- 6 days ago
Full Episode Of Designed For Desire
Category
🎥
Short filmTranscript
00:01Okay.
00:09This is insane.
00:14Hi, did anyone order these?
00:16Heartless pervert!
00:17Whoa!
00:20You've got to be kidding me!
00:21Look, you've got it all over me!
00:23Do you have any idea how much this costs?
00:25And if they can't get it out...
00:27That's enough!
00:30You.
00:36In my office.
00:37Now.
00:38What?
00:47What's your name?
00:50Uh...
00:54Cecilia Brooks?
00:55Ms. Brooks, is there a reason why you came here to interview us as a designer,
00:59dressed like this?
01:01Oh.
01:02I think you have the wrong idea, Mr. Um...
01:05Mercer.
01:07I'm not here for-
01:08I don't want to hear excuses.
01:16Change into this.
01:18Excuse me?
01:19You'll hear things are very fast-paced here.
01:20You'll hear things are very fast-paced here.
01:21I don't have time to ask twice.
01:22I don't have time to ask twice.
01:23I don't have time to ask twice.
01:24I don't have time to ask twice.
01:29I don't have time to ask twice.
01:30I don't have time to ask twice.
01:31I don't have time to ask twice.
01:35I don't have time to ask twice.
02:05Hello, this is Cecilia.
02:14Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:18Until then, we cannot proceed.
02:20Okay, one second.
02:22Hello?
02:24Ms. Brooks?
02:25Shit.
02:29Who is this woman?
02:31His girlfriend or something?
02:32I wasn't done with my interview.
02:35We'll touch base soon, okay?
02:40Oh!
02:41Good luck.
02:44I thought you weren't interested.
02:47Take off your clothes.
02:48Right now.
02:49So, Ms. Brooks, what do you see in this room?
03:11Well, it's deliberate.
03:15Controlled.
03:17Powerful.
03:18It's impressive.
03:20But...
03:21But?
03:22It's not...
03:24satisfying.
03:26Bold again.
03:27Tell me, how do you know it's satisfying?
03:33Satisfaction lies somewhere in between.
03:37You think you can give me that?
03:39Think you can take the risk and find out?
03:42All yours.
03:50All yours.
03:54Hey.
03:58The women out there would do anything to be in the position you're in.
04:01Unless you have other ideas.
04:10Don't make me regret this risk.
04:12I don't plan to.
04:15The position's been filled.
04:17Go home.
04:20Get out!
04:21Damn.
04:21He doesn't have to be so rude.
04:37Pappy, your phone's upside down.
04:41Hi.
04:42How are you feeling?
04:43Hey, jubilation?
04:45Not doing too well, honey.
04:47Damn hospital postponed my surgery again.
04:50I'm so sorry, Pappy.
04:52I'm working things out with the hospital.
04:54I have some good news today, though.
04:57I'm sorry.
04:58Uh, I think that's my landlord.
04:59We have to go.
05:00Love you.
05:00Bye-bye.
05:03Oh.
05:05What the hell is he doing here?
05:09What are you doing here?
05:10Oh.
05:11What the hell?
05:13Hey.
05:14Whoa, whoa, whoa.
05:15Guys, whoa.
05:16Hey, don't take that.
05:16I did not agree to this.
05:23Actually, you did.
05:27The signing must reside on Mr. Mercer.
05:29I can't quite hear you.
05:31Must reside with Mr. Mercer for the duration of the project?
05:35Hmm.
05:36How long?
05:37Keep reading.
05:39And definitely without exception?
05:47A gift.
05:49What the fuck?
05:49A gift in exchange for being kidnapped?
05:54No thanks.
05:58I need to know where you're at at all times.
06:02It's a tracker.
06:03What?
06:04Like a dog collar?
06:06Do you think you own me now?
06:08I wouldn't do that.
06:10Come on.
06:10Let's go.
06:11This is insane.
06:12Just give me a second to put Crumpet in his carrier and call my grandfather.
06:15No.
06:16There are no animals in the mansion.
06:19You must say goodbye to your little Crumpet.
06:22What?
06:23Absolutely not.
06:24I told you in the contract that I will take care of everything.
06:29I don't care about the contract.
06:30What?
06:31Oh, my God.
06:32Goodbyes are always so hard.
06:34Put me down.
06:35What are you doing?
06:39Welcome back, Miss Brooks.
06:42So, I'm not allowed to leave?
06:44If you leave, your contract will be terminated immediately.
06:48And what?
06:48You're just going to leave me all alone in here?
06:50Would you like me to join you?
07:02No, no, no, no.
07:03Why is it making that sound?
07:05Damn, if I leave, Pappy dies.
07:08Shit, I'm trapped with this monster.
07:10Oh, my God.
07:11Is this really happening?
07:13I'm stuck.
07:24This is your uniform.
07:26Work hours have started already.
07:28Tidy yourself up.
07:30Report to Mr. Mercer.
07:31Oh, and, uh, chop-chop, Miss Brooks.
07:38Mr. Mercer does not like to be kept waiting.
07:41Enjoy the view?
08:04No, I, um, just didn't want to disturb you.
08:10I don't mind if you stare.
08:12Sorry, sir.
08:13I was just interested in your build.
08:16The building.
08:17The build of the mansion that we're building to work on today.
08:24What time are we leaving for?
08:26Car leaves in ten minutes.
08:28Great.
08:28I'll be ready.
08:40How much further?
08:44Patience, Miss Brooks.
08:45Oh, my fucking fucker.
09:01Hey, Foxy!
09:03I got something that'll keep that jaw clenched.
09:05Wow.
09:06Original.
09:07Mr. Mercer!
09:08We didn't know you was coming in today.
09:10Get off my property.
09:11What?
09:12You're fired.
09:13Leave.
09:14Oh, the hell?
09:15I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:21If I collapse your loan...
09:23Wait, did he just stand up for me?
09:26Sir, how about you?
09:28Continue your work with Miss Brooks, and I'll handle this.
09:33Come on.
09:36Everything's nearly finished.
09:37I'm gonna have a team come in and make some final measurements over here.
09:40And I'll ensure they know where to keep their mouth shut.
09:43Uh, is this all marble?
09:51Seeing her in my house gives me a strange feeling.
09:54It's so beautiful.
09:55What is it about her?
09:57Why do I want to...
09:58Follow me.
09:59Wow, an elevator?
10:07By the way, what you did out there, thank you.
10:10I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
10:14Remember that.
10:20Your first task for the client.
10:21I don't know anything about the client.
10:25Who is...
10:26We don't ask about the client.
10:28We only worry about what they desire.
10:31Okay.
10:32Am I allowed to know what the purpose of this room is?
10:35Yes.
10:36Great.
10:37The client would like this room transformed into their BDSM chambers.
10:46I hope she doesn't see right through me.
10:51So, how would you do it?
10:54Uh...
10:55Um...
10:57Paint me a picture.
10:58Right.
10:59Over here, I would put a chaise lounge velvet, obviously.
11:08Obviously.
11:09And over here would be a great place to mount a swing.
11:12One with adjustable heights and handles.
11:16And next to it, we could put a cabinet for whips and toys and things.
11:20You're very well versed.
11:23I read a lot.
11:26Certain genres of certain books have certain details.
11:28That's...
11:29Right.
11:30Right.
11:30Of course.
11:32Yeah, it's perfectly normal.
11:33A lot of women read fantasy and romance and fantasy romance.
11:40Anyway, uh...
11:42This would be a great place to mount wall cuffs.
11:46I'm drowning in the heat
11:51Afraid of what I need
11:57Your touch is like a flame
12:03But I can't turn your way
12:06Hello?
12:14Miss Brooks, I'm sorry.
12:15We need the payment.
12:17Uh, I understand.
12:19Is there anything I could do now to hold him there?
12:21Anything that could be done right now?
12:23We need your payment, Miss Brooks
12:24By tomorrow morning
12:25All $200,000
12:27Okay, I'll get it to you, I promise
12:30Sorry
12:33Your contract explicitly states that I receive 100% of your attention at work
12:38Who was that?
12:42It's personal
12:43There are no personal calls
12:45At work
12:46I'm sorry
12:48Mr. Mercer, it won't happen again
12:56I'll get to work right away
12:57I'll have designs to you by tomorrow morning
12:59Take it off
13:04What?
13:06Your jacket
13:10Uh, Mr. Mercer
13:13I won't ask twice
13:16Uh, what's this for?
13:30It's perfect
13:31Now go get dressed
13:33No need to pout, Miss Brooks
13:56You'll be reading some of the top designers
13:58I don't understand
13:59How does this take priority over work?
14:01Am I your date or your designer?
14:05You are
14:05What I say you are
14:09Ladies and gentlemen
14:22It is my pleasure to welcome you all to
14:25The annual architectural ball
14:28Proudly hosted by the Mercer Group
14:30I'd also like to welcome and introduce
14:36Our newest interior designer
14:38Mr. Cecilia Brooks
14:41I thought you said you had the job
14:47I did everything that I could
14:48Mitch must have slept with him in the interview
14:51Fine
14:52I'll fix it myself
14:54So without further ado
14:59Please enjoy your drinks
15:00And have a wonderful night
15:02We have this dance
15:11Sterling
15:16I was hoping that maybe we could walk and talk
15:21Or maybe
15:22Dance and discuss
15:24You must be working so hard
15:27I was thinking
15:29Maybe you would benefit from a designer who
15:32Really knows you
15:34Your past
15:35I'm not interested in rehashing old relationships, no
15:40It was just a flight
15:42It doesn't mean we can't be close
15:44Sterling could be a difficult person to work for
15:49You know you can come to me
15:55If you need anything
15:57Get your hands off of her
16:03What the hell are you doing here, Vincent?
16:10Folks, looks like the jester came to play
16:12Get him out of here
16:17It's alright, folks
16:22Enjoy the party
16:23It's okay
16:24Yeah, you're okay
16:25Why don't you go grab a drink
16:28I'm gonna take care of this
16:29Crazy night, huh?
16:39Yeah
16:39Too crazy
16:40I'm Nora
16:41A close friend of Sterling's
16:43So
16:43Tell me
16:45How's the new position treating you?
16:47It's demanding
16:49From the client
16:51What's your feel on them?
16:53Oh, I'm not at liberty to discuss that
16:55Come on, it must be crazy, right?
16:58I really can't
17:00Oh, how embarrassing
17:06What are you doing in here?
17:11Cecilia, I'm sorry
17:12I'm so done with their whole world
17:15Yeah, the head of the board was barking my ear off
17:21Stop it
17:22What?
17:23I'm just trying to help
17:24Help?
17:25Really?
17:26That's rich
17:27I mean, I am rich
17:29You
17:30You are a lot of things
17:33From the moment I met you
17:34You've controlled every aspect of my life
17:35Every movement I make
17:37You're obsessive
17:38Cryptic
17:39A perfectionist
17:40But you're not rich
17:42Not where it counts
17:44Feel excuse me
18:04I have work to do
18:06I have work to do
18:34Is that me?
18:47Did I say you could come in here?
18:49Uh, you'll be happy to know that I worked on these all night.
18:52Maybe if you stayed at the gala, you would have learned something.
19:05Learned what?
19:06You follow through with your obligations, so you wouldn't waste your time working on garbage.
19:10Garbage?
19:12I'll need five more by tomorrow morning.
19:14That will take me all night.
19:15Even making those two took me all night, and I barely got them done in time.
19:19You've done it once before.
19:21You can do it again.
19:22Don't you think, maybe, just maybe, that's an unreasonable amount of time?
19:27Maybe.
19:28I don't care.
19:29Wait.
19:31I should have remembered.
19:32It's not in the contract.
19:42Oh my god.
19:49Excuse me, miss.
19:50Where's my grandfather?
19:51I'm sorry.
19:53Usually if they're not in the room, it's because the insurance ran out or...
19:55Ms. Brooks?
20:10Yes?
20:11I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:16He's being very well taken care of.
20:18I don't understand.
20:18How is that possible?
20:19I can't afford that.
20:21I told you.
20:24I'll take care of everything.
20:25What?
20:27I can't believe this.
20:35Oh, but...
20:36But why?
20:38Why would you do that?
20:39Well, when I said I needed your undivided attention, I meant it.
20:46Now the only thing you have to worry about is me.
20:50I'm not your slave.
20:56Five designs by tomorrow morning.
20:58You're welcome.
21:11I've been expecting you.
21:13I have a feeling I'll be impressed.
21:15Brushed work is not work to be proud of.
21:17Is this you?
21:24And my parents.
21:24They must be so proud of you.
21:26They never got to see it.
21:27I inherited this company before I was old enough to run it.
21:31I'm so sorry.
21:32It was a long time ago.
21:33What happened?
21:34They vanished.
21:35On a work trip into Europe.
21:37Guess I don't control everything after all.
21:39I'm going to deliver these designs to everyone.
21:41I have a surprise for you.
21:47To your first approval.
21:55It's beautiful.
21:58I do have a request, though.
22:01I was wondering if I could...
22:03I could have a little freedom.
22:05From what?
22:06Me?
22:07No.
22:07No, not you.
22:10From this.
22:12Well...
22:13I need to keep track of you.
22:15I mean, what if...
22:17Sterling.
22:17I'm not your parents.
22:21I'll be fine.
22:22I just don't know if I'm ready for that yet.
22:25But you continue to impress me.
22:26I mean, you'll be free as a bird.
22:28I do have more surprises to show you, but, um, you're gonna have to wait till tomorrow.
22:48Hmm.
22:48Full of surprises, aren't you?
22:56And that's why I can't let you go.
23:09What are you two doing here?
23:14There's not supposed to be anyone working today.
23:15We were just swinging by to assess a minor electrical concern.
23:18It seems that the circuit...
23:19It's nothing urgent.
23:19We're gonna come back tomorrow with the rest of the crew and get it resolved.
23:22Okay.
23:24Thank you for the update.
23:28Thank you, Mr. Mercer.
23:33I've ordered these beautiful pieces.
23:35White marble.
23:38What the hell?
23:38It's kind of beautiful.
23:46No, no, it's a mistake.
23:50It's not too perfect.
23:51It's bold.
23:53It's not trying hard.
23:53It just...
23:55is.
23:56Well, I like my work to be...
23:58Intentional.
24:01Well, I would argue that this elevates the intention of the space.
24:05The juxtaposition between control and chaos.
24:09You have good eyes, Ms. Brooks.
24:12Follow me.
24:19Your second task for the client.
24:22Master bedroom and nursery.
24:25Oh, the client's a family man.
24:27We don't discuss the client.
24:29Only satisfy their needs.
24:31Would you like to see your designs?
24:53Is it not what you thought?
24:56No, it's...
24:57It's not that.
24:57The power went up.
25:03There's no signal.
25:05Yeah, the soundproofing they put up, uh...
25:07cuts signal.
25:09What?
25:10No.
25:22It's not funny.
25:24I'm not laughing.
25:25How long until someone notices that we're gone?
25:28I don't know.
25:29An hour?
25:31Maybe two?
25:32Is it Nora?
25:34The client?
25:35What?
25:36No.
25:37You're not supposed to ask about the client.
25:39Just tell me.
25:40No.
25:41It's not.
25:42Is she...
25:43more?
25:43I built this room because I believed in your vision.
25:49I cleared your schedule.
25:51I cleared your stressors.
25:53All because...
25:55I wanted you.
25:56I'm not supposed to ask her.
26:12No.
26:24No.
26:24Sir, your seven o'clock is waiting upstairs.
26:46Tuck your shirt in, sir.
26:54I know. I know.
26:57Ah! Who the hell are you?
27:00Calm down, sweetie. Put Crumpet down.
27:05Listen, sweetie, I work for Mr. Mercer.
27:08He hired me to take care of your grandpa and Crumpet until you return.
27:12Sweetie, what are you doing home?
27:14What am I doing?
27:17This is Agnes, my nurse. She's taking care of me.
27:20Oh, I'm sorry. I'm so embarrassed.
27:24Um, hello?
27:29Why are you in your apartment?
27:31If you're there, there's no need for Agnes to stay employed.
27:34Cece, you're ruining my chances.
27:36Go back, Cece.
27:37Oh, okay, okay.
27:39Everything's all right. Agnes has taken very good care of me.
27:42Okay, okay, Pappy. I'll go.
27:44Um, it was nice meeting you, Agnes.
27:47Nice to meet you, dear.
27:54What the hell?
27:59He has a girlfriend?
28:07What was I thinking?
28:24Got you now, bitch.
28:51I found her address.
29:11Sterling.
29:14Sterling, can we talk?
29:15I don't have the time, Miss Brooks.
29:17Sterling, it's important, please.
29:18Well, I'm dealing with something. Figure it out yourself.
29:30You might want to ask me why I'm here, you psycho.
29:33I don't give a damn what you have to say.
29:36I don't trust you.
29:37Well, maybe you should start.
29:39Because I know a dirty little secret about you.
29:41You're about to be broke.
29:49I'm here to offer you a buyout.
29:52Get out.
29:53Hear me out.
29:55Instead of your accounts being compromised, facing bankruptcy,
30:00and becoming the embarrassment of architecture,
30:02we could merge as Hale Mercer.
30:05Even has a nice name.
30:08Oh, you're way out of line.
30:09Am I?
30:11Because someone pretty close to you seems to be worried about you.
30:14Besides, if you don't accept this buyout,
30:18I'll publish the information,
30:21and Mercer Designs will go bye-bye.
30:24Is that a threat?
30:25Think of it.
30:27Or a bribe.
30:30Get the hell out of my property.
30:35And out of my sight.
30:37Now!
30:50Miss Brooks, in my office immediately.
30:54Are you sure you want me in there,
30:55or not your other woman friend?
30:57What are you talking about?
30:58Hand me your sketches.
31:00I have designs, but they're not the originals.
31:05The originals are missing or lost.
31:08What do you mean, lost?
31:09I finished the designs last night, and I fell asleep,
31:12but when I woke up, they weren't in my room anymore.
31:14You're lying.
31:15I'm lying?
31:17Why don't you tell that to the next girl you bring over?
31:21Excuse me?
31:22You're so careless.
31:23Careless?
31:24Me?
31:25I'm pretty sure you're the one who's talking about losing sketches.
31:28Something you won't have to deal with anymore.
31:30Marley's going to be taking you to the project mansion.
31:35Hopefully you can figure out your sketches problems there.
31:39You may go.
31:46Take her and her belongings to the project mansion.
31:49Anything I should know, sir?
31:51She can't be trusted.
31:54And check the cameras.
31:56We have a mole.
31:58Yes, sir.
32:03Miss Brooks.
32:06What are you doing here?
32:07Well, um, I, uh, had to get some artwork for the client.
32:16You don't trust me.
32:18That too.
32:20You not trusting me?
32:22You were the one with another woman after all that
32:24I did this all for you bullshit.
32:26Okay, what woman are you talking about here?
32:28You can't lie to me.
32:29I saw you with her.
32:30I saw you with her.
32:31Okay, okay.
32:32Okay.
32:33If it makes you feel any better, I...
32:34I promise I'm looking into her.
32:40You promise?
32:43I promise.
32:44I thought you didn't trust me.
33:05That you were mad at me?
33:06No, you're too hard to resist.
33:07Okay.
33:08Okay.
33:14Let's go inside.
33:22Let's go inside.
33:36Eyes like knives you cut right through
33:39Every look says what you do
33:42Pull me under soft and deep
33:45You're the secret I can't keep
33:49Breath on glass, you trace my name
33:52No one else can play this game
33:55You don't ask, you just take
33:59And I give, and I pray
34:02Well, hello.
34:05I'm here for Mr. Brooks.
34:06I'm sorry, what exactly is this for?
34:08I'm the treatment nurse.
34:10I'll be taking him to his appointment for today.
34:12Oh, Mr. Brooks doesn't have an appointment today.
34:14I can assure you he does.
34:19Well, thank you for coming.
34:21Can I bring Crumpet?
34:23Yes, Mr. Brooks.
34:24Bring the cat.
34:42Hello, Cecilia.
34:47I'll need your full cooperation.
34:49I have something of yours you might want back.
34:51Now that I've got your attention,
34:53I need a little favor.
34:55Bring me Mercer's Legacy One design.
34:57You can't do this!
34:58But see, I already have, sweetheart.
35:01Get me the designs.
35:02Tell Sterling, and your sweet old pappy dies.
35:05And your little cat, too.
35:07Your choice.
35:08I've been reviewing project management assets.
35:12You're four days late on the Hudson property.
35:14The client is not happy.
35:16Mr. Mercer is not happy.
35:19Pick it up, or I'll give your work to her.
35:20She's three days ahead.
35:23Is that a personal email?
35:24Sweetie, you don't have to do this.
35:45Too late, old man.
35:47Who the fuck are you?
35:49Your worst nightmare.
35:51Baby!
35:53I'm so glad you made it.
35:54I set all this up for you.
35:57This better work.
36:01No, no, you won't eat.
36:24Show me the video.
36:41Yes, sir.
36:45She knew how to evade the cameras.
36:46I can't identify her, but we knew her enough to let her in.
36:52Keep this video between us.
36:54Yes, sir.
36:55Cecilia.
37:09Cecilia.
37:10Sterling.
37:11You're not working from home today?
37:12What are you doing here?
37:14Who have you been talking to?
37:16No one.
37:16I, uh, just, I needed to pick up some paint samples, and this was on the way.
37:20On the way to what?
37:22We're like 20 miles south of home.
37:25I'm getting my necklace cleaned.
37:28So if you can't find me or track me for any reason, that's why.
37:34Why do you need your necklace cleaned?
37:41I've just been working a lot.
37:43The drafting table is super dusty, and I don't want to get messed up.
37:48It's a woman thing.
37:49I'm trusting you right now.
37:58I know.
38:13What the hell is going on?
38:19Good girl.
38:35Right on time.
38:38Well, don't hesitate now, sweetheart.
38:40Or they're dead.
38:43Come on, Cecilia.
38:44Do it.
38:49Sterling Mercer's legacy designs.
38:54Just like I asked.
38:55Oh.
38:56Sterling, you won't even know what hit you.
38:59Now let my grandfather go.
39:01He's all yours.
39:02A deal is a deal, pretty lady.
39:10Cece, don't!
39:11Get out of here!
39:12Look, look!
39:19I've had a change of heart.
39:31Please.
39:33No.
39:34This way.
39:44Wow.
39:45You really know how to tie the room together, darling.
39:49Sterling has my location.
39:51You have no idea what you're in for.
39:52Oh.
39:53But I think I do.
39:56You see, when that timer goes off,
40:00you and that little tracker and this entire place will go bye-bye,
40:04and then that will pave way for the construction site of all hail designs.
40:09He'll find me.
40:11And when he does...
40:12That's very unlikely, Cecilia.
40:15Now that Sterling has this video,
40:18no one's coming to save you.
40:20Screw you.
40:22Screw both of you!
40:23Oh, oh, oh.
40:25But I almost have everything I need.
40:29Hmm?
40:30His financials, his accounts.
40:31You see, the only thing that is missing, my dear,
40:37is the contact for Sterling's project mansion.
40:40What?
40:42Why does that matter?
40:43Well, once I have the contact,
40:47I can put in a bid under his.
40:50Therefore, Mercer will no longer have any names
40:52attached to any property.
40:56That will never happen.
40:58Hmm.
40:58Who's the client?
41:04How much was the bid offer?
41:08I don't know.
41:11Well, you'll remember.
41:14Trust me.
41:15Even if I did,
41:17I wouldn't tell you.
41:18So,
41:28tell me,
41:30who is the client?
41:33He took care of my family.
41:35I'm never going to sell him out.
41:37Unless you forget, sweetheart.
41:44You already gave me the plans.
41:47So, therefore, you are already a betrayer.
41:50Promise?
41:51I don't know anything.
41:54Hmm.
41:55Well, I can see that you're a lady of your word,
41:58which makes it kind of harder to believe you.
42:00So,
42:01tell you what.
42:03This is how it's going to go.
42:05You're going to tell me,
42:07and then you,
42:09Pappy,
42:09and little Kitty
42:10can go free.
42:13While Mercer Designs burns to the ground.
42:16Or,
42:17I could kill you.
42:20Right here.
42:22Right now.
42:24And Mercer Designs falls anyway.
42:26Shh.
42:29Okay.
42:31Decisions, decisions, darling.
42:31Wait, no.
42:32No, I'll tell you.
42:33I'll tell you anything you want to know.
42:34Please, don't touch him.
42:36I'll tell you.
42:46Tell me
42:47everything.
42:51I don't,
42:52I don't know a lot.
42:54I just,
42:56I know she's very private,
42:58very secretive.
43:00She only talks to Sterling.
43:02She's an older,
43:04conservative woman.
43:06Liar!
43:08That night that I dosed Sterling
43:10with that sleeping elixir,
43:12I found your little project mansion
43:15and that newly built BDSM room.
43:18Oh,
43:18and then all the plans
43:19that I stole from Cecilia's bedroom,
43:21they were for a nursery.
43:23Both rooms that an elderly woman
43:25wouldn't need in a new home.
43:26You drugged him?
43:28Yes!
43:28I drugged him!
43:35And then I ransacked his mail.
43:38That's where I found you,
43:40your address,
43:42and your little cat, too.
43:45Well, then,
43:49looks like you chose...
43:53Oh!
43:54Oh, I'm sorry,
43:55my sweet miss,
43:56but
43:56our short little affair
43:58is over.
44:00Excuse me.
44:02Well,
44:03obviously,
44:04I don't need your services
44:05any longer.
44:07Besides,
44:08I don't
44:09do
44:10witnesses.
44:11Sterling,
44:18help me,
44:19please!
44:19Sterling, wait,
44:20it's a trap!
44:21Sterling,
44:22please,
44:22you have to help me!
44:23Watch out!
44:31Tell me how to do farm it!
44:33Now!
44:36Packed wire!
44:37You little bitch!
44:45Nora, stop!
44:46Put down the knife!
44:48She kidnapped me!
44:49I've been waiting here
44:50for hours for you!
44:52Put down the knife!
44:53Come on,
44:53let me at her one last time!
44:55She betrayed you!
44:56She's the one
44:57who gave up
44:57the Legacy One
44:58and the third floor!
45:01Wait,
45:01how do you know
45:01about the Legacy One project?
45:02That was confidential.
45:04That little bitch,
45:05she told Vincent
45:06everything!
45:07No,
45:08she's lying!
45:09It's all because of her!
45:13She drugged you!
45:14No,
45:14I didn't,
45:15you bitch!
45:16When I thought
45:16I saw you
45:17with that woman?
45:19Then I lost
45:20the designs.
45:21No!
45:22No,
45:22that wasn't me!
45:23Okay,
45:24Vincent made me do it!
45:25He said he threatened
45:26my family!
45:27I had no other choice!
45:29I don't believe you.
45:31Arrest her!
45:33No!
45:33No!
45:33Stop the knife!
45:38Come here!
45:38Get my face!
45:39Stop!
45:40Vincent,
45:41do you please?
45:42You have the lights
45:43when you're silent.
45:45Anything you say
45:46can't move against
45:46against you
45:47and you're going to fall.
45:48No, get this,
45:48my sir!
45:49Wait, no,
45:49no, I'm Heinzverse.
45:50I'm so sorry.
45:52It's okay.
45:53It's okay.
45:53But I gave him
45:54your designs.
45:55I didn't know
45:55what else to do.
45:56I was trying
45:56to save them.
45:57Didn't mean to.
45:58You're safe.
45:59You're safe.
46:00Okay?
46:01Vincent,
46:01we'll be able
46:02to touch the project.
46:10I'm so happy
46:11you found me.
46:11I thought...
46:13What ways
46:13I'll find you?
46:17How?
46:21Because I know you.
46:23That moment
46:24in the parking lot,
46:25I knew
46:25from your eyes
46:27that you needed me.
46:33I will always
46:34keep you safe.
46:38Hey, hey,
46:39would you two
46:39take it someplace else?
46:44Sorry, Babby.
46:45I'll take you
46:45and Crump at home.
46:46Oh, thank goodness
46:53you're okay.
46:55I want to tell you
46:57something, sweetheart.
46:58I love Agnes.
46:59I really mean it.
47:01Okay, Babby.
47:02Just get some rest.
47:03I mean it, Cece.
47:05When a man knows,
47:06he knows.
47:10Agnes,
47:11it's been a long time
47:12since I've met
47:13someone as caring
47:13as you
47:14and I'd like you
47:16to be my wife.
47:18Yes!
47:20I love you, Agnes.
47:30Marley,
47:31what are you doing here?
47:32Miss Brooks.
47:33Mind coming with me?
47:35Will you give me a second?
47:36I want to change first.
47:43I want to change first.
48:11Do you care?
48:12Do I know
48:12And I don't know what you do
48:16But love just fits like truth
48:18You got to love me
48:20This is really beautiful
48:25We work well together
48:29I'm glad you think so, Cecilia
48:31Um
48:34Yes, Sterling?
48:37I have something I need to tell you
48:39About?
48:43There isn't a legacy, Kalai
48:45Well, there is, but
48:47It's not who you think
48:50I don't follow
48:53It's me
48:57What?
48:58This, this is my legacy
49:00Come here, I need to show you something
49:12I made this for you
49:15Wait, one second
49:18I thought if we put them next to each other
49:31It would create balance
49:33But then you came in
49:50You're kind
49:53Bold
49:54Intuitive
49:57Sterling
49:58Beautiful
50:00You gave this place a soul
50:04Cecilia Brooks
50:08Would you share the love we built together?
50:16Yes
50:17Yes
50:18Yes, Sterling
50:18I said yes to you
50:30To forever too
50:32To every dream we're walking through
50:38Jesus
50:59Yes
50:59Yes
51:00Yes
51:01Yes
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