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FilmsActu
  • 05/07/2025
✩ Les Films à VOIR ? Ils sont ICI ► https://www.youtube.com/playlist?list=PL843D2ED8D80FA673

La trilogie Pusher de Nicolas Winding Refn, dans une version restaurée 4K, le 9 juillet au cinéma

FilmsActu X Nicolas Winding Refn (Interview)
© 2025
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05:50C'est ce que je me suis plus intéressé.
05:52J'ai perdu l'intention de vivre dans le vrai monde
05:56et d'être plus excitée
05:58par stepping dans l'espace théâtre,
06:02l'espace d'unreality,
06:04comme un stage.
06:06Et donc, c'est comme l'évolution.
06:13Je pense que si les directeurs
06:14veulent revenir et changer leurs films,
06:16je suis sûre qu'il y a une raison.
06:18Je n'ai pas besoin de faire.
06:20Je n'ai jamais eu la liberté de faire
06:23pour faire le film que je voulais faire.
06:25Donc, il n'y a rien à changer.
06:27J'ai quand même regardé.
06:29Donc, une fois que j'ai fait quelque chose,
06:31j'ai été ostracisé dans mon corps.
06:33Il n'est plus en moi.
06:35J'ai besoin de continuer à faire quelque chose.
06:38Se tar uaillée de person n'est plusesser à m'aider.
06:53Il n'y a rien à voir dans moi,
06:56mais j'ai encore le reste.
08:28Just content that you almost look at while you're doing other things
08:33And movies are still that window of exclusivity of the collective experience
08:39But I think that movies also need to re-evaluate themselves
08:44I remember when we were in Cannes for Only God Forgives
08:47And after everyone had been booing me for so long
08:51That during my stay
08:53I did say, look, you can be angry with me and about my film
08:58But I am from the future
09:01And I'm going to make something that's going to predict
09:03What it's going to be like if you want to make films in the future
09:07And I was right
09:09Because right after Only God Forgives
09:11The industry changed because of Netflix
09:13Netflix was the game changer
09:15And it changed not so much what we're making
09:18But it's how we experienced film and content, essentially
09:23How we viewed it
09:24And I think that to justify or for a movie to exist in longevity
09:29You have to see what a film can become
09:33Rather than what it used to be
09:34Violence is like sex
09:38It's all about the build-up
09:40Bang, bang, and then it's to the other wall
09:43Now make it dirty, unique, interesting
09:45Never seen before in violence
09:46I'm not that strategic
09:52But I will say that
09:54Everything is an evolution of something
09:57And there can be a tendency
10:00When something is liked
10:03That everyone wants the same same
10:07But I don't necessarily think that's true
10:09It's better to give them something else
10:12Or something different
10:13Or something that destroys your past
10:16In order to make something new
10:19To transition
10:20You know, obviously the two films are very different
10:23But what ties them is myself and Ryan's interaction
10:28However, I find that interesting
10:30It's like taking something and turning it on its head
10:34It's taking the ultimate superhero in one movie
10:37And emasculating him in the next
10:39It's taking one movie that's very poppy
10:42And another movie that's very esoteric
10:45And that, I think, is what makes the world interesting
10:50Is that things can become different
10:52It can evolve into other components
10:55Rather than just always staying in the same repeat lane
10:59Because you very quickly run out of steam
11:02In my opinion
11:03I was very happy
11:05But obviously, you know
11:07A lot of harsh reactions
11:09And a lot of booing and screaming
11:12But then I was like
11:13That's kind of cool
11:15Because then you're like
11:16Sex pistols of cinema
11:18You know, you're like
11:19The one everyone throws bottles at
11:21But you can't deny it existence
11:23You can't really criticize it
11:25Because I did it my way
11:27The world will see it
11:29As it continues to evolve
11:31And you just have to be
11:33You have to just be
11:34Trust yourself
11:35So you never lose your vision
11:36When you have that strong reaction
11:38No, on the contrary
11:39You're like
11:40It's like energy
11:41It's like
11:42Just wait for the next one
11:43I love that
11:44I'm like you
11:45I have no regrets
11:47About Only God Forgives
11:48I think it's a masterpiece
11:49And it is
11:49I just didn't make it very expensive
11:52Is there a doctor in the house?
11:54We need to get a medic in here
11:57Is there a doctor around?
12:00When you were mentioning 2001
12:02I said,
12:03Cain, you forgot to add Drive
12:04We'll let that slip
12:06We won't know about Drive
12:08For another 30 years
12:0930 seconds
12:10Whether it lives or dies
12:12I'm talking about films
12:132001 was made in 1968
12:17I made this film
12:19About four years ago
12:20So it's about time
12:20Four years is a zip
12:21It's not even a blip
12:23It's not a pimple
12:25On the asshole of humanity
12:28What was funny about
12:29Talking to Billy Freakin
12:30Was that it was
12:31He had a man
12:33Who had struggled a lot
12:34In Hollywood
12:35And started very successfully
12:39At a young age
12:40And then gone into sorceress
12:43And, you know
12:45Was still traumatized
12:47By that experience
12:48After so many years
12:49And I think that was
12:50What was so sad
12:51In a way
12:52That it had such an effect
12:54On him
12:54It's a little bit like
12:55Michael Cimino
12:56Doing Heaven's Gate
12:57These amazing films
12:59Both Sorcerers
13:01And Heaven's Gate
13:02Are probably their best films
13:04For some reason
13:05Get so destroyed
13:07And then they lose
13:09Sight of themselves
13:10Or they lose their confidence
13:12And it affects
13:12All the other movies
13:14They make afterwards
13:15And I was like
13:16I'm never going to be like that
13:17Because I'm right
13:19You're wrong
13:19I mean I've done two shows
13:26One with Amazon
13:27One with Netflix
13:27And I like what I was making
13:30Obviously
13:30But I
13:31I don't know
13:32How
13:32How
13:34Watch I want to continue
13:36I may want to take a break
13:38And
13:38Go and make movies again
13:41I've decided to do more
13:42Visual arts
13:44You know
13:45And
13:45Trying
13:46To find other areas
13:49Of creativity
13:50But I think it's time
13:52To go make a film again
13:53You said you work on two shows
13:55But you work on
13:55The Famous Five
13:56Also
13:57So The Famous Five
13:58Was a television show
14:00That I
14:00I just
14:01How do you say
14:02Executive produced
14:03Or created
14:04But I had no
14:05Involvement in it
14:06Otherwise
14:07I just created
14:08The kind of
14:08Concept and the story
14:10Based on these
14:11Very famous books
14:12The Famous Five
14:13Was more because
14:13My kids would read the books
14:15When they were young
14:16I remember my mother
14:17Reading me the books
14:18So it was more like
14:19A
14:19Past history thing
14:21That
14:22Came up as an opportunity
14:23Well I mean
14:28If something is interesting
14:29You know
14:30Why not look at it
14:31I've had some wonderful
14:32Meetings in Hollywood
14:33Met wonderful people
14:35But in the end
14:36I like my freedom
14:37That's all I really want
14:39Is just to be free
14:40When you work in Hollywood
14:42There is a contract
14:44Some people love that
14:45And can work within that
14:47I
14:47It's maybe not
14:49So much my thing
14:50Right now
14:51But who knows
14:51Maybe next year
14:52I'll do a big
14:53You know
14:55Big superhero movie
14:56That could be fun
14:59Maybe
14:59I don't know
14:59I'm pretty open
15:00To anything
15:01But at the same time
15:02At the end
15:03You should just
15:04Make what makes you happy
15:05It's one thing
15:06Having creative control
15:08Which is
15:08Easier enough
15:10But it's where
15:11All the money
15:12That's invested
15:13Puts a burden on you
15:15Because all that money
15:17Has to get
15:17You know
15:18Recouped
15:19And then you have to
15:19Make a certain
15:20Type of movie
15:21You don't have the freedom
15:22To do whatever you want
15:23Because you're
15:24You're a slave
15:25To the economics
15:26If your film costs
15:28200 million dollars
15:29Or 100 million dollars
15:30You need to make
15:31300, 400 million dollars
15:32To break even
15:33That already puts a strain
15:34On what kind of movie
15:35Can you make
15:36And I don't want
15:37Any conditions
15:39On me
15:39At all
15:41You have to be
15:42Completely free
15:43I mean in the beginning
15:49A lot of people
15:49Were talking about
15:50Another drive
15:51But it was like
15:52That would be
15:53The worst idea
15:54I've ever heard of
15:55So never
15:56Never
15:57I've been very lucky
16:07To live
16:07A fun life
16:09And it has nothing
16:12To do with fame
16:13You realize very quickly
16:16It has
16:17That I've had opportunities
16:19And I've been able
16:20To work with people
16:21I've met people
16:23I've spoken with people
16:24And it's all been
16:26A lot of fun
16:27But I think
16:28When I started
16:29The idea of being seen
16:32Was very essential
16:33The idea of fame
16:34And fame being
16:36It's like an opportunity
16:38It's like a stage
16:39One thing is becoming famous
16:41The next
16:42What are you going to do with it
16:43And obviously
16:44It's like anything
16:45It's an opportunity
16:46I don't get any love
16:48You can work all the time
16:52I should also work
16:54I should also
16:55We should be here
16:59In Bangkok
16:59In six months
17:00Yang Han will make
17:02His next film
17:02And I have said
17:03Yes to the film
17:04Process
17:04It's new
17:06I knew that we are
17:07Sammen with him
17:08Når han filmer
17:09Sidst da han lavede Drive
17:11Der blev jeg hjemme
17:12I Danmark
17:12Med børnene
17:13Det stræk så over
17:15Ti måneder
17:15Og det var bare for
17:17Hort at være væk
17:17For hinanden
17:18My daily life
17:22Is I have a routine
17:23I wake up
17:24I do two hours sports
17:26Every day
17:27Then I usually
17:28Have lunch
17:29Then I get yelled at
17:31By my kids
17:32I work
17:33At night
17:34And then
17:35Try not to
17:37Get to bed
17:38Too late
17:39And then
17:39Friday comes
17:41And it's weekend
17:42And
17:42You try to relax
17:45A little more
17:45And the next day
17:46Is Monday
17:47You watch movies?
17:48I used to watch
17:50A lot of movies
17:51When I was a lot younger
17:52But now
17:53It's just harder
17:53And harder
17:54There's other things
17:55That I find interesting
17:56Like what?
17:57Well I did my first exhibition
18:00That just opened in Tokyo
18:02And that's been a lot of fun
18:03To do that
18:04A collaboration with Hideo Kojima?
18:06Yeah
18:07Can you talk about that?
18:08Well I created an exhibition
18:11That opened
18:13Friday last week
18:15In Tokyo
18:16Where I built this installation
18:18Between us
18:20I saw my wife
18:21And my daughter
18:22In the procession
18:23Hey
18:24It's me
18:25Where are you going?
18:33Wait
18:34Don't live without me
18:39No
18:42Don't go
18:44Please
18:45Don't go
18:47And you are
18:49In Death Stranding 2
18:50I am
18:51Heart Man
18:52And Heart Man
18:53Is forever
18:54In Death Stranding
18:55I think that
19:01Don't believe
19:02Everything you read
19:03On the internet
19:04Can you tease us something?
19:06Well believe
19:06Everything you read
19:07On the internet
19:08Ah ok
19:08We're going to see a lot of film
19:19We're going to see a lot of film
19:19We're going to see a lot of film
19:20We're going to see a lot of film
19:22We're going to see a lot of film
19:24We're going to see a lot of film
19:24We're going to see a lot of film
19:25We're going to see a lot of film
19:25We're going to see a lot of film
19:26We're going to see a lot of film
19:26We're going to see a lot of film
19:27We're going to see a lot of film
19:28We're going to see a lot of film
19:28We're going to see a lot of film
19:28We're going to see a lot of film
19:29We're going to see a lot of film
19:30We're going to see a lot of film
19:31We're going to see a lot of film
19:32We're going to see a lot of film
19:33We're going to see a lot of film
20:03...