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  • 6/22/2025
Born and raised in Denmark, Lukas Hassel trained and graduated from the Samuel Beckett Theater School, Trinity College in Dublin, Ireland. Resides in the US.

As a screenwriter, Lukas won the Screencraft and CineStory Fellowship as well as placing top 30 and top 40 in the Nicholl's Fellowship. Won the Shore Film Fund as well as Fresh Voices TV Pilot competition.

Lukas wrote and directed the sci-fi short film "Into the Dark" which went on the win multiple awards for acting, writing and directing and played in over 70 film festivals world wide. His latest award winning horror short film, "The Son, the Father..." got a production deal after winning the Hollyshorts Film Festival competition for best screenplay and has screened on over 60 film festivals winning multiple awards. He's working on getting his first feature as a writer/director underway.

He has appeared on TV recently as recurring Elias VanDyke in The Blacklist as well as in shows such as Blue Bloods, Limitless, Elementary and more. In features like The Black Room, Art of the Dead, In Sickness and more.

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Transcript
00:00hi this is dan akroyd he's progressive he's beautiful he's thoughtful he's intelligent
00:08he's powerful he's positive he is stephen cuoco on power 98.5 satellite radio
00:14empowering listeners from the u.s to the uk live on air with stephen cuoco
00:22isn't that fun that is brilliant talk about great energy right there
00:29thank you to everyone who's tuning in to live on air with stephen cuoco on power 98.5 satellite radio
00:37all the latest and greatest in news sports entertainment reality tv film and more we've
00:44got with me today an incredible look at you you look like you just walked off a cover of a model
00:52fabio you've got listen i'll take it long locks yeah yeah we've got actor we're going to writer
01:02can we say producer and director you can all right lucas hassel with us today we're going to be
01:08talking about his latest film house of abraham i wish i was in la right now to be enjoying all of
01:15the festivities with you yeah i wish you were too we we had our opening night last night and it was
01:21incredible uh full house fantastic responses we did a fun q a with the cast uh natasha henstrich was
01:28there lynn shea and our captain at the helm lisa belcher our director and uh and it was just such a
01:35room full of love and the film is harsh and dark and a psychological horror but uh people dug it so that
01:43was good i bet you showed up looking like david beckham in your own type of
01:47i've been to like right oh but you are a new yorker through and through so we're going to have
01:57you back very soon that sounds great i mean i'm i'm a new yorker through and half through because i
02:03wasn't born there i was born in europe uh but i have lived there since 96 and i certainly call new
02:08york my home when you return to new york lucas are you going to be doing any more film showings at all
02:15or or is it done right now i think it's it's up in the air a little bit if the cinema is going to
02:20extend the run there so we're we opened in new york and then we took it to la and it's going to run
02:25here for a while and then i think the plan is to sort of open it in the bigger cities around the
02:29country uh and after that it's going to go to streaming uh you know the option is always to go
02:34straight to streaming but the distribution company they're working with i think it was a good
02:39strategy to get it out in theaters first and spread the word and then uh gain a little awareness before
02:44it hits uh streaming services when we look at and consider bigger cities what is that is that dallas
02:50so that would be well it'd be atlanta it would be san francisco uh we're going to go to indianapolis
02:57it's also sort of where there's where there's interest generated they have ways of figuring out where
03:01the trailer or where the word is spreading well and so it's interesting of course to to get it
03:06there because it's important that we try to fill houses as much as possible you know with indie
03:11filmmaking it's very tough to to get any attention for your work and um you're competing with big
03:18studios much bigger movies and so you're trying to sort of get your you know foot in the door wherever
03:24you can so when there's a good response then you sort of have to follow up on that so we're going to
03:27be flexible and see how things develop for those that are listening once again we have actor producer
03:33director writer lucas hassel we're discussing his latest film house of abraham it is the type of film
03:40that i had said to you already lucas i belonged in this film it's not your fault we did not know
03:46before it was happened i'm i'm a little bit with the cast they are extremely lucky to have had this
03:56opportunity well thank you for saying so i i feel i was lucky to get them to be involved uh
04:03myself and lisa belcher we'd worked together before on a short film and she called me up one day and
04:09said listen i think we should move on and make a feature together we collaborated well and so um
04:16i said okay let me see if i can put something together because she approached me as she approached
04:20me as a writer and actor the intention was for me to write a script that we could do together
04:24and so i just think with the indie cinema your best shot at getting any attention is to write
04:29something that's a little outside the box like don't write something that hollywood could do
04:33better and bigger uh because what's the point of that so we took a bit of a risk with the
04:39storyline it's very dark and it takes on sort of unaliving and end of life discussion so it really
04:46takes on a very deep and dark subject better but it was really an exploration of manipulation
04:52that i was after i've been fascinated by this notion of sort of be careful who you trust when
04:58you're at your most vulnerable and so that's what this film really is about it's about making sure
05:03you don't end up in hands of people that are stronger than you hypothetically or more ruthless
05:09than you uh because before you know it there's no way out and so i came up with this particular
05:14story house of abraham and together we we just pushed ahead and i was lucky enough to have worked
05:21with both natasha henstridge and then shay before so i could get the script into their hands at least
05:27of course you never know if they're gonna like it or if they have time to do it um and thankfully in
05:33both of those cases they really enjoyed the scripts and they came on board and then lisa cast
05:39pretty much the rest of the group out of austin texas where she's based and where we shot
05:43um marvel rex is a trans actor out of la so him we found by uh social media lisa found him and what a
05:53what a gift and revelation for him to come on board so it's been so fun to meet these actors that i
05:58hadn't worked with before and then also work with people that i love and have worked with many times
06:04before like lynn and natasha so it was a real gift it was once said i i had seen a video on tiktok that
06:12everything up until your 40s is research and you and i are a little bit older than
06:20even though this book phenomenal correct you and i yes we we're timeless we're ageless we are the reason
06:31why uh beauty products are so scared and timid but they'll have to use children because they can't
06:38find many people like you and i because the products aren't clearly don't need them
06:44exactly what what you said exactly
06:47do you feel that the the timing is
06:53so serendipitous for you for this because it feels monumental
06:59emmy level for you well i think you know for me when i'm in projects or when i write things
07:07you always as the artist you have to ask yourself where like what is my why this why now right why
07:15are we doing this film currently and why does it have any relevance today because you can make
07:20films anywhere any given time for any given reason but if it doesn't have if you can't answer the
07:26question why this why now i think you know maybe you haven't thought enough about it right i think
07:30it's very important to have a sort of an angle a vision about why you're doing things and so
07:35in this case it was looking around me you know around the u.s around the world today and i see a
07:41lot of people being manipulated by people that have more power that have more money that are more
07:46ruthless and they get back into a corner where i don't think they intended to be but that's sort of
07:51where they found themselves at and so that was fascinating and that's why i think hopefully
07:57it'll resonate with people beyond um just being a good night of entertaining fun hopefully i've got
08:03some questions prepared for you i was going to have fun this i wanted to do something different from
08:08your other interviews okay how has house of abraham altered if anything your worldview of cinema
08:18i think i had a pretty solid sense of cinema i mean my realization with the post work on a film has
08:29been i have increased that learning curve because i wasn't really aware of all the work that goes into
08:36trying to get a film out once it's finished and then in the world today where people go to the cinema
08:42less you have a lot of cinemas closing down or they're changing their model where it's more about luxury
08:47seats and fewer seats and many people don't even go to the cinemas anymore because they have a big
08:53huge screen at home so it was a realization of sort of how dire is the situation for cinema in general
09:00and how can we reinvigorate the crowds to go back in and experience those films on the bigger screen
09:06where you have a great sound and you're surrounded by other like-minded people who want to explore this
09:11in the dark and so that's been the sort of bigger revelation to me is where we're at exactly and how
09:17difficult it is to compete with the bigger studios and not fall under the sort of um bigger picture of
09:25streaming where there's very little transparency right they don't have to tell you how many people
09:30watch your movie because it's a subscription basis system so there's a lot of hidden issues that make it
09:38very difficult for indie films to break through and that's why you see you know all the big films
09:42are either based on ip popular books or they are sequels or prequels so original scripts are having a
09:49very difficult time and that was the biggest thing i've sort of realized that it's if you write original
09:53material it's tough but you're proud i am super proud i mean i think this to me it's something very
10:01different i love going to the cinema and being like leaning into the the movie rather than just lean back
10:07and look at the beautiful special effects or looking at the beautiful big stars and so forth
10:12i like to lean into something i like to be questioned i like to be challenged and so this film will do all
10:17that for you so in the end you know judging from just the response in new york and last night i was
10:22blown away by the effusiveness of i mean mind mind you many of many of those people are our friends and
10:29colleagues so they were probably extra supportive but it was a really wonderful vibe good
10:34in portraying your character lucas did you confront any personal beliefs
10:41i think i i think i've had to in the writing process because in this case i both wrote and
10:49acted the antagonist of abraham so i'd really already made those considerations by the time i was on set so
10:56there wasn't anything new i learned while shooting my role of abraham but writing it i definitely had to
11:03confront a lot of issues about life and death which is what this film tackles well and i'm not
11:08i'm an atheist i would call myself a agnostic atheist i'm not a believer in any shape or form
11:13but i also had to respect that many people do believe and i had to figure out how much of that
11:18do i want to include because often with end of life religion does enter the picture and i just didn't
11:24really want to take on that part of it because i feel that's a different story so but still i had to
11:31sort of explore what all that meant so there was a lot of research about how people handle uh end of
11:37life
11:37what societal reflections did you find in the script
11:44so it is this notion of you know i think i see it around my uh around myself here in the u.s a lot
11:54where where if you're not if you're not sort of lucky enough to have had a great background either
12:03financially or education wise or where you were born into which situation you were born
12:08it's tough to have any say you know you have that one vote you know every four years or every two years
12:15midterms whatever whatever but it's very easy for you to be marginalized and to be shut out and so you
12:21can really be pushed around and people are being i think people are being deceived in in the world
12:28today very much by more ruthless people right so people end up voting against their own self-interests
12:33a lot of the time under the guise of maybe you know trans thing over here or gay issue over here or
12:40they get distracted by shiny objects apart from what really matters which is do you have health care do
12:46you have all this and do you can you take care of your family you're still living in a trailer home but
12:50you're voting for billionaires and so that's the political aspect of this that's sort of hidden in
12:54the film because it really is about don't let yourself get conned don't let yourself get taken
13:00in by smarter more ruthless people and that's where this manipulation thematic comes in and that's sort
13:06of the basis of the script you're not going to realize that necessarily when you see the film
13:10because there's no politics in there but if you really go in and analyze why things the way they are
13:16in the film it's that was what inspired me from societal issues today i appreciate that treasure
13:21map because now i have that in here for when i see the film thank you for that right yeah yeah absolutely
13:32were there any emotional risks you took in this role
13:36well yes because you because i take on very difficult subject matters right so abraham is that
13:44weird voice of reason but it's also insane at the same time he's a he's a very difficult character
13:52very layered character and he would say things like well you got life without asking for it so you can
13:58give it back and that's sort of part of his effort in manipulating people into going through with this
14:06unaliving task that they came to the house with the basic premise is that people arrive at the house
14:11of abraham with the intent of unaliving and uh he's going to make sure that happens safely and peacefully
14:17and respectfully and then the lead protagonist played by natasha henstrom hd has a secret agenda that sort of
14:23changes that changes that particular weekend so abraham is there to make sure people go through with
14:29their end of life and he has very different ways of how he makes people do that uh and so i had to
14:38look into sort of how do i manipulate others and am i guilty of doing some of these things in subtle
14:44ways you know as an artist you you go to some cocktail parties or some networking opportunities and
14:51you find yourself sort of flirting with this person or talking a certain way to this person and it's a
14:56little manipulative because everybody has their own agenda and so i try to be as truthful and as real as
15:01i can but sometimes you fall into these manipulation patterns without even realizing it so i did have to
15:08look inward for some of these some of these issues and and so try to get that across through my writing
15:14the image in my head lucas is when you had made that reference is abraham is a a body
15:28sort of if i'm saying it you know precisely an embodiment of those that struggle with suicidal thoughts
15:37uh addictions uh addictions that abraham is this this this entity that people see but don't see through
15:46actions through thoughts through um through a sense of deception of of having a denial about what life
15:57and death is really about correct you see where i'm going with that yeah absolutely absolutely
16:03so that's yeah no it's and it's interesting because it's you know you're you're throughout
16:10the script throughout the writing of it i i i take on so many different ways of manipulating people
16:16because everybody needs something differently not everyone is the same and that's kind of like a
16:20filmmaker directing you've got to work with your actors and you figure out what this actor needs
16:23this and this actor needs to pat on the back and this actor needs to line read and this actor needs to be told
16:28go faster everybody works differently and so with abraham and the writing of it it was
16:33interesting to explore all the different ways you can manipulate subtly or more directly depending
16:38on what people need and i've always been fascinated by these things i think i read a horrible article
16:45once about um a pedophile and it was fascinating how he manipulated these children and one of the things
16:52that struck me when i read the article was that for instance as an example and i'm paraphrasing some
17:00of this and it's it's not exactly what was in the article but he would he would offer them do you
17:06would like a coca-cola or would you like a sprite as opposed to would you like a soda right if you
17:12say would you like a coca-cola would you like a sprite there's really no option out of saying i don't
17:16want a soda never mind coke or sprite so it's all about how you phrase questions to make sure that people
17:22don't have a way of not answering in a way that suits you and that is dark and really manipulative
17:32and scary and that's the part about the psychological horror house i abraham that i think will make people
17:40squirm more than anything is that the real antagonist is human nature this is a something that just came to
17:46my mind lucas is have you ever given thought as to
17:54understanding that those who watch this are going to be able to separate
17:59you as lucas hassel and the character of abraham
18:05yeah you know it's that's a hard thing because when i did the show the blacklist on on nbc and i
18:11you know spoiler alert i kill one of the main characters um you know i got a lot of hate mail
18:17and i got a lot of love mail as well depending on how they felt about the character but it was
18:21interesting a lot of these messages were written to me like i was the character on the show like
18:26why did you kill her why would you do that to us and i was like do people not realize that a
18:33a i'm not that character and b somebody wrote those lines for me right it's like
18:38that delusion is hilarious to me and i don't feel threatened by it i'm abused by it so if people
18:44think that i'm abraham in real life as well that's all good i have no issue with it the real thing is
18:51of course the entire film did come from this noggin of mine right so i did think up all these dark
18:58things and all these horrible things but i think as an artist if you if you are afraid to entertain any
19:06thought and if it's just a thought right there's no way i would act out on any of these things but
19:12if you're afraid of letting your mind go to either extremes of either polar ends of yourself then how
19:19can you possibly be an artist because you're holding it back already so i think many people don't want
19:23to talk about death i don't want to think about this so i don't mention that i don't want to even
19:26know about it but i'm not that person i'm like i want to know everything i can talk about anything i can
19:32think about anything and then i'll make up my mind about how i feel about it but shutting it off
19:38is not lucas hassles way i like to face things up front have talks about it and then make an opinion
19:46or learn more and then form an opinion you either could have been picking up an alternate life or
19:52something intuitive because my sicilian grandfather always had said for every thought you have someone
19:59else in the world also has it so you could be retrieving a real personality or an idea of a
20:05personality emerging that could be taken on being facetious but i'm not i don't know i appreciate
20:11that i'm being i believe things like that no i appreciate it did you draw inspiration from any historical figures
20:22well you know you look at you look at dictatorships or manipulations around the world so sure but you
20:31know i've always been aware of through history how how people have been dominated by as i mentioned
20:37earlier smarter more powerful more ruthless people so yeah throughout history there are examples of how
20:43you know people get backed into corners that they can't get out of and as i said before sort of
20:47act against the role in self-interest because of master manipulation and it's only really when you
20:52are when you step out of it you can get perspective on it right um and so i think it's fascinating how
21:00people end up in situations a friend of mine who i i will not mention his name but and he's creating an
21:06own his own documentary about his journey but i remember he got into a cult at some point
21:11that he sort of he didn't realize that he was being manipulated and got into the situation and
21:16we've heard many cult stories before but the thing that struck me about his story was
21:20the thing that got him out of the cult in the end was that the cult had overplayed their hands so much
21:26by eroding his self-confidence eroding everything about him he thought he was nothing and that was how
21:32they kept their members in their cult and in the end they overplayed their hands so much because the
21:37only reason he found the strength to leave the cult was because he felt he was so
21:42nothing that he was pulling the cult down
21:47they had destroyed his self-confidence so much that he thought he was bringing the cult down by his
21:53own lowliness and disgustedness so he left trying to preserve the cult and it was only when
22:00he was out of it he realized holy crap what have i been doing and found the strength to eventually
22:06sue and shut down the cult and so forth but that story was like that's insane how you can get
22:13yourself into such a situation and it can happen easily i suppose i i i would like to think that it
22:20couldn't that it couldn't happen to me because i'm someone who questions a lot and i'm someone who pushes
22:24back against authority a lot but uh who knows maybe i couldn't yeah it's it's victims like to find what
22:34you desire or to assume the role of fulfilling what they believe they have found in you that you need
22:42correct and there's no matter how resilient you are there are some extremely smart highly intellectual
22:54beings in this world that's 100 yeah
23:01how do you hope your performance will impact the viewers that have not seen the film like me
23:08yeah well i hope you know i hope you get like a a visceral reaction to it you know it's so difficult
23:18now with films to make people scared or to make people cry or to get emotionally involved because
23:25we've become so savvy we're all a little jaded about films and society in general i think so with this
23:32film i was trying to set out to really make people squirm at least which i think is you know i see
23:41people in cinema pull up their shirts or pull their knees into their chest and i'm that's i'm enjoying
23:47the fact that i can actually have that effect where you can give a gift of making people feel something
23:52that they haven't felt in a while even if it's a bad feeling because then they walk out of the cinema
23:56and they realize life is great i'm not in that world right so something for something so if i can
24:02so my hope is that i can make people feel or experience something they haven't seen or felt
24:06in a while and that was uh and i think i have achieved that without having had seen the film
24:12yet and yeah and i'm looking forward to it and i will yes i'm definitely gonna hold you to that
24:20i believe from what i found from the trailer from other amazing reviews about the film and looking into
24:27it is it's real it may have come even though it came from your mind it's still real and these are
24:38things that you you could be at work your your supervisor your spouse how many times do parents
24:45not even realize their young children their adolescent children their preteen children have these thoughts in
24:52their head correct i believe when those that are cringing is they understand i'm not speaking for
24:59everyone i i'm only speaking for myself realistically that anytime a cringe comes
25:07it's knowing that that can that that's something that's real correct and that was a big takeaway from
25:13last night's screening a lot of people came up to me and said this was so
25:16real because the whole point of some of these things that happen in the movie is to keep it
25:22grounded and i wanted the tone to be very real it was it's very easy with certain horrors to sort of
25:29veer into spoof a little bit and too much comedy there is comedy in the movie there's some comedic relief
25:34you know lynn shay nails it as beatrice and she's hilarious but yeah to sort of hold her back because she
25:41has such a gift with comedy and so forth but if she went into that too soon it would shift the whole
25:46tone of the movie so we had to sort of hold her back almost like a race force of when do you let
25:51her freak flag fly and let it go and every now and then we let that happen and other times we have
25:56to pull it back and it's the realness is what i was going for and it's you know you have something
26:01like final destination where you have a lot of these amazing kills and it's fun to see how
26:06that comes together and it's an expensive setup and this happens for that to happen and it's fun to
26:10see how they do that house of abraham is the opposite of that the deaths that you witness on screen are
26:16harrowing they're real and you see every single thing like you cannot look away and and that's what
26:24we're going for when the sizzle reel was made lucas was their discretion made by either you the team
26:31the distribution company of how much of the visual would be shown for sure i mean and you can argue that
26:39that we like we over shared certain images in the trailer on the other hand for many people that
26:46might be the only thing they see of the film and so it's a tough balance of showing too little or
26:53showing too much and in this case i think it served as well i really i'm very proud of the trailer and
26:59is there's enough mystery that you don't quite know how it hangs together where in the film those images
27:05are and that's going to be part of the surprise when you see the film that it doesn't the order
27:09in the trailer may not be the same order in the film and so you just take some of the images to
27:13sort of make people lean in and hopefully be excited about coming to see the film so yeah there's always
27:18discussion about what goes in and what goes out uh but at the end of the day we all agreed on on how
27:24to handle it but because of the subject matter and unlike the word suicide is very triggering for many
27:29we had to be careful about how to even use or you mention that word in many ways because it is a
27:37triggering thing it is a taboo subject uh particularly in this country and that's also why we took up that
27:42subject matter because i think it's important to talk about these things um and so we had to sort of be
27:48aware of of those those issues anything you would like to close by any golden nuggets you want to share
27:54about you well any golden nuggets i would share if anybody watches this or listens to this that
28:01are an aspiring artist whether you're a writer or actor or whether you're a filmmaker
28:07i think it's important not to wait for others to make things happen for you that has been sort of my
28:12lesson in life you know we're you know i'm at a more mature age now and i am done with waiting for
28:19the phone call to come from my manager or my agent and have things happen for me i'm somebody who tries
28:25to take charge of my own destiny you know as an actor you give your power away to everybody else
28:31because you walk into a casting room you do your audition and cross fingers walking out you got that
28:35role but it's not up to you giving away that power is tiring that's exhausting and that gets old really
28:42quickly so taking some of that power back i did that with my writing and then realizing that we're
28:47writing you still give your power away to a certain extent because you have to get that produced so
28:53if you can direct what you write that's real power with your circuit so try to make things happen for
28:59yourself if you're not happy with where your career is at or you feel not enough is happening
29:04go out and grab it make a short film start somewhere and uh you know a lot of the work i have today i can
29:10trace back to a short film i made 15 years ago my first short as a writer director
29:15and and here i am you know a lot later with a career that probably helped was helped by that
29:21initial uh product i'm excited for you really am i can't wait to sit down and we're both uh i've got
29:28water but we're both starbucks people absolutely oh yeah i've sold my soul to starbucks because they
29:33don't kick me out after writing five hours but i started supporting the small coffee shops but they
29:38needed the table after 45 minutes and that doesn't help me so i moved on sold my soul to starbucks and
29:44uh now they're like my friends they're the locals the cafe they know me they've come to see the film
29:48in new york so um yeah yes socials where can we find you where do you want us to be well so lucas
29:56hassle with a k lucas with a k hassle h-a-s-s-e-l i'm on instagram all my new products and films and
30:04productions are coming up there and then of course house of abraham movie is out on instagram um follow it
30:10there for where it'll come screening or if any news about that and uh yeah that's it i'm not on
30:16threads or x or any of that but i am on on instagram and uh you can find me there for sure it's a place
30:22to be instagram's the new imdb and yeah and you can go to imdb as well and if you watch the film and like
30:29it for indie films it's always super important that people go there and rate it because that does matter
30:34so and of course i have my own website lucas hassle.com where you can also go in and check out
30:38bits and pieces thank you so much for being with us today can't wait to have you back on
30:44thank you steven really appreciate you having me thank you thank you to everyone who's tuned
30:48in to live on air with steven cuoco on power 98.5 satellite radio power 985.com download the app
30:55tune in on alexa power 98.5 is available on apple music so if you are like me and you've got an iphone
31:01and apple music go right ahead listen to it anytime anywhere and today we've got lucas hassle writer
31:09producer director and actor we talked about his latest film house of abraham coming to a theater
31:17and streaming service near you and speaking of streaming when is that happening if anything
31:23that is uh that's to be decided we have to see how the theatrical run goes and then we'll take it
31:29from there but it's it's definitely going to hit streaming it's just a matter of when are we going
31:32to launch that perfect if you happen to not have heard the entire episode of today with actor director
31:40producer and writer film lucas hassle you can find live on air with steven cuoco on any one of your
31:46favorite podcast platforms remember this is a radio show not a podcast yet podcasting is your friend
31:53to check out and get the latest when you are not able to listen to it live take care have a wonderful
32:01weekend summer is here we're breaking out in the 90s here in new jersey and new york
32:06yeah i'm gonna stay cool and i hope you do too have a great weekend
32:36thank you
32:50so

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