- 7 months ago
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🎥
Short filmTranscript
00:00:00The End
00:01:00Well, there you have it, all you transistor radio bugs.
00:01:15How'd that one grab you?
00:01:16That...
00:01:17Howie, for heaven's sake, it's almost dark.
00:01:30If you don't hurry up, we're going to be late for the game.
00:01:34Margie, have you ever tried to fix a fuel pump to a rock and roll beat?
00:01:37Well, I'm sorry it made you nervous.
00:01:39I just thought it was a good chance to get in some practice.
00:01:42It's okay, forget it.
00:01:44Nothing I can do anyway, at least not way out here.
00:01:48Well, I wish you hadn't taken this crazy, nowhere shortcut.
00:01:52Boy, this is like Lostville.
00:01:55I know.
00:01:56I goofed.
00:01:58And I've got to get some help if we're going to get there in time for the kickoff.
00:02:01Hey, didn't we pass a farmhouse about a mile or two back down the road?
00:02:08Yeah, that's right.
00:02:09Back around the curve.
00:02:11Come on, we'll be shorter through those woods.
00:02:13Oh, Howie, look.
00:02:21I don't think we ought to go on that property.
00:02:23Look, you want to get to the game, don't you?
00:02:25Of course I do.
00:02:26Come on.
00:02:27Come on.
00:02:27Come on.
00:02:27How it's cold.
00:02:57It's so dark.
00:02:58We should have brought the flashlight.
00:03:00Ah, it isn't working.
00:03:02Batteries are down and I forgot to replace them.
00:03:27It's so dark.
00:03:42Okay.
00:03:42Woo.
00:03:46It seems like we've been walking for hours.
00:04:06Well, it can't be much further now.
00:04:09Hey, there's a light.
00:04:16Huh, that's strange.
00:04:34Can't fire away out here in the middle of the woods and nobody around.
00:04:38Kind of creepy, isn't it?
00:04:40Yeah.
00:04:42Hold it right there, both of them.
00:04:43Hey, Dad, what are you made up for?
00:04:48I mean, what's the bit?
00:04:50Hey, now, don't point that thing at us.
00:04:52It could go off.
00:04:55Come on, now.
00:04:56Who are you guys?
00:04:57What kind of a joke is this?
00:04:59I mean, out here in the middle of...
00:05:00Joke, boy.
00:05:01You think this is a joke?
00:05:03Howie, I'm frightened.
00:05:05Look at him.
00:05:06It's got to be some kind of a gag.
00:05:09This can't be for real.
00:05:10Howie, what's it all about?
00:05:15I don't know.
00:05:17Honey, do as I tell you.
00:05:20You edge around behind me.
00:05:22It's only between them and you.
00:05:23Then run like the devil.
00:05:25Howie, not alone.
00:05:26Do as I say.
00:05:29What are you two young'uns doing out here?
00:05:31Quick, don't let him get away.
00:05:36Run largely.
00:05:37Head for the car.
00:05:38Stop, boy.
00:05:39I'll hear you.
00:05:39I'll hear you.
00:05:40I'll hear you.
00:06:09Mar-Margie?
00:06:22Margie?
00:06:22Margie?
00:06:22Margie?
00:06:22Margie?
00:06:39Oh, hello, Jim.
00:07:05What do you need?
00:07:06I need my ever-loving paycheck.
00:07:08What's the rush?
00:07:09Payday tomorrow.
00:07:10I know, but Reed said you'd have it for me tonight.
00:07:12Oh, did he now?
00:07:13Yeah, that way I get a couple hours head start on my first vacation in three years.
00:07:18Relax.
00:07:19The girl's on her way up from accounting with it now.
00:07:22Where are you going on this vacation?
00:07:23Some place that can't be reached by telephone, telegraph, teletype, or carrier pigeon.
00:07:29You don't think we'd interrupt your vacation now, do you?
00:07:32Why not?
00:07:33You guys did it for the last two years.
00:07:36Jim, nice story you turned in.
00:07:39Well written.
00:07:39Had a lot of fun.
00:07:41When he talks like that, he wants something.
00:07:44As a matter of fact, there is one little favor I'd like to ask you to do before you leave.
00:07:47Uh-oh.
00:07:48Here it is.
00:07:49As a matter of fact, here it is.
00:07:54The accounting department is certainly coming up with much more interesting figures lately.
00:08:01See you guys.
00:08:04Oh, come on, Jim.
00:08:06Now this will just take a few minutes.
00:08:08Not much out of your way.
00:08:09All you have to do is get a few details and phone them in from there.
00:08:13From where?
00:08:14Carver Street Hospital.
00:08:15Murphy called in from police headquarters.
00:08:18Some college kid was brought in with a gunshot wound.
00:08:21Here's his name.
00:08:22Why doesn't Murphy cover it?
00:08:23He's on police tonight.
00:08:25He's busy on the cat burglar story.
00:08:28Who shot the kid?
00:08:29That's why I want you to find out.
00:08:31May not be anything else, but you never can tell.
00:08:34Okay, I'll do it.
00:08:36But afterwards, I'm leaving for my vacation.
00:08:38Definitely, irrevocably, and finally.
00:08:41Do you read me, great white fathers?
00:08:43Only two clear.
00:08:45Have a good time.
00:08:46I intend to.
00:09:00Hello, blonde girl.
00:09:01Why, James Crandall, what brings you here?
00:09:05Now don't tell me.
00:09:07Let me guess.
00:09:09They sent you down for an egoectomy.
00:09:11A what?
00:09:13An egoectomy.
00:09:14They're going to cut out that big, fat ego of...
00:09:17Oh, that's funny.
00:09:18Funny, funny.
00:09:20I want some information.
00:09:22Like what?
00:09:23Like, uh, you got a boy here.
00:09:27Howard Ellison.
00:09:28College kid.
00:09:29In some kind of shooting scrape.
00:09:31That's the kid they brought in this evening.
00:09:34But I don't think he's having visitors.
00:09:37Well, could I speak to his M.D.?
00:09:39That would be Dr. Wilson Blake.
00:09:42Oh, yes.
00:09:43Blake of the Rusty Scabble.
00:09:45Oh, you know him?
00:09:46I should.
00:09:47He broke into me once and stole an appendix.
00:09:50Oh, funny.
00:09:51That's funny, funny.
00:09:54He's in his office.
00:09:55I know where he is.
00:09:55I'll dig you later in your seat.
00:09:56Yes, that's all right with me, Dr. Thornton.
00:10:0410.30 will be fine.
00:10:08Yes, I think the whole administrative staff should be there.
00:10:13Fine.
00:10:14See you in the morning, doctor.
00:10:15Goodbye.
00:10:19Come in.
00:10:20Jim Cramp.
00:10:22Hello, Will.
00:10:23How are you?
00:10:24Hey, number one, how about you, sir?
00:10:25No complaints.
00:10:26Can you spare a few minutes?
00:10:27Sure, sure I can.
00:10:29Are you on duty?
00:10:30No, not really.
00:10:31I'm officially on vacation.
00:10:38Soda?
00:10:39Just straight, thanks.
00:10:41I bet you're here for a story on that Ellison boy.
00:10:44Good bet.
00:10:45Sit yourself down.
00:10:46So were some friends of yours.
00:10:48They left about an hour ago.
00:10:50Uh-oh, the local gendarmes know that.
00:10:52Right.
00:10:52Lieutenant Partain and a couple of his men.
00:10:55They talked to the boy for about an hour and then finally...
00:10:57Wait a minute.
00:10:58Talk to him?
00:10:59You mean the Ellison kid's able to talk?
00:11:01Sure, he wasn't hurt too badly.
00:11:02The bullet didn't enter any of his vital organs.
00:11:04But the nurse said he couldn't have any business.
00:11:06Well, he can.
00:11:07At least not now.
00:11:08He was too tired after that session with Partain.
00:11:11I want him to get some rest.
00:11:12Well, when can I see him?
00:11:14In the morning.
00:11:15In the morning?
00:11:16But talk, I gotta phone something into the editor.
00:11:18I can't fool around on this thing.
00:11:20I'll leave on my vacation tomorrow.
00:11:22Well, I envy you.
00:11:23We're so short-staffed here at the hospital, there's no telling when I'll be able to take a vacation.
00:11:28What did the kid say when he talked?
00:11:30He told a real weird story.
00:11:33The police have a transcript of it.
00:11:35I'd rather hear from you if you don't mind.
00:11:37I don't think I should repeat it.
00:11:39I imagine the lieutenant would rather tell you himself.
00:11:42Ah, come off it, Doc.
00:11:43You know Partain's not gonna give me anything till he's good and ready.
00:11:47All right.
00:11:48All I can do is repeat what the boy said.
00:11:50But I'll warn you, you won't believe it.
00:11:52Suppose you're trying.
00:11:54Well, this Ellison kid is a student at the university.
00:11:58A cheerleader.
00:11:59An honor student.
00:12:00An all-around popular kid.
00:12:02Early this afternoon, he and this co-ed...
00:12:04Co-ed?
00:12:05You mean there was a girl with him?
00:12:08Yes, one of the majorettes from the band.
00:12:11A girl named Margaret DeMar.
00:12:13DeMar?
00:12:14Couldn't be related to Sandy DeMar in the nightclubs, right?
00:12:17As a matter of fact, yes.
00:12:18Her sister.
00:12:19Well, that ends a dance of color.
00:12:21What about the girl?
00:12:22I'm getting to that.
00:12:23Now, do you want to hear this story or not?
00:12:25Okay, okay.
00:12:26Go ahead.
00:12:26Well, early this afternoon, they left the university on their way downstate to that night game against Southern Tech.
00:12:34They had permission to drive down instead of going on the bus with the other students.
00:12:39They were running short of time, so they took a shortcut on one of those farm roads.
00:12:43Ellison's car started acting up and finally quit on them.
00:12:46They had to have help, so they started walking, trying to make it to a farmhouse.
00:12:51I said, hold her right there.
00:12:59Hey, Dad.
00:12:59What are you made up for?
00:13:01What are you two young'uns doing out here?
00:13:05Quick!
00:13:06Don't let them get away!
00:13:09Run, Marjorie!
00:13:10Head to the car!
00:13:12Stop, boy!
00:13:13I'll shoot!
00:13:14He started running, and that's when he got shot.
00:13:18He got up, and he kept on running.
00:13:21He made it back to the car.
00:13:22He looked around for the girl, and she wasn't there.
00:13:25After that, he blacked out.
00:13:27A passing motorist picked him up and brought him in, and that's the story the way he told it.
00:13:32You sure weren't kidding when you called it weird.
00:13:35I've heard some screwy ones in my time, but this one takes the prize.
00:13:39Yeah.
00:13:40That was exactly my reaction.
00:13:42At first.
00:13:43What do you mean, at first?
00:13:45Well, sometimes I'm forced to alter my opinion by certain evidence.
00:13:50I don't know if you're aware of it, Jim, but my hobby is American military history.
00:13:54I collect historical military objects like some men collect stamps, like this item that
00:13:59was brought in by a patient a couple of months ago.
00:14:01You know what that is?
00:14:05Well, it looks like some kind of rifle slip.
00:14:08Mm-hmm.
00:14:09I have a cigar box full of those at home.
00:14:12My brother and I used to find those in the woods and dig them out of trees when we were kids, back in Georgia, 30 years ago.
00:14:19It was one just like the one you're holding now that I took out of young Ellison's body and gave to the police this evening.
00:14:27And if you ask me, they're going to have to dig a long way back in their ballistics file to find anything that matches that.
00:14:34Yeah?
00:14:35Yeah.
00:14:35You see, that's a mini-ball.
00:14:39The kind of a bullet they used during the Civil War.
00:14:42The Civil War.
00:15:12The Civil War.
00:15:42The Civil War.
00:16:12Now, ladies and gentlemen, it is my privilege to present our heavenly little headliner and collector of two gold records,
00:16:27The Girl with the Arcade Voice, Miss Sandra DeMar.
00:16:30The Civil War.
00:16:32The Civil War.
00:16:33The Civil War.
00:16:37The Civil War.
00:16:43Go on away and leave me alone.
00:16:48I wanna be by myself when I cry
00:16:54And there's gonna be some crying
00:16:58Cause I just told my baby goodbye
00:17:01Get out of here and leave me alone
00:17:11I don't care whether I live or I die
00:17:17Cause my life's already over
00:17:20It ended when he told me goodbye
00:17:24Why is it everything happens to me
00:17:32And my dreams all explode in my face
00:17:34He was my own for a while but he's gone
00:17:37And I know no one can ever take his place
00:17:43So go away and leave me alone
00:17:50I've got a right to my own private pride
00:17:56Coming down with the sorrow
00:18:00Cause I just told my baby goodbye
00:18:04Why is it everything happens to me
00:18:32And my dreams all explode in my face
00:18:35He was my own for a while but he's gone
00:18:38And I know no one can ever take his place
00:18:40Good evening, Ramon
00:18:40Is this piece at a position?
00:18:42Oh, there's nothing to worry about
00:18:43We'd like to talk to Miss tomorrow
00:18:45When she's through singing
00:18:46Would you care for something while you're waiting?
00:18:48Thank you, no girl, I'm busy
00:18:49Leave me alone
00:18:51I've got a right to my own private pride
00:18:57I'm coming down with the sorrows
00:19:01Cause I just told my baby goodbye
00:19:05Cause I just told my baby goodbye
00:19:09Cause I just told my baby goodbye
00:19:23Yes, Sandy, are you decent?
00:19:49Yes
00:19:50I want to talk to you
00:19:53Police?
00:19:55Yes, Mr. Mark
00:19:56I'm Lieutenant Park Tain
00:19:58And this is Detective Lasky
00:19:59We're just making a routine investigation
00:20:01Have you heard from your sister this evening?
00:20:04Margie?
00:20:05Why no?
00:20:05Why do you ask?
00:20:07Well, we just thought she might have called you
00:20:08You see, we have reason to believe she may be missing
00:20:12Missing?
00:20:13I don't understand
00:20:14She's at a football game
00:20:16In Stephenville with Howard Ellison
00:20:18I'm afraid not, Mr. Mark
00:20:19Maybe you'd better sit down
00:20:21And let me tell you all that we know about it so far
00:20:23Well, Lieutenant Park Tain
00:20:44Is it a raid or a payoff?
00:20:46Lasky, we got the Walter Winch of the Boondocks again
00:20:48You been talking to the DeMar girl?
00:20:51So you know about it already
00:20:52Yeah, but not enough
00:20:53Can you fill me in?
00:20:55At this point, you probably know just about as much about it as we do
00:20:57Why don't you stop by the office in the morning
00:20:59We know you have more time to work on it
00:21:01Oh, come on, Fred
00:21:02Can't you give me something tonight?
00:21:03I'll start my vacation tomorrow
00:21:05Good fishing
00:21:07Miss DeMar?
00:21:34Yes
00:21:34I'm Jim Crandall with the Sentinel
00:21:36Could I talk to you a moment?
00:21:38I'm sorry, Mr. Crandall
00:21:39I really haven't time to talk
00:21:40I've got to get home in case my sister calls
00:21:42Well, that's what I wanted to talk to you about
00:21:44Can I give you a lift home?
00:21:48Thanks, but I'll take a cab
00:21:49Well, they're kind of slow this time of night
00:21:52Well, all right
00:21:54If you're sure it's not out of your way
00:21:55Of course not
00:21:56It's part of my job
00:21:57What's the matter?
00:22:06Mr. Crandall, I'm too upset to go home
00:22:08You know my sister's missing
00:22:09Yes
00:22:10Do you know where it happened?
00:22:11Just about
00:22:12Would you drive me there?
00:22:13It's nearly one o'clock in the morning
00:22:16Besides, what if she calls you?
00:22:18If she were going to call me
00:22:20I'm sure she would have done so by now
00:22:21It's nearly a 45-minute drive up there
00:22:24Howie was picked up on a farm road
00:22:26Just this side of Stephenville
00:22:27It's too much trouble
00:22:29You can drop me at my apartment
00:22:30And I'll take my car
00:22:31You're pretty determined to go, aren't you?
00:22:34If my sister's in trouble
00:22:35I've got to be near her
00:22:36Hop in
00:22:37I need you go up there myself
00:22:39Lieutenant, we checked that house
00:23:05From top to bottom
00:23:06Nothing there
00:23:07Okay, Lasky
00:23:09As soon as the boys are through
00:23:10Have them go in and get some rest
00:23:11We've done everything we can do here
00:23:13Maybe the sheriff and his bloodhounds
00:23:15Will turn something up
00:23:16Right
00:23:39Lieutenant, Partain around?
00:23:44He's up in the woods someplace
00:23:45Evening, ma'am
00:23:46Has there been any news of my sister?
00:23:48You signed her tomorrow?
00:23:49Here comes Partain now
00:23:50Lieutenant, have you found her yet?
00:24:00I'm afraid not
00:24:01Crandall, what'd you bring her out here for anyway?
00:24:04I made him bring me, Lieutenant
00:24:05Can you tell me anything about Margie?
00:24:07No, ma'am
00:24:08I think you both made a trip out here for nothing
00:24:10Why don't you go home and get some sleep?
00:24:14He's right, Sandy
00:24:15You should do as he says
00:24:16Jim
00:24:18Somewhere out there in that horrible blackness
00:24:21It's my sister
00:24:22Those dreadful dogs
00:24:26They sound so terribly ominous
00:24:30Oh, Jim
00:24:31Come on
00:24:36We'd better get back
00:24:38No, I'm going to check all the antique gun shops this morning
00:24:54As soon as they open
00:24:55How about the kids' parents?
00:24:57You contact them?
00:24:58Lieutenant
00:24:58The Ellisons live in Denver
00:25:01I tried all night to call them
00:25:03But they weren't home
00:25:03How about a cup of coffee, Jim?
00:25:06Yeah
00:25:06Black
00:25:06What about the kids at the university?
00:25:10Ellison's fraternity brothers
00:25:11I talk to everyone in the dorm
00:25:13They like him
00:25:15What do his professors say about him?
00:25:18Bright popular boy
00:25:19Good scholastic records
00:25:21Level-headed, down-to-earth
00:25:22Not the kind to make up
00:25:24Wild stories
00:25:25Well, that character's another one of our little series wide open
00:25:29You just getting here?
00:25:32Some of the other fellows came in a couple hours ago
00:25:34Yeah, I was out with the sheriff and his bunch
00:25:36And have we got a Lulu
00:25:37Yeah, what is it?
00:25:39The girl's sweater
00:25:40We found it out in the woods, not far from a smoldering campfire
00:25:44Go on
00:25:45Well, we gave the scent to the dogs
00:25:47And they took off like Moody's goose
00:25:49Well, we followed them for about a mile or two
00:25:52Until they got through the woods and into a small open space
00:25:55Well, the dogs got about halfway through the open space
00:25:59And then they stopped
00:26:00But you've never seen so much confusion of tangled dogs in your life
00:26:05They didn't know which way to go
00:26:06The scent had stopped right in the middle of nowhere
00:26:11It was as if the girl had just been snatched off the face of the earth
00:26:16Into thin air
00:26:17Wait a minute
00:26:18You mean no footprints, no tire tracks, no nothing?
00:26:21Well, nothing but this
00:26:25Well, so you've found part of a costume
00:26:27Costume?
00:26:29Uh-uh
00:26:30This is the real article
00:26:32I checked it out
00:26:32What do you mean, checked it out?
00:26:35Look at the label on the inside
00:26:37McCord Brothers
00:26:38McCord?
00:26:40Outfitter to the military
00:26:41Charleston, South Carolina
00:26:44I checked with the Charleston Department
00:26:47And they gave me some very interesting facts
00:26:50From one of their newspapers
00:26:51It seems that
00:26:53McCord Brothers
00:26:54The company that made that hat
00:26:55Burned to the ground in 1869
00:26:59And was never rebuilt
00:27:01It's been non-existent for over a hundred years
00:27:05This case is getting scurrier by the minute
00:27:08Don't it, though?
00:27:10I'll ask you to run this down to the lab
00:27:11And then go home and get some sleep
00:27:12How about me, Lieutenant?
00:27:16Sure, sure, go on home
00:27:18You were in the rest
00:27:19Well, what do you think?
00:27:25I was Mr. Marr when you left her
00:27:27Shook up, naturally
00:27:28She's spending the night with her girlfriend
00:27:30I've read about this whole mess
00:27:33What's your opinion?
00:27:36I'm not paid to have opinions
00:27:37I'm paid to put jigsaw puzzles together
00:27:40But seriously, what do you think?
00:27:43I think there's a logical explanation to everything
00:27:45Two men were in those woods in costume and makeup
00:27:48Anyone knows there's lots of guys around nowadays
00:27:51Who collect antique guns
00:27:53They belong to clubs
00:27:54They have meetings and shooting contests
00:27:57Every so often
00:27:58A couple of them got liquored up a little
00:28:00Wanted to have some fun and scare the kids
00:28:02But something went wrong
00:28:04It's as simple as that
00:28:06My hunch is
00:28:07As soon as they get up enough nerve
00:28:09They'll come in
00:28:10Give themselves up
00:28:11It's a nice theory, Jim
00:28:13But what happened to the girl?
00:28:16Well, your guess is as good as mine
00:28:18Jim, you know
00:28:20This whole thing is
00:28:21Well, it's spooky
00:28:23Reminds me of something that happened in Germany in 1945
00:28:26Towards the end of the war
00:28:28Yeah?
00:28:28What was that?
00:28:29Well, our outfit liberated a small concentration camp
00:28:32Near the Alsatian border
00:28:34When we took it
00:28:35We expected to find the usual half-starred ragged inmates
00:28:39You can imagine our surprise
00:28:41When we were greeted by about 50 young people
00:28:44All a picture of perfect health
00:28:47That sounds a little hard to believe
00:28:49After all I've read of Dachau and Auschwitz
00:28:51Well, that's what made it hard to be
00:28:53Here were these kids
00:28:55Not over 21
00:28:56And some as young as five
00:28:57Living in apparent luxury
00:28:59Good food
00:29:01Complete recreational facilities
00:29:02No forced labor
00:29:03Reminded me of a bunch of cads
00:29:06Being fattened up for the kill
00:29:08You mean there were no old people in the camp?
00:29:11There were a few
00:29:11But not alive
00:29:13We found their bodies in the rooms next to the ovens
00:29:17Apparently we'd taken a camp so fast
00:29:19They hadn't had time to dispose of the bodies
00:29:21But before they left the night before
00:29:24They blew up the largest building in the camp
00:29:26It was some sort of a laboratory
00:29:28And inside
00:29:30Amidst the rubble
00:29:31And blown into a million pieces
00:29:33Was the scariest piece of machinery
00:29:34I've ever seen
00:29:36Some sort of a crazy electronic apparatus
00:29:40And half buried underneath it
00:29:42Amidst the rubble
00:29:43Still strapped to a table
00:29:45Was an old, old man
00:29:46Just barely alive
00:29:48Our medics tried to save him
00:29:50But they couldn't
00:29:52Now here's the weird thing
00:29:53This is the part we could never understand
00:29:55In trying to identify him
00:29:58We checked the camp records with the prison number
00:30:00Tattooed on his arm
00:30:01According to those records
00:30:03That old man should have been
00:30:05An 18 year old boy
00:30:08What about the other bodies?
00:30:10Same thing
00:30:11Their numbers indicated they all should have been kids
00:30:14What type of experiments were they conducting there?
00:30:18We never found out
00:30:19Even the young inmates were to worry
00:30:21Why they were there
00:30:22They never found the commandant of that camp
00:30:24To bring him to trial
00:30:25With the rest of the Nazi brass
00:30:26His name was
00:30:28Ernst von Hauser
00:30:30Did you ever hear of him?
00:30:34He was a German physicist
00:30:35Contemporary of Einstein's
00:30:37I don't follow you
00:30:39You mean you think
00:30:40There might be some connection
00:30:41Between all that
00:30:42And what happened here last night?
00:30:44I'm not saying that, no
00:30:46But just suppose
00:30:47For the sake of argument
00:30:49The Ellison kid did see
00:30:50Two men out of the past of 100 years ago
00:30:52That would mean
00:30:54Somebody around here
00:30:55Is tampering with time
00:30:56Somebody was also tampering with time
00:30:59In that concentration camp
00:31:00Now wait a minute
00:31:01Let me get this straight
00:31:03You think that the machine
00:31:04Found in that concentration camp
00:31:06Was some kind of time machine
00:31:08And that there may be another one
00:31:10Like it around here
00:31:11Is that what you're saying?
00:31:13I'm not saying anything
00:31:14I'm just supposing
00:31:15After all
00:31:16They never found von Hauser
00:31:18Lieutenant?
00:31:20He won't
00:31:20Captain wants to see you in his office
00:31:22I want you to bring the file
00:31:23On the Maddox case
00:31:24Be right there
00:31:26How am I ever going to turn in
00:31:30A story like that?
00:31:32That's your problem
00:31:33Hello
00:31:52Give me the city death
00:31:53Hello Reed
00:31:57Crandall again
00:31:58Would you tell Shaw
00:31:59I'd like to postpone my vacation
00:32:01And stick with the Ellison story?
00:32:04Yeah, that's right
00:32:04You know that Pulitzer Prize
00:32:07You're always kidding me about?
00:32:09Well, if this thing
00:32:10Turns out to be what it looks like
00:32:12I just might win it
00:32:13No
00:32:15Nothing new at the moment
00:32:17I'll keep you posted
00:32:18Yeah, I've got a little research
00:32:20To do in the library
00:32:21Then I'm going to the hospital
00:32:23To interview the kid
00:32:24Right
00:32:25Talk to you later
00:32:26All right, Howie
00:32:40You can go on with your story
00:32:41That's about it, Mr. Crandall
00:32:45I remember reaching the highway
00:32:48And Margie wasn't there
00:32:50And then I blacked out
00:32:52And the next thing I knew
00:32:53I was here at the hospital
00:32:54And you really don't think, Howie
00:32:56That those guys
00:32:57Were just a couple of kooks
00:32:59In Civil War costumes?
00:33:02Mr. Crandall
00:33:02I don't know how to explain it
00:33:04But I got the distinct feeling
00:33:06That these guys were for real
00:33:08I mean like something
00:33:09Straight out of
00:33:10Gone with the wind
00:33:11Howie, what's your idea
00:33:14Of what happened to Margie?
00:33:15Do you think these two guys
00:33:16Grabbed you?
00:33:17I don't know, Mr. Crandall
00:33:18I don't know
00:33:20That's what's bugging me
00:33:22Out of my skull
00:33:23Nurse, is Mr. Ellison awake?
00:33:28Yes, he is
00:33:28He has another visitor
00:33:29But you can go on in
00:33:31Thank you
00:33:32Sandy
00:33:41Hello, Howie
00:33:43How are you?
00:33:44Hello, Jim
00:33:45Good morning
00:33:45Have you heard anything
00:33:46From Margie?
00:33:47Not yet
00:33:48I brought you some flowers
00:33:49Thank you, Sandy
00:33:51I'm sorry about all this
00:33:55I mean
00:33:56It's all right, Howie
00:33:57Now, don't you worry
00:33:58Whatever happens
00:33:59I know it wasn't your fault
00:34:01Jim
00:34:02Have the police found out
00:34:03Anything yet?
00:34:05No new developments
00:34:06I'm going up there
00:34:07In a little while
00:34:08And have a look around myself
00:34:09I want to see the place
00:34:10In the daylight
00:34:11Would you mind
00:34:12If I went with you?
00:34:13Of course not
00:34:13I'd enjoy your company
00:34:14Howie
00:34:15Would you forgive us
00:34:17If we ran off right away?
00:34:19Sure
00:34:19I understand
00:34:20I'll drop back in later
00:34:22Bring me some magazines
00:34:23Yeah
00:34:24True Confessions
00:34:25And Ladies Home Journal
00:34:27Gee, thanks, Mr. Crandall
00:34:28Those are two I never miss
00:34:30See you later, Howie
00:34:31All right, how are you?
00:34:38I'm sorry
00:34:39All right
00:34:39All right
00:34:40Good
00:34:41All right
00:34:42You're all right
00:34:43Good
00:34:44Let's go
00:36:15The meadow where they found the cap and where Margie's trail ended is supposed to be nearby.
00:36:21Do you think this old place has anything to do with her disappearance, Jim?
00:36:24I don't think so.
00:36:26They searched it and didn't find anything.
00:36:29Her sweater was found somewhere in those woods.
00:36:30I think I'll have a look around.
00:36:35Oh, my God.
00:36:44Oh, my God.
00:38:22Let's get out of here.
00:39:40What happened?
00:39:49I don't know, but we'd better get back to the car.
00:39:52Jim, the car, it's gone.
00:40:04Jim, someone must have stolen it.
00:40:13I would have heard the motor start up.
00:40:15Besides, I have the key in my pocket.
00:40:18Well, this must be the wrong place.
00:40:20This isn't where we left it.
00:40:21This is where we left it, all right.
00:40:23Jim, that fence, that fence, that wasn't here when we came down the road.
00:40:35And the barbed wire fence is gone.
00:40:40Jim, we're lost.
00:40:41I don't think so.
00:40:42I don't think so.
00:40:43At least, not the way you mean.
00:40:46Jim, I'm frightened.
00:40:50It's... it's all right.
00:40:52Let me think a minute.
00:40:53This road was paved, and now it's dirt.
00:40:58And there isn't a telephone pole in sight.
00:41:01I know, I know.
00:41:03Jim, what is it?
00:41:05What's happening?
00:41:07I don't understand it.
00:41:08Where's the car?
00:41:09Where are we now?
00:41:10Jim, I know you know what's happening to us, and you won't tell me.
00:41:13But why not?
00:41:15What's going on?
00:41:18Fantastic.
00:41:20Incredible.
00:41:21I never really believed it.
00:41:24Tell me.
00:41:25Tell me what's happening.
00:41:26Sandy.
00:41:27What's going on?
00:41:27What dreadful things is happening?
00:41:29Tell me.
00:41:30Tell me.
00:41:32It'll be all right.
00:41:34Everything's going to work out.
00:41:36But we have to keep our heads.
00:41:37I believe our best bet is to follow this road and see where it leads.
00:41:46Come on.
00:41:47Come on.
00:42:07Good boy.
00:42:17Good boy.
00:42:18Good boy.
00:42:19Bye.
00:42:25Bye.
00:42:25Bye.
00:42:27Bye.
00:42:29Bye.
00:42:34Bye.
00:42:35Jim, his clothing.
00:42:47I know.
00:42:48Ours are just as strange to him.
00:42:51Especially your short skirt.
00:42:56Friend, what year is this?
00:43:03Where are we?
00:43:05Witchcraft! Witchcraft!
00:43:08Yeah!
00:43:15Jim!
00:43:18Honey, I don't know how to explain it.
00:43:20But somehow we've been set back in time.
00:43:23Jim, that's impossible.
00:43:26Impossible.
00:43:27I know it's supposed to be impossible.
00:43:29But it seems to have happened.
00:43:30Well, let's not try to figure it out now.
00:43:35We've got to get somewhere to find some help.
00:43:38Some way.
00:43:39Jim, I'm sorry.
00:43:59But I don't think I can go any farther.
00:44:02I simply have to rest.
00:44:04All right.
00:44:06We'll stop for a while.
00:44:07All right.
00:44:07Welcome, my friends, to our little workshop.
00:44:29Do not be alarmed or cause unnecessary commotion.
00:44:35You are in no danger.
00:44:37At least, not for the moment.
00:44:39Don't you please step out?
00:44:50I am Dr. Ernst von Hauser.
00:44:52These are two of my assistants.
00:44:56Monfred and Wolf.
00:44:58Where are we here?
00:45:00I told you.
00:45:02We are in my little workshop.
00:45:04And I tell you again, please do not be alarmed.
00:45:08What time is this?
00:45:09What century are we in?
00:45:11Does it matter, my friend?
00:45:13There really is no such thing as time.
00:45:16Except as a relative measuring device in your own mind.
00:45:20We're not interested in double talk.
00:45:22What happened to Margaret de Marr?
00:45:24What have you done with it?
00:45:26Please, Mr. Crandall, you will please remain calm.
00:45:30What have you done with my sister?
00:45:32Your sister is entirely safe, Mr. Marr.
00:45:35And I assure you, I did not bring her here intentionally.
00:45:38She certainly didn't come here of her own free will.
00:45:41I didn't say that.
00:45:43I brought her here to keep her from harm.
00:45:45Then where is she?
00:45:46Let me see her.
00:45:47But of course.
00:45:49To the armor.
00:45:51Come and see her.
00:45:52Snow.
00:45:55To the armor.
00:45:57Bring her to the frulein de Marr through her of Shresta.
00:46:02Go.
00:46:08No need for alarm, Mr. Crandall.
00:46:10She'll be all right.
00:46:12She'll be able to freshen up.
00:46:13We will even furnish her a change of clothing.
00:46:16I knew she was intrigued by my servant girl, Deliana.
00:46:27And well, you might be.
00:46:30Just a few thousand years ago, she was serving in the court of Tons of Nemzes, one of the great
00:46:38pharaohs of Egypt.
00:46:39And now, she is serving me.
00:46:45Quite an experience, is it not?
00:46:49This is like a fantastic nightmare.
00:46:52I don't understand any of it.
00:46:54How did you get Margie here?
00:46:56I was conducting an experiment with a pair of gentlemen from the past.
00:47:03Then the girl and her boyfriend wandered into the machine's field of materialization and
00:47:10encountered them.
00:47:11They shot the boy.
00:47:14They might have killed the girl, had I not teleported her here very quickly.
00:47:20And the two red soldiers?
00:47:21I sent them back to Shiloh, Mr. Crandall.
00:47:25But it doesn't matter.
00:47:26They probably died there anyway.
00:47:30Fantastic.
00:47:31Utterly fantastic.
00:47:34Tell me, Doctor, why did you send Sandy and me back to...
00:47:37To 1789?
00:47:39I admit I took advantage of you to conduct a little experiment.
00:47:44Oh, you are a little dangerous, but you see, no harm has come to you.
00:47:49Oh, super-spectronic relativity.
00:47:53I believe that's what you once called it.
00:47:54Oh, then you are familiar with my work.
00:47:58To some degree, yes.
00:47:59I read up on you this morning in the library after talking with the police.
00:48:04Oh.
00:48:06And what did you learn about me?
00:48:09Quite a bit.
00:48:10I know of your early career and some of the brilliant discoveries you made in the field
00:48:15of physics, and that you were expelled from the International Congress of Physicists because
00:48:20of your theories.
00:48:22Ah, that was a humiliation which will soon be avenged, Mr. Crandall.
00:48:27But the one, what else did you learn out of me?
00:48:32Well, I know that you were a friend and sponsor of Adolf Hitler, that you helped elevate him
00:48:37to power in the 30s, and became the organizer and administrator of his Department of Scientific
00:48:42Warfare.
00:48:43That's another thing that puzzles me here, Doctor.
00:48:47Why a man of your brilliance should identify himself with a fanatical madman like Hitler?
00:48:53How dare you refer to Adolf Hitler as a madman?
00:48:57He was a great genius ahead of his time.
00:48:59The world, in its ignorance, was not ready to accept him.
00:49:04The world did not accept him because he was a lunatic, bent on enslaving it.
00:49:09Do you call a man who is responsible for the mass murder of millions a great man, a genius?
00:49:14And if it was enough intelligence to examine history, knows there are times when lives must
00:49:20be sacrificed for the benefit of future generations.
00:49:24And he was willing to do this in order to lead his people into...
00:49:29Into darkness, into oblivion.
00:49:31That's where he was leading them.
00:49:33And like all other power-crazed dictators before him, he failed.
00:49:37Thank God there were people in the world with enough courage to resist and to conquer it.
00:49:42What do you know in your stupid, pecty little mind?
00:49:52You will forgive me, Mr. Crandor, for my outburst of temper.
00:49:56You are, of course, entitled to your own opinion for whatever small purpose it may serve you.
00:50:06Let me enlighten you, Mr. Crandor, on a few things of which you and the rest of the world are unaffair.
00:50:15Blame for the loss of the war cannot be laid to Hitler or his doctrines.
00:50:21It was I who failed him, me and the general staff.
00:50:30He called for weapons, super weapons, to turn the tide of war in those last few days.
00:50:36Because of my inability to deliver those machines soon enough, we were defeated.
00:50:44It might interest you to know that during those last few months of the war,
00:50:53we had almost perfected weapons so far in advance of anything that had gone before them
00:50:59as to make modern warfare in all its forms completely obsolete.
00:51:06Oh, if you'd only had time for further experiments.
00:51:11I know of some of your experiments, like the ones carried out in a certain concentration camp.
00:51:17Oh, didn't you know about the agent machine?
00:51:20Yeah, they had almost perfected that one when the war ended.
00:51:26Oh, the top machine was one of the more primitive devices,
00:51:30like the jets and the rockets that they were used so briefly.
00:51:35We were in the final stages, Mr. Crandor,
00:51:38of perfecting weapons that were truly astounding
00:51:41and against which you would have had no defense.
00:51:45A cannon that killed with sound waves, yet was completely silent.
00:51:51A giant generator gun that could electrocute whole armies in the field.
00:51:56Oh, and more, many more.
00:52:00If you'd have only had a few more months to perfect those weapons,
00:52:05they could have plucked victory from the jaws of defeat.
00:52:09The turret rise would have endured.
00:52:10Not for a thousand years, as the Fuhrer dreamed,
00:52:15but forever.
00:52:17But the fact is that you failed, Herr Doctor.
00:52:21Failed and lost.
00:52:22But you are forgetting one thing, Mr. Crandor.
00:52:26That was 20 years ago.
00:52:29Since then, I have perfected and even improved
00:52:32on my original weapons.
00:52:35And they have conquered time.
00:52:39Dr. Einstein's so-called four-dimension.
00:52:45Hitler will return, Mr. Crandor,
00:52:48and soon your victory was but a temporary one.
00:52:53Margie, baby!
00:53:17Sandy!
00:53:18Honey, are you all right?
00:53:19Did they hurt you?
00:53:20Oh, Sandy, I didn't think I'd ever see you again.
00:53:23Oh, I'm all right.
00:53:31Let us out of here.
00:53:33Open this door.
00:53:34Let us out.
00:53:36Please, don't let them keep us here.
00:53:37I have my own underground atomic power supply.
00:53:47Here are the master controls,
00:53:49and here are the selections.
00:53:51With this dial, I can control the sensory I wish to deal with.
00:53:57These other dials, of course, are for the selection of the year,
00:54:01the month, the day, even the hours, and minutes, and even seconds.
00:54:10These are the acceleration switches
00:54:12with which I can control the velocity or speed
00:54:16of the passage of certain relative segments of time,
00:54:21just as you would increase or decrease the speed of an automobile.
00:54:27Is that too difficult for you to grasp, Mr. Crandor?
00:54:32Frankly, I'm beginning to doubt my sanity.
00:54:34What do you need?
00:54:36After all, there are very few people in the world
00:54:39who can understand even Dr. Einstein's theory of relativity,
00:54:44and my theories go far beyond his.
00:54:48But you are an intelligent man, Mr. Crandor.
00:54:51Perhaps I can explain it a bit more simply.
00:54:54We will let this line represent the world.
00:55:04We're the line here that represents the equator,
00:55:07and a mark here, and a mark here for the north and south poles.
00:55:13If an aircraft starts here at this side of the equator
00:55:16and starts going up and up and up,
00:55:21it is going north toward the north pole.
00:55:25But the instant it passes over the pole,
00:55:29it is no longer going north.
00:55:32It is going south.
00:55:35And yet, it has not turned or changed its direction in any way.
00:55:41Now, that is the simplest way I know of
00:55:44to make you understand
00:55:46how my theory of superspectronic relativity
00:55:50was first developed.
00:55:52It has long been established
00:55:54that time and space
00:55:56do not exist
00:55:59except in relation to each other.
00:56:03Therefore,
00:56:04they are inseparable,
00:56:06indivisible,
00:56:08a space-time continuum.
00:56:10to faster we travel in space,
00:56:13to faster we travel in time.
00:56:16Now,
00:56:17let me use this short vertical line
00:56:21to represent an instant of time
00:56:24on this horizontal arrow
00:56:26to represent velocity or speed.
00:56:30Now, then,
00:56:31scientists have long heard
00:56:34that light
00:56:35is the top limiting velocity
00:56:38in the universe.
00:56:41In other words,
00:56:42there is nothing in the world
00:56:44faster than light.
00:56:46And yet,
00:56:47it is known
00:56:48that beta particles
00:56:50ejected from the nuclei
00:56:52of radioactive substances
00:56:53can attain velocities
00:56:56up to 99%
00:56:58that of light.
00:57:01Now,
00:57:01I have always based my theories
00:57:03on the premise
00:57:05that there is no limit
00:57:07to space.
00:57:09The universe is limitless.
00:57:12Well,
00:57:13if there is no limit to space,
00:57:15then there is no limit to time.
00:57:17and no limit to velocity.
00:57:23Therefore,
00:57:24I thought
00:57:24there must be something
00:57:26in the universe
00:57:27that was faster than light.
00:57:31The years of frustration
00:57:33and failure
00:57:34before I finally had to submit
00:57:37to the one irrevocable fact,
00:57:41there is nothing in the universe
00:57:44faster than light.
00:57:45but I discovered
00:57:48a new ray in the spectrum
00:57:51with a wavelength
00:57:52infinitely shorter
00:57:54even than that
00:57:55of the cosmic ray.
00:57:58This ray I called
00:57:59the minus ray.
00:58:02I'm afraid you lost me, doctor.
00:58:05Well,
00:58:06in other words,
00:58:07while I discovered
00:58:08that the velocity of light
00:58:10is indeed
00:58:11the top velocity
00:58:13in the universe,
00:58:14that velocity
00:58:16need not
00:58:18remain
00:58:18constant.
00:58:20I discovered
00:58:21that through
00:58:22minus rays,
00:58:24velocity
00:58:25could actually
00:58:26be
00:58:26accelerated.
00:58:28Let me illustrate
00:58:29in this way.
00:58:31This line
00:58:31represents
00:58:33an instant
00:58:34in time.
00:58:36An instant,
00:58:37that is,
00:58:37in relation to
00:58:38our immediate vicinity
00:58:40in space.
00:58:41Now,
00:58:42if you enter
00:58:44a dark room
00:58:45or flip a switch,
00:58:48that room
00:58:48is instantly
00:58:50flooded with light.
00:58:52That is because
00:58:53that light
00:58:54traveling at its
00:58:55great velocity
00:58:56takes hardly
00:58:58any time at all
00:58:59to cover that
00:59:00small area
00:59:01of a room.
00:59:03It is immediate,
00:59:04instantaneous.
00:59:05Now,
00:59:08if that light
00:59:09had traveled
00:59:10any faster,
00:59:12it would have
00:59:14come on
00:59:14before
00:59:16you flipped
00:59:17to switch.
00:59:18Are you
00:59:19beginning
00:59:20to understand?
00:59:22I think so.
00:59:24Fine.
00:59:25Now then,
00:59:26just as I
00:59:27illustrated
00:59:28a moment ago
00:59:29with the airplane
00:59:30flying up
00:59:31over the world,
00:59:33heading north
00:59:34until it passed
00:59:36over the north pole,
00:59:37then its direction
00:59:38became south,
00:59:40the same thing
00:59:41is true
00:59:42in a sense
00:59:43of time.
00:59:45If the velocity
00:59:46of ordinary light
00:59:47represented by this arrow
00:59:49should be accelerated,
00:59:52then it will pass
00:59:54beyond the instant
00:59:56represented by this
00:59:57vertical line
00:59:58and no longer
01:00:00be moving
01:00:01in the direction
01:00:02of the future,
01:00:03but it will be moving
01:00:04in the direction
01:00:05of the past.
01:00:08It will no longer
01:00:09be going
01:00:09forward in time,
01:00:11but backward.
01:00:14The greater
01:00:15the velocity,
01:00:16or I should say,
01:00:17the greater
01:00:17the acceleration,
01:00:19the further
01:00:20back in time
01:00:21it will travel.
01:00:23In other words,
01:00:24if a guy left
01:00:24New York
01:00:25for Los Angeles
01:00:26and traveled
01:00:27fast enough,
01:00:28he'd get there
01:00:29before he started.
01:00:30He joked,
01:00:31Mr. Crandall,
01:00:32but crudely expressed
01:00:34that is exactly
01:00:36what would happen.
01:00:40Why are you
01:00:41telling me all this?
01:00:42To impress upon you
01:00:44the superior
01:00:46scientific knowledge
01:00:47that we possessed,
01:00:49my friend,
01:00:50and to illustrate
01:00:51why we would have
01:00:52won the war
01:00:53if we had only
01:00:55had a few more months.
01:00:57we were the slaves
01:00:59of time then.
01:01:01Time was our master.
01:01:03But I,
01:01:04I have changed
01:01:06all that.
01:01:07Now,
01:01:08we are the masters,
01:01:09and time
01:01:10is our servant.
01:01:13Ah,
01:01:13you Americans
01:01:14are an egotistical,
01:01:15arrogant lot.
01:01:17How proud
01:01:19and superior
01:01:20you felt
01:01:21as you strutted
01:01:22through the ruined
01:01:23streets of our cities,
01:01:25the proud conquerors
01:01:27claiming the spoils
01:01:29of war.
01:01:29But that is only
01:01:32temporary,
01:01:33my Yankee friend.
01:01:35Soon,
01:01:35Hitler
01:01:36will return,
01:01:38we will rewrite history,
01:01:40and the Third Reich
01:01:42will endure.
01:01:44Not for a thousand years,
01:01:46or a hundred thousand years,
01:01:49but forever.
01:01:53Immortality,
01:01:55the age-old dream of man,
01:01:57is ours.
01:02:00The rest of the world
01:02:01will fall at our feet,
01:02:03and we shall rule
01:02:05for all eternity.
01:02:10Oh,
01:02:11Lord,
01:02:12did you make
01:02:13the young ladies
01:02:14comfortable?
01:02:15Jawohl,
01:02:15Doctor.
01:02:16Oh,
01:02:16mindless.
01:02:17Did you see that
01:02:18Mr. Maher
01:02:19had a change of clothes?
01:02:21Jawohl.
01:02:22Good.
01:02:24The lecture is over,
01:02:26Mr. Clander,
01:02:26and you look tired.
01:02:29If you will follow
01:02:29Monfrey and Wolf,
01:02:31they will show you
01:02:32to your quarters.
01:02:33We weren't planning
01:02:34on staying.
01:02:35We want out of here now.
01:02:37I'm afraid
01:02:38that is impossible,
01:02:39Mr. Clander.
01:02:40I must insist
01:02:41that you accept
01:02:42my hospitality.
01:02:43Now,
01:02:43wait a minute.
01:02:45Get your knees off!
01:02:46Wait,
01:02:46you!
01:02:47Mark Hauser,
01:02:48you can't get up!
01:02:49Wait,
01:02:49myself!
01:02:49I'm here!
01:02:49I'm here!
01:02:49I'm here!
01:02:51Let go of me!
01:02:58Jim!
01:03:00Jim!
01:03:02Sandy,
01:03:02are you all right?
01:03:04Yes,
01:03:04we're all right,
01:03:05but why are they
01:03:06locking us up?
01:03:07What are they
01:03:08going to do with us?
01:03:09Nothing,
01:03:10if I have anything
01:03:10to do with it.
01:03:11Oh!
01:03:12Oh,
01:03:12don't hurt him!
01:03:14Oh,
01:03:14don't hurt him!
01:03:15Oh!
01:03:16Oh!
01:03:16Oh!
01:03:16Oh!
01:03:16Oh!
01:03:17Oh!
01:03:17Oh!
01:03:17Oh!
01:03:17Oh!
01:03:17Oh!
01:03:17Oh!
01:03:17Oh!
01:03:17Oh!
01:03:18Oh!
01:03:18Oh!
01:03:18Oh!
01:03:18Oh!
01:03:18Oh!
01:03:18Oh!
01:03:19Oh!
01:03:19Oh!
01:03:19Oh!
01:03:20Oh!
01:03:20Oh!
01:03:20Oh!
01:03:21Oh!
01:03:22Oh!
01:03:23Oh!
01:03:24Oh!
01:03:25Oh!
01:03:26Oh!
01:03:27Oh!
01:03:28Oh!
01:03:29Oh!
01:03:30Oh!
01:03:31Oh!
01:03:32Oh!
01:03:33Oh!
01:03:34Oh!
01:03:35Oh!
01:03:36Oh!
01:03:37Oh!
01:03:38Oh!
01:03:39Oh!
01:03:40Oh!
01:03:41Oh!
01:03:42Oh!
01:03:43Oh!
01:03:44Oh!
01:03:45Oh!
01:03:46Oh!
01:03:47Oh!
01:03:48Oh!
01:03:49Oh!
01:03:50Oh!
01:03:51Sandy Sandy Sandy answer me we're here Jim we're all right how about you just a minor headache
01:04:13is Margie still with you yes she's asleep Jim I'm scared what do you think Von Hauser intends to do with
01:04:23us I don't know but I do know one thing I've got to figure a way out of here Sandy honey I'm sorry
01:04:32about everything I shouldn't have brought you with me this morning it wasn't your fault I asked to
01:04:38come along after all we've been through you must be beat have you had any sleep no I was worried
01:04:45about you well try to get some rest while I do some thinking okay as soon as Margie wakes up I will
01:05:08come on see here for a line
01:05:31no no Sandy don't let him take me
01:05:35come on see here no no Sandy no leave her alone take your hands off her
01:05:42don't let him take me Sandy don't let him take me
01:05:45oh Sandy who is it what's going on
01:05:50Margie Margie
01:06:13So you see, my dear, there was no reason for all that hysteria.
01:06:43You're really nothing to fear.
01:06:46While I have never before tried sending anyone into the future,
01:06:50there is no reason to believe that the experiment will not be successful.
01:06:55And if something should go wrong, it will happen so quickly, you'll never feel a king.
01:07:27Didiama.
01:07:28It is time you eat now.
01:07:30You speak English?
01:07:31Many others before you, they teach me talk.
01:07:34You mean there have been other prisoners here?
01:07:36Many.
01:07:37Are there any others here now?
01:07:38They all disappear.
01:07:40You eat now.
01:07:45It is all they give me for you.
01:07:47It's all right.
01:07:48At least it's better than nothing.
01:07:51Didiama, you've got to help us.
01:07:53You're our only hope.
01:07:55No.
01:07:55I can't help you.
01:07:58But you've got to.
01:07:59You're the only one.
01:08:00If you could get hold of the cheese.
01:08:02No.
01:08:03They kill me.
01:08:04I can't help you.
01:08:06Please, Didiama.
01:08:07Listen to me.
01:08:07No.
01:08:08We'll never get out of here if you don't help us.
01:08:10Please, Didiama.
01:08:11Please.
01:08:12I'll bring you food.
01:08:20You eat.
01:08:23Sandy, see if you can persuade her to help us.
01:08:25It may be our only hope.
01:08:30Someone's gone.
01:08:30I must go now.
01:08:34What's it, Lord?
01:08:34Hang out.
01:08:42I must go now.
01:09:12Stay away from me.
01:09:26Sandy.
01:09:27Sandy.
01:09:28Sandy.
01:09:42Sandy, are you all right?
01:10:00Sandy, can you hear me?
01:10:01Sandy, honey.
01:10:14Thank God you're safe.
01:10:15Quick, get his keys.
01:10:24Oh, Jim, it was awful.
01:10:26He's strangled her.
01:10:28It's all right, honey.
01:10:30Try to get a hold of yourself.
01:10:31We've got to get out of here.
01:10:33I'll be fine.
01:10:34I told you, Mr. Marr, this struggle is useless.
01:10:48You will only tire yourself needlessly.
01:10:50I'll be fine with you, Mr. Marr, this struggle is useless.
01:10:54I'll be fine with you, Mr. Marr, this struggle is useless.
01:10:55I'll be fine with you, Mr. Marr, this struggle is useless.
01:10:56I'll be fine with you, Mr. Marr, this struggle is useless.
01:10:57I'll be fine with you, Mr. Marr, this struggle is useless.
01:10:58I'll be fine with you, Mr. Marr, this struggle is useless.
01:10:59I'll be fine with you, Mr. Marr, this struggle is useless.
01:11:00I'll be fine with you, Mr. Marr, this struggle is useless.
01:11:01I'll be fine with you, Mr. Marr, this struggle is useless.
01:11:02I'll be fine with you, Mr. Marr, this struggle is useless.
01:11:03You got that machine on you.
01:11:33Switch it off, Doctor.
01:11:53Reverse the machine, Doctor.
01:11:54Bring her back.
01:11:56I cannot guarantee that, Mr. Crandall.
01:11:59I have never experimented with the future before.
01:12:02You insane, sadistic.
01:12:05If you don't bring that girl back,
01:12:07I'll empty this gun into that warped brain of yours.
01:12:11Margie!
01:12:28Darling!
01:12:29Margie!
01:12:30Margie!
01:12:42It's too bad, Mr. Crandall,
01:12:45that you are not interested in science.
01:12:49But you Americans are so impractical anyway.
01:12:53You're safe, eh?
01:12:57Jim, look out!
01:13:06Just don't you try anything, buddy.
01:13:08Don't try anything.
01:13:13That should cut down on your time travel, my good doctor.
01:13:23How about the attic?
01:13:25You searched that, didn't you?
01:13:26Yes, sir.
01:13:27That's where we found the Nazi soldiers and the radar equipment.
01:13:30Then this house has some connection.
01:13:33Crandall's car was found not too far from here.
01:13:36Von Hauser's headquarters must be around here somewhere.
01:13:39Bubble- znajdu-
01:13:46May the
01:13:59USExallen
01:14:02Lieutenant!
01:14:04Yeah?
01:14:06What is it, Finley?
01:14:08Finley. Jim, and the DeMars. Where in the devil did you three come from? Von Hauser's country
01:14:30place, Fred. We spent a very interesting night there. Where is Von Hauser? Down there in his
01:14:35laboratory. Listen, what's that sound? That's the machine. You'd better stop it before he
01:14:42gets away. Lasky, you come with me. Then you stay here with them. What machine? The time
01:14:51machine. The what machine? All right, Professor, hold it right there. Get away from that machine.
01:15:05If I hadn't seen it with my own eyes, Lieutenant, I wouldn't believe it. Oh, no, I know.
01:15:35Well, I'll ask you if you ever tell anyone what I'm about to do, I'll have your job so
01:15:43healthy. Is that clear? Lieutenant, I ain't seen nothing. I don't know what makes this
01:15:51contractions worth it. I think I know a darn good way to shut it off.
01:15:57about a impression. I don't know. I don't know. I can't do that, but it's
01:16:16llegar. I don't see it.
01:16:19Only to challenge. What's that?
01:16:49What happened down there, Fred? Forget it. Finley, call Millard headquarters, have him send some of the boys out. Are you two all right? Everything's fine. Thank you, Lieutenant. Why don't you take your two ladies home? Come on, Lasky.
01:17:07The machine? Mangled beyond repair or recognition. Too bad the big brass didn't get a chance to look it over, isn't it? But why, Fred? You had no right. No right, huh? Listen, the way I figure is like this. Sooner or later, some other joker is going to invent a machine just like it. Maybe by then, the world will be ready for it.
01:17:37God only knows we aren't now. Hydrogen bombs are enough for people to worry about. Yesterday should be left alone. Because today, the world has enough problems just trying to make sure we'll have a tomorrow.
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