00:00I was lost in your thoughts, in your dreams, in your thoughts
00:30So the raga in which Patlikhan sahab has sung it is a very famous raga, Raga Madvanti. I have already shared the details of Raga Madvanti, Aradi. You can also see the Suras played in it, how they are played and its Tuto.
01:00In the Surahs which are used, the middle part is pure hotel. Komal Nikath is also used in it. In the Vaijavanka sect, sharp i.e. pure Nikath is used and
01:26Of all the twelve notes, the beginning of this is simply where the paths were to stop
01:46it has become 534
01:56So this is a small additional note, it makes it more lovely, it makes it more beautiful, so look at it again
02:10Hey I haven't measured hey I haven't measured hey I haven't measured I'll run the whole donkey
02:24Sin yak if you put a little edge then from here a little edge will come on top of the pak
02:33So let's look at it again, where were the stops, where was the turn of the road, now this papa sadha padha, go from there to papadha sadha pamanga, here you will use comal madham, that is, pure madham and you will come back, it will remain like this for you
03:03And this Survi will give the complete line, 'Usse bool ja', so this comes in the tone of P again, 'Usse bool ja', 'Usse bool ja', so from here, like this, its first line will be the first line, now see the couplet again.
03:23Where should I stop on the way, where was the turn, where was the turn, if you want then this scene can be made very beautiful with Nikhas also, where was the turn, this can also add additional meaning to your journey
03:45Where was the turn originally, go to it, so from here it would be a simple line like this, then after that when we go towards Misr Rahasani, then remember whatever you got, so from this pass now we will go directly to the place, the upper Gandar, remember whatever you got
04:15Keep it and forget what you didn't get, then you will come back there and stay on the Gandar, so as if you also know that we also discuss this raga in details
04:32Whatever you did not get, forget it, Madha ni Sani Sani dha Pamaga, then here what will you do, keep it in this water and its asti will be completed.
04:55Hey what is it wife, where are you, why were you in the stop, the path is on this path, where have you come because you were in the stop, there was no path
05:12Aa, aa, ke stop, ke stop, ke stop, ne were the dance, ne were the dance, where was the turn,
05:32Where was the turn, the turn was, where was the turn, tell it, tell it, these notes are straight, tell it, it is a very simple hand pattern, keep this center finger here, and take these two fingers here,
06:00forget her
06:02simple pattern
06:04Then
06:05what you get what you get
06:08Went
06:09remember that
06:12remember that
06:15which was not found
06:18forget her
06:22where are you staying
06:25there were ways
06:29so this is its asai
06:32it has been completed
06:33Now let's move on to the inside of the next
06:36I am lost in your thoughts
06:44So it's close from here to Ray
06:46It's the mend again
06:48How
06:48I am lost in my father's world
06:55Gare Sa Re Ga Pare
07:00Pa-Pa Mapa Dhapa Gare Sa Re Ga Pare
07:07so sing it till here
07:09Tere Khaab Tere Rere Nidani Dhapa Padasada Padapa in Paddy
07:26So in this you know that in this srag also a lot of ment is used
07:30And in all the compositions made in it, the texture has been used very properly.
07:35Unless you apply these elements to the song, you cannot make the song beautiful
07:41So the beauty of this ghazal was that Nusar Fadhli Khan sahab liked the small notes in it, he did not even know how they were put in it
07:50And it takes me at least one month to copy each of his notes, sometimes it takes two months also.
07:57I cannot dare to copy Usad Khulam Ali Khan Saab Usad Hussain Washkulu
08:01then check this out
08:05I was lost in your thoughts, your dreams, he will come to your mind again
08:21The wind said come with me the wind said listen to me come with me
08:37Forget him, where were the roads to stop, you can sing this ghazal simply like this
08:50That in this hand, with my pain, I practiced very slowly, I tried very slowly to sing it
08:56I hope you will understand now remember me in the grass, I will see you in the next video thank you very much
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