- 2 days ago
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TVTranscript
00:00What happened to you?
00:03She went to the end.
00:05Is she gone?
00:06Yes.
00:07You're so quiet.
00:09That woman saw that it's not that you have to form your small group.
00:15And...
00:16Jefimija said to go.
00:19Jefimija?
00:20Yes.
00:21That's right.
00:22Yes, yes.
00:23Klinci, you've noticed my secret.
00:26It's a secret that I don't want to do anything.
00:28I'm not mad at me.
00:30I'm not mad at me.
00:31I'm not mad at me.
00:32I'm not mad at me.
00:33Is it okay then?
00:34Is it okay?
00:35Do you know me?
00:36Yeah, I'm not mad at me.
00:37I'm not mad at me.
00:38I'm not mad at me.
00:40Can we go over?
00:44Toh, to God?
00:46Ha ha!
00:47A maybe you can do this on...
00:50Look how I got a lot of fun.
00:53Let's go, let's go.
00:56Let's go, let's go.
00:58Let's go, let's go.
01:02I and Elena are my friend from Steve's Borka.
01:07Yes, Borkova.
01:08That means that you get to know?
01:10We get to know.
01:12We just got to know.
01:14She was sitting here.
01:17What are you doing?
01:19I would like to see.
01:21Let's take a little bit of a bag.
01:23Let's take a bag here and the whole time.
01:25Why do you take these bags?
01:27To the bottom.
01:29I don't think I'm going to be in the pantalon.
01:31I don't think I'm going to be in the pantalon.
01:33I don't think I'm going to be in the pantalon.
01:35I don't think I'm going to be in the pantalon.
01:37What do you want to say?
01:39I want to say that everything is normal.
01:43I don't know, but when I lay my hands in the towel,
01:46I auge to my mother's smile who tells me
01:49…
01:51…
01:53…
01:54…
01:55…
01:56…
01:57…
01:58…
01:59…
02:00…
02:02…
02:03…
02:05…
02:06…
02:07…
02:08…
02:09…
02:10…
02:11…
02:12…
02:13…
02:15I mean...
02:16Father, you want it, believe me.
02:19Do you think that she was thinking of it?
02:22Yes, of course, Father.
02:24And that's why you should continue to change it.
02:29Kole, give me one clue.
02:32You see, this is called death clue.
02:35This is something for hell.
02:37I'll do it.
02:42Try it now.
02:45Nothing.
02:47Nothing.
02:48What?
02:49There's no one with you.
02:51There's no one with me.
02:52I'm going to throw a chair in the end.
02:53I have to change everything.
02:55I thought that father knew that he was going to kill things in the house.
03:00But it seems that nothing can help this time.
03:03That means that we're not wrong.
03:05What did I say?
03:07That means that we're not wrong.
03:09But we're wrong.
03:10You're wrong for hours.
03:12You don't have a feeling of me.
03:14I'm going to throw myself in the cold water.
03:16I have to take a look at that flame in my head.
03:19Who is talking about?
03:21Who is talking about?
03:22It took me a few months ago when the star was acquired a champion.
03:25Let's go and get a lie.
03:26I'm lying.
03:27I'm lying?
03:28I'm lying from the forest.
03:30Nigo, is it cold for me?
03:32No.
03:33It's cold for me.
03:34It's cold for me.
03:35It's cold for me.
03:36It's cold for me.
03:37It's cold for me.
03:38You have time.
03:39Let's go and eat a sandwich.
03:40We'll have to eat some food.
03:41We'll have to eat some food.
03:42At school we said we need to hear the nature of water.
03:45It's not clear when it's cold.
03:48How do one get caught, the other not?
03:50We live one than the other.
03:52What is this?
03:53I have to get a kiss from you.
03:55I'll get water while you're drinking.
03:56We don't have water.
03:57We don't have water.
03:58I'll get water.
03:59I'll get water.
04:00I'll get water.
04:01I'll get water.
04:02What?
04:03Let's go and get water.
04:05Let's go.
04:06Who's the whole day talking to Teresa?
04:10I have to ask something about this dry.
04:15Well, you have to do it.
04:17Why do you serve the community?
04:19You serve the police and the city.
04:21How many people live here?
04:23If I'm judging by the fact that he talked about the show,
04:26then this car will be better.
04:29It won't be better.
04:33Sa perona stanice
04:35Gledao sam ulice
04:37Pitao se kada će mi krenuti na bolje
04:40Dođi vidi ušće to
04:42Gde se reke zavole
04:44Tu je bio jedan kraj
04:46I početak
04:49Ništa više ne treba
04:51Crveno i crno
04:54Parine prdobi sve za čas
04:56Udlan pogledaj mi sad
04:58Vidi tu su slike te
04:59Sedam lepih lica
05:01To je moja porodica
05:03I ništa što sam reko nije
05:06Bilo sasvim slučajno
05:11I baš sve što ću reći mogu
05:13Da nazovem sudbinom
05:16Jedan i jedan su sedam
05:20Ne sumnjam više ni gram
05:25Tako je lako biti srećan
05:28Ovo nije san
05:29Ovo nije san
05:42A vidi nas dvoje
05:44Još nema ni deset satija mi viće legle u revet
05:47Toga nema ni u manastiru
05:51O, bio je težak da
05:53Este
05:54Treba se naspavati
05:56Vrema, vrema
06:00Lako noć
06:01Lako noć
06:02Lako noć
06:05Rajem
06:06Kako ti je lepa kos
06:20Jezdo, mani se sad od kose
06:23Spavam i si treba ujutro da ustanem
06:27A da ti nisi hteo da mi legnemo ranije zato što imaš neke namere
06:33Na na na na
06:48Nekale
06:50Ne da ja ne bi želeo da imam namre, ali ikh nemam te namere
06:55Uff, eto je ne kažeštija traumo
06:59I don't want to say light, but I'm a liar.
07:04I have a blockade.
07:06Okay, let's go.
07:12Let's sleep.
07:13It's a nice night.
07:14Nice night.
07:22Where are you now?
07:23I'm going to see if the water has come.
07:25I'm going to see if the water has come.
07:27Cold water.
07:49Good morning.
07:50Good morning.
07:51Good morning.
07:52Can we talk?
07:54Us.
08:05I thought you don't want to talk more.
08:08That's one thing because I'm here.
08:10First, I don't want to talk more with you.
08:12Second, I don't want to talk more with you.
08:14Here I am.
08:16I don't want to talk more about it.
08:18I don't want to talk more about it.
08:19I don't want to talk more about it.
08:20When you hit the mountain, you'll be like,
08:22what's happening?
08:23I'll do it on your hand.
08:24I'll do it.
08:25I'll do it.
08:26I'll do it on your photos.
08:27Maybe you should be something.
08:28You should be.
08:29I'll do it.
08:30But, my son's only.
08:36What are you doing?
08:38Let me go.
08:46Here you go.
08:48And this is the method.
08:50How do I do it?
08:52I don't know.
08:54You're totally crazy.
08:56What's going on?
09:00Hello.
09:02What do you think?
09:03Wait, wait.
09:04I'm not even going to get out of here.
09:05It's hard to get out of here.
09:08Let me go, my mother.
09:10It's the global warming.
09:11It will destroy the world's food.
09:13I'm not talking about it.
09:15I'm not talking about it.
09:17I'm not kidding me.
09:19I'm not going to bother me.
09:21I'm not thinking about this.
09:22You're thinking about the scales.
09:23Yes, you see the scales.
09:25I was thinking about Gvozdano. I didn't sleep all, thinking about Gvozdano.
09:29But what Gvozdano? I should have thought about the first partizan, or Gvozdano.
09:34Well, I think about him because of Jefimija, to help you.
09:37He's a man of a professional. You have to think about it.
09:41Hey, you see what I saw? Look at our school.
09:46It was the first time in Fudor, when he was a kid in the sky.
09:51Do you remember when Pancinji was so good? Do you remember when you paid for the last time?
09:58Okay. When did you pay for the last time?
10:00With the nisks.
10:01Oh, my God, what are you saying?
10:03Let's go get out of here.
10:06I don't want to go.
10:08Why don't you want to go?
10:09You have to go.
10:11That's the only opportunity to see them all around.
10:14The next birthday will not be alive.
10:17Let's go, let's go.
10:20What?
10:21Look at what we were looking for.
10:23How?
10:24Who?
10:25Yes.
10:26How?
10:27Who?
10:28Yes.
10:29But look at Nicolino, this was sweet.
10:30No, no, I won't go.
10:32I won't go, I won't go, I won't go, I won't go, I won't go to see how the people are
10:34more, more, more, more, and more.
10:37Yes.
10:39I won't go there.
10:42I won't go there.
10:44I won't go.
10:45I won't go.
10:46They tell me how we know each other than we know each other.
10:49It doesn't come to me.
10:51What? What did you do, Chovey?
10:53Half school wanted Lil. I think half of this male part.
10:57You were our hero because you managed to develop it.
11:01And it will be easier if I don't get it.
11:05Let's go.
11:12You, Inđelići...
11:14You should be very serious.
11:23Suzana Velicković...
11:25You don't have to think about what she is wearing.
11:27You don't have to say that she is wearing glasses.
11:30Wait, wait, wait.
11:31Ah, Milan Todorović. That's the high.
11:34What a great little man can't breathe.
11:36He'll be fine if he's alive.
11:38Oh, yeah, Mariogarriolović, I'm going to be a shame.
11:41I don't have to be a shame.
11:43Who is Mariogar?
11:44I'm not a shame.
11:45Where is she?
11:47No she has to be a shame.
11:49Look, she has to be a shame.
11:50Of course.
11:51There is no shame.
11:55Hey, Kasija.
11:56Sit down, we have to talk.
11:58We don't have to talk, I don't have to talk.
12:00Now wait, sit down.
12:01Sit down, we have to talk.
12:03I'm a mentalist and I don't want to be a friend because of this.
12:06A friend? What do you say?
12:09I know you only a few weeks ago and you've already been able to do it with my own.
12:12Ok, but you have to understand that I didn't have a clue that I didn't know.
12:15What did you know when I was a friend?
12:17It was a lot of weird.
12:19I'm sorry, I'm sorry.
12:33Hey, Kasia, is she ok?
12:52Ma, I'm not ok.
12:55Rista me prevario.
12:57The best friend of mine was out of the building and when I found the best friend of mine,
13:02I knew that I was sleeping with my daughter.
13:05Listen, I know that you look like me, Klinko.
13:08But I'm here for you if I need you.
13:10I'm convinced that I will see you.
13:15Hey, I'm going to die right now.
13:18I'll talk about Rista.
13:20You could talk about Rista.
13:23Don't go.
13:24Listen.
13:25Wait.
13:26Wait.
13:27Tell me Gvozden.
13:29Why are we here?
13:30Tell me.
13:31I'm not.
13:32Don't do that.
13:34I'm not getting a child.
13:35Gvozden is a friend, but it's our friend.
13:38Wait.
13:39I'll tell you what I can't say.
13:41Gvozden, the problem is that his wife didn't have a acquaintance.
13:47You're here.
13:48Sit down, please.
13:49That's what he says.
13:50He's not known yet as a woman.
13:53I mean, it's a bit strange.
13:55Wait, wait, wait.
13:56Would you like to say that you two have never had a successful relationship?
14:02No.
14:03We didn't have a successful relationship.
14:05We didn't have a successful relationship.
14:08We didn't have a successful relationship.
14:11You're right.
14:12Listen.
14:13Don't listen to me.
14:15We have to find out what the problem is.
14:18There's a lot to help us.
14:20Let's understand one thing.
14:22I want and I can.
14:25I'm not a problem and I'm not a problem.
14:28Look, it's not a problem.
14:30We're not talking about who is a problem and who is not a problem.
14:33We have to find a problem.
14:35I'm not a problem.
14:37Okay.
14:38What's your reason why you and Efimija have never had a sexual relationship?
14:44Mother.
14:46Mother.
14:47frente notre 우FM meeting her mother.
14:48Mother.
14:49This is her mother.
14:50mein протuriate.
14:51When we get together, she altogether comes from alice.
14:52If your mother comes back and she's calling her different names.
14:57called her different and the name of Fuoccan Droglio and the Ar disentang увидеть...
15:00What's that tell me?
15:01Glavis?
15:02Gvozgan, he wants to tell you that it is supposed to be in her head.
15:05It's not Ж Nikiram.
15:07Tremiritual, tell me not, Fred.
15:08I believe so, she has some trauma.
15:10She has a trauma.
15:12Yes, in my opinion, it looks like that.
15:15She is traumatized with that trauma.
15:20Okay, Gvozdine, do you have this disease?
15:23I'm here, my mother, my trauma, I don't know how to remember.
15:27The best would be that you, Efimija, come here with me.
15:31That's what I proposed.
15:32Yes.
15:33Yes, Gvozdine.
15:35Gvozdine is a great instructor.
15:37Thank you, Gvozdine.
15:40If you do what you want me to do, what you want me to do, I'll give you.
15:45Whatever.
15:46You don't have to go to the hospital.
15:48I mean, we're at the border.
15:50Yes.
15:51Thank you very much.
15:53It will be good.
16:07Hey.
16:08What do you want me to do?
16:09Yes.
16:10What do you want me to do?
16:11With children.
16:12This is the problem with children.
16:13Yes, with children.
16:14Yes.
16:15Yes.
16:16Yes.
16:17Yes.
16:18Yes.
16:19When children are in adolescence, they have to worry about children.
16:22Yes.
16:23Yes.
16:24Yes.
16:25Yes.
16:26Yes.
16:27Yes.
16:28Yes.
16:29Yes.
16:30Yes.
16:31Yes.
16:32Yes.
16:33Yes.
16:34Yes.
16:35Yes.
16:36Yes.
16:37Yes.
16:38Yes.
16:39Yes.
16:40Yes.
16:41Yes.
16:42Yes.
16:43Yes.
16:44Yes.
16:45Yes.
16:46Yes.
16:47Yes.
16:48Yes.
16:49Yes.
16:50Yes.
16:51Yes.
16:52Yes.
16:53Yes.
16:54Yes.
16:55Yes.
16:56Yes.
16:57Yes.
16:58Yes.
16:59Yes.
17:00Yes.
17:01Wait, don't you go because of the cafe?
17:03Yes?
17:04Give it to the cafe because there are many more important things.
17:07I can't go there.
17:09I can't go there.
17:10I can't go there.
17:12I can't go there.
17:14I can't go there.
17:16Why are we not together?
17:18Wait, don't go there.
17:20It's not a conference.
17:21I know.
17:22I know.
17:23They ask me.
17:24They ask me.
17:25They ask me.
17:26They ask me.
17:27They ask me.
17:28They ask me.
17:29I'm going to go to the hotel.
17:41Come on.
17:49Good.
17:50Good.
17:51What are you doing?
17:52I'm looking for a dog to give me a gift.
17:55Maybe the same thing you gave me a gift for my mom.
17:58What are you selling?
17:59You might not mention your mom thought.
18:04See.
18:05What did I think?
18:06And I can help him.
18:09Did I say something?
18:11I don't think I've said anything.
18:13No, I don't think I've said anything.
18:15I've said something.
18:17Listen to me, I'm going to solve my problem.
18:19It's not necessary that everyone knows.
18:21Then he hears the secret.
18:23But it doesn't matter.
18:25Why do you break me like that?
18:29He put the hipohondro in his head.
18:37That's it.
18:41Guys.
18:43What are you doing?
18:45Wait, did you see something?
18:47No, it's not.
18:49It's a school year.
18:51That means Lila is going.
18:53It's Lila.
18:55It's Lila.
18:57It's Lila.
18:59It's Lila, Nicolina, Jezda, Fedor, Mitar, Brankica.
19:05We'd go to school.
19:09And then?
19:11Why don't you never tell us how you were at school?
19:13Where do you tell us how you were at school?
19:15No.
19:17It was like a brick.
19:19You're normal.
19:21Just like now, without games, computer, internet.
19:23They had control skills.
19:25You know what?
19:27They would never do anything.
19:29What do you tell me?
19:31It's nice to be able to create my time.
19:33You know?
19:34That's the first thing.
19:35And the second thing, we were together.
19:37We were together.
19:38We were together.
19:39We played various games.
19:40First of all, Kaube Indians,
19:41then Jandarai Lopova,
19:43then Kasi Podmornica,
19:44for her geography and pantomimes.
19:46And you?
19:47You're playing with your hands.
19:49You're playing with your hands.
19:50You know that.
19:51It's the first history,
19:52what did I tell you?
19:53No, but really, I have to thank you.
19:56It's very modern.
19:58You're not like the rest of us.
20:00It's not for you.
20:01It's not formal.
20:02You're not formal.
20:03It's great.
20:04Okay.
20:06Okay.
20:07How does it look?
20:09Oh, my God.
20:10I'm going to eat some golden eggs.
20:14It's not.
20:15It's good.
20:16It's good.
20:17It's good.
20:18It's good.
20:19It's good.
20:20It's good.
20:21You look good.
20:22You look good.
20:23I can't believe it.
20:24You look good.
20:25You look good.
20:26Thank you very much.
20:27I can tell you,
20:28you look good.
20:34How did you get on?
20:35Bero, you are off,
20:38mom.
20:39I'm a proper kid.
20:41Don't stop.
20:42I'm not a problem.
20:44I'm still there by the time
20:46I didn't do so.
20:47I made a cake.
20:48What do you do?
20:49Can you tell me the cake?
20:50Where's going?
20:51Oh, dekki.
20:52Dekki, where?
20:53Dekki, where are you?
20:54Oh, guys.
20:55Where are you? Where are you?
20:57Look at that.
20:59There is no one.
21:01It's wine. Did you try wine?
21:03How are you?
21:11Mario!
21:13Hello!
21:15Hello!
21:17Where are you?
21:19Good!
21:21How many years have we seen?
21:23100 years!
21:25Beautiful!
21:27And you?
21:29What are you doing? How are you doing?
21:31I'm the director here in the school.
21:33I'm a professor.
21:35I gave myself two times.
21:37Beautiful!
21:39Beautiful!
21:41Yes!
21:43What do you think I'm going to bring you some wine?
21:47You can.
21:49Don't go anywhere.
21:51I want to talk to you.
21:53It's important.
21:57It's only you, Leda.
21:59I'm a professor.
22:01I'm a professor.
22:03I'm a professor.
22:05You know how he is a powerful advocate.
22:07Yes?
22:09Yes.
22:10He's a doctor.
22:11He's a doctor.
22:13He's a doctor.
22:14He's a doctor.
22:15He's a doctor.
22:16He's a doctor.
22:17He's a doctor.
22:18He's a doctor.
22:19See you, Fedor.
22:20Nice!
22:21He's a doctor.
22:23It's a doctor.
22:24He's a doctor.
22:27Me too.
22:28Wario!
22:32I can't even say anything!
22:33You and who are with her?
22:34Is that someone?
22:35disse.
22:36Nope.
22:37Once again with Lilo.
22:38I just got married now.
22:39Using Lilo.
22:39Lilo is your wife.
22:41Yes.
22:42Who are you?
22:44How are you?
22:46How are you?
22:48How are you?
22:50Do you have children?
22:52I have one kid,
22:54and then I am a petor.
22:56But I have two married.
22:58My three sons of the bride,
23:00she brought two girls from her marriage,
23:02and we still don't have children.
23:04Why do you have a lot of time?
23:06I have a lot of time.
23:08Do you know how it goes?
23:10It's amazing.
23:12It's amazing that I saw you.
23:14Sorry for a moment.
23:18I'm here for a little wine.
23:20It's nice.
23:26Okay, I don't have children,
23:28but what now?
23:30It has a lot of importance.
23:32You can do it as much as you want.
23:34You can take it as you want.
23:36You can eat it as much as you eat.
23:38You can talk about some things.
23:40I don't know.
23:42I can't.
23:43I can't stop thinking about Kasija.
23:45I have to go.
23:46I have to go to her.
23:47I can't.
23:48Hey!
23:49Look at that, man.
23:50Let's sit here and do it later.
23:52Let's do it later.
23:53Let's do it later.
23:54I can't.
23:55I can't.
23:56I can't do it later.
23:58With Kasija.
23:59With Kasija?
24:00Well, Kasija knows that I am here.
24:03You can come from me.
24:05I know.
24:06But you can talk later.
24:08What do you think?
24:09What do you think you're talking about?
24:11Me?
24:12Yes.
24:13Yes.
24:15What do you need here?
24:17Yes.
24:18What do you need here?
24:19What do you need here?
24:20What?
24:21I think you're going to be a mess.
24:22No.
24:23No.
24:24No.
24:25No.
24:26No.
24:27I don't know where you are.
24:28I don't know where he is.
24:29I don't know where he is.
24:30No.
24:31No.
24:32I don't know where he is.
24:33No.
24:34No, Kasija.
24:35Listen.
24:36We thought we were wrong.
24:38We were wrong.
24:39Yes.
24:40We thought we could talk about it.
24:42Why not?
24:43Why not?
24:44Why not?
24:45What?
24:46We were wrong with you.
24:47We were wrong with you.
24:48We're wrong.
24:49In the future.
24:50Yes.
24:51Yes.
24:52Yes.
24:53No.
24:54First, you get out of me, then?
24:55And then you talk about me two children.
24:56No one told me.
24:57No one told me.
24:58We just said that you are enough of the róż,
25:00and you can only argue with you if you are dead.
25:02Let me know why not.
25:03What do you think?
25:05Because of us.
25:06I ask you.
25:07I think that I'm already saying so...
25:09... to try.
25:10Please.
25:13Give me heart.
25:15Okay.
25:16There's no problem.
25:19If you don't want to talk with Kozden,
25:22we don't have to.
25:24I'll hold it for a while.
25:29I know that you are crazy for me,
25:31but I think that this is our private thing
25:35and that everyone should know it.
25:46And, as I finished the faculty,
25:52I opened an advocate's office
25:56and then I went to work, work, work, work.
25:59What do you mean?
26:01I don't go out of the channel.
26:04Then I went to battle all the time.
26:06I started to live.
26:08You threw me into a mess.
26:10No, I didn't think so.
26:12I started to travel around the world.
26:15I lost the whole American motor.
26:18Bravo!
26:19I even met Dalai Lama.
26:22Dalai Lama on my motor.
26:25I'm going to drink a drink.
26:30Is it Joženjan?
26:32Unfortunately, no.
26:35I've been everywhere,
26:38but I haven't found a woman of my life yet.
26:42I'm not even tired.
26:45I'm happy.
26:46I'm happy.
26:47H alright.
26:48He's happy.
26:49He's happy.
26:50He's happy.
26:55I'm sorry.
26:56It's how I'm here to get nervous!
26:58What do you want to do with me?
27:00Nice to meet you.
27:01Nice to meet you?
27:03You don't see that he's talking to Lilo before everyone?
27:05Without any blame.
27:07Where do you start?
27:09I pray for you.
27:11He'll remember some old days.
27:13Do you remember Lilo?
27:15Do you know how to call Marija?
27:17Do you remember him?
27:18How?
27:19How?
27:20Let's remember how to call him.
27:21I can't remember him.
27:23Well, he called Marija 100%.
27:26What do you mean?
27:28What do you mean?
27:29What do you mean?
27:31You stupid one.
27:32They called him 100% because he was beaten everyone who wanted.
27:35And that little girl.
27:37And that little girl.
27:39And that secretary.
27:41You're not right.
27:42And Ljudmira?
27:43He hit on Ljudmira and he didn't give him.
27:45He didn't give him.
27:47He didn't give him.
27:48He died in a male car.
27:52He hit on Lilo.
27:57What are you talking about?
27:59He knows that we are in marriage.
28:01He knows?
28:02Okay.
28:03I told you to do what you want.
28:06He's a predator.
28:08He doesn't have a heart.
28:11He doesn't have a heart.
28:12He knows that you're with a heartache and he can't stop.
28:14I'm sorry.
28:19Muzina, I said, I would like you toれて you happy with him.
28:23But Rんな and He's a dictator.
28:24But he wouldn't want you to tell me.
28:25They're just going to keep you happy with him.
28:26I'm not going to let him get happy with him.
28:27I'm sorry.
28:28I can't wait for you.
28:29By the time.
28:30I thought you were happy in a happy marriage.
28:37But we're going to break.
28:39I'm sorry for that.
28:42Do you have a bottle?
28:44No, don't do it.
28:46Super.
28:48I'll go.
28:52Hey, Mario, what's going on with you?
28:55I don't know if you know Lila and I, Renčani, thought you'd be able to break it.
29:04I'll be honest.
29:06I knew you'd be able to break it.
29:08I'd be able to break it.
29:10And you already know that we're going to break it?
29:12I don't think so.
29:14There's no doubt about it.
29:16School.
29:17I'm in the WC.
29:19I have to do my job tomorrow.
29:24I'm going to break it.
29:26I'm going to break it.
29:27Take my jacket.
29:29I'm going.
29:30Oh, Mario, we'll see you.
29:32We'll see you.
29:33We'll see you.
29:34It was nice to me.
29:36Lila, we'll be able to go out for a day.
29:41You'll give me your number of phones.
29:44I'm going to go out for you.
29:46My phone is at the hospital.
29:48If you can, I'll have your contact.
29:50I'll have to do the same.
29:51I'll have to do the same for you.
29:52I'll have to do my visit.
29:53I'll have to do the same for you.
29:54You'll be able to get on when you want.
29:55That's great.
29:56It was just a good time for you.
29:59I'll have to do it.
30:01Bye.
30:02Bye.
30:03I am a woman, I am a woman, she feels like a woman.
30:13What is there?
30:15I am a woman.
30:16What did you do?
30:17My doctor.
30:18What is it?
30:19My mom.
30:20Let me see.
30:22What do you want to see?
30:23I am a woman, that woman.
30:24Yes, let me go.
30:25Let me go.
30:26Let me go.
30:27Let me go.
30:28Let me go.
30:29Good morning.
30:52Good morning.
30:54How was your son?
30:57I don't know what to do.
30:59I told you that it's better without clothes.
31:01It wasn't the same, but the neighbor of the generation.
31:04That's nothing special.
31:06Okay, let's go to school.
31:08Let's go.
31:10Let's go.
31:12Where are you?
31:13Oh, Fedor!
31:14It would be sad to come here.
31:16You don't have your own house.
31:17You know you're right.
31:19You don't have any.
31:20Nicolina, the whole day with Lil,
31:22talking to me.
31:23My head hurts.
31:25Why not?
31:26And we always have something to do.
31:28Yes.
31:29And always quality.
31:30Come on, sit and eat.
31:32What are you doing?
31:34You want coffee?
31:35I don't want to.
31:37Just tell me.
31:39What have you done?
31:41I don't know what you think.
31:43I think on Marija.
31:45It's dangerous to be on Lil.
31:47What do you think?
31:48I don't know what you think.
31:49I don't want to mess with me.
31:50I don't want to mess with you.
31:51What?
31:52Someone's got on Lil.
31:53Good, Denny.
31:54Good, good.
31:55Very much.
31:56Really.
31:57No, no, I'm going.
31:58When I need to know something,
31:59I'm the last one.
32:00When I need to know something,
32:01I'm the last one.
32:02When I need to do something,
32:03I'm the first one.
32:04How could she know something?
32:09What would you say?
32:10What would you say?
32:14What'd she say?
32:16Wait, wait...
32:17What do you want to do?
32:18Is she using her phone?
32:21No.
32:22Or did she not give her.
32:23No.
32:24Is she seeking her phone?
32:26Do not get her phone,
32:27she would not be passed away.
32:28She would not have passed away with her,
32:30because she is a cultural woman.
32:31That's not a memory.
32:32Okay, that's all right. He's 99%, but he's not. He's 100%, man.
32:40I'm sorry, I'm sorry.
32:42You know, like I said, there's no one else left.
32:46I can't do that. That's their thing.
32:50What did you do? To give me the day?
32:54Well, I managed.
32:56Good morning.
32:58What did you do?
33:00What did you do?
33:02What did you do?
33:04What did you do?
33:06I ended up with a hitman.
33:10What did you do?
33:12I had a collapse.
33:14A collapse?
33:16It came to the end.
33:20Where is it?
33:28What did you do?
33:30What did you do?
33:32Nothing.
33:34Who has a clear truth?
33:38No, no.
33:40We can't do this anymore.
33:42If I'm going to die, I'll die.
33:44I'll die.
33:46My son had to collaborate.
33:48He's a collaboration.
33:50What do you think?
33:52What do you think you're a collaboration?
33:54What do you think?
33:56I ended up with a hitman.
33:58I was a hitman.
34:00I was a hitman.
34:02I was a hitman.
34:04It's okay.
34:05It's not important.
34:06It's not a problem.
34:07It's not a problem.
34:08It's a crime for everything.
34:09Yes, sir.
34:10There's no crime.
34:11What crime?
34:12We're in court.
34:13I'm not in court.
34:14I'm not in court.
34:15So, as far as I understand,
34:17there's no desire for me.
34:19However, when he comes to his own way,
34:21nothing.
34:23Well, I hear the voices.
34:27The voices in my head.
34:31The voices in my head.
34:32I'm afraid I'm stupid.
34:35No, no.
34:36She's a mother.
34:37She's a mother.
34:38She's a mother.
34:39She's a mother.
34:40She's a mother.
34:41You hear the voices of your mother.
34:43And what are you talking about?
34:45I don't know how to say it.
34:50She's a mother.
34:51She's a mother.
34:52She calls me by all kind of stiless names.
34:54She says that I am a Drol.
34:58Kurwa, Dropja, Frakafulja, Šolja, Lorfa.
35:01That's right.
35:02That's right.
35:03That's right.
35:04That's right.
35:05That's right.
35:06Jefimia, slow, breathe, breathe. That's it.
35:14Jefimia, have you had a traumatic sexual experience with your mother?
35:21What?
35:22A sexual experience with your mother?
35:25I don't want to say that you're a letter, like a friend.
35:27I don't want to say that you're a letter.
35:28I don't want to say that you're a letter with your mother, but you're connected with your mother.
35:32No, I don't want to say that you're a letter with your mother.
35:36Did you say that your mother was named by some strange names?
35:41Like...
35:43Kurvajo, Dropjo, Frakafujo, Lofo, Hoseo, Lorfo, Šoljo...
35:48Okay, I understand, I understand.
35:50No, I don't remember how much I remember.
35:54No, I don't remember what it was.
35:56It was a strange memory that was related to...
36:00Hold on.
36:02How do we do it?
36:12Hypnose.
36:14What are you saying?
36:15That you can just go to our breath?
36:18Yes.
36:19I don't believe this.
36:22No, no, it's fine.
36:23Yeah, it's fine.
36:25That's what I'm going to do.
36:27Put your hand in front of your nose and you'll see how you sleep.
36:32What?
36:33That's what I'm going to do.
36:36That's what I'm going to do.
36:38If you put your hand on your hand, you're going to do it.
36:41What are you going to do?
36:43Wait, wait.
36:45We've all seen this.
36:47How do you explain when he hypnotizes him?
36:51And then the body is like a desk, on the one's head and on the other's head.
36:57And he goes and sits on his stomach.
37:01How?
37:03How?
37:05I'm sorry.
37:07Do you have strong arms?
37:09Do you think it's only that?
37:13For example, I have strong arms.
37:17And I can be on the floor and I...
37:21You know, I tell you that he'll give me a penalty.
37:25I'll give you a penalty.
37:27But penalty is not there.
37:28Yes, you're right.
37:29You're right.
37:30You're right.
37:31You're right.
37:32I'm not a penalty.
37:33You're right.
37:34I'm not sure.
37:35You're wrong.
37:37You're wrong.
37:38You can't be wrong.
37:39You're right.
37:40You're right.
37:41You're right.
37:42You're right.
37:43You're right.
37:44I know that we need, but at that point when I get something in a good female...
37:47I'm going to grind you a little bit.
37:49I know that I can!
37:50I know that I can do it when I'm going to be trying to do that.
37:52What to tell you about this?
37:53Are you going to modify it a little bit?
37:56Let us go to the next level?
37:58To be able to deploy it.
37:59To deploy it up?
38:01It's called the throne.
38:02I can't even imagine why we do the rest of these people.
38:04I know that I'm going to keep watching.
38:06I don't know that I'm going to distract you.
38:07I don't do anything.
38:08I have a wonderful doctor!
38:11I have a family.
38:13I don't think you've got enough of it, but I've got a grunt in the back of the bed.
38:26I've never noticed anything.
38:28You're doing so good, Mr. Bušnjake.
38:31How many?
38:32Seven of them.
38:34Yes, seven.
38:36Yes.
38:37What is that?
38:39Yes, there is.
38:41With hypnoz without having a link with hypnoz?
38:44Hypnoza means to prevent physical pain.
38:48You understand.
38:49It would be the best to replace you with your fellow subconscious.
38:52First, to replace yourself, then to your fellow subconscious,
38:56but you understand what I'm talking about.
38:58What if he's been screwed?
39:00And what if he won't wake up?
39:02Yes, all of these are all similar.
39:04But if this or this or this?
39:05But if you don't take anything seriously, you won't be afraid.
39:10I'll talk more about this.
39:18You're like a man.
39:24Do you know what's wrong with these years of maturity?
39:27When you think about how you're going, you'll find out more than half.
39:32What's wrong with these years?
39:34You look great.
39:36Do you think?
39:37Yes.
39:38Here's what we think.
39:40Why are you angry?
39:42Call him.
39:43I don't want to.
39:44Lila, you're not in anger. You're out.
39:47I hear a voice.
39:49I don't want anything to do with them.
39:52You don't have to do anything to do with them.
39:54Go and try it.
39:56I'd know what I'd do.
39:58I'll call him.
40:01Yeah.
40:02Wait, wait, wait, wait.
40:04Hmm?
40:05Yes.
40:08I'll call him.
40:10I'll call him.
40:11I'll call him.
40:13Oh, my friend Lila.
40:18He's calling him.
40:19He's calling him.
40:20He's calling him.
40:21He's calling him.
40:22Hello?
40:23Mario.
40:24Mario.
40:25Eee.
40:26Prekinula se veze.
40:28Da.
40:30Aha.
40:31Degustacija vina.
40:33Da, idemo.
40:34Pa, to zvuči dobro.
40:36Dobro.
40:37Dobro.
40:38Aha.
40:39Može.
40:41Ništa, vidimo se.
40:42Ciao.
40:45Pisac srećna.
40:48Pa šta je sad?
40:49Opet te grize savest.
40:50Mhm.
40:51Ali mislim to nije...
40:53Nije to neki sastank, nego...
40:55Naravno da nije prijateljski izlezak u provod.
40:58Vaco, slušaj ovo.
41:03Ovdje piše da su istraživanja pokazala da čak 40% mladih je priznalo prevaru.
41:11Au, pa to je baš mnogo. Skoro svaki drugi.
41:14Da, da, Vaco, slušaj ovdje ime još.
41:16Tereza!
41:18Oooo, Kasija, otkud ti ovdje? Baš slučajnost, a?
41:21Demojke, nemojte da se polirate. Vidjela sam vas još na hodniku da ime špionir.
41:25To će vola. Ne, ne, nismo mi tebe špionirale. Bože me sačuvaj.
41:30Nego, znaš šta, mi čitamo ovaj časopis i vrlo je zanimljiv. Evo ti pogledaj.
41:34Ivo, ajde.
41:36Šta piše?
41:39Mart 2010. godine, zamisli.
41:42Pa ja sam skupnjan sveće stare časopis.
41:45Da, a, jel da?
41:46Devojke, nema nikakve potrebe ni da otrošite svoje vreme ni da se trudite.
41:50Riste i ja smo završili do kraja života.
41:52Pa nema...
41:53Izvini, mogu samo da...
41:56Ćao.
42:00Merem ruke, a? Kapiški, ne?
42:06Kasija.
42:08Kasija, stani.
42:09Stani, Kasija. Moram da pričam s tobom. Sad čekaj, stani.
42:13Imam jednu za tebe lošu i jednu dobro ves, koji ćeš prvo.
42:24Ajde prvo tu dobro ves.
42:26Ali mogu da ti znamo i da ti prvo kažemo lošu?
42:29Radovane!
42:31Životinja!
42:32Skidaj sve sa mene, Radovane!
42:35Radovane!
42:39I?
42:40Šta radite vas, vojica, ovde?
42:42Bože, Lila, pa to došao da probao u Riju.
42:45Znaš šta, nema dobra ugustina.
42:47Znaš, mutnikava je.
42:48Ne mi delo je kao da ne dih, to je dobro.
42:51Nije izbalansiran.
42:52Breskvica je moja.
42:57Mama!
42:59Barabo, jedna džubrena.
43:01Šta si radio? Šta sam radio?
43:03Znaš šta, viditeš ti svog boga.
43:06Kad dođe moja čerka, sve ću joj reći šta si uradioš tu.
43:10A hoćete da je kažete i to da sta regljivoj krevet?
43:13Da biste se okoristila mojim telom.
43:16Ja sam čovek.
43:18Dvadeseti prvoga veka.
43:20Svetene!
43:22Četene!
43:23Kako, nema veze.
43:25Ja sam civilizovan.
43:27Ja sam nevorapejac.
43:30Jesi.
43:31Dobar, nema ti sada misli da je ovo sada posljedica onog vina.
43:34Ne, ne.
43:35Ti si ponudio na tacni svoju sobstvenu ženu,
43:38a rođenom bratu nećeš da daš sobicu.
43:42Kome daje šta na tacni?
43:44Dobar, možeš, viditeš kusi. Ajde.
43:49Ej.
43:51Šta je mi?
43:53Ej.
43:54Ej.
43:55Ej.
43:57Ej.
43:58Ej.
43:59Ej.
44:02Ej.
44:03Ej.
44:04Ej.
44:05Ej.
44:06Ej.
44:07Ej.
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