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00:00I don't want to compromise the time and time.
00:07I don't want to compromise with my heart.
00:13I can't compromise at times with my problems.
00:17I don't want to compromise once.
00:22If you don't have flexibility,
00:24then it becomes a problem.
00:28I'm tired.
00:29We always do this to compromise on the rules.
00:34It's a short-cut chain.
00:36You probably didn't have a contract with Omar.
00:40You can't leave this job for one year.
00:42And in the case that you want to leave,
00:44you won't give me a salary for one year.
00:51What was earlier doing in his office?
00:53He just said it.
00:56And you don't know this story?
00:59If you knew it,
01:00you'll do it with that girl.
01:02I don't know the parents.
01:05It's the quality that is in a very few girls.
01:21Mom, what?
01:23How are you feeling?
01:25How are you feeling?
01:26Your wife told her to give her a wedding.
01:31Can you tell me, auntie?
01:32Who is this?
01:34You don't have time to do your work.
01:36I don't have time to listen to the family.
01:38How are you feeling?
01:39How are you feeling?
01:40It's very good.
01:41This kameez is very good.
01:42I just lose it from the sides.
01:44What do you mean?
01:45What do you want to say?
01:46That you didn't fit me?
01:48You didn't fit me?
01:49No, no, no, no.
01:50It's a matter of 19-20.
01:52What's that?
01:53Okay.
01:54Let's take a look at this fitting.
01:56You go and take the other clothes.
01:58Maybe you'll have to wear another wedding.
02:00Huh?
02:01Are you getting married?
02:03Yes.
02:04It's good, right?
02:05It's very good, auntie.
02:08That's right.
02:09I'm getting married.
02:12I'm getting married.
02:13I'm getting married.
02:17One minute, one minute.
02:20Maybe you haven't got a guess with her.
02:24I'm going.
02:25That's why you were running away from your car.
02:29You don't have enough courage to fight for me.
02:32You go.
02:33I'm only enough.
02:34I'm going to leave you alone.
02:38It's not like that.
02:39I'd leave you alone.
02:40I'm going to leave you alone.
02:48He's going?
02:54You're saying that fitting.
02:55I don't know if it's fitting.
02:56I'm going to open it, I'm going to open it.
02:57I'm going to feel fitting.
02:59Come.
03:00Come.
03:01Come.
03:02You're my uncle, right?
03:05Yes, Samia has told you a lot about it.
03:07What are you talking about Samia and your mother?
03:09Mother is just resting in the room.
03:12Why? Why did you say that?
03:14She didn't have a good attitude. I would call her.
03:16My clothes are.
03:18Mother, who is Sophia?
03:20Why did she come from here?
03:22God, I will see my sister and I will talk to her.
03:25What do you want?
03:26I will do something.
03:27Mother, what do I want?
03:29She will tell her that she is a girl's daughter.
03:32Mother, I wanted to think first of all.
03:34Before she is wearing a daughter,
03:36you will hide it.
03:37What do I say?
03:38I will hide it.
03:39I will hide it.
03:40I will hide it.
03:41Hello, Sophia.
03:42Hello, Sophia.
03:43How are you doing?
03:44I am fine.
03:45You are fine.
03:46I am fine.
03:47I am fine.
03:48I have not told you before.
03:51Why did you put it?
03:53Oh, yeah.
03:54Mother, she is here.
03:55Why do I hide it?
03:57No, no.
03:58I am fine.
03:59I am fine.
04:00You said that it is wrong with her.
04:01I am fine.
04:02Okay.
04:08Mother, she is here with her.
04:10Mother, she is here.
04:12What is this?
04:14Why are they put them in such a place like this?
04:17Oh, my God.
04:18It has been a viral.
04:20It has been a fast,
04:22and it has been a fast.
04:24Could you go back and go back and go home?
04:25Then you still leave.
04:26You aren't the wrong tongue?
04:27You do not have to be rude.
04:28It's cool with the cumble with the cumble.
04:29It has nothing to give up.
04:31I didn't survive.
04:32Pham, say is that.
04:34Go ahead, go ahead.
04:35Go ahead.
04:36Go ahead.
04:37Go give up.
04:38Go tell Abraham.
04:39It's not!
04:40Don't let me die!
04:41Don't let me die with the cumble.
04:43I won't try.
04:44Don't let them start.
04:45You don't know them.
04:47You will not go out of the cumble.
04:48You will never go from it.
04:49It's not when you lose.
04:50How long have you been?
04:52Ah ah ah
04:53It's now up
04:55Yes, you're standing here
04:57You're taking a break
04:59Oh, superman!
05:00Don't go away, I'll die
05:02Don't go away, I won't die
05:04I won't die
05:05Samia, you put your hands on your feet
05:07Here, here
05:09I'll give you a hand
05:11First of all, you're going to shoot the kambals
05:15Oh no, you're going to kill me
05:17I won't shoot the kambals
05:19Why aren't these kambals?
05:20Why aren't these kambals?
05:21It's a kambals
05:22It's a kambals
05:23Who are the kambals?
05:24You?
05:25Samia's kambals
05:26Me?
05:27Me?
05:28Me?
05:29Me and Samia's kambals are not here, uncle
05:30It's good, right?
05:31What are you saying?
05:32What's your kambals with their kambals?
05:34It's a kambals
05:35It's a kambals
05:36Don't ask, don't ask
05:38Zareena, kambals
05:40Kambals do kambals
05:41He'll die
05:42Kambals do kambals
05:44Kambals do kambals
05:46Mami
05:47Samia?
05:48Masha
05:49Masha
05:50Masha
05:51Masha
05:52What's your kambals?
05:53What's your kambals?
05:54What's your kambals?
05:55What's your kambals?
05:56What's your kambals?
05:57What's your kambals?
05:58What's your kambals?
05:59What's your kambals?
06:00What's your kambals?
06:01What's your kambals?
06:02What's your kambals?
06:03What's your kambals?
06:04What's your kambals?
06:05Your kambals?
06:06No!
06:07No!
06:08What's my kambals?
06:09What's my kambals?
06:10I don't know
06:11Should there be any kambals?
06:12No!
06:13No!
06:14It's not!
06:15My kambals are fucked up
06:16Maastallah
06:18Sir, I'm going to take a drink of tea and drink tea with water.
06:25Samia, where the barp came from,
06:27where the kebab came from, he gave me some tea.
06:29What a smile.
06:31Hello.
06:35Eat a kebab.
06:36Yes.
06:37Are you coming?
06:38Yes.
06:39Yes.
06:40Why did you stop?
06:49Why did you go there?
06:51Why did you get there?
06:52If you say something, what do you say?
06:54Who is going to stop?
06:55It is a shame.
06:56You have to stop thinking about it without thinking.
06:59You have to go through the streets and you have to get out of the streets.
07:02What the hell is going on?
07:04You have to go there.
07:05There is no sin for me.
07:07Oh
07:37But you will remember my mother.
07:38I will go to her house.
07:41Stop it!
07:44You call her a phone, Sophie.
07:46She told her that you don't have to go there.
07:59I'm going to go there. I'm not going to take her phone.
08:02We don't have to hide in the mud,
08:04we don't have to hide in the mud.
08:06I have to practice.
08:10My husband is a good person.
08:13I have to pay for the pension and salary.
08:17I have to pay for the money and pay for the money.
08:19And then I have to pay for the money.
08:21How much will you pay for the money?
08:25You will have to pay for the money.
08:28This is a little bit of a deal.
08:32It's been a few days, but how do you live in the house?
08:37I don't know, but if you're still doing it, you'll get $100.
08:43If your job is gone, you'll get another one.
08:47MashaAllah, it's so good CV.
08:49Yes, CV is very good.
08:51But there is no doubt that I and my husband can't do anything.
08:55That's how I do it.
08:56She's a great teacher.
08:57She has been looking for her.
08:58She's a great teacher.
09:00My husband, she's good.
09:02She's a great teacher.
09:04I hope she's very good.
09:06She has a good chance.
09:08She will be convinced that she will be so good.
09:12She's able to study at school.
09:15She's good teachers.
09:18She's a great teacher.
09:20I didn't even know how to do this.
09:21But she has not done a lot of 7 years ago.
09:24I have no idea.
09:25This is not possible.
09:26Okay.
09:27I can give you a moment to the house.
09:29There are so many times.
09:31Please, Arianna, think.
09:34There's no bad bad thing.
09:37Sharmindgi, I have to shake hands.
09:44The thing is this.
09:46This is what I have to do.
09:49I was with my wife and I was with my wife.
09:54I got a little more of my wife.
09:56I love her.
09:57I love her.
09:57I love her.
09:58I love her.
09:59I love her.
10:00I love her.
10:01I love her.
10:02I love her.
10:03I love her.
10:03I love her.
10:04I love her.
10:06What do you want to do?
10:08She was doing so much.
10:10She's a good night.
10:11Now, this girl has no one.
10:13She's nothing.
10:15I can't tell you.
10:17She's a bad girl.
10:19She was scared of me.
10:21You said that she didn't say that?
10:23Come on, go and go to Samia's house.
10:27Why? He gave me some money back there.
10:31You're in your mouth.
10:33What's your face?
10:35Why won't you have to be angry?
10:38Go and see you.
10:41What are you doing there?
10:42No, no, no, no.
10:43I don't understand that you're so afraid,
10:45but now I'm still here.
10:46Both are going to beat me.
10:48No, no, no, no, no, no, no, no, no.
10:49Now, see, how much I've been to get out of here.
10:53And I've been to a house.
11:01Listen.
11:02I'm listening.
11:04Please, don't talk about anything.
11:05I'll just keep my mind going.
11:08I'm very impressed with this.
11:11You're a personal mind.
11:14I didn't feel it.
11:15It's enough. Now let's go and drive the car.
11:17I've been trying to make a mistake with my mind with my life.
11:22You have your knowledge, dear.
11:24What do you understand?
11:26You can't stop the car at all.
11:30Stop the car.
11:31I won't stop.
11:33I don't want to know your history to run away.
11:35Before I make you a history, stop the car.
11:38No question.
11:41I'm saying stop the car.
11:43Hmm.
11:44This one.
11:46Your house has come.
11:50Leave it.
11:59Mother?
12:00Mother, look at me, the hair of the car is in a shirt.
12:02I'll see you in this situation.
12:04Don't worry about it.
12:06Is there petrol in the house?
12:08Why? What happened?
12:09I'll put it on fire.
12:10Who?
12:11I'll put it on fire.
12:13I'll come to the car.
12:14We'll give him a fire.
12:16You'll get the fire.
12:17You'll get the fire.
12:20You'll get the feeling of the car.
12:22You're going to look at the car.
12:23Look.
12:24I'll put it on fire and look.
12:26Let's go.
12:26Peace.
12:49Divi ka udalaam hi pantha cha raha hai.
12:52Suka na koji ilerge karn nahi padeh.
12:53I'm afraid of
12:57You can't hear anything
12:59You can't hear anything
13:01You can't hear anything
13:03I was listening to Khabeaz
13:05I was sending a message to Khabeaz
13:09You have a relationship
13:11You have a good relationship
13:13Family background is good
13:15The most important thing is that
13:17He is strong and responsible
13:19He is not a spine-less
13:21But I guarantee you
13:23I will be happy
13:25I will tell you
13:27I will tell you
13:29If you have a relationship
13:31Then you will not go to the house
13:33And you will be happy
13:35I will be married
13:37I will be married
13:39You are married
13:41You are married
13:43If you don't say it, you will be married
13:45You will be married
13:47You cannot marry
13:49You will not be married
13:51You cannot be married
13:53If you have a relationship
13:55Then you will be married
13:57You will not be married
13:59You will not be married
14:01You will not be married
14:03You will not have married
14:05You will not be married
14:07You will not be married
14:08My mind is too
14:11I know you..
14:12You will all do
14:13I will write it through my mind
14:14You will not walk away
14:15I will not fight
14:16I will not cry
14:17Then I will give away
14:18If I have a song
14:19Once again
14:20I will ask you
14:21Don't do my mistakes and play with my life, please.
14:46I knew it. I just knew it.
14:48I knew it.
14:49I told her that we will fix this problem for two or three days.
14:53But she doesn't believe me.
14:56I know.
14:58But I also feel like we can fix this problem out of court.
15:02No.
15:04She made her a decision.
15:07I won't go back.
15:10Then tell her about this story on the phone.
15:13And you also need a new team now.
15:18I also need a new team now.
15:20Aaliyah is competent and intelligent.
15:23But remember, not to hire a girl.
15:27What did you say?
15:29Which work is the Aaliyah?
15:32You also feel like the girls can't do all the work.
15:35And if it's like this,
15:37I expect that I will build such big houses.
15:40No.
15:41No.
15:42No.
15:43No.
15:44No.
15:45No.
15:46No.
15:47No.
15:48No.
15:49I can't believe this.
15:53Which work will you give to this dinner with this girl?
15:57How much money will you have to get that?
15:59Ah...
16:00We will get that money, Aunt.
16:02She made it for Taniya's presentation.
16:04Oh, get it?
16:05The pups were talked about how he used to give his daughter
16:09a lady at just two minutes.
16:11This is the same thing, Eh?
16:13She came to my house and gave me this.
16:15Yeah, that's not a auntie.
16:17She was telling you.
16:19Yes, she told me that you have no hope for us.
16:23Wow, my mom is very fast.
16:25One, two, three, two, they had to send me.
16:28She sent me to send me to her, so she could be herself.
16:30And who can she be able to send me to her?
16:33I'm a girl, I'm a girl, my mom is not a girl.
16:36Aunt Pupu will be able to get her.
16:38She will not know if she will.
16:40Yes, she will.
16:42Sofya, who is not a real person from Sofya?
16:47I know that you are afraid, but you are not afraid of eating, auntie.
16:52Look, Seif didn't eat anything, you are waiting for it.
16:55Oh, that's not good, Seif. I know my son.
16:59He will put all the dishes on his plate, he will not be waiting for his mother.
17:04I know.
17:06Okay, let's go, auntie.
17:07Oh, come on.
17:08Just listen to me.
17:10I will not give you a job, and yes, I will give you my mother to the house.
17:18Have you seen?
17:19Have you seen?
17:21You said it, right? That's the only thing.
17:22You came.
17:23What happened? What happened here?
17:31Is everything all right, Sarish?
17:35Okay, I'll be there. Thank you.
17:38My son.
17:40Is he that Sarish, right?
17:41Yes, I am.
17:44Sarish?
17:46Nothing.
17:48He has bought properties and her own property.
17:50He is that girl who works in her brother's office.
17:55Is he his brother?
17:57Fine.
17:57I'm fine.
17:59It's not like this.
18:02It's beautiful.
18:04I haven't even heard of it.
18:06Marriage?
18:07I don't know what you're doing.
18:09If you were to answer, then I'd say,
18:11let me give you something.
18:13Otherwise, my mood was like this.
18:16I'll do it again.
18:18How's it going?
18:19I'll tell you what I'm saying.
18:21If you don't want to be beautiful
18:23and you don't want to be married,
18:25I'll just ask for you.
18:27I don't think you are feeling anything.
18:31You're so happy that you don't think I like this.
18:33Don't you think I'm thinking about it?
18:35I'm feeling it.
18:45What am I doing?
18:47Did you make this work?
18:49It's really jockey.
18:51This is for designing,
18:53I was making my own clothes, but I was making myself a plastic.
18:57I was making myself a pair of clothes.
18:59Then, I made Tania and Alia.
19:02Do you want to make me?
19:04You don't feel bad about your mother.
19:07But at home, don't you want to do something like him?
19:10I'm not going to make my clothes.
19:12But I'll make my clothes and my clothes and my clothes will be.
19:15Hopefully I'll start my clothes in the clothes.
19:18But I'll never have a leave.
19:20My mother will never give you a chance.
19:24You will never give me a chance.
19:27I've never given my own love without my mother's chance.
19:31And this will never give me a chance.
19:34And Shaguftah?
19:38Sorry.
19:40Shaguftah says that I'm a buzhdal.
19:43Your honor and honor are not your buzhdal.
19:47But one thing is,
19:50if you are not for me,
19:52you will never talk to me with your auntie.
19:59I'll go to my mother's house today.
20:01Can I take it?
20:03Yes, sure.
20:06Then you will eat food.
20:09Will you talk about your house?
20:12No.
20:14Will you do it?
20:16If you want to talk about your auntie,
20:18I will not talk about your auntie.
20:20But I will not talk about your auntie.
20:26You are so sweet.
20:27Ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha.
20:28You are so sweet.
20:29Now...
20:32You always want to talk about an bully.
20:34Do you tell him that you are the bully.
20:35Do you know what?
20:37Do you...
20:38Every time the death of death is gone.
20:40There is no matter what the truth is, I don't have a heart.
20:47This is another block.
20:49This will fall down.
20:51I won't fall down.
20:53Just wait two minutes.
20:55If you don't think about the new bridge,
20:57you will fall down.
21:01This is excellent.
21:04I don't want to make a new house.
21:11What happened, Pupu?
21:15Look at this house.
21:17There is a roof.
21:20There are no walls.
21:22There are no walls.
21:24There are no walls.
21:26I am amazed.
21:28Where are you sleeping?
21:31What happened?
21:33You will buy a house.
21:35This house will look perfectly fine.
21:37You will pay a house.
21:39You will pay a bike.
21:41Don't take your bike.
21:43That's the case,
21:45you will buy a new house.
21:48Tell us about the new house.
21:50You will pay for the new house.
21:53You will pay for the new house.
21:55You will pay for the new house.
21:57You will pay for the new house.
21:58You will pay for the new house.
21:59You will pay for the new house.
22:01Tania,
22:02I'm telling you myself.
22:03If I take that person's name,
22:05he will take your new house.
22:06It will not since his house.
22:07That's all.
22:08Well done.
22:09Hi, welcome.
22:13Hey, welcome.
22:15How are you?
22:16Good morning.
22:18Good morning.
22:19Good morning.
22:20Good morning.
22:24Come on in front of me.
22:26Come on in front of me.
22:27His phone also comes to me.
22:29I've got a lot of sleep in my heart.
22:31You've not been able to know me.
22:33You don't know your own.
22:35The child is the most important thing.
22:38ھیک تو تیرا یہ جو وقت بے وقت کا فلسفہ ہے نا
22:45یہ میری جی جلاتا رہتا ہے میرا
22:46میں تو بس ہتا بول لیوں کہ اپنا جی مت جلایا کریں
22:50دیکھنا سامیہ باجی ایک دن اپنی ساس کو ایسا سیدھا کرے گی
22:54مجاروں پر پھوٹو لٹکی ہوگی
22:56بہو کے ساتھ برا کرنے والی عورت کا انجام
22:59توفہ ہے بس
23:01تیری باتیں سنے جائے کوئی
23:06Let's go, I'll come. Let's go, let's go, let's go, let's go.
23:19In front of you?
23:20Hello, welcome.
23:22Hello, welcome.
23:23I don't know who has come from.
23:25Who has come from?
23:26How are you?
23:27I'm with you.
23:28Tania's jewelry.
23:30You can show me the jewelry?
23:32Yes, yes.
23:33Look at her every time.
23:34You can show me the jewelry.
23:36Give it to her.
23:37No problem.
23:38This is for you.
23:40This is for you.
23:42This is for you.
23:44This is for you.
23:46And the jewelry?
23:48This is for you.
23:52I love it.
23:53People, you have to wear jewelry for your jewelry.
23:56Make your jewelry.
23:58Make your jewelry.
24:00It's a problem.
24:02I'll put it in the jewelry.
24:04I'll put it in the jewelry.
24:05I'll put it in the jewelry.
24:06I'll put it in the jewelry.
24:08What's happening, Tania?
24:10Tell me what's happening.
24:12Tell me.
24:13You tell me.
24:14Everything is good at home.
24:15Everything is good.
24:16And she's telling you.
24:17Welcome.
24:18Welcome.
24:19She's not in the house.
24:21She's late for the office.
24:23She's late for the office.
24:25She's telling me that she's going to go out.
24:27She's not going out.
24:28She's not good.
24:29This is a good gift.
24:30We were leaving your mom in the house.
24:33We didn't have any gift from us.
24:35We didn't have any gift from us.
24:36We didn't have any gift from us.
24:37I'll tell you what the reason was.
24:39Well, that's not the gift.
24:40What is the gift from us?
24:41What's the gift from us?
24:42We left the gift from us.
24:43I used to give her the gift from us.
24:45We didn't have any gift from us.
24:46What is the gift from us?
24:48What's the gift from us?
24:49If I can show you?
24:50I say it.
24:51I'm not.
24:52a muster till get an ad now so good head in a jana
24:57are
24:58are
24:59is
25:01are
25:01is
25:01is
25:02a
25:02a
25:03a
25:03a
25:04a
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25:21What do you want to do with all of you in front of all of us?
25:26Okay.
25:29You tell me.
25:31It's okay. They didn't send you anything.
25:34They didn't feel bad at all.
25:36No, no, I'm afraid.
25:39And...
25:40I've talked a lot about it.
25:42Yes, of course.
25:44We'll talk about it in the 90s.
25:51I'm telling you.
25:54The world will end up if anyone has a word in their mouth.
26:07So what do you think?
26:09I must say, you've done a lot of work.
26:12Thank you, sir.
26:13But I believe that the plots are already big.
26:16To increase the prices of our rules and ethics.
26:20To increase the prices of the new plots.
26:23That's just like my father.
26:25They're enough.
26:26I don't need anyone else in my life.
26:29So just do what I've asked you to do.
26:32Sir, they don't have the plots already.
26:34If they're going to the port,
26:36there's a lot of difference in our reputation and sales.
26:39Listen.
26:42And listen.
26:44I know what I'm doing.
26:47So please, tell me what you're saying.
26:50Hmm?
26:58Approve your so-called noyalties.
27:03Or is that too much to ask for?
27:05Hmm?
27:07Sir, I can't believe that my noyalties will always remain with me.
27:11If you have to believe, then do it.
27:12If not, it's your choice.
27:13I can't really convince.
27:14If you have to believe, then do it.
27:17If you don't, it's your choice.
27:19I can't really convince you.
27:35I've read somewhere
27:37such akshver
27:39Gussa dila djeta hai.
27:42I've also read somewhere
27:45that it doesn't have to be a person
27:48and it doesn't have to be a person.
28:01If you don't have such experience for this job,
28:05are you underestimating yourself
28:08or do you want to do this job?
28:10Sirish, you're looking for a replacement of Aliyah.
28:13And I'm not a person like Aliyah
28:16and grateful for everything.
28:21Hello, Sirish.
28:22Hello, Aliyah.
28:23I want a favorite you.
28:25Say it.
28:30I'm very aggressive.
28:33And keep your eye on target.
28:36I'll tell you.
28:37Because our relationship is from Asphar.
28:40And for this job,
28:41it's better for you.
28:43Why did you go to Aliyah?
28:45Why did you go to Aliyah?
28:46That was also necessary.
28:47That was necessary.
28:48Well,
28:50will you answer tomorrow?
28:54Sure.
28:55That's okay.
28:56Perfect.
29:03It looks good.
29:06Should we get lunch?
29:08You will have to eat some things.
29:12But I want to eat out today.
29:26Until tomorrow with me,
29:28I would kiss you...
29:34You will go...
29:40You will go down through the station.
29:41That's lucky.
29:42I can only make you comment about it.
29:45It's just nuts.
29:46If this is nice,
29:47then you're taking a carreer.
29:48For now,
29:49I am still listening to Finale to you.
29:50It's just to be Bild.
29:51The tradition.
29:52Using thelandsok
29:54You're so open that you've forgotten that I'll be here.
30:01Where are you?
30:04Where are you?
30:05I've gone from here.
30:07That's what I remember.
30:10What's the problem?
30:12What's the problem in your mind?
30:16I'm...
30:18I'm going to go to lunch.
30:24I'm going to go to lunch.
30:26You're going to go to lunch.
30:28You're going to go to lunch.
30:30If it's like this,
30:36tell me quickly.
30:38So I'll stop that and you'll be there.
30:42I've always thought about everything.
30:46But this is not a problem.
30:48I'll do it again.
30:50You just tell me that you love me.
30:56Why do you love me?
30:58Why do you love me?
31:00I love you.
31:02What?
31:03Tell me the whole story.
31:05You love me.
31:07Yes, Samir.
31:08Yes, I'll do it.
31:13Yes, Samir.
31:15Yes, Samir.
31:17Yes.
31:18No.
31:19I'll do it now.
31:21Yes, Samir.
31:22Yes, Samir.
31:23Yes.
31:24I'll do it now.
31:26Yes, Samir.
31:28Yes.
31:29I'm going to go.
31:30Yes, Samir.
31:32ཡོག ཡོས ཡོག ཡོག ཡོག ཡོག འོ གད ཡོད གོ འོ ཡོག ཕ༱ག གསྲང དག རླསར འོ གསྲང ཤསྲང ཚདང རླང གསྲང འ�
32:02I'm going to get ready to get ready.
32:05You don't have to worry about me,
32:07but you need to tell your mother.
32:32Don't relax.
32:34You have just left some lunch.
32:39You don't have to worry about me.
32:41I'm not going to get ready to get ready.
32:42You don't want to be worried about me.
32:44You don't need to get worried about me.
32:46You have to say that that I want to say that I don't want you to be worried about you.
32:49Before I tell you that I'm worried about you.
32:53Because I'm concerned about you.
32:55You're concerned about me.
32:57You're concerned about me.
32:59I'm sorry.
33:01What's that?
33:04It's nothing.
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