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🎵 Sanwal Mor Muharan – Learn this Classical Masterpiece 🎶
This tutorial guides you through Ustad Salamat Ali Khan's iconic composition "Sanwal Mor Muharan", based on the expressive and emotional Raag Sindhi Bhairavi.

You'll learn how to sing and play this beautiful piece on harmonium, with clear breakdowns of its raga structure, melody, and lyrical delivery.

🔹 In This Lesson You Will Learn:
✅ Aroh & Avroh of Raag Sindhi Bhairavi
✅ Signature phrases (Pakad) & alaap elements
✅ Harmonium notes for "Sanwal Mor Muharan"
✅ Proper raag expression and vocal tips
✅ Understanding the style of Salamat Ali Khan’s gayaki

🎙️ A valuable tutorial for classical students, ghazal lovers, and anyone inspired by the Patiala gharana tradition.

📚 Based on classical music fundamentals, simplified for learners

🔔 Subscribe for more raag-based songs, harmonium tutorials, and classical music training.

#SanwalMorMuharan #SalamatAliKhan #RaagSindhiBhairavi #HarmoniumLesson #ClassicalMusicTutorial #PatialaGharana #RaagBasedSong #IndianClassicalMusic #SawalMoreMuharan

Category

🎵
Music
Transcript
00:00Ah
00:15Oh Saamel Mould Mohar
00:20Oh Saamel Mould Mohar
00:24Saamel Mould Mohar
00:30I am a re-treater, and I am a re-treater.
00:38I am a re-treater, and I am a re-treater.
00:44I have already added a new tutorial to the Ragh Sin Dharwiy.
00:50This is a very love song in Ragh Sin Dharwiy.
00:54If we look at Rock Sin Pairwiy, this is used in Rock Sin Pairwiy.
01:10There are two pieces used in it.
01:14If we listen to Rock Kirwani, Rock Kirwani's style is different.
01:19It's like Rock Kirwani's row of row is different, but it's different.
01:25Soon, I'm going to upload the tutorial of Rock Kirwani as well.
01:30And Rock Kirwani's songs, we'll add the details.
01:34So right now, we're going to learn the song.
01:40We're going to start there.
01:42I'm going to select C.
01:46Some people say C scale.
01:48So, C scale doesn't exist.
01:50C is a pitch.
01:51A pitch name is C.
01:53When we do C minor scale,
01:55it will become C minor.
01:57I'm going to play with C minor scale.
02:00Major and minor, I'll tell you about the future videos.
02:04What are the major and minor?
02:06Let's start it.
02:09Something like a whole thing,
02:10I'm going to start it.
02:12I'm going to play with C minor,
02:14and make it something like a whole thing.
02:16So, I'm going to do it.
02:17So, what's the most important part?
02:19Just like a whole thing?
02:21Just like a whole thing,
02:22and make it any better.
02:24It's a very different part.
02:25And I'm going to play with C minor.
02:27I hope you can understand what you are going to do here.
02:51I hope you can understand what you are going to do.
02:56Now, the music will be started.
03:00I will sing a song
03:04I will sing a song
03:09I will sing a song
03:11I will sing a song
03:16I will sing a song
03:22I will sing a song
03:34The other song is like this
03:37I will sing a song
03:42I will sing a song
03:44I will sing a song
03:50I will sing a song
03:58The entire songRL is used in the music
04:00And the birds are used in the music
04:03I will sing a song
04:06I will sing a song
04:10I will sing a song
04:16Oh, Samal Maud Moorah
04:22Oh, Samal Maud Moorah
04:27So, here is the same thing.
04:33Samal Maud Moorah
04:37Like this
04:39Samal Maud Moorah
04:43So, here is the same thing.
04:49In this style, Mr. Salaam Maud Moorah
04:51So, here is the same thing.
04:53Mr. Salaam Maud Moorah
04:56So, here is the same thing.
04:59This is only for your heart.
05:01You can hear them.
05:03You can hear them.
05:05You can hear them.
05:07So, this is only for ourselves.
05:09You can hear them.
05:11You can hear them.
05:13So, here is the same thing.
05:15Samal Maud Moorah
05:19Samal Maud Moorah
05:23Samal Maud Moorah
05:25Samal Maud Moorah
05:29Samal Maud Moorah
05:31Anandamho learn
05:37Tag-te-ton, my journey is coming
05:41I am a the one who vous socap
05:49Tag-te-ton, it's my passion
05:56Tag-te-ton, my journey is coming
05:57If we can see the anthra, the anthra will start the passage
06:21Manu manu manu ta, peeru manaa
06:28Pada saanisa, saanida pa, taanida pa
06:37Pada saanisa, saanida pa, taanida pa
06:44Manu manu manu ta, peeru manaa
06:52Jahaan se eek surjoo, saanisa, saanida pa, taanida pa
06:56Manu manu manu ta, peeru manaa
07:04Mulatun, oh mulatun
07:08Ishtara miska style ya?
07:10Manu manu manu ta, peeru manaa
07:16O mulatun, taviz likhaaa
07:23Sad sad jooši, faala paaa
07:30Manu manu manu ta, manu manu ta
07:36Manu manu manu ta, peeru, peeru, saanida pa, peeru manaa
07:52Om Lattam, Gani Sasa, Taviz Likha, Sad Sad Nyosh, Padar Sani Sasa, Sani Dha, Padani Dha Pa,
08:15Gani Sasa, Sani Dha, Padani Dha, Padani Dha, Padani Dha, Padani Dha, Sad Sad Nyosh, Fala Pana,
08:34Gani Sasa, Pana Dha, Padani Dha, Madania Dha, Madani Dha Vunayhev, Nara Matri.
08:37This is a difficult thing that I am going to tell you, so I hope that you will understand it.
09:07This is another line.
09:34There is a chord line.
10:04There is a chord line.
10:11There is a chord line.
10:18There is a chord line.
10:32So who would like to dance?
10:34It was so pretty much the chord.
10:36Why would you like to dance?
10:40You are red and gold.
10:44These chords are more like gold.
10:50That was strange.
10:52Let's say you would like to dance?
10:54There is a chord in the first chord.
10:56There is a chord in the first chord.
11:00Saamal Mood Maa
11:07Saamal Mood Maa

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