Mumbai: In an exclusive interview with legendary Lyricist Sameer Anjaan and Singer Shadab Faridi discussed their work on the upcoming film ‘Andaaz 2’. Sameer shared the challenges of living up to the success of previous installments, while Shadab expressed gratitude for being part of the project. The duo also talked about the music industry, with Sameer emphasizing the importance of hard work and humility, citing legends like Udit Narayan and Lata Mangeshkar as examples. In the last, he highlighted the struggles of the creative community, advocating for better recognition and compensation.
00:00and I want to know that you have written about the music and songs.
00:07What difference between the music and the music?
00:12It's good that I write about the music and the music and the music.
00:17It's a good way to write about the music and the music.
00:24This is a challenge because it's very difficult to make a challenge.
00:34It's a whole team.
00:37I and Sunil Darsan, the music was a big hit.
00:41There's a fear that it's not that it's not that it's a bit of a bit.
00:47It's a very good way.
00:51It's a very good way to make a change.
00:55I think that people can see no more.
01:01The music would be so good.
01:03The music would be so good.
01:05Shadabji, you would like to say that the reality issue is especially about the music.
01:11What kind of music would you like to write about the music?
01:15What kind of music would you like to write about the music and the lyrics?
01:21The music would be so good.
01:23The music would be a good way to write about the music and the lyrics are already super duper it.
01:35And today I am here with Samir sir, it's my pleasure that I have a great project and I have a part of it because of Samir sir
01:49Because when this song is recorded, Samir sir didn't recommend me to recommend it, so Samir sir has given me the name of it that you try this song
02:01So this song is my pleasure that I got a song for this song and I got a song for this song
02:09And inşallah this song is the whole world and the people of India will be very happy
02:15But the fact that it is the right way to present it, definitely it will be very good and very good in our country
02:25Samir sir, what do you think about today's films and music?
02:29Who am I right?
02:33How do you think about this song?
02:35How do you think about this song?
02:37That's why I am probably bummed.
02:41How do you think about this song?
02:43I can't tell you what I am doing because I don't like the beat of power to tell you.
02:47I can't tell you I don't know I don't like music because I'm so happy.
02:51The music is good and the music is good, the music is good.
02:55The music is so bad.
02:57The discussion is so great.
03:00There's much no discussion about it.
03:01I am sitting here, I'm interviewing and I have sung the songs.
03:06So I didn't recommend their names.
03:07It's deserving of them.
03:09I think it's the only thing that I have never had already done.
03:12So many artists can just tell each other.
03:16They've been talking to each other.
03:19I don't want to say they're not a credit.
03:21They don't want to give me a credit to them.
03:24They don't want to give me a credit to them.
03:26They don't want to give me a credit for them.
03:29They know they're not a credit.
03:32So they don't want to give me a credit.
03:35They're the people of Gharane.
03:37foreign
03:43foreign
03:51foreign
03:57foreign
04:03I think that people are very surprised that people say,
04:07when I go to the 90s, I will give you 90s.
04:10I think 90s who are asking for 90s?
04:13The composer of the 90s, you don't have to be a composer.
04:18In the 90s, the maximum hit is the name of Nadeem Saran.
04:22Nadeem Ji, you are still alive.
04:24Why do you work with them?
04:26You say that you are not a singer.
04:29You say that you are a singer.
04:31that I have to write it right now.
04:36I have to say that I have to write it right now.
04:39I have to write it right now.
04:41I have to write it right now.
04:44So that's the problem.
04:47The problem is that people don't understand the depth of music.
04:52There are no conviction.
04:53People are afraid.
04:54People are afraid of whom I am not going to understand.
04:58I'm not a composer or singer or writer.
05:02It's a maker's who have confidence in your own.
05:07If you don't have confidence, then you can't do good work.
05:12You need conviction.
05:15You need conviction.
05:17You need to know how you can do it.
05:20If you can do it, you can do it.
05:23You need to think that this is my star.
05:27That is what I've seen as many young people.
05:34Right now, we have a lot of good films we have done.
05:40We have a lot of good people.
05:47They didn't have the King.
05:52I'm thinking about it.
05:54Do you think that singers are missing in today's time?
06:01No, it's not crucial to be missing.
06:04The question is, who is the person who is doing?
06:07Correct.
06:08Udith Narayan, Udith Narayan is from today's time.
06:11So, Udith Narayan is from today's time.
06:13Because he is the best.
06:14He is the best.
06:15He is the best.
06:17He is the best.
06:18He is the best.
06:19He is the best.
06:20He is the best.
06:21He is the best.
06:22He is the best.
06:24If you don't do it,
06:26you don't know why you don't know.
06:29Udith Narayan, Kumar Shahnu's name,
06:34Abhijit's name,
06:36but why not?
06:38The reason is that the strength is low.
06:42Without a failure,
06:43I appreciate what the power is,
06:44I love it.
06:45So,
06:46you're trying to find it a good time.
06:48I'm certain not going for you,
06:49you're trying to get away your together.
06:50And you're trying to get away their family.
06:51Thanks for it.
06:53You're trying to get away from me and do it!
06:54Another nightmare,
06:55you just gotta,
06:56you're trying to get away from me.
06:57And I'm sure it's not going for me too.
06:59You're trying to get away from me.
07:01And I'm sure you're trying to get away from me.
07:02From my beginning,
07:03I'm sure you don't tell me more about it,
07:04but I'm not going for it.
07:05Like I'm sure I'm really trying to get away from you,
07:06I'm sorry,
07:07I'm telling you,
07:08or Arjit ko ko kaha recognition
07:10mili thi Arjit ko to koji
07:11Arjit to literally eek baar nigaal e ja chukai
07:14to usman se
07:14sawal woh sawal
07:16mahi tumko iska java. Mere se kai bara
07:18puchha unnohonay sawal yun
07:20hota hai ki
07:22in bachon ko na itana glamorize
07:25kar diya jata hai
07:26ki unko lagta hai woh star
07:28ben gay. Correct. Woh kumar
07:30sahnu ben gay, rafi ben gay, kisor kumar
07:32ben gay. Unko yeh pata nahi ki
07:33asli journey to abhi yaan se suruh ho nii
07:36hai. Correct. Correct. Or chukit
07:37yeh joh channel wale hai
07:39inko kiole apna matlab nikalna hai
07:41inho ne apna matlab nikala
07:43uskaz makhi ki tarah nikal ke
07:45aapko pheg diya
07:46aur aapko apni aukaz pata nii hai
07:48aap woha aachha gaite ho very good
07:50mager abhi chalou
07:51aachha gaite ho tumko aata hai
07:53mager aage kya abhi to
07:55asli abhi to aapne primary pass
07:57kiya hai abhi to post graduate
07:59karna hai doctor benna engineer
08:01to us liye woh biciarhe
08:03kahi anthere mein gom ho jate hai
08:05unko sahih marg darsan dhenne wala
08:07koji nahi hai unko it
08:08batana chahiye ki nahi bita
08:10yeh tumko áaj joh haml jesai
08:12jose singeron ko 20-20 sal
08:14lag jata ta ta
08:14logon se
08:15logon tuk pahunchnay ke liye
08:16ab inka eek
08:17sobhag gehi hai
08:19ki inko eek platform mila
08:20ee log immediately
08:21immediately pahichan lete hai
08:22kihaan yaar ish lardke
08:23me baat hai
08:24mangar hai woh lardka
08:25woha se nikale ke
08:26kud ko aapne aapko ishtar
08:28abhijij saavant ko manne bauht
08:30ndantata ta
08:30jabu gana pahala gana
08:31mahi nahi likhata
08:32mohbatein luthaaun ga
08:33toh maine usko bola
08:35ki bita
08:36bharam me matra
08:37aise bhihaib mat kar
08:39ki tu ishtar ho gaya
08:40toh pahle yeh
08:41samaj ki yeh
08:42tira sobhag ya
08:43ki hum log tere liye
08:44kama kar raha
08:44beishak
08:45aur
08:45phir usko realize
08:46hua usbatche ko
08:47dha phir usne
08:48samjha ki nahi
08:48aray gherwad
08:49toh
08:50wohi itana
08:51ujala dhkha
08:52dhatein
08:52ki phir
08:52unko
08:52undhera
08:53dhekke
08:53ghabraat
08:54hoti
08:54aur bhaag
08:55te
08:55uske
08:55pichye
08:55aur
08:56unka
08:57unka
08:57scene
08:57unko
08:58toh
08:58apne
08:58trp
08:59ke
08:59liye
08:59kama
08:59karna
09:00unko
09:00kisi
09:00abhi
09:01jis
09:01sawan
09:01se
09:01koji
09:01matlab
09:02ni
09:02ha
09:02unko
09:03koji
09:03shada
09:03fridi
09:04koji
09:04bhi
09:04reality
09:05show
09:05ki
09:27par
09:28jis
09:31jis
09:31hamare
09:31lejendri
09:32samir
09:32sahab
09:33huyye
09:33ya
09:33sunil
09:34sir
09:34huyye
09:35is
09:35tarah
09:35ke
09:36lejendri
09:36لوگ
09:36ہیں
09:37ہماری
09:37industry
09:37jin
09:38logon
09:39ke
09:39zariye
09:39jinn
09:40hun
09:40nhe
09:41bade
09:41bade
09:41singer
09:41ko
09:42help
09:42kiya
09:42haj
09:43is
09:43maqam
09:43tuk
09:44pahun
09:44nhe
09:44kia
09:44jis
09:45udit
09:45jih
09:45shanuda
09:46huyye
09:46sounu
09:47bhaiyya
09:47huyye
09:47in
09:48sab
09:48kairiyer
09:49me
09:49joh
09:49áj
09:50dh
09:54ba
09:55dh
09:55bhai
09:56a
09:58h
09:58dh
10:04a
10:09dh
10:10jind
10:11a
10:11abhi
10:13k
10:15jind
10:15jah
10:15dh
10:15jind
10:16k
10:16jind
10:19That was a good question.
10:21Yes, this question was about how many people have been taught.
10:25Lata Ji's song was made in Bhujhpuri.
10:29The word is a word, it means a word.
10:33There was no note.
10:35Then the phone was not written,
10:37but when Bhujhpuri was a little film like that,
10:39they would come to the public and call it.
10:43They would stop recording,
10:45then they would change this word.
10:47I would like to say that music and lyrics have a lot of music, but what was your favorite song?
11:04Anis Bhajmi is the director of the film.
11:10I had a lot of work. Literally, I had a lot of work. Literally, I had a lot of work.
11:15And he was a man who knows music. He was a maker.
11:19So, I had a lot of trouble with him.
11:22I had a lot of work.
11:25Sonu Nigam told me,
11:30I told you, sir, I told you this situation.
11:33I told you this situation.
11:35I told you this situation.
11:38That's the situation.
11:40And that's the situation.
11:43I told you this situation.
11:45The situation was a lot of work.
11:47I told you,
11:50I told you this situation,
11:53but I told you,
11:55I told you this situation.
11:58I told you,
12:02the same thing.
12:03It is a great thing that always comes from the outside of the street.
12:07Today, the picture of the picture is 4-4 parts.
12:10Now, 4 parts are written in the same way.
12:13The challenge is also a different thing.
12:16Main, today's time, we will talk about the idea of the idea.
12:19Because this film is very important to our lives.
12:22And people's expectations are very important.
12:25Because in a period of time, this whole team is very important.
12:28And new children with this film has become a very important role.
