.
00:28:33Nice to meet you.
00:28:35Hiya, Charlie.
00:28:35How are you?
00:28:38Uh...
00:28:38Where's the scotch, Frank?
00:28:41Didn't you bring it?
00:28:42I see you've got gloves this time.
00:28:46Welcome to Mexico.
00:28:54General Villa, please allow me to introduce our director.
00:29:00This is Mr. William Christie Cabanet.
00:29:03I am so looking forward, sir.
00:29:06And this is Miss Teddy Sampson, who will play the role of your sister.
00:29:09And this is Miss Irene Hunt, who will be your mother.
00:29:23And Charlie Rocher, of course, you know from Oanaga.
00:29:28Are your huevos all dry now, Charlie?
00:29:30For the moment.
00:29:34And this, sir, is Mr. Raoul Walsh.
00:29:38General.
00:29:38He'll be playing the young Pancho Villa.
00:29:41Tell me if I was.
00:29:44You know even which end of the hour shits.
00:29:50Andy!
00:29:51Andy!
00:29:59Go!
00:30:00Oh, my God.
00:30:30Oh, my God.
00:31:00And say goodbye, Mom.
00:31:04Very nice.
00:31:06Yes, sis.
00:31:07Go get you a little of that.
00:31:08Mm-hmm.
00:31:10And lovely.
00:31:11Okay.
00:31:12Yeah.
00:31:13And it's farewell, Pancho.
00:31:15Let's go.
00:31:16And he goes.
00:31:19And cut.
00:31:22Okay.
00:31:23Very nice.
00:31:26Get more of a routine goodbye, Raul.
00:31:29Oh.
00:31:30Listen, your character has no way of knowing what tragic events the day is going to bring.
00:31:34So keep it big.
00:31:35Make it small.
00:31:37Okay?
00:31:37Adrian, give me a wee bit less.
00:31:40Just hearts.
00:31:40No flowers.
00:31:41Okay?
00:31:42Yes, sir.
00:31:42Un amas, people.
00:31:43Oh, as pronto as possible.
00:31:45Por favor.
00:31:46Make up.
00:31:47Okay?
00:31:47Let's go, people.
00:31:48I was just thinking that maybe...
00:31:50No, don't think, darling.
00:31:51Just act.
00:31:52Okay.
00:31:52Let's just make a movie here.
00:31:54That's enough.
00:31:54That's enough.
00:31:55Okay?
00:31:55Look, he's a Mexican.
00:31:56Mexican sweat.
00:31:57He's fine.
00:31:58Leave him alone.
00:31:59Carl, crank him.
00:32:01Okay.
00:32:01Uh-huh.
00:32:03And from the kiss, por favor.
00:32:04And action.
00:32:08Much better.
00:32:09Much better.
00:32:09And sis.
00:32:11Lovely.
00:32:12Okay.
00:32:13And farewell, poncho.
00:32:15Off he goes.
00:32:16Goodbye, poncho.
00:32:18That's good.
00:32:18Okay, one last look at mom and sis.
00:32:20A fond look.
00:32:21Fond.
00:32:22Fond.
00:32:23Fond.
00:32:24You love him.
00:32:24You love him.
00:32:25You love him.
00:32:25Good.
00:32:26Wham-bam out the door.
00:32:28And perfect.
00:32:29Cut.
00:32:30Print.
00:32:30Beautiful.
00:32:31Next setup.
00:32:32McDuff?
00:32:32Unquestionably, the most expensive and longest motion picture ever contemplated.
00:32:38So reads the mutual film company publicity.
00:32:40An unprecedented seven 15-minute reels, two of which will be filmed during the upcoming battle of Torrione,
00:32:47for which Villa's forces are now preparing.
00:32:53The mutual company promises an additional five reels devoted to a specially written photo play,
00:32:58the factual story of the heroic life of Pancho Villa.
00:33:02Falso.
00:33:04Todo is falso.
00:33:06Every page is a page of lies.
00:33:08Cervantes no se limpiaria el culo con esta mierda.
00:33:11I don't understand.
00:33:13Mierda means shit.
00:33:15I know that.
00:33:16I just don't know why you say that.
00:33:18Pancho Villa becomes an outlaw when the federalists take away his father's land.
00:33:23The land of Pancho Villa's father was his grave!
00:33:25Listen, Mr. Akin just feels that that's more colorful.
00:33:28That's only dramatic license.
00:33:29It is a license to lie.
00:33:30You don't understand.
00:33:32Oh, yes, I understand.
00:33:34I understand that never, never does Pancho Villa want the world to see his sister Mariana
00:33:38raped by federalists.
00:33:39But that's what turned you into a rebel.
00:33:42I know why I became what I became.
00:33:45Pancho Villa does not have to see a movie to find out who is Pancho Villa.
00:33:53Presidente Villa.
00:33:54From where does this fantasia come?
00:33:57You have learned nothing from Juan Grit.
00:33:59There will never be a Presidente Villa.
00:34:01Never.
00:34:02There could be.
00:34:03A revolución is to feed the hungry bellies of the people, not the ambition of Pancho Villa.
00:34:06All right, but it's a wonderful scene.
00:34:08Somebody beat us!
00:34:16Okay.
00:34:17Okay.
00:34:19We can make it a dream sequence.
00:34:21Pancho Villa's dream is for a man of education to be Presidente of Mexico.
00:34:25Okay.
00:34:25Your Presidente Wilson, he was a professor, see?
00:34:29Pancho Villa is a professor of horses and soldiers.
00:34:31I see.
00:34:33That's exactly what General Grant was.
00:34:35And he became Presidente.
00:34:36Grant?
00:34:37Yeah.
00:34:37That drunk dogface.
00:34:39He killed Mexicanos like he killed his whiskey bottles.
00:34:42I had no idea.
00:34:44No.
00:34:45In your history books, there are no bad Americanos.
00:34:48Grant, he came before there was oil to steal.
00:34:51He came for the gold.
00:34:52He came for the silver.
00:34:53He came for the azúcar.
00:34:54That's an insult.
00:34:55You want to shoot the barrel of Torreon, you bring your cameras to Torreon.
00:34:58You don't shoot the life of Pancho Villa.
00:35:00That Pancho Villa has never lived.
00:35:02Mutual fortune sunk into this.
00:35:05Lies are expensive, Francisco.
00:35:08Senor Ica, he tells to the world he will tell the truth about Pancho Villa.
00:35:13This?
00:35:15Esta basura?
00:35:16This is fake garbage!
00:35:24May I ask you, sir?
00:35:28Did you murder William Benton?
00:35:30I don't believe you did.
00:35:40But a hell of a lot of your enemies are trying to convince a hell of a lot of other folks
00:35:45that you did.
00:35:46If you can believe Jack Reed, there are plans in the works in Washington right now.
00:35:51Plans to invade Mexico and make Chihuahua our 49th state.
00:35:54Plans to finish you off.
00:35:56Knock you off.
00:35:56Any way they can.
00:36:01You have to understand that this is the kind of story the public expects.
00:36:06That they demand.
00:36:07When they go to the movies, you give them what they want.
00:36:10They give you what you want.
00:36:11And what you want is something you have never needed more in your life.
00:36:17Their approval.
00:36:18I think.
00:36:23Every time you see me, you grow one more huevo, Francisco.
00:36:28Let's go.
00:36:37There.
00:36:37Just not rules.
00:36:40Everyone just now.
00:36:42Just montan todos.
00:36:44And run to greet them.
00:36:46Welcome your hubbies home.
00:36:48Ladies.
00:36:50Ladies, come on.
00:36:51Ladies.
00:36:52Ladies.
00:36:52Let's go, ladies.
00:36:53Saludalos, senoros.
00:36:55Come on, come on.
00:36:57Arriba.
00:36:57Come on, vamos.
00:36:58Vamos, venga.
00:37:00Arriba.
00:37:01Mr. Cabernet.
00:37:02Can I get some hugs and kisses here?
00:37:04Uh, abrazos, besos.
00:37:06Brazos.
00:37:08Come on, vamos.
00:37:09Vamos, venga.
00:37:09Ladies, come on.
00:37:11Come on.
00:37:12Oh, sweet Jesus.
00:37:13Cut, cut, cut.
00:37:15Let's have cut, everybody.
00:37:16Save it, Charlie.
00:37:16That's just not in their nature.
00:37:18Christy, these women are shy.
00:37:19Shy?
00:37:19They're as wooden as fucking Indians.
00:37:21Most of them are fucking Indians.
00:37:22Give me five minutes.
00:37:33Okay.
00:37:34Okay, muchachos.
00:37:39Come on, let's go.
00:37:45And come out, Raul.
00:37:50And cue the ladies.
00:37:51Ladies.
00:37:52Gueno.
00:38:10He has his own train.
00:38:12Well, it's just one more thing.
00:38:14He's liberated from the government.
00:38:16Fitted out a few hospital cars,
00:38:17take care of the wounded,
00:38:19made one for the press, and...
00:38:20like a city on wheels.
00:38:24I walked it the other day.
00:38:25It's almost two miles long.
00:38:32Hi, fellas.
00:38:33Hey, Frank.
00:38:34Hello, Dad.
00:38:34Hi, Charlie.
00:38:36These are the Sanchez brothers.
00:38:38Abraham, Anastasio.
00:38:40What is that?
00:38:40It is, Sanchez.
00:38:41Have you ever paralyzed anybody in Spanish before?
00:38:47So, this will be the lab.
00:38:49We'll be able to develop our own film.
00:38:51This is the editing room.
00:38:53We're going to be able to watch our own dailies,
00:38:55which I think will make a real difference in our work.
00:39:00It's going on and on, aren't I?
00:39:02You've changed down here.
00:39:04Have I?
00:39:04When I first met you,
00:39:06it was hard to know you were even around.
00:39:09Hmm.
00:39:11I never once had that problem with you.
00:39:15I gathered.
00:39:17Well, I guess I was fairly obvious.
00:39:20Girls don't mind that one bit.
00:39:21What do we got here, boss?
00:39:39Ah, new wardrobe.
00:39:42Civil War surplus?
00:39:44Yeah, I think it got a good deal on it.
00:39:47You don't think these guys are going to mind?
00:39:49Dressing up like the losing side?
00:39:51Ah, I think we'll keep that our little secret.
00:40:13The impressive French 75 millimeters.
00:40:17Perfect for the job.
00:40:21I mean, really,
00:40:22Mary Pickford doesn't take this long in makeup.
00:40:24Mary Pickford isn't running a revolution on the side.
00:40:39And don't think she couldn't.
00:40:41Here we go.
00:40:42How do I look?
00:40:47You're weary, general.
00:41:05You're weary, general.
00:41:06No.
00:41:07Trappings of power mean nothing to you.
00:41:10Your every goal has been achieved.
00:41:13You've avenged your family.
00:41:15You've righted the wrongs against your people.
00:41:17Many lives have been sacrificed.
00:41:20But in the end,
00:41:21you have saved the life of your beloved Mexico.
00:41:23But the work of a president is never done.
00:41:29Lawrence.
00:41:33And return to your desk, General.
00:41:36And pick up the pen and sign the document.
00:41:41Good.
00:41:43Lawrence, take the paper and leave. Bow and go.
00:41:49And now the weariness returns.
00:41:54Can you give me a sigh, General?
00:41:59Un suspiro.
00:42:01Un suspiro.
00:42:06Bueno. Beautiful.
00:42:08And now your speech.
00:42:10Into the camera.
00:42:12Into the lens that is the eye that sees for all the world.
00:42:15I was forced to sacrifice many lives in my search for justice.
00:42:29But in the end, I saved the life of my beloved Mexico.
00:42:34And now your name is Mexico.
00:42:35And now your name is Mexico.
00:42:37Yes!
00:42:39Yes!
00:42:40Yes!
00:42:42Yes!
00:42:44Yes!
00:42:46Yes!
00:42:48Yes!
00:42:50Yes!
00:42:51Yes!
00:42:53Yes!
00:42:54Yes!
00:42:55Yes!
00:42:57Yes!
00:42:58Yes!
00:43:00Yes!
00:43:02Is there anything the man cannot do?
00:43:03What do you want to do?
00:43:08It is easy to be president in a movie.
00:43:11In a movie, Pancho Villa could be the pope.
00:43:14In the end, there would be another better man who would sit in Mexico City.
00:43:19And you'll do what? Surely not retire.
00:43:23The government would open a factory to make good saddles and bridles.
00:43:28Pancho Villa, his hands are good with leather.
00:43:31Pancho Villa's hands are leather.
00:43:34And you would settle for just doing that?
00:43:36Gee, that and watch.
00:43:38Mexico does not become another star on the flag of the country.
00:43:43And what about you?
00:43:47What Pancho Villa wants?
00:43:50For himself?
00:43:52Yeah.
00:43:54A parade when he dies.
00:44:00A parade with many tears and many flowers.
00:44:03For the children to miss his candy.
00:44:09A funeral.
00:44:11With many poets and singing.
00:44:14And at the end, a tomb.
00:44:17A big tomb.
00:44:19A big tomb.
00:44:20Where they can come.
00:44:24Where the people can come and see...
00:44:26And Pancho Villa...
00:44:27Will be always there.
00:44:30For them.
00:44:36Always.
00:44:40Cúbreme el trasero.
00:45:17You know, I wrote this scene in my head
00:45:26the very first time I laid eyes on you.
00:45:29Was I okay?
00:45:31You want to try one more take?
00:45:34Is it too soon?
00:45:37I don't know. Maybe not.
00:45:42Oh, I'm sure not.
00:45:47Onward and upward's a ticket.
00:45:49That's what Mom always taught me.
00:45:56Amigos,
00:45:58tomorrow we leave
00:46:00to begin the last chapter of the revolución.
00:46:03Mañana atacaremos Torreón.
00:46:10Después de Torreón,
00:46:12justo después de Torreón,
00:46:15ganaremos la revolución.
00:46:16Bravo, gentlemen.
00:46:33Bravo.
00:46:36Andale, andale.
00:46:38You have much to film
00:46:42in the battle, my friend.
00:46:44The battle, sir?
00:46:45The battle of Torreón.
00:46:47Oh, I won't be going with you.
00:46:49No, I finished my part in this film.
00:46:52I'm going to New Jersey.
00:46:54New Jersey?
00:46:54Start a new one.
00:46:56Really.
00:46:57You can call my agent.
00:46:58Uh, excuse me.
00:47:00J.L.V.
00:47:01I don't go, sir.
00:47:04I'm afraid you must call me.
00:47:07Well.
00:47:11Daffy?
00:47:12You too?
00:47:14You're not going?
00:47:15No, sir.
00:47:17My work's through here, sir.
00:47:18Only the camera operators are going.
00:47:21Well.
00:47:23Attention!
00:47:24Enemy, comandante!
00:47:26What's happening?
00:47:27I'm not sure.
00:47:28I'm not sure.
00:47:28I'm not sure.
00:47:29I'm not sure.
00:47:30I'm not sure.
00:47:31I'm not sure.
00:47:32I'm not sure.
00:47:33I'm not sure.
00:47:34I'm not sure.
00:47:35Oh, my God.
00:47:38Calling for a firing squad.
00:47:53Here, Pancho Villa is the director.
00:47:55Here, Pancho Villa says,
00:47:57who is finished and who is not finished.
00:47:59Who is not finished?
00:48:00Who is not finished?
00:48:01Who goes with him?
00:48:02Atención, filoteo!
00:48:03Atención, filoteo!
00:48:04Atención, filoteo!
00:48:05Atención, filoteo!
00:48:06Preparo!
00:48:07Atención, filoteo!
00:48:08Preparo!
00:48:12Atención, filoteo!
00:48:13General!
00:48:14Forro!
00:48:15Now you know what you will miss at Torreón.
00:48:45Chris, do you want to take this?
00:49:10Too bad them actresses don't do no jazzin', huh?
00:49:14Let's go!
00:49:38Oh, the hell they are.
00:49:40Get the gun away.
00:49:41Hey!
00:49:42General, these boys have been such a help to the movie and now you're going to turn them
00:49:55into soldiers?
00:49:56No, no, no.
00:49:57You can't.
00:49:58Is this what you want for the children of Mexico?
00:49:59Schools for only some, Harvard just for yours, death for the rest?
00:50:06How can anyone possibly make that choice?
00:50:07Very simple.
00:50:08Very simple.
00:50:09Very simple.
00:50:10Very simple.
00:50:11Guys, go to that train wagon.
00:50:12As fast as possible, and come back here.
00:50:13Let's go!
00:50:14Let's go!
00:50:15Let's go!
00:50:16Let's go!
00:50:17Let's go!
00:50:18Let's go!
00:50:19Let's go!
00:50:20Very simple.
00:50:21One boy for you.
00:50:22One boy for Villa.
00:50:23How can anyone possibly make that choice?
00:50:25One boy, for Villa.
00:50:27How can anyone possibly make that choice?
00:50:30Muy simple.
00:50:32Chimacos, vayan hasta ese vagón de tren lo más rápido que puedan y vuelven para acá.
00:50:37¡Vamos!
00:50:55I want for you. I'll take the winner.
00:51:05Refunde este huesudo en el tren. Vámonos.
00:51:25Vámonos.
00:51:55Now we find the end of the shot.
00:52:18¿Corte?
00:52:19En medio.
00:52:21Muy bien.
00:52:21Son 10 kilómetros de aquí hasta este otro lado.
00:52:32¡Puede la pobre! ¡Cantazos!
00:52:37Gracias.
00:52:40¡Vámonos!
00:52:42¡Vámonos!
00:52:44¡Sí!
00:52:45¡Sí!
00:52:51¡Vámonos!
00:52:52¡Sí!
00:52:53¡Vámonos!
00:52:53¡Sí!
00:52:54¡Sí!
00:52:54Close your stinky mouth,
00:53:15pinche huerta, hijo de la chingada.
00:53:19Ah, Villa, Villa, Villa.
00:53:22Acabaré con ese pinche torseño.
00:53:24¿Incluso con su nueva artillería?
00:53:31¿Y quién sabrá usar esa artillería?
00:53:34¿Acaso unos pulientos que todavía cajan en el monte?
00:53:54¡Cúbrete!
00:54:07¡Cúbrete!
00:54:11¡Federales, es un cuerpo de avanzada!
00:54:22¡Vamos, vamos, vamos!
00:54:23¡Acompáñenme!
00:54:24¡Feliz!
00:54:24¡Apáñenme!
00:54:27¿Recuerdan nuestro acuerdo?
00:54:28No, Villa, no se pierde nada.
00:54:30¡Vaya por tus hombres!
00:54:32¡Apáñenme!
00:54:34¡Apáñenme!
00:54:35All right, fellas, we can't play them, muchachos.
00:54:38I got him, sir.
00:54:39Here we come, get out.
00:54:40All right, got your cameras.
00:54:46Vamos.
00:54:53Come back.
00:54:58Ready?
00:54:59Avalanche!
00:55:05Apurele, muchachos!
00:55:08Everyone ready?
00:55:15Start twinking!
00:55:18And...
00:55:20Action!
00:55:29Fuego!
00:55:35Keep firing.
00:55:53All right.
00:56:23Get out!
00:56:28How did you do that?
00:56:30Get out!
00:56:38Get out!
00:56:42Hahahaha!
00:56:45Woo!
00:56:48Oh, Francisco!
00:56:51Ven.
00:56:54Mira.
00:56:56Ven.
00:56:57Ven.
00:56:58Ven.
00:56:59Ven.
00:57:00Ven.
00:57:01Ven.
00:57:02Ven here.
00:57:03Come here.
00:57:04Mira, mira, mira.
00:57:06Aqui, en el centro, in the belly of the room.
00:57:15In the valley of Torreón is the armory of Huerta.
00:57:21Enough guns for Pancho Villa to make a hundred revolutions.
00:57:25At Torreón, Pancho Villa will give to his General Ángeles
00:57:29and to your Senor Aiken the mucho, mucho boom, boom, fucking boom, boom.
00:57:35Excuse me, sir.
00:57:37You're attacking from here. This is the east?
00:57:40You're firing at the federales from the east.
00:57:42Is there any special reason for that plan, sir?
00:57:45Si, because it's mine.
00:57:49What?
00:57:52Your camera's gonna shoot into the sun, eh?
00:57:55Your lenses are not strong enough.
00:57:57Nowhere near enough now, sir.
00:57:59Maybe you can move the cameras to the sides.
00:58:01This is why the sun can come across, eh?
00:58:03Or...
00:58:04Or what?
00:58:07Vamos, hombre, habla!
00:58:08Could you possibly change your attack so that you fire from the west?
00:58:12instead of the east?
00:58:15That would give us so much better a picture.
00:58:16Here we go.
00:58:46Tengo hambre.
00:59:05Ven, Pancho, ven.
00:59:08Tú no te estás esperando.
00:59:12El torreón que será tu tumba.
00:59:16¡Aquí tenemos todo preparado!
00:59:41¡Aquí tenemos!
00:59:43Action, Senor Briffith.
01:00:01Action.
01:00:05Action.
01:00:13Action, Senor Briffiths.
01:00:18Action, Revolutionary.
01:00:25The time of the attack has arrived.
01:00:28The time of a free Mexico has arrived.
01:00:32What you see in front is not Torreón.
01:00:39It's the future.
01:00:41It's the peace.
01:00:43It's freedom.
01:01:02Action.
01:01:21Attack!
01:01:27I don't know.
01:01:57I don't know.
01:02:27I don't know.
01:02:57I don't know.
01:03:27I don't know.
01:03:57I don't know.
01:04:27I don't know.
01:04:57We can win the battle by night.
01:04:59We will win the war.
01:04:59Vámonos.
01:05:00But you always must have known that.
01:05:02Why in the dark I can smell the federalist fear.
01:05:05Fear comes defeat.
01:05:06You never really intended to honor our contract, did you?
01:05:09My only contrast is always with Mexico.
01:05:12Yeah.
01:05:13There's no choice.
01:05:15It's better for Pancho Villa to lose the movie than to lose the revolution.
01:05:17We respect the church?
01:05:18Yeah.
01:05:19I don't know.
01:05:20I don't know.
01:05:22I don't know.
01:05:22I don't know.
01:05:26And the Lee.
01:05:40Peter, one take.
01:05:50What the hell was in there?
01:05:53Hide the ammunition in the church.
01:05:56We need to go to heaven faster.
01:05:58Any flight now? Francisco?
01:06:26Yes.
01:06:27Yes, sir.
01:08:32Mm.
01:08:36Friggin' rainwater.
01:08:40That's all there is.
01:08:42If you ask me, God's been pissing in it.
01:08:46Hell of a show the boss put on last night, huh?
01:08:52I didn't get one foot of it.
01:08:54Well, there are those days, kid.
01:08:56There are those days.
01:08:58Sorry, Sam.
01:09:00Ah, don't worry about it.
01:09:02You can take a Jew apart.
01:09:03You can never kill them altogether.
01:09:06Used to aggravate the hell out of my mother.
01:09:08There's a law you know.
01:09:10Anybody with a tattoo, no Jewish cemetery will let you get buried there.
01:09:14As if it's gonna bother somebody in the next grave, right?
01:09:18Well, I can't tell you how happy this is gonna make my mother.
01:09:24Let's go.
01:09:25Let's go.
01:09:26Let's go.
01:09:27Let's go.
01:09:28Let's go.
01:09:29Let's go.
01:09:37My general.
01:09:38My general.
01:09:39My general.
01:09:40Hey, le suplico.
01:09:41Le suplico.
01:09:42Deja, deja, deja.
01:09:43Deja, deja, deja.
01:09:44Dígame, dígame.
01:09:46Le suplico que me ayude.
01:09:47Sus hombres cometieron un error.
01:09:49Trajeron a mi marido del Palacio Municipal,
01:09:50y él no es un soldado.
01:09:52Él no es un soldado, lo juro.
01:09:53Cálmese.
01:09:54¿Cómo se llama su marido?
01:09:55Luis, Luis Madrigal.
01:09:59Charlie, set up fast.
01:10:11This is the scene we missed at Owen Lager.
01:10:29Lo siento, señora, lo siento. La guerra es así, no la he inventado.
01:10:38¡Asesino! ¡Asesino! ¡Asesino! ¡Criminal! ¡Criminal! ¡Asesino! ¡Asesino!
01:10:49¡Cerdo! ¡Cerdo!
01:10:59¡Cripe!
01:11:14My God!
01:11:17How could you?
01:11:20Speak to me of God.
01:11:23God has never been to Mexico.
01:11:25Well, if he has being, he has a heart of stone.
01:11:47Go home, Frank.
01:11:52All of you!
01:11:56Go where to be born is to be equal.
01:12:00The children of Mexico are not yet so lucky.
01:12:07Evinceland!
01:12:25One more!
01:12:31Mr. Walsh?
01:12:32One more!
01:12:34Very still now, very still!
01:12:36Two real thumbs are a thing of the past. I can imagine a time when five real, six real things...
01:12:48It's not going to be an easy thing to see for us because we, uh...
01:12:51Who's that titty set?
01:12:53Mr. Griffin.
01:12:55Mr. Griffin.
01:12:57Okay, it's D. W. Griffin.
01:12:59Good evening.
01:13:01Good evening.
01:13:02Nice to see you again.
01:13:03Good evening.
01:13:04Good evening.
01:13:06Onward and upward.
01:13:08That's the ticket.
01:13:10Good evening.
01:13:11That's all.
01:13:12Dr. Griffin.
01:13:21Good evening.
01:13:22Good evening.
01:18:54So coldly, so brutally, it's as though he killed the whole revolution.
01:19:30Together, you proved that the lens is a hell of a lot mightier than this sword.
01:19:36Thank you very much.
01:19:37Congratulations, congratulations, congratulations, congratulations.
01:19:44Hey, hey, hi,kommen, you knowppy.
01:19:51Hey, sunny boy.
01:19:54Hey, Sonny boy!
01:20:17Sam Trevin.
01:20:20My God.
01:20:22Sit him in.
01:20:23Park it.
01:20:24Mama, this is my good friend.
01:20:26I need to sit down.
01:20:30Yeah, yeah.
01:20:31Careful, sweetheart.
01:20:32She's got a bladder like a faucet.
01:20:34Watch what you say.
01:20:35She thinks I'm a paint salesman.
01:20:37Eat your meat.
01:20:39Yeah, yeah, right, ma.
01:20:40Buy me ice cream.
01:20:43Okay, ma.
01:20:45Shades upon trivia.
01:20:47She's tougher, believe me.
01:20:50Got too good a look at a federally bayonet.
01:20:53You don't still work for him, do you?
01:20:55No, no, no, no.
01:20:56Not since after the revolution.
01:20:58Funny guy, Pancho.
01:20:59Gave me a letter of reference.
01:21:01He said Moses should have used me for a machine gunner.
01:21:05Wrote it with your pen, too.
01:21:07Yeah.
01:21:08He was pretty browned off with you guys, you know.
01:21:10He never did get to see that movie.
01:21:12Jack Reed said that we made him look so good that Washington held off the idea of invading Mexico.
01:21:19Be that as it may, you welched on him, kid.
01:21:21I was there when you promised him a print for the widows.
01:21:23Problem.
01:21:24Remember?
01:21:25And the orphans, remember?
01:21:26Akin was mad at him for breaking the contract.
01:21:28Yeah, like Akin needed an excuse to be full of shit.
01:21:31Oh, some revolution.
01:21:34The new fuckers are the same as the old fuckers.
01:21:38The big guys up here still control everything that's going on down there.
01:21:42Both sides of the border still scared shitless Poncho's gonna come out and start shooting again
01:21:46because the revolutions turned sour.
01:21:50You want my two cents for what they're worth?
01:21:53Mexico would be a hell of a lot better off if God had taken his goddamn oil
01:21:57and shoved it under Brooklyn.
01:22:12I wish very much that you had been in Parral for the christening of my firstborn, Anastasio Francisco,
01:22:20named for my brother and for you.
01:22:22I hope he will be proud to say one day that he's a godson of Pancho Villa.
01:22:42At the christening party, the general was very much as the general always was.
01:23:03Though some said later he was more quiet, more thoughtful.
01:23:08They said he had a premonition.
01:23:17After giving my son his medal of the Virgin of Guadalupe,
01:23:20which many times over he would say really belonged to you,
01:23:24he started to drive back to his Hacienda Grande
01:23:27with his secretary and two guards,
01:23:30and then in the center of Parral.
01:23:33To the Virgin's of Guadalupe came to us,
01:23:35to all theitchensΦ calis,
01:23:37that has v
01:23:49to be counted all 6 miles from the south.
01:23:52This is Bikki Dios.
01:23:54Some will be counted all six miles fromあれ,
01:23:56but he won the bestoted Central祥.
01:23:58Some say the government killed Pancho Villa, some say it was the gringos, some say it was
01:24:09both.
01:24:12The general was dragged away, like an animal.
01:24:16Even in death they're afraid of him.
01:24:19He's without a grave, he has no tomb.
01:24:23How will they remember him, Senor Frank?
01:24:25How will the sons of Mexico remember our Pancho Villa?
01:24:55N haya, n haya, n haya, pena.
01:24:58Quinta, mi vida.
01:25:02Anchor herrera, n haya, n haya, n haya.
01:25:05N haya, n haya, n haya, n haya.
01:25:08India viva.
01:25:10¡Viva!
01:25:12¡Viva!
01:25:14Following his assassination, the name of Pancho Villa was stricken from all official records,
01:25:42statues, monuments, even children's books.
01:25:46When the government decided it was safe to disinter his body, it was discovered that someone had stolen his head.
01:25:53In 1976, after half a century, the remains of his remains were laid to rest in Mexico City, alongside other heroes of the Revolution.
01:26:03Finally, he'd been given the funeral he'd always dreamed of.
01:26:08As in the case of his head, the film, The Life of General Villa, has been lost to posterity.
01:26:15If anything at all, Frank Thayer remains just a footnote in history.
01:26:19No complaints. It's not too bad.
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