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  • 6 months ago
In 1920 an archaeological expedition discovers the tomb of an ancient Egyptian child prince. Returning home with their discovery, the expedition members soon find themselves being killed.
Transcript
00:00:00In the year 2000 BC, there was born to the reigning pharaoh of Egypt, a son.
00:00:22For many years, the pharaoh, Mentah, had prayed to the gods for this blessing that came so late in life.
00:00:27At last, he had an heir, and as he presented the child to his rejoicing people, he felt strong, proud, and secure.
00:00:39Mentah faced the future with pride and contentment.
00:00:44Yet, evil men had already sworn allegiance to Mentah's younger brother, Armentah,
00:00:50who saw in the child Kato Bey an end to all his hopes of accession.
00:01:00Mentah was too absorbed in his child and all he pretended for the future to be aware of the dark clouds already gathering.
00:01:07Yet, as he offered a prayer of thanksgiving to the gods, invoking their blessings in the years to come,
00:01:14tragedy was already preparing to intrude.
00:01:17For as he turned from the cheering crowds outside his palace, the cold finger of death was soon to touch the heart of his beloved.
00:01:26In the presence of his dying queen, Mentah named his child Kato Bey, the next pharaoh.
00:01:36Silently, the attending physicians watched the life that gave pharaoh his son flutter into oblivion.
00:01:45The head slave Prem bowed his head with the rest in sorrow, sharing pharaoh's grief.
00:01:57The young queen had given pharaoh his dearest wish, an heir to the throne of Egypt.
00:02:03So the people rejoiced.
00:02:05They sang and danced in the streets, believing that the gods were smiling upon them all.
00:02:11Year after year, pharaoh watched Kato Bey grow towards manhood.
00:02:17He devoted every moment to the child who was destined to succeed him.
00:02:21He lived only for his son.
00:02:25So engrossed was he in the future that the past and the present became of no account.
00:02:30He was deaf to the warning voices of his advisors.
00:02:33And while Mentah dreamed, Almentah continued to scheme against the throne.
00:02:39Soon, he was exhorting his followers to violence.
00:02:43His secret army grew and finally struck.
00:02:47Mentah and his guards were hopelessly outnumbered.
00:02:49Mentah and his guards were hopelessly outnumbered.
00:02:53The slave Prem fought valiantly to protect his beloved master, but all in vain.
00:02:57Mentar and his guards were hopelessly outnumbered.
00:03:11The slave Prem fought valiantly to protect his beloved master, but all in vain.
00:03:16Not one of the royal household was to be left alive.
00:03:20This was Almentar's decree.
00:03:22But before the murderous onslaught claimed the final toll,
00:03:25Mentar exhorted Prem to try and escape to the desert with the young proofs.
00:03:30Prem, take Catobe! Take him! Take him!
00:03:33Take him!
00:03:53These men were the sole survivors of the Holocaust.
00:03:56Like Prem, they were slaves determined to lay down their lives for their prince.
00:04:03Along the first few miles of scorching desert sand,
00:04:07they were sustained in the belief that Almentar's treachery might yet recoil upon him.
00:04:12Perhaps one day Catobe might return to his rightful place on the throne of Egypt.
00:04:17As they trudged on, the slave Prem must have prayed for some future bloodbath of vengeance.
00:04:25But the gods had laid their plans.
00:04:28Almentar was to rule many years before he came to a traitor's death.
00:04:33And Catobe was not to live to see the final overthrow.
00:04:37The slaves' faith in their leader, Prem, never wavered.
00:04:42Prem would guide them out of the desert wilderness.
00:04:45They never doubted him.
00:04:48They would follow him into eternity.
00:04:51But they lacked provisions.
00:04:53Very little water amongst them.
00:04:56And practically no food.
00:04:58Gradually, the desert enclosed them.
00:05:04And one by one, they fell and perished.
00:05:09Overhead, death hovered and waited.
00:05:27The gods seemed determined to reserve their favours for the usurper, Almentar.
00:05:32As all hope started to fade,
00:05:35even Prem's massive strength and resolve to save his young prince began to waver.
00:05:45In the teeth of fierce desert storms,
00:05:48the few survivors carried Catobe towards his last resting place.
00:05:51As he lay dying, Catobe presented to Prem the royal seal of the pharaohs.
00:06:21With reverence, Prem covered his young master's body with the sacred shroud.
00:06:51In the language of the pharaohs, Prem recorded the time and the place.
00:07:21Until they thought of the Syrian soon into a palace.
00:07:23And without the
00:07:34The
00:08:18In the year 1920, an expedition financed by a wealthy industrialist, Stanley Preston,
00:08:40and led by the distinguished archaeologist, Sir Basil Walden, set out to find the tomb of Carter Bay.
00:08:48Their return to the base at Metzara was now more than a month overdue.
00:08:54Speculation as to their fate became news headlines.
00:08:57Mr. Longbello, where did you hear us?
00:09:09Yes, please, gentlemen, not just for a moment.
00:09:12Ah, Mr. Preston.
00:09:14You're a Longbello?
00:09:15Yes, I saw your Gary arrive from the hotel window.
00:09:18I must apologize.
00:09:19Hey, new boy, you see to my luggage.
00:09:21What's the number of my suite?
00:09:23Oh, yes, I've arranged all that.
00:09:24There is only one suite available at this hotel, Mr. Preston,
00:09:27but I have secured it for you and Mrs. Preston.
00:09:30I do, Mr. Longbello.
00:09:30Well, why didn't you meet the boat?
00:09:32That's a very good reason.
00:09:32You got my cable, haven't I?
00:09:33Yes, indeed, your cable arrived, but only half an hour ago.
00:09:35And as you expressly desired, you need that I should continue meeting for you in the...
00:09:37Oh, Mr. Preston.
00:09:39Yes?
00:09:39Have you any news about the expedition, sir?
00:09:42Well, you should have more information than I.
00:09:44I've only just arrived from England.
00:09:45Our readers would like to hear your view, sir.
00:09:47Are you considering...
00:09:48Your readers?
00:09:49I'm sorry, sir.
00:09:50I represent the car evening's son.
00:09:52Ah, well, now, gentlemen, you can tell your readers
00:09:54that we're most concerned about the expedition.
00:09:57My own son, Paul, is, as you may know, a member of Sir Basil's party.
00:10:00I came here primarily to ascertain what's being done to find them.
00:10:04Isn't that so, Barbara?
00:10:05Yes, Stanley.
00:10:06Is your son an archaeologist, too, sir?
00:10:09He is, indeed.
00:10:10A very brilliant boy.
00:10:12Oh, this is my wife.
00:10:13How do you do?
00:10:14How do you do?
00:10:16I don't know whether you're aware, gentlemen,
00:10:17but I'm holding a general press conference tomorrow.
00:10:20Have you arranged that?
00:10:20Oh, yes, sir.
00:10:21It's 10 o'clock sharp.
00:10:22Sharp?
00:10:23Oh, I didn't mean that for you, Mr. Preston.
00:10:24I merely put that out so that you shouldn't be kept waiting.
00:10:27We've just arrived in town ourselves.
00:10:29So where is the conference being held?
00:10:30At the Restoration House.
00:10:31You know what?
00:10:32The Restoration House, Mr. Preston.
00:10:33It's a place of Sir Basil's.
00:10:34It's where all the curios and the things that he finds on his expeditions are brought,
00:10:38so that he can put together there prior to being sent to the museums.
00:10:42Oh, Mr. Preston, sir.
00:10:43Yeah?
00:10:43Just one photograph, please.
00:10:45Oh, right.
00:10:47My dear.
00:10:47Thank you, sir.
00:10:53Thanks, sir.
00:10:54Ah, not at all.
00:10:55See you tomorrow, gentlemen.
00:10:57Where's the suite of ours?
00:10:58Oh, Mr. Preston, if you will follow me, I'll show you.
00:10:59Oh, perhaps if you will allow me, Mr. Preston.
00:11:01I'll see you, Mrs. Preston.
00:11:02I'd like to make one point quite clear, Longbarnum.
00:11:05Yes, sir, Mr. Preston.
00:11:05I don't like being ignored.
00:11:07No, I can see that.
00:11:08I mean, it's quite understandable, and why should you indeed?
00:11:10My general impression is that the press are far more interested in Sir Basil Walsman than
00:11:14myself.
00:11:14Well, I'm sure we can very soon rectify that, sir.
00:11:16If you're going to stay on as my press representative, Longbarnum, you'd better improve on some of
00:11:20this stuff I've been reading back in England.
00:11:22Make it quite clear that without Stanley Preston, this expedition would never have got started.
00:11:26Mr. Preston, I don't think you quite understand my...
00:11:27I only understand results.
00:11:29Got that?
00:11:29Yes, sir.
00:11:34Thank you very much.
00:11:36Hmm.
00:11:37Not as bad as I expected.
00:11:38Oh, I'm so glad it meets with your approval, Mr. Preston.
00:11:40Very pleasant, Mr. Longbarnum.
00:11:42Perhaps a little more light?
00:11:43Oh, certainly, Mrs. Preston, yes.
00:11:46There is a good view from here.
00:11:49You can see the desert quite plainly.
00:11:51Now, what about the bathroom?
00:11:53Oh, I'm afraid there's no bathroom as such, Mr. Preston.
00:11:56I'm sure there's a washbasin in the bedroom.
00:11:58At least there should be.
00:12:00Shall I ascertain?
00:12:04Yes, there is a washbasin, Mr. Preston.
00:12:06But I'm afraid there's no convenience.
00:12:08I'm so sorry, Mrs. Preston.
00:12:13Did you have a nice journey, Mrs. Preston?
00:12:17Quite pleasant, Mr. Longbarnum.
00:12:19Naturally, our thoughts have always been with those poor men in the desert.
00:12:22Our son Paul, Sir Basil, Harry Newton.
00:12:26What a nice young man he is, Mr. Longbarnum.
00:12:28Yes, he did, isn't he?
00:12:29Yes.
00:12:29I do hope and pray they'll be all right.
00:12:31I've got £12,000 tied up with his expedition that says they've got to be all right.
00:12:35And, of course, this young girl, Sir Basil's assistant.
00:12:38What's her name, Mr. Longbarnum?
00:12:40Claire de Sangre, Mrs. Preston.
00:12:41She goes on all Sir Basil's expeditions.
00:12:43They do say she's a brilliant linguist.
00:12:46Longbarnum, how many search bodies are looking for them?
00:12:48Oh, three, sir.
00:12:49Double that.
00:12:50Get on with it right away.
00:12:50Very good, sir.
00:12:51Of course, it is siesta time.
00:12:52I should have to wait.
00:12:53Don't give me any excuses, Longbarnum.
00:12:55I know all about siesta time.
00:12:56Just you go and wake them up.
00:12:58I intend to get things moving and moving fast.
00:13:00Get along with you.
00:13:01Very good, sir.
00:13:03Is there anything I can get for you, Mrs. Preston?
00:13:06Yes, you can order me some beer.
00:13:08Make sure it's cold.
00:13:10Very good, sir.
00:13:15Anything you want?
00:13:16Nothing, Stanley.
00:13:21Yes, you can see the desert from here.
00:13:22How the devil did that fool wall and get himself lost?
00:13:45No chance of water from there, sir.
00:13:47The sand's choked everything.
00:13:52How long do you reckon, sir?
00:14:00This?
00:14:02Could blow itself out by the morning.
00:14:05You can never tell in the desert.
00:14:09I'm afraid I've given you all a rough journey.
00:14:11Don't blame yourself.
00:14:13We've had bad luck.
00:14:14Uh-huh.
00:14:16Can't put it all down to bad luck.
00:14:18We started on the wrong day, according to Claire.
00:14:20Yes.
00:14:21Friday the 13th, wasn't it?
00:14:23I remember Claire mentioned it at the time.
00:14:26Sorry.
00:14:27Not at all.
00:14:28I should have listened to you.
00:14:29But that's in the past.
00:14:31What about the future, Claire?
00:14:33We've still got one?
00:14:35Of course we have.
00:14:37Well, Claire?
00:14:38We're going to find the tunnel.
00:14:40It's not far away.
00:14:42What makes you so sure?
00:14:44It's the same feeling I had when I told you the porters were deserted.
00:14:48A week before they did.
00:14:50And the traders rooped out of Mazzara.
00:14:53Yes, you said that would disappear.
00:14:55You were right.
00:14:56I hope the derby's on when we get back.
00:14:58I'm taking Claire with me.
00:14:59I could be wrong, Harry.
00:15:03If my reckoning hadn't gone adrift, we should be on the side of the tomb now.
00:15:08I've been trying to work it out.
00:15:10Allowing for compass error, or the storm, or both.
00:15:13We can't be more than a few miles from the rock.
00:15:16The question is, shall we go on, or...
00:15:19shall we try to find the oasis we left three days ago?
00:15:23We've got just enough water to get us back there.
00:15:27It's your decision, sir.
00:15:28No, Paul.
00:15:29It's only fair to put it to you.
00:15:32If we go on, we go farther away from the water.
00:15:39Well, I think we should take a chance.
00:15:43Harry?
00:15:44I'm gambling on Claire.
00:15:46Having predicted one disaster after another,
00:15:49it'll be a pity to miss the one ray of hope she's given us, eh?
00:15:54We're all agreed, then?
00:15:56I know we'll find the tomb.
00:15:58And we'll survive the desert.
00:16:01Well, this course is a celebration.
00:16:03One mouthful of water each, my hearties.
00:16:04But when the desert is behind us, begins the real danger.
00:16:14As you know, gentlemen, the primary object of this expedition is to prove, my theory, that the mummified figure, which, when discovered, was wearing the seal of the fellow,
00:16:37is not that of Carto Bay, but that of Prem, the slave, who received the seal from a young prince when he lay dying.
00:16:44If we find his tomb, we shall have proved a point that's been debated for 20 years.
00:16:49We believe that this is not the mummy of Carto Bay, but that of Prem, the slave, who buried him, and was himself buried as a pharaoh, wearing the seal of the pharaohs.
00:16:59Records that have only recently come to light refer to a place in the desert called the Rock of Death.
00:17:03And close by, we believe, lies the tomb of the real pharaoh.
00:17:08Well, gentlemen, I hope I've been able to provide you with all the information you require.
00:17:11Yes, thank you, sir. You've been most informative.
00:17:14Any questions?
00:17:16How many parties are out searching for Sir Basil, sir?
00:17:19Three at the moment. Three more leaving today. I'm sparing no expense in my efforts to find him.
00:17:23I don't suppose you'll be sparing yourself either, will you, sir?
00:17:26How do you mean?
00:17:27Well, he will be joining one of the search parties, of course, sir.
00:17:30Yes, Stanley, of course.
00:17:33Of course.
00:17:36Well, gentlemen, if that's all, I wish you a very good day.
00:17:38Thank you, sir, and I wish you a safe journey. I'm sure we all do.
00:17:44Long bow.
00:17:44Yes, Mr. Preston, sir. At your elbow, sir.
00:17:48I shall be joining one of the expeditions.
00:17:49Sir, I understood, sir.
00:17:50See that it's the best equipped, most reliable porters, and the best guide.
00:17:53Naturally, Mr. Preston, of course.
00:17:55I think it's finished.
00:18:20I think it's finished.
00:18:20Claire!
00:18:22Claire!
00:18:26Claire!
00:18:26Claire!
00:18:28You were right, Claire. We're not far away.
00:18:43At this place died my beloved prince, Carto Bay.
00:18:55Can you go on, Claire?
00:18:58It gives the air, but I can't read the rest.
00:19:03Well, this is it.
00:19:06Shall we leave everything?
00:19:08Yes, yes.
00:19:10Just bring the guns and the water.
00:19:18You'd better take the lanterns.
00:19:20Bring them, will you, Claire?
00:19:20Well, this is it.
00:19:33I'm just going to see you.
00:19:36Here we go.
00:19:37The lanterns, Paul.
00:20:07The lanterns, Paul.
00:20:37The lanterns, Paul.
00:21:07The lanterns, Paul.
00:21:37The death awaits all who disturb the resting place of Kato Bey.
00:21:42The tomb must be pretty near.
00:21:44Ask him where it is.
00:21:46He says he is the keeper of the tomb. His name is Hazmid Ali.
00:22:08He says why should he reveal the whereabouts of the tomb to us when he and his family have guarded the secret for centuries.
00:22:16I know.
00:22:46Can you decipher that, Claire?
00:22:53Rest in peace, Kato Bey, my beloved prince.
00:23:00Your knife, Harry. Quick, your knife.
00:23:04Get me out of the air.
00:23:06Yes, sir.
00:23:07Steady.
00:23:08Steady.
00:23:09Get me out of the air.
00:23:11Yes, sir.
00:23:12Steady.
00:23:13Your knife, Harry. Quick, your knife.
00:23:20Get me out of the air.
00:23:22Yes, sir. Steady.
00:23:43Let's go.
00:24:10Harry.
00:24:13What is it?
00:24:16I'm not sure.
00:24:22Do you think our friend back there is bringing some of his chums?
00:24:26Likely.
00:24:27Are you working with yourself?
00:24:28I'm not sure.
00:24:29Go ahead.
00:24:30I'm not sure.
00:24:31I'm not sure.
00:24:32I'm not sure what's going on in the direction of all of us.
00:24:33it's your father
00:24:48hello father oh my boy thank god i found you good to see you father almost given you up
00:25:00well well it's a great moment wonderful to see you harry how are you i'm fine thanks sir how are you
00:25:04well we arrived none too soon by the look of it what happened to you well we got oh long
00:25:11get some food and drink oh yes mr preston get moving man how did you find us father well i
00:25:18met some of your porters williams deserted you didn't they yes how lucky they did we call it a
00:25:23couple of them made them sure which way you were heading then we stumbled on your tent and here we
00:25:28are oh i don't think you've met uh claire de saint-gray sir basil's assistance how do you do
00:25:33where is warden uh over here
00:25:36i'm afraid we had a bit of bad luck sir basil's had a rather serious snake bite oh really
00:25:45is this the side of the tomb well we can't be sure but we think it is what do you mean you think it
00:25:50is is this the side of the tomb or isn't it now warden how you feeling not too bad thank you got
00:25:56yourself bitten by a snake i hear oh what's all this mystery about the tomb there's no mystery
00:26:01you think we've found it we can't be sure until we've excavated if you'd like to come with me i'll
00:26:07show you what sir basil means huh only watch out for snakes oh well you can explain it to me can't
00:26:11you you don't leave sir basil by himself how long do you reckon it'll take waldem i can't say until i've
00:26:17made a proper survey i imagine the rock's pretty thick we may have to use small charges of dynamite
00:26:22that means sending back to mazara as most of our gear's been stolen we'll manage without dynamite
00:26:28start your survey at sunup and don't let you make a meal of it my port is equipped with all the gear
00:26:33you'll need to hack through any thickness of rocky care to name they're bringing the food and drink
00:26:36at any moment sir well stay where the man hustle them along very good miss person yes what are those
00:26:40men doing over there don't understand unloading the equipment come on
00:26:44on
00:26:44on
00:26:48on
00:26:50on
00:26:52on
00:26:53on
00:26:54on
00:26:55on
00:26:57on
00:26:59on
00:27:00on
00:27:01on
00:27:02on
00:27:03on
00:27:04on
00:27:05on
00:27:06on
00:27:07on
00:27:08on
00:27:09on
00:27:10on
00:27:10on
00:27:10on
00:27:10on
00:27:17on
00:27:17on
00:27:17I started excavating
00:27:18on the 10th of july
00:27:201920
00:27:21on the outset
00:27:23on the outset we realized the work would be arduous and dangerous
00:27:27the heat was fantastic in the dark cramped quarters in which we had to work
00:27:36we slaved on through the broiling heat on the river
00:27:40on the day
00:27:41on the day
00:27:42on the day
00:27:43on the day
00:27:45on the day there was always danger of mutiny among the porters twice i had to hold them
00:27:57at gunpoint
00:27:59at
00:28:03at
00:28:29on the day
00:28:54pharaoh bears the necroponist seal and the tomb itself is very much more elaborate than this
00:28:59now theory is merging with fact the slave prem buried his master sealed the tomb with rock
00:29:05was the best he could do in the circumstances and look is it a body or isn't that that's all
00:29:09i'm exited in if you will contain your impatience mr preston until i've finished i think you'll
00:29:14find this in this canopic chest we shall undoubtedly find the the urns containing the
00:29:20viscera of the young pharaoh viscera her heart and intestines oh mr harry harry is your camera
00:29:26ready oh what's that sir i think we're going to find one of the earliest forms of mummification
00:29:38when a pharaoh was entombed a keeper or guard was appointed this position was handed down from
00:29:46generation to generation perhaps in this instance the keeper was the madman we met in the cavern
00:29:52possibly some of the guards were dedicated men but many of them were villains who rifled the
00:30:02tombs that they were supposed to guard ashmed ali may have discovered the tomb himself or
00:30:10the secret may have been passed on to him by his family but whatever he thinks he certainly seems to
00:30:19regard himself as the keeper of the tomb
00:30:31as you say mr preston fantastic
00:30:57the shroud of cartel bay
00:31:08now perhaps you'd be interested to know the meaning of these hieroglyphics
00:31:14claire you're better at this than i will you
00:31:16i'm sorry i can't read the words what do you mean you can't you supposed to be the language expert
00:31:25aren't you i think it would be wrong for me to read the words mr preston wrong and dangerous what
00:31:31have you got here some kind of superstitious crank but claire i don't understand what's your objection
00:31:38the words refer to the spirit of the tomb and the sacred words of life and death spirit of the tomb
00:31:46harry got your camera ready already sir i want to photograph that's the shroud in the body
00:31:52right christopher sir hold on i want to get these things back to mazara as soon as possible
00:32:02brem the devoted slave who buried his master kato bay it is fitting they should be together after all
00:32:10these centuries one likes to think they have found each other on some celestial plane
00:32:18and are watching our humble effort to give them their place in history their place in history
00:32:30it's good to see you kept your sense of humor mr preston
00:32:37any questions gentlemen i understand sir basil walden has been taken ill mr preston can you tell us
00:32:42the nature of his illness i'm afraid i can't
00:32:44uh sir basil was bitten by a snake on his journey to the tomb but would appear to have made a good
00:32:49recovery however i understand he suffered poor health for a number of years so when he returned
00:32:54to mazara i made arrangements for him to go into hospital i can assure you we're doing all we can for
00:32:59him mr preston it appears from what you've told us that a great deal of the credit for the safe return
00:33:04of the expedition goes to you hardly fair on sir basil i think it's true i was fortunate enough to
00:33:12to stumble on them shall we say when they were at their lowest end sorry mr preston
00:33:19with the help of my son i made arrangements for the return of this sacred thing this relic of ancient
00:33:24egypt together we brought it back to mazara so that kato bay can take his rightful place in the history
00:33:30of this great country mr preston is it true that a curse might fall on members of the expedition
00:33:36wasn't there some sort of warning carved into the rock we're not worried gentlemen neither are we
00:33:42superstitious but there was a warning can you explain that explain it we had a job to do and
00:33:48i feel that sir basil himself when he recovers will be the first to admit that we didn't acquit ourselves
00:33:53too badly in the circumstances no indeed indeed not mr preston no uh will you excuse me gentlemen
00:34:07sir basil must have been moved from the hospital within an hour after he was admitted how do you
00:34:11know that i went back i tried to see the superintendent but he was unavailable and nobody would tell me where
00:34:16he is or where he's been taken to this is chief inspector barani he's just informed me that sir basil
00:34:21has been removed to an asylum the mazara lunatic asylum
00:34:31i propose to leave this day a week you better get paul to help you create up the mummy in the shroud
00:34:36then we can ship them out at the same time we shall have to have a police license of course
00:34:40arrange it shouldn't be difficult yes come in
00:34:46ah paul come in my boy have a drink give him a drink no thank you i'd like a word with you please
00:34:51father any time my boy any time alone if you don't mind all right long barrow you've got work
00:34:56to do get on with it oh yes excuse me do you want me to go paul no that's right you sure you
00:35:04enjoy me yes quite sure thank you a press conference went well don't you think very well yes
00:35:11oh what is it paul father when did you first learn that sir basil had been sent to an asylum
00:35:18when why when your mother told us of course frankly i'm not surprised you're not surprised
00:35:25i must say he behaved very strangely on that return journey of course he was in poor physical
00:35:30shape that may have caused some kind of mental derangement it's up to the authorities to decide
00:35:34on the correct form of treatment it's not up to us to question their diagnosis who sent him there
00:35:40father my hospital authorities i suppose how should i know did you send him oh look here paul
00:35:46sir basil is as sane as your eye and you know it someone must have bribed the authorities was it you
00:35:51paul we've always been very close that doesn't mean that you can come in here and level these sort
00:35:56of accusations against me you're trying to tell me there's no truth at all in what i've been saying
00:36:00i have to remind you that you're talking to your father and if you've nothing better to do than
00:36:03come in here and subject me to this kind of cross-examination you'd better leave you wanted him out
00:36:07of the way didn't you you hated the idea of anyone else stealing your thunder i've watched you taking
00:36:12every advantage of his illness stealing the credit for his work lying to the press and singing your
00:36:18own praises until i and everyone else have been sick with embarrassment how dare you what you
00:36:23have done amounts to sheer persecution of a sick man and a great man oh i know he's a hero of yours
00:36:28just what you'd like to be yourself i'm sure he certainly is and now he's out of the way your
00:36:33own star can shine more brightly can't it good old preston he saved the expedition he found the mummy of
00:36:39parto bay three cheers for president give him a knighthood he hasn't got your millions he hasn't
00:36:45got a penny but he's worth ten of you paul please go yes i'm going i'm going to the asylum and somehow
00:36:52i'm going to get him out of there that won't be necessary mr president i have to inform you that
00:37:01sir basil walden escaped from the asylum half an hour ago if he returns to the hotel i expect you to
00:37:08inform me good night gentlemen
00:37:21inspector yes there's been a terrible mistake inspector sir basil's transference to the lunatic
00:37:25asylum it should never have happened that is hardly my concern mr president are men searching for him
00:37:30now they are indeed and if they find him in this country escaped lunatics are treated as criminals
00:37:37it is necessary you understand for the safety of the community what will happen to him that will
00:37:42depend upon his behavior when he is caught if he is violent he is liable to be shot he's not likely to
00:37:47be violent inspector he's a sick man in that case he has nothing to fear from my men i will contact you
00:37:53immediately he is caught can i help you look can i come with you now no mr preston this is a matter
00:37:58for the police i invite you to stay here i shall be in my room if there are any messages for me contact
00:38:10me immediately yes i don't care how late it is immediately you heard all that yes everything
00:38:24oh paul how can we help him
00:38:36oh
00:38:49Oh, my God.
00:39:19Oh, my God.
00:39:49Oh, my God.
00:40:19Oh, my God.
00:40:49Oh, my God.
00:41:19Oh, my God.
00:41:21Oh, my God.
00:41:23Oh, my God.
00:41:25Oh, my God.
00:41:27Oh, my God.
00:41:29Oh, my God.
00:41:31Oh, my God.
00:41:33Oh, my God.
00:41:35Oh, my God.
00:41:37Give me somewhere to rest.
00:41:39Oh, my God.
00:41:41Oh, my God.
00:41:43Oh, my God.
00:41:45Oh, my God.
00:41:47Oh, my God.
00:41:49Oh, my God.
00:41:51Oh, my God.
00:41:57Oh, my God.
00:41:59Oh, my God.
00:42:01Oh, my God.
00:42:03Oh, my God.
00:42:07Oh, my God.
00:42:09Oh, my God.
00:42:11Oh, my God.
00:42:14Oh, my God.
00:42:15Oh, my God.
00:42:17punish you for what you have done and one by one the others will follow you it is in the crystal
00:42:26it is in the crystal soon the spirit will move i see him now he is dead
00:42:46but he has the power to move and kill
00:43:16oh
00:43:18oh
00:43:22oh
00:43:24oh
00:47:57Terrible.
00:47:58Yes, Mr. Preston.
00:47:59I imagined you would be very upset.
00:48:02Have you any idea who can have done it?
00:48:03Oh, I have no idea, Mr. Preston.
00:48:06As a formality, I shall have to ask you to identify the body.
00:48:09I am afraid it is not a pleasant sight.
00:48:10I am afraid it is not a pleasant sight.
00:48:16Well, Mr. President, it is Sir Basil.
00:48:21Oh, yes, who could have done it?
00:48:22Who could have done it?
00:48:23Who could have done it?
00:48:24I suspect nobody at the moment.
00:48:25I was hoping that you yourself might be able to help me.
00:48:28I?
00:48:28I have no idea.
00:48:30Your son, perhaps?
00:48:31No, Inspector.
00:48:32Are you aware of any enemies Sir Basil might have had?
00:48:35Someone with a grudge, perhaps?
00:48:37Nobody, no.
00:48:38No.
00:48:39Strangely enough, the murder coincides with the loss of the shroud covering the body of Cartobé.
00:48:44The sacred shroud?
00:48:45It's been stolen?
00:48:46It is not there, Mr. Preston.
00:48:48The caretaker and the sweeper have both been questioned.
00:48:51Neither of them has even noticed its absence.
00:48:53Is there any connection between the murder of Sir Basil and this Inspector?
00:48:56Who can tell?
00:48:58You are returning to your hotel, gentlemen?
00:49:00Yes.
00:49:02I shall be able to find you if I want you.
00:49:05Good day, gentlemen.
00:49:06Good day.
00:49:07Terrible thing, Mr. Preston.
00:49:09Quite terrible.
00:49:10Have you made arrangements for creating the mummy, Longborough?
00:49:12Oh, yes, Mr. Preston.
00:49:13As a matter of fact, I contacted the local undertaker, a very excellent man, I believe.
00:49:16Good.
00:49:18We may be leaving earlier than I thought.
00:49:20I think there's a boat leaving tomorrow night.
00:49:22Find out about available passages.
00:49:24Oh, very well, Mr. Preston.
00:49:46I suppose you've broken the news to Claire.
00:49:52Yes, I did.
00:49:53But I thought I'd spare her the ordeal of coming with us.
00:49:56And you're blaming me, aren't you?
00:49:58Yes, I'm afraid I am.
00:50:00Why don't you accuse me of murdering him and have done with it?
00:50:01I'm not accusing you of anything.
00:50:03But I don't see why you're so anxious to leave Mazzara.
00:50:05Sir Basil was virtually an employee of yours and he's been murdered.
00:50:07I think you should stay and help the police.
00:50:08I don't need your advice.
00:50:09I don't need your advice.
00:50:10You saw him?
00:50:11Yes.
00:50:12Yes, I'm afraid I am.
00:50:13I don't need your advice.
00:50:14You saw him?
00:50:15Yes.
00:50:16Barbara, I want you to pack your things.
00:50:18Yes.
00:50:19What's his name?
00:50:20What's his name?
00:50:21I'm not sure if the police are thaw, Mr. Previce.
00:50:22Yes, right?
00:50:23Who says, oh, I'm sorry.
00:50:24You're saying this.
00:50:25He's driving the car.
00:50:26You're driving the car now.
00:50:27You're driving the car now.
00:50:28Oh, there's nothing too.
00:50:29You're driving the car now.
00:50:30If I'm driving the car, I'm driving the car, I'm going to dend to you.
00:50:33Yes, just stop the car.
00:50:35Just stop the car.
00:50:36This is my car in the car.
00:50:37I'm leaving the car.
00:50:38Yes, thanks.
00:50:39Yes, Mr. Preston, I've taken the car.
00:50:42I want you to pack your things.
00:50:44We're getting up.
00:50:46There's no point in remaining here any longer.
00:50:49I see.
00:50:51Do you feel some kind of premonition?
00:50:53What do you mean?
00:50:54Do you?
00:50:55How long have we been married?
00:50:57Twenty-six years.
00:50:58And in all that time, have I once given you the impression that I'm subject to premonitions?
00:51:02No, I don't think you were ever one to indulge yourself in that way.
00:51:07I was thinking of that strange man they found in the tomb before you arrived.
00:51:11And his warning of disaster to whoever violated the tomb.
00:51:16Yes?
00:51:19I trust you will pardon this intrusion, Mr. Preston.
00:51:23Mrs. Preston.
00:51:24What is it, Inspector?
00:51:26Until I have finished my investigations, I have to request you to remain in Mezara.
00:51:31But why?
00:51:32I may wish to call upon you for further information.
00:51:35Inspector, I've told you all I know.
00:51:37As far as I'm aware, Sir Basil had no enemies.
00:51:39In my opinion, this is the work of some local fanatic.
00:51:42Fanatic?
00:51:43Why do you say that, Mr. Preston?
00:51:45I'm using the term loosely.
00:51:47Some maniac without motive, without reason.
00:51:49In any case, I must insist on my rights as a British citizen.
00:51:52I intend to leave as soon as I can arrange a suitable passage.
00:51:55In that case, I am afraid you will become the guests of the police department.
00:51:59And in this event, I should warn you that our prisons are not exactly what I would choose for a holiday.
00:52:07Perhaps you will be good enough to reconsider your position.
00:52:11Thank you, Mr. Preston.
00:52:14Good day.
00:52:18It's insufferable.
00:52:19What are you afraid of?
00:52:21I'm not afraid.
00:52:23I'm merely concerned for the welfare of the people in my charge.
00:52:26And that includes you.
00:52:28That's very kind of you, Stanley.
00:52:30But I don't really think you need concern yourself on my account.
00:52:33You see, I did not enter the tomb.
00:52:36Harry, didn't you take a photograph of the shroud when it was uncovered?
00:52:55Yes.
00:52:56Did you develop it?
00:52:57Yes.
00:52:58But I haven't run off the print yet.
00:52:59Well, could I see the negative?
00:53:01Oh, certainly.
00:53:02It's in my hotel room.
00:53:04Do you want to see it now?
00:53:05Yes, please.
00:53:06All right.
00:53:09Imci!
00:53:10Imci!
00:53:11Imci!
00:53:12Imci!
00:53:13Imci!
00:53:14Imci!
00:53:35Oh, there you are.
00:53:36Would you make a print, Harry?
00:53:37Yes, certainly.
00:53:38I want to examine the hieroglyphics in detail.
00:53:39I have a feeling the shroud may hold the key to Sir Basil's murder.
00:53:42Clare, when we first saw the shroud, Sir Basil asked you to decipher the hieroglyphics, didn't
00:53:49he?
00:53:50Yes.
00:53:51Yes.
00:53:52And you said they referred to the spirit of the tomb and the sacred words of life and death,
00:53:58but that to repeat them might be dangerous.
00:53:59Do you still think so?
00:54:00Yes.
00:54:01They seem to imbue whoever uttered them with some strange mystical power.
00:54:02I had the feeling that if I spoke the words, I would be animating some horrible thing that
00:54:08might be uncontrollable.
00:54:09To bring something to life.
00:54:10Yes.
00:54:11And also to destroy.
00:54:12At this stage, I think we ought to remind ourselves we are living in the 20th century.
00:54:16On the other hand, here is.
00:54:17Last night, just as I was.
00:54:18I was living in the 20th century.
00:54:19Last night, just as I was…
00:54:20I thought I was walking in the 20th century.
00:54:21Do you still think so?
00:54:22Yes.
00:54:23Do you still think so?
00:54:24Yes.
00:54:25They seemed to imbue whoever uttered them with some strange mystical power.
00:54:26I had the feeling that if I spoke the words, I would be animating some horrible thing
00:54:30that might be uncontrollable.
00:54:31To bring something to life?
00:54:32Yes, and also to destroy.
00:54:33At this stage, I think we ought to remind ourselves we are living in the 20th century.
00:54:38Just as I was packing up, I looked through the window.
00:54:41I thought it was my imagination, and at the time I dismissed it.
00:54:46But now I wonder.
00:54:48Go on.
00:54:50I thought I saw the huge shadow of a man walking in the alleyway.
00:54:57If my imagination wasn't playing me a trick...
00:55:08Oh.
00:55:09Oh.
00:55:11Oh.
00:55:13Oh.
00:55:36Oh.
00:55:37Oh.
00:55:38I'll be right back.
00:58:39What's the next news on the matter, Mr. Lombardo?
00:58:40I'm sorry, gentlemen. I've nothing to say.
00:58:42Well, Mr. Lombardo, I can't answer any questions, sir.
00:58:46Have you heard the news yet?
00:58:47Yes, sir.
00:58:47Do you need to take a word about possible protection between these murders and the parents?
00:58:51Gentlemen, gentlemen, please. I'd be very cooperative with you, but I cannot speak on Mr. Preston's behalf just at the moment. You'll have to excuse me.
00:58:56It is terrible, Mr. Preston. Really terrible, sir.
00:59:01What is it?
00:59:05Poor boy. How dreadful.
00:59:07We're getting out.
00:59:07Don't argue. We're getting out.
00:59:10In spite of our instructions.
00:59:11In spite of everything.
00:59:12You think I'm going to sit here waiting for some murdering swine to get at me?
00:59:15Start packing right away.
00:59:17Longbarrow, sir, go down to the shipping office.
00:59:19Book the passages.
00:59:19What about Paul and Claire?
00:59:22Longbarrow can book for them, too.
00:59:23Immediately.
00:59:26Mr. Preston?
00:59:28Yeah.
00:59:29What about me, sir?
00:59:30What about you?
00:59:31Are you going to take me with you, sir?
00:59:36All right. You can book a passage for yourself, as well.
00:59:39Thank you so much, Mr. Preston.
00:59:40I shall be very glad to leave under the circumstances.
00:59:43Also, it will be nice to see the shady lands of the old country again.
00:59:48It's been a very long time for me, Mr. Preston.
00:59:52I must thank you for your kindness in taking me.
00:59:55For heaven's sake, Longbarrow, get out.
00:59:56Yes.
00:59:58Longbarrow, there's no need to come back.
01:00:01I'll meet you down at the landing stage.
01:00:02If we're lucky, we can ship out immediately.
01:00:05Barbara, you tell Paul and the girl.
01:00:06We must all leave here separately.
01:00:08What about my few little things, sir?
01:00:11Oh, I'll send your luggage on after you.
01:00:12Thank you so much, Mr. Preston.
01:00:15I told you to start packing.
01:00:16I'm not going.
01:00:19Not until I know that Paul and Claire are coming with us.
01:00:22They can please themselves.
01:00:22Oh, Mr. Longbarrow.
01:00:39You must excuse me, Mr. Paul.
01:00:40I can't wait.
01:00:41I'm on an urgent errand for your father.
01:00:42What is it?
01:00:43But strictly between ourselves.
01:00:45Yes, well.
01:00:46We're going back to England.
01:00:48All of us.
01:00:50I'm so excited.
01:00:51I can't stop trembling.
01:00:52But you do understand.
01:00:53We must be most discreet about this.
01:00:55I'm just going to book the passages.
01:00:56No, not for me.
01:00:57Not, sir.
01:00:58No, don't book a passage for me.
01:00:59Well, why not, sir?
01:01:01Nor for Claire.
01:01:02Do you understand?
01:01:04Oh, yes.
01:01:09I thought he'd do something like this.
01:01:14I'm going to have a word with him.
01:01:16I'll be back in a moment.
01:01:17Father, I've just seen Longbarrow.
01:01:29What about Longbarrow?
01:01:31I've told him not to book a passage for myself or Claire.
01:01:34That's your business.
01:01:35Your mother's staying, too.
01:01:36You're in good company.
01:01:38I don't believe we're doing ourselves any good by running away.
01:01:40What do you mean?
01:01:41Someone or something is trying to destroy us.
01:01:49I believe it'll find us wherever we go.
01:01:51What do you mean by something?
01:01:53We're dealing with a maniac.
01:01:55Once we're out of this country, that's it.
01:01:56We're free.
01:01:56Do you honestly believe that?
01:01:59Are you suggesting these murders have something to do with the tomb?
01:02:03I don't know.
01:02:05Even the police are baffled.
01:02:06But incredible as it may seem, it's all we've got to work on.
01:02:10You must be out of your mind.
01:02:12You and your mother.
01:02:13A fine pair, I must say.
01:02:16Very well, Paul.
01:02:17Do what you like.
01:02:17I don't know.
01:02:19I don't know.
01:02:21I don't know.
01:02:21I don't know.
01:02:22I don't know.
01:02:22I don't know.
01:02:23I don't know.
01:02:23I don't know.
01:02:24I don't know.
01:02:24I don't know.
01:02:25I don't know.
01:02:26I don't know.
01:02:26I don't know.
01:02:27I don't know.
01:02:27I don't know.
01:02:28I don't know.
01:02:28I don't know.
01:02:29I don't know.
01:02:29I don't know.
01:02:30I don't know.
01:02:30I don't know.
01:02:31I don't know.
01:02:31I don't know.
01:02:32I don't know.
01:02:33I don't know.
01:02:34I don't know.
01:02:35I don't know.
01:02:36I don't know.
01:02:37I don't know.
01:02:38I don't know.
01:02:39I don't know.
01:02:40My keys, please.
01:03:00Yes, Miss Bresson.
01:03:01Very good, Mrs. Bresson.
01:03:02It's no good. He's still determined to leave.
01:03:04I think it's too late.
01:03:05I've just seen Inspector Brown.
01:03:06He talked to Long Barrett, and I think...
01:03:09Mr. Long Barrett has somewhat reluctantly informed me
01:03:12that members of your party intend to leave.
01:03:14Does this include yourselves?
01:03:16No, Inspector.
01:03:19Your father, perhaps?
01:03:24Inspector, one moment, please, Mr. Bresson.
01:03:26I'm terribly sorry, Mr. Bresson.
01:03:27I'm afraid the police have been asking me...
01:03:28You remember my instructions, Mr. Bresson?
01:03:31Yes, I remember.
01:03:33May I have a word, Inspector?
01:03:35Certainly. In private, please.
01:03:39Look, Inspector.
01:03:42With the greatest respect,
01:03:44don't you think that your insistence on keeping us here
01:03:47may be endangering the lives of us all?
01:03:49I have not yet come to that conclusion, Mr. Bresson.
01:03:52Two of your party have been murdered.
01:03:54I see no reason to suppose there will be a third.
01:03:57Then what's the point in making us stay?
01:03:59I told you the point yesterday.
01:04:01If I did not make it clear then,
01:04:03I see no purpose in repeating it now.
01:04:05Well, Inspector, before leaving here,
01:04:08I had every intention of writing out a check for,
01:04:10say, ten thousand pounds.
01:04:13If you will do me the honor of accepting it,
01:04:15I will hand it to you personally
01:04:17to be paid, at your discretion, of course,
01:04:20to some good cause.
01:04:22You are very persistent, aren't you, Mr. Bresson?
01:04:25Don't for a moment look on this as a bribe, will you?
01:04:27I am trying very hard not to.
01:04:30Think of it merely as a gesture of goodwill.
01:04:32Now, what do you say, Inspector?
01:04:34Mr. Bresson,
01:04:36I think you must begin to understand me.
01:04:38I am not the hospital superintendent.
01:04:42I must insist on your word
01:04:44that none of you will attempt to leave here
01:04:46till I give you permission.
01:04:47Do I have your word?
01:04:49Very well.
01:04:51I will accept that.
01:04:52I shall also want to interview you later today.
01:04:56Please be good enough to remain in the hotel
01:04:57till I send for you.
01:05:02Come on, Carol.
01:05:09Yes, Mr. Bresson.
01:05:14Damn, damn, damn.
01:05:16What happened?
01:05:16I was prevented from leaving
01:05:17by that blasted policeman.
01:05:19I'm sorry.
01:05:21Why do you say that?
01:05:22I only mean I'm sorry.
01:05:23You didn't get your own way.
01:05:24I know how you suffer
01:05:25when this happens to you.
01:05:27I'm afraid you must think
01:05:28I've let you down, Mr. Preston,
01:05:29but it really was very difficult.
01:05:30They kept on firing questions at me
01:05:31and I lost my head.
01:05:33I'm not very good at subterfuge, Mr. Preston.
01:05:35I'm beginning to wonder
01:05:36what you are good at, Longborough.
01:05:37I'm going to give you one last chance
01:05:38to prove you're not such an idiot as you appear.
01:05:40Go down to that shipping office
01:05:41and book me one passage.
01:05:42First boat out.
01:05:43Mr. Preston, we have been told very definitely,
01:05:45this time most adamantly...
01:05:46I know very well what it'd be told.
01:05:48Just you do as I say.
01:05:49If you come back without that booking,
01:05:50you're fine.
01:05:50Do you want me to go now, sir?
01:05:52No.
01:05:53How late does the shipping office stay open?
01:05:55Until eight o'clock.
01:05:56Go about 7.30.
01:05:58It should be dark by then.
01:05:59If the police are watching the hotel,
01:06:01sleep out by the rear entrance.
01:06:02Yes.
01:06:04It will be dark by then.
01:06:05I...
01:06:06Yes?
01:06:09No, Mr. Preston.
01:06:10I'll talk to you later when I get back.
01:06:11Are you no longer going to take me with you, sir?
01:06:17No.
01:06:20Oh.
01:06:24Well, I...
01:06:25I can't pretend that I'm not disappointed.
01:06:28But I'm sure you know best.
01:06:33If there is a ship first thing in the morning,
01:06:36they'd like the passengers to be on board by midnight, sir.
01:06:39Very well.
01:06:40And telephone me as soon as you've booked the passage.
01:06:43Yes.
01:06:51Why are you looking at me like that?
01:06:53I'm sorry.
01:06:54How was I looking at you?
01:06:57Accusingly.
01:06:58What is there to accuse you of?
01:07:00Is it your conscience?
01:07:02No, I wasn't looking at you in any particular way.
01:07:05I was only wondering what it feels like
01:07:08to have bought everything
01:07:09except the freedom to come and go as you please
01:07:12and the ability to conquer fear.
01:07:16Are you trying to frighten me?
01:07:18I don't have to.
01:07:20And I'm sorry.
01:07:22I really am sorry.
01:07:23You will be returning to the hotel, Mr. Preston?
01:07:33Yes, Inspector.
01:07:35I presume you will wish to take charge
01:07:37of Mr. Newton's personal effects.
01:07:39What remains of them?
01:07:41Yes, please.
01:07:41I will return them to you
01:07:43as soon as I've had the opportunity
01:07:44of examining them.
01:07:46Inspector, have you earned it?
01:07:48I have no more idea than you, Mr. Preston.
01:07:52No more
01:07:52and perhaps no less.
01:07:54Oh, that's...
01:08:17That's my glasses.
01:08:19Oh, dear.
01:08:32Oh, what a terrible thing to do.
01:08:39Oh, dear.
01:08:41Oh, dear.
01:08:46Oh, dear. Oh. Oh, my. Oh.
01:08:54Get those tickets.
01:08:59You'll never forget me for this.
01:09:02I'll put it back.
01:09:04I'll set the others.
01:09:07Excuse me, Alan.
01:09:16Help me. Help me, somebody. Help me.
01:09:32Help me.
01:09:46How long's it going to be?
01:09:53Sure you won't change your mind?
01:09:54Quite sure.
01:09:55Don't worry about me. I'll be all right.
01:09:58I only hope you'll be able to get to the boat and have a safe journey.
01:10:02Don't forget you have to be on board by midnight.
01:10:09Sure.
01:10:16Oh, my God.
01:10:46I must go.
01:11:14I'll wait any longer.
01:11:16I understand.
01:11:20As soon as I get back, I'll see about getting you out of here.
01:11:24Yes.
01:11:27Well, Barbara.
01:11:28Goodbye.
01:11:35You have sufficient money, I think.
01:11:36Barbara and I...
01:11:48Yes?
01:11:49Nothing.
01:11:51Come on.
01:12:21Come on.
01:12:51Do you want a garrie, Effendi?
01:13:11Doesn't seem to be any about.
01:13:13Can you get me one?
01:13:13Oh, yes.
01:13:14My brother, he drives a garrie.
01:13:15He lives only two minutes from here.
01:13:17I'll get him for you, Effendi.
01:13:18You sit down and wait, Effendi.
01:13:19I have to get to the landing stage.
01:13:20Tell him I'll give him ten pounds if he hurries.
01:13:22Oh, I don't think my brother would accept ten.
01:13:24He would want twenty pounds, Effendi.
01:13:27Twenty pounds?
01:13:28Daylight robbery.
01:13:29But it is nighttime.
01:13:30My brother does not like to work at night.
01:13:32He has three wives who keep him very busy.
01:13:34Did you say twenty pounds, Effendi?
01:13:35It can't be more than two miles, the landing stage.
01:13:40Oh, all right.
01:13:41Five pounds now.
01:13:43The rest when he gets me to the boat.
01:13:44Tell him to hurry.
01:13:45I have to be on board by midnight.
01:13:46Very good, Effendi.
01:13:47I have to be on board by midnight.
01:14:17I have to be on board by midnight.
01:14:22I have to be on board by midnight.
01:14:24I have to be on board by midnight.
01:14:26I have to be on board by midnight.
01:14:29Let's go.
01:14:59No, no, no, no, no.
01:15:29No, no, no, no.
01:15:59No, no, no, no.
01:16:29No, no, no, no.
01:16:31No, no, no, no, no.
01:16:33No, no, no.
01:16:35No, no, no.
01:16:37No, no, no.
01:16:39No, no, no.
01:16:41No, no, no.
01:16:43No, no.
01:16:45No, no, no.
01:16:47No, no, no.
01:16:49No, no, no.
01:16:51No, no.
01:16:53No, no, no.
01:16:55No, no, no.
01:16:57No, no, no.
01:16:59No, no.
01:17:01No, no.
01:17:03No, no.
01:17:05No, no.
01:17:07No, no.
01:17:09No, no, no.
01:17:11No, no.
01:17:13No, no.
01:17:15No, no.
01:17:17No, no.
01:17:19No, no.
01:17:21No, no.
01:17:23No, no.
01:17:25No, no.
01:17:27No, no.
01:17:28No, no.
01:17:29No, no.
01:17:30No, no.
01:17:31No, no.
01:17:32No, no.
01:17:33No, no.
01:17:34No, no.
01:17:35No, no.
01:17:36No, no.
01:17:37No, no.
01:17:38No, no.
01:17:39No, no.
01:17:40No, no.
01:17:41No, no.
01:17:42No, no.
01:17:43No, no.
01:17:44No, no.
01:17:45No, no.
01:17:46No, no.
01:17:47No, no.
01:17:48No, no.
01:17:49No, no.
01:17:50No, no.
01:17:51No, no.
01:17:52No, no.
01:17:53No, no.
01:17:54No, no.
01:17:55No, no.
01:17:56No, no.
01:17:57No, no.
01:17:58No, no.
01:17:59No, no.
01:18:00No, no.
01:18:01No, no.
01:18:02See, according to ancient Egyptology, the Keeper of the Tomb has the power to summon
01:18:08up the Great Spirit to enact vengeance.
01:18:10Who is the Great Spirit?
01:18:14I think I know.
01:18:16Claire?
01:18:18Claire?
01:18:22When she comes back, keep her here. Don't let her out of your sight.
01:18:32Oh, come in, come in. Do not be afraid. Come in. Come in.
01:18:50Sit down, please.
01:18:51Some terrible things have happened to friends of mine. I want to know why they've happened,
01:19:04and who is responsible. Can you help me?
01:19:12Four of your friends have died.
01:19:16Yes.
01:19:17You want to know why?
01:19:19Yes.
01:19:23The crystal tells me they have desecrated the tomb of Katabi.
01:19:30You wish to know more?
01:19:32Yes.
01:19:35There are two other people.
01:19:39You are one of them.
01:19:42I entered the tomb.
01:19:43I see in the crystal.
01:19:50Yes, tell me.
01:19:53It is too horrible.
01:19:56You mean I'm going to die?
01:19:57In a few minutes from now.
01:20:06Help you listen to me.
01:20:08I may be able to save you.
01:20:12But sit down first.
01:20:14What's going on?
01:20:15Yes.
01:20:16Well, let's go around first.
01:20:18No, no, no, no, no.
01:20:20Let's go around first.
01:20:22No, no, no, no, no.
01:20:24I'm not meant to be here.
01:20:25Look at the tomb of the tomb of the tomb.
01:20:27THE END
01:20:57THE END
01:21:27THE END
01:21:29THE END
01:21:31THE END
01:21:33THE END
01:21:35THE END
01:21:37THE END
01:21:39THE END
01:21:41THE END
01:21:43THE END
01:21:45THE END
01:21:47THE END
01:21:49THE END
01:21:51THE END
01:21:53THE END
01:21:55THE END
01:21:57THE END
01:21:59THE END
01:22:01THE END
01:22:03THE END
01:22:05THE END
01:22:07THE END
01:22:09THE END
01:22:11THE END
01:22:13THE END
01:22:15THE END
01:22:17THE END
01:22:19THE END
01:22:21THE END
01:22:23THE END
01:22:25THE END
01:22:29THE END
01:22:31THE END
01:22:33THE END
01:22:35THE END
01:22:37THE END
01:22:39THE END
01:22:41THE END
01:22:43THE END
01:22:45THE END
01:22:47THE END
01:22:49THE END
01:22:51THE END
01:22:53THE END
01:22:55THE END
01:22:57THE END
01:22:59KILL HER!
01:23:01KILL HER!
01:23:03KILL HER!
01:23:05KILL HER!
01:23:27KILL HER!
01:23:29KILL HER!
01:23:30KILL HER!
01:23:31KILL HER!
01:23:32KILL HER!
01:23:33KILL HER!
01:23:34KILL HER!
01:23:35KILL HER!
01:23:36KILL HER!
01:23:37KILL HER!
01:23:38KILL HER!
01:23:39KILL HER!
01:23:40KILL HER!
01:23:41KILL HER!
01:23:42KILL HER!
01:23:43KILL HER!
01:23:44KILL HER!
01:23:45KILL HER!
01:23:46KILL HER!
01:23:47KILL HER!
01:23:48KILL HER!
01:23:49KILL HER!
01:23:50KILL HER!
01:23:51KILL HER!
01:23:52KILL HER!
01:23:53KILL HER!
01:23:54KILL HER!
01:23:55KILL HER!
01:23:56Clare, the words of death, say them!
01:24:03Say them, for God's sake, say them!
01:24:06And, Professor, I like him yet.
01:24:10Only he who holds the sound has the power to destroy!
01:24:23Take it!
01:24:26Now, say the words.
01:24:28Enter, al-Besil, al-Akimin, al-Anticum, al-Jalana, a-i-na-i-ta-yat,
01:24:37water-ho-a, in-lach-a-roba, al-it.
01:24:41The End
01:24:50The End
01:24:59The End
01:25:08The End
01:25:17The End
01:25:26The End
01:25:27The End
01:25:28The End
01:25:29The End
01:25:33The End
01:25:37The End
01:25:38The End
01:25:39The End
01:25:40The End
01:25:42The End
01:25:43The End
01:25:44The End
01:25:45The End
01:25:47The End
01:25:48The End
01:25:49The End
01:25:50The End
01:25:51The End
01:25:52The End
01:25:53The End
01:25:54The End
01:25:55The End
01:25:56The End
01:25:57The End
01:25:58The End
01:25:59The End
01:26:00The End
01:26:01The End
01:26:02The End
01:26:04The End
01:26:05The End
01:26:06The End
01:26:07The End
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