Category
π₯
Short filmTranscript
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00:04:31Jimmy Jufri, Bob Rookmeyer, Jim Hall.
00:04:35My fellow Rhode Islanders.
00:04:59I am here at the annual gas festival, and I've just spoken here a few words.
00:05:07On my way down here, though, that's what I want to express to my fellow citizens in Rhode Island and generally,
00:05:13I was impressed with the traffic on our roads.
00:05:17And it's going to be increasing for the holiday, the fourth, and the days before and after.
00:05:24And I do hope that everyone who drives a car will seriously remind himself or herself, as the case may be,
00:05:35that they must take extra precautions.
00:05:38We don't want their own enjoyment, as well as that of the rest of their fellow citizens,
00:05:43are in danger by accidents which are likely to occur on any holiday season.
00:05:50Thank you very much.
00:06:50Hello.
00:06:50Hello.
00:06:51Where are you from, please?
00:06:52I'm from East Jesus.
00:06:55And where did you come here?
00:06:56I came here, you know, I just came here for the fun.
00:06:59Actually, excuse me.
00:07:00Let me ask you this.
00:07:01You were jazz fan?
00:07:03Yeah, actually.
00:07:05Do you have any particular favorites?
00:07:06Yeah, Jerry Mulligan is my favorite.
00:07:09How about you, Derek?
00:07:10I don't have any favorites.
00:07:11You don't have any favorites at all?
00:07:13What do we have?
00:07:14I really like jazz.
00:07:15You don't?
00:07:16Where'd you come here from?
00:07:17His name wasn't there.
00:07:18I'm for the ride.
00:07:19For the ride?
00:07:20It's your craft.
00:07:26I'm for the ride.
00:07:56I'm for the ride.
00:08:27Henry Grimes and Roy Haynes remain on stage to accompany one of the complete originals
00:08:35of music, a man who lives his music, a man who thinks his music, and it's possible to
00:08:44say that he lives and thinks of little else.
00:08:48We can't describe him exactly as daring because I think he is unconcerned with any opposition
00:08:55to his music.
00:08:56He concerns himself with such elements as the quarter tone, which he doesn't find in our
00:09:07Western scale, so he'll strike two adjoining notes on the piano, two adjoining keys to imply
00:09:17the missing note that's in between.
00:09:20Ladies and gentlemen, Thelonious Monk.
00:10:29This is Alan Young speaking to you live from the bridge of the United States destroyer, William R. Rush.
00:10:34You're located nine miles south-southeast of Bretton Street Flight Ship off Newport.
00:10:39The starting line is just a few hundred yards to wind with others here.
00:10:43The third race is just about to get her underweight.
00:10:47The weather out here is sunny with the smoky haze on the horizon.
00:10:52The wind is now blowing a lively 23 miles an hour.
00:10:55Just a half an hour ago, they clocked it at 18 miles an hour.
00:10:58It seems to be increasing all the time.
00:11:00So it should be a terrific race today.
00:11:03The wind is now blowing a little bit.
00:11:33The wind is now blowing a little bit.
00:18:05much. It's been said she knocks them dead when she lands in town. Said she came, why it's a shame
00:18:21how she curves them down. Fellas she can't get, a fella she ain't met. Georgia named her, Georgia claimed her, sweet Georgia brother.
00:18:51No, got paid, got shade on, Georgia bright. To let the up of me, Georgia bright.
00:19:17They all say, what a lie, for three Georgia brown. I'll tell you just why. You know I don't lie.
00:19:36Not much. It's been said she knocks them dead when she lands in town.
00:19:50Since she came, it's a shame how she goes down. Fellas, she can't get a fella.
00:20:09This girl has never met Georgia named her, Georgia claimed her, sweet Georgia brown.
00:20:25Long gone red, got shade on sweet Georgia brown. To do let the peeple that odd from me, than lead in strange pen οΏ½.
00:20:32To do let the peeple that odd from me, to deny she peg around. They all say. What a lie, for three Georgia brown.
00:20:41Tell you just why
00:20:43No, I don't lie
00:20:45Much sense to gay
00:20:50Well, it's a shame how she coosin' down
00:20:54It's been said she docks in bed
00:20:57When she lands in town
00:20:59A bit of gallows
00:21:02She can't get out
00:21:05A bit of gallows
00:21:07This girl has never met
00:21:11George, George Lerner
00:21:15George Lerner, George Lerner
00:21:17Sweet
00:21:18George Lerner
00:21:25Picture me upon your knee to eat for two and two, but you can't you see how happy we could be?
00:21:40Picture me upon your knee to eat for two and two, but you can't you see how happy we could be?
00:21:54Nobody nearer see us here at scratch, we know she'll get the cash, you won't have it now, we own our telephone there.
00:21:59Don't be begging you upon your knee to eat for two and two, but you can't you see how happy we could be?
00:22:15Nobody nearer see us here at scratch, we know she'll get the cash, you won't have it now, we own our telephone there.
00:22:22Don't be begging you away, you can't you see how happy we could be?
00:22:38Nobody nearer see us here at scratch, we know she'll get the cash, you won't have it now, we own our telephone there.
00:22:43Tomaraki, quack me to make a shake, you can't you take all the boys to see, raise a family, boy for you, girl for me, can't you see how happy we could be?
00:22:53We're three, Mr. Jones!
00:23:13Thank you!
00:23:18Thank you all, Jesus.
00:46:57We're right back.
00:47:27We're right back.
00:48:57We're right back.
00:49:27We're right back.