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  • 2 days ago
Mumbai, July 10, 2025 (ANI): Director Mohit Suri shared how he conceived the idea for his film 'Saiyaara' and shared his working experience with actors Ahaan Panday and Aneet Padda. In a conversation with ANI, he said, "I always felt that when you listen to a romantic dhun, usually, or any other dhun, it always takes you back to a moment, whether it is the first rain, first love, first meeting, friendship or anything else. I think that music, love, and memories are connected to each other. I found this idea very intriguing. I told my assistant, Sankalp Sadanah, who is a very capable boy. I discussed this idea and said I think this can be made into a movie. He wrote this story..."

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00:00It means that in this trailer, you can understand yourself that this is a sign that you can never be able to find yourself in your night.
00:14When you see your night in the dark, you can make your life so that you can make your life so that you can make your life.
00:21So I thought metaphorically it was a good idea that a romantic, a soulmate, maybe two people can see each other, feel it, stay in the night.
00:34Maybe it is or not.
00:36I thought it was a very interesting concept to depict the life of a musician, a star, a lover. It was a great metaphoric way to show that.
00:47The idea, I always thought that when you listen to someone, a romantic, usually, or someone else,
00:58you always bring the soul into a moment.
01:02Whether it is the first time or the first time, the first time, the first time, the first time, the first time.
01:09So I thought it was a very interesting thing that music, love, and memories are connected to each other.
01:17So this idea was very interesting.
01:19And I said that I was my assistant, Sankab Sadhana, who is a very capable boy.
01:26So I discussed this idea and I said, this is a film I would like to, I think this can be made into a film.
01:32So they wrote this story.
01:36And when it comes to this story, from these three lines, it became into a full-fledged script.
01:43And at that time, when we were writing it, we knew that we needed youngsters.
01:50Because it was the first thing about love.
01:53When we were trying to decide between love and career and career.
01:59But at that time, we were not necessarily a producer, not a studio, not an actor.
02:07But we always knew that this story was made.
02:10And it was made and made and made.
02:12I think that we don't make films, but we can make ourselves.
02:16Some of us got Sumanna Ghosh, who is a creative producer in Yash Raj.
02:21She made me meet with Akshay Vidhani and Aadhisar.
02:25And then Aadhisar said, I'm looking for such a story in the years.
02:29So it became a small idea of a story and a film.
02:33I think this journey is a story itself.
02:36You have given a chance to have two fresh chairs.
02:39Aahan Pandey and Rani Padda.
02:41So how have you been with this experience?
02:44With Newcomers, this is not my first experience.
02:49Maybe Newcomers, maybe actors or musicians.
02:54Or music directors.
02:56I have launched someone in every picture.
02:59I don't have any chance to have any fresh people.
03:04I actually believe that they are relevant and fresh.
03:08They are doing their work.
03:10But they are getting to learn something from them.
03:13So what is the most important thing?
03:14What is the most important thing?
03:15The most important thing is that you are getting to the people from the people who are watching.
03:23But by working with fresh talent non-stop, I think you are connected with them.
03:28So when classically emotions are the same.
03:32But when they are working with fresh talent, their perspective, their style is new.
03:38Which keeps you relevant.
03:39It is very new.
03:40As in that he is very popular in independent space.
03:42Like Faheem Abdullah.
03:44I thought he was a very interesting singer.
03:46Because he was a very interesting singer.
03:47Because he was a song in independent space.
03:49He was a very good singer.
03:51But he had not done a film until now.
03:54In every film, like Rijit, I was looking for a search for Aashiki.
03:59In this picture, I was looking for a new song.
04:02I got a new composer.
04:04I got a new composer.
04:05The other song is called Rishabh Kant.
04:10But I was looking for a search for Faheem Abdullah.
04:16After meeting him, I realized that he was a fan of mine.
04:20I was actually almost like a fan.
04:24I was trying to find him.
04:27I was trying to find him.
04:29I was trying to find him.
04:30So, I think that was the new thing.
04:34The title of Sayyara, which Arsalan, his partner and Tanish, composed.
04:40And when the song was made, the song became the title of a folk.
04:47No, it is totally fictional.
04:49It is totally fictional.
04:50But the story is true.
04:52That's why it says a true love story.
04:55I think, because love is true.
04:58I mean, I'm not against it.
05:03But the story that we are cut to foreign locations and shooting.
05:09Flash for dream sequences.
05:11There are no such tropes.
05:13There are no such people.
05:14There are no such people who have loved them before.
05:16There are no such people who have loved them before.
05:18It will connect to that emotion.
05:20Come fall in love.
05:21I think.
05:22I would say that.
05:23Because your life is so much.
05:24You never remember your love.
05:25You never remember your first love.
05:26You may be with someone else.
05:27But the first love, the innocence and purity you might never forget.
05:29And that's why you're like, thank you so much.
05:30Thank you so much.
05:31Thank you so much.
05:32Thank you so much.
05:33Thank you so much.
05:34you never forget your first love
05:36you never forget
05:37you may be with someone else
05:39but the first love
05:41innocence and purity
05:42you never forget
05:44and sayyara
05:46you never forget
05:48you never forget
05:50you will try to live
05:51thank you so much
05:52thank you so much

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