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Short filmTranscript
00:00The
01:00Hold it, boys. Come on down. Come on, everybody.
01:19Gather around.
01:25Got some bad news for you.
01:27They've checked the quarantine on us.
01:30I hate them, but I've got to close the show.
01:37Here's $145.25.
01:42Fight it out among you.
01:44Hop the first train and get yourself jobs.
01:47You know I'm sticking, Sarah.
01:49Why, of course we're sticking.
01:51Aren't we?
01:52We're sticking, aren't we?
01:57Here we are.
01:59That's your life.
02:01Everything's going to work out all right.
02:03You'll get a break.
02:04We've been in tougher spots than this one, Sarah, and pulled through.
02:07And we'll do it again.
02:08I've got some in mind.
02:14Cloudbursts, asthma, quarantines, eggs.
02:22With a gang like that, nothing can lick me.
02:25Hey, you better take care of this, Sarah.
02:27Thanks.
02:27Oh, I almost forgot.
02:29Here's a letter for you.
02:32Special delivery.
02:33Another bill, I suppose.
02:34Oh, could I get a couple of...
02:35Why don't you read this?
02:36Holy mackerel.
02:49As if I ain't got enough already to drive me crazy.
02:52Now, I've got a baby a-coming.
03:00The fifth.
03:02Great Scott, that's tomorrow.
03:04Yeah, so you go meet her.
03:05Me?
03:06Certainly.
03:07You've got a kid of your own, you know what to tell them.
03:11I don't.
03:12By the way, Joe, how old is that youngster of yours?
03:15Oh, Helen's five now.
03:17I haven't seen her since she was three.
03:18Your own fault.
03:20Well, I've got to make a living.
03:21The wife don't like circus life.
03:23Don't blame her.
03:24Why don't you?
03:25I've got to keep going, don't I?
03:28To give fellas like you jobs.
03:29What's your name, darling?
03:45Penelope.
03:45Penelope.
03:47Penelope.
03:47That's a pretty long name for such a little girl.
03:50I'm going to call you Penny.
03:52All right.
03:53My mama calls me her lucky Penny.
03:55Well, that's fine.
03:56Now you're going to be our lucky Penny.
03:58You know, I've got a little girl like you.
04:00Where is she?
04:01She's with her mama.
04:04Oh.
04:06My mama's gone away.
04:09And I'm afraid I'll never see her again.
04:12Woo, woo.
04:13Oh, now.
04:15Now, here, here, here.
04:17Now, you mustn't cry, darling.
04:20You mustn't cry like that.
04:21My goodness, you're going to see the tents,
04:23and the wagons,
04:25and the elephant,
04:28and the camels,
04:29and the lion,
04:30and the monkeys,
04:32and everything.
04:34Say, how would you like to take a ride on the camel?
04:37Hmm?
04:37No, I want to ride on the elephant.
04:40Oh, that's swell.
04:41Get up.
04:42Is this my Aunt Sarah's circus?
05:05I'm afraid it is, darling.
05:07Come on, come on, we'll find her.
05:10Oh, here we go.
05:18Well, here we are.
05:20Ain't this great?
05:22Come on, come on.
05:23This is Josephine.
05:26Turn around, Josephine.
05:29But listen, don't make a pal out of her now,
05:31because she'll only get you into trouble.
05:34Gets everybody into trouble.
05:36And this is little Emily.
05:38How do you like her, huh?
05:40Hi, little Emily.
05:41Yes, sir.
05:42Someday I'll give you a ride on her.
05:44Is that right?
05:45Huh?
05:46This is Kimmy, Emily.
05:48That's her mama over there,
05:49but I don't speak to her
05:50because she stepped on her foot one day.
05:54Now, here we got a lion here.
05:57Her name is Marigold.
05:59Hello, Marigold.
06:00But listen, I want to warn you.
06:03Don't try getting friendly with her,
06:05because she's the meanest crever in this circus.
06:11Now, here we have old Nellie.
06:13She's just as gentle as a kind-faced old cow.
06:16Well, how do you like the looks of her, huh?
06:18See, she wants you to give her something.
06:20Wait a minute.
06:20I'll fix that up.
06:21You just give her that.
06:22There you are, Nellie.
06:23Don't be afraid of her.
06:24That's it.
06:25Isn't that 12?
06:27Now we go and find her Aunt Sarah.
06:46Aunt Sarah!
06:48Well...
06:49She's not your Aunt Sarah, darling.
06:51I wish I was your Aunt, you sweet baby.
06:54Come on, we'll find her.
07:00Is that a bear?
07:06No, that's your Aunt Sarah.
07:08Well, here we are.
07:16Huh.
07:18You had a good sense to look like your dad, anyway.
07:20Don't let you know, have you done, mate?
07:40Hey, you're right.
07:42Get back there!
07:42Get back here!
07:44Get back there!
07:44Get back there!
07:45Get back there!
07:45Get back!
07:45Get out!
07:47Get out!
07:48Get back there! Get back! Get in there! Get back! Get back!
07:57Get going! Go on! Get down! Get in there! Get in there!
08:07Come on! Get back there! Get back!
08:18Are you hurt? No, not much. Never let a cat get away with anything! And I told you a hundred times, if once they think they've got your goat, they'll rip you wide open!
08:33Yeah, but look... Shut up! You were scared. You know it and I know it. Ain't got no time for cowards. Now get on out.
08:38Gee, boss, can you make that cat behave? Wise care of the way you kept that cat in front of you all the time!
08:44Of all the left-footed, thumb-handed clucks, I sure picked winners when I hired this bunch of cake eaters.
08:51The next fellow who ain't got nerve enough to handle them, I'll kick right off the lock!
08:55And that goes for all of you. I don't care who you are or what you do.
09:14So get it!
09:15Well, we're afraid to handle them!
09:25See, boy. You wanna see velvide a month later then?
09:31When I'm in the Josepset to death, he's already been killed!
09:36The End
10:06The End
10:36Good morning Sarah
10:39What's good about it
10:40Now look Sarah
10:42I've been thinking
10:43How about these
10:43Now this time let go
10:48What are you trying to do
11:02Break or night
11:03Oh wait
11:03You see I was just
11:04Shut up
11:04What's the matter
11:05Ain't you got anything to do
11:06Come on
11:07Get out from underfoot
11:08And stop being emotions
11:09I think in the sort of that young'un
11:15I'll kick right off the lot
11:17Well what do you expect
11:19To do with the child
11:20Oh I don't know
11:22Put her in a school
11:23I reckon
11:23You can't put her in a school Sarah
11:29Why the kids are natural
11:31Strong muscles
11:33Beautiful sound little body
11:34Hope you don't think I'm gonna bring her up in this kind of a life
11:37There
11:46I once knew a beautiful young girl who thought that the circus life was all right
11:52Ha
11:53Look at me now
11:55Yes and there was somebody else who thought the circus business was pretty good too
12:01Yeah
12:02That's why I'm carrying on
12:05I'm gonna put this show right back where it was on his day
12:10Or die of trying
12:11You bet you are Sarah
12:13And we're all with you
12:15Oh blabbing about it ain't gonna do no good
12:17I'm going down and see what I can do about lifting this quarantine
12:20So as we can give a show
12:22Keep an eye on things
12:25Will you?
12:26You bet I will Sarah
12:27Now Josephine
12:33Here you throw the ball
12:37And I'll hit it
12:38Oh yeah that's too low
12:44Josephine
12:54All right here let's get to town
13:24Oh Josephine look what you've done
13:46Oh Josephine look what you've done
13:51Oh
13:56He'll catch it
14:00Oh
14:00Oh
14:14Ah, ah, ah. It's naughty to steal.
14:19Where did you get those matches?
14:45Here.
14:47Look, see?
15:17Look, see?
15:24Look, see?
15:46Get the water.
15:55Hey, look!
16:01Look, see?
16:10Look, see?
16:13Look, see?
16:22Look, see?
16:25Look, see?
16:26Come on, boys!
16:27Hurry up!
16:28Come on!
16:32Come on!
16:37Hey!
16:38Come on!
16:42Come on!
16:44Come on!
16:46Come on!
16:50I don't know she goes.
17:15Nothing we can do about it.
17:17Harmon.
17:18Yeah.
17:20What do you want, Sarah?
17:26What do you got to say for yourself?
17:27Well, for the love of Mike, you don't think I said fire to the officer, do you?
17:31I told you to keep an eye on things, didn't I?
17:33What happened?
17:34Sarah, I swear...
17:35Oh, swearing ain't gonna do no good.
17:36I'm gonna get to the bottom of this.
17:38Who is the dimwit who dropped the cigarette a match around that haystack?
17:42I did.
17:44What are you talking about?
17:46Pept the matches and they went off.
17:48Stop!
17:49You get right back into the wagon.
17:51I'll tend to you later.
17:52Sarah, you ain't gonna lick Penny, are you?
17:55Sarah!
17:56This is the greatest break we've ever had.
17:59Have you gone crazy?
18:00No!
18:01Do you realize that we've been paying insurance on this broken down outfit for years?
18:05Now it's our turn to collect!
18:07By gosh, Herman!
18:08You're right!
18:09And we can use the money to buy everything new!
18:12From the ground up, Sarah!
18:13Where's that darling baby?
18:15Look!
18:16Look!
18:18Look!
18:20Look!
18:50Look!
18:52Oh, aye, aye, aye!
18:55Now watch, watch, watch, watch!
19:02And I always play this guy!
19:04Hey, hey, hey!
19:07Look!
19:08Look at the world!
19:09Oh, aye, aye, aye!
19:12Look at the world!
19:14Oh, aye, aye, aye!
19:20I'm pretty close this afternoon you like that honey
19:31get ready to penny thanks Harry you better hurry you'll miss it I don't
19:41it'll be the first time do I know that
19:50look at that mob Sarah packed to the quarter poles if that isn't a $5,000 house I'll put in with you
20:20the
20:27the
20:29the
20:32the
20:35the
20:39the
20:42the
20:47the
20:51look at him
20:52isn't she beautiful
20:54you have to do with me tonight alone how about your brother we can lose the counter for one night
20:59hey have you forgotten there's a show going on
21:01the
21:08the
21:11you're beautiful
21:12the
21:19the
21:21the
21:23the
21:25the
21:27the
21:28the
21:29the
21:31the
21:38the
21:40the
21:41Mrs. Post, this is Mr. Davis of the Daily Record.
21:44Mr. Davis would like an interview regarding Miss Penny's new act.
21:47Well, I'm glad to meet you, Mr. Davis.
21:49Come right along. I'll tell you all about it.
21:51I suppose you've seen all the acts that are.
21:54You know everything there is about aerial work.
21:56Well, the 20 years I've been covering circus, I've seen it quite a...
21:58Well, you've seen absolutely nothing like what we're going to spring.
22:01Remember the flying act the Ladona trio used to do?
22:04Do I? Say, there'll never be another act like that one.
22:07Rubbish. My girl Penny's going to do the same thing.
22:10Blindfolded. Ah, you're kidding.
22:13You be around when we spring the new act Monday night.
22:15If I'm kidding, I'll give you the whole circus.
22:18Luck, stock, and barrel.
22:19Why, no airless living can do that, blindfolded.
22:22Maybe they can't, but my girl Penny's different.
22:25She's a genius. Don't you forget it.
22:28All right, that's all.
22:29Splurge your head off. Shoot the works.
22:31This is exclusive with you, so do your stuff,
22:34or it's the last favor you'll ever get from me.
22:36Thanks a lot.
22:37I told you I had a weight of a story for you, didn't I?
22:39You're blindfolded. It doesn't seem possible.
22:44Excuse me.
22:45Miss Penny, this is Mr. Davis.
22:46He's been given the exclusive scoop on your new act.
22:48How do you do?
22:49How do you do, Miss Penny?
22:50Is it true that you're going to do your entire routine blindfolded?
22:54Why, yes.
22:54You see, it isn't very difficult.
22:56The moves are the same, but we work by sense of time.
22:58Penny, come here.
23:03Oh, by the way, there's a sideshow angle you may be able to use.
23:05Come on.
23:05Hear and read tomorrow.
23:07Since when have you been giving information to the press?
23:10I was only explaining.
23:11I'll do all the explaining around here.
23:13But he asked me a question.
23:15Yeah, and you were making the greatest stunt ever plan look easy.
23:18You stick to your act.
23:18Let me do all the talking.
23:20How do you like my new costume for the act?
23:22Isn't it pretty?
23:23It's awful.
23:24Well, what's the matter with it?
23:26Oh, for one thing, there's too much black.
23:27How can they see you way up in the tent and that?
23:29Oh, please, Aunt Sarah, let me have it.
23:32Since you made me bleach my hair, I look better in black.
23:34I said I want all white and that settles it.
23:37Go take it off and get what I told you.
23:39What's the matter, Penny?
23:48Oh, she didn't like it.
23:50It's got to be all white.
23:51Oh, you're very beautiful and white.
23:52I'd like to wear something different just once.
23:55How's her mood?
23:56Bad?
23:57No worse than usual.
23:58Well, then we'd better go in before anything happens.
24:00Make it worse.
24:00Come on.
24:00Well, make it fast.
24:08What is it?
24:08About our contract.
24:09What contract?
24:10Well, we thought that as you said that when we put on the new act,
24:13there would be a different arrangement.
24:15About the money.
24:16And the billing.
24:17It must be the three pennies.
24:18Instead of just the flying pennies supported by.
24:21What new act?
24:22I haven't seen any new act yet.
24:24Why, the blindfold act is rehearsing it for weeks.
24:27Maybe I have.
24:28But how do I know it'll go over with the public?
24:30Just to show you I've got a little sporting blood in me,
24:35I'll take a chance.
24:37Had it grown up today.
24:39Twenty-five percent more money and second billing.
24:42This replaces your present contract.
24:44Sign here.
24:44Do you mind if I read it?
24:46It's word for word like your old contract.
24:47Do you want it to, don't you?
24:48Well, in that case, no objections.
24:56That's fine.
24:57I'll sign it after the first performance and we'll see how it goes.
25:05Anything else on your mind?
25:07No, no, no, thank you.
25:08That's enough for one day.
25:09Come on, Pablo.
25:10Hey, wait a minute, wait a minute.
25:15How was she?
25:16How was her mood?
25:17Oh, oh, great, great.
25:19Happy as a lark.
25:20Gave us everything we asked for.
25:22Didn't she, Pablo?
25:23Yes, yes, we were in great luck to be able to talk prisoner while she was feeling so good.
25:27Gee, that's fine.
25:28I got the latest thing in poster to show her.
25:30Costs plenty, but they're worth it.
25:31Say, she'll go for this place.
25:33Come in.
25:36Oh, so you.
25:37What's the idea of this bill for lithographing?
25:39Three hundred dollars.
25:40What for?
25:41Well, you see, I was trying out some new ideas.
25:44And color work runs into money, but it's worth it.
25:46It's worth it.
25:46Now, this is the very newest, the very finest, the positively best work that money can buy.
25:51Look.
25:53What's that?
25:55That?
25:56Well, that's Penny doing her act.
25:58It's brand new.
25:59Futurist.
26:00It's terrific.
26:01It smells.
26:03Take that thing away.
26:04And if you ever show up with anything like that again, I'll kick you right off the log.
26:11McCarthy.
26:13Yes, ma'am?
26:14I want these pictures to be a Penny.
26:16Just Penny alone, understand?
26:19And pretty.
26:21Real pretty.
26:22Just the way she looks.
26:25That'll be all.
26:26Yes, ma'am.
26:48You want to blow out the candle?
26:49Yes.
26:50All right, Super.
27:08Here, here's one for you.
27:13And there's one for me.
27:15You know that elephant sure has got a sweet tusk.
27:19Well, you'll be sure that Nellie gets it.
27:21Well, you need to be scared about that.
27:23I'll be lucky if I gets any.
27:25All right.
27:27Yes, if you want to show up, Nellie.
27:29You're the one who's going to be.
27:31Yes, Nellie.
27:31All right.
27:32Many happy returns of the day.
27:34Oh.
27:35That's all.
27:36Oh.
27:36Look at the edge of the land.
27:38Congratulations, Penny.
27:48Oh.
27:48Oh, it's beautiful.
28:08Wait a minute.
28:09Penny can't keep these things.
28:10Oh, Sarah, please.
28:12Be quiet, Penny.
28:13We make it a rule here that no presents cost more than a dollar.
28:16Why, I'm very sorry.
28:18If we didn't know.
28:19You ought to have more sense anyhow.
28:22Anyway, I want you both to understand this is clear business proposition.
28:25And I don't want any more nonsense.
28:27Understand?
28:28Quite.
28:29Yes, of course.
28:31May I?
28:32You and Ricardo haven't had any of my birthday cake.
28:43I'm sorry about the way Aunt Sarah behaved.
28:45About the presents, I mean.
28:47But you mustn't mind, Pablo.
28:49She's always been like that.
28:50I don't mind.
28:51She's making you unhappy.
28:53That makes you unhappy, makes me miserable.
28:55There's nothing we can do about it.
28:56Well, are you so sure of that?
28:58There's no way of changing Aunt Sarah.
29:00I ought to know after 15 years.
29:02Well, you're not going to be with your Aunt Sarah all of your life.
29:05Someday you'll not.
29:07Why?
29:08Well, she's always said, once the circus gets into your blood.
29:11Doesn't have to be true.
29:12Well, this is all the life I've ever known.
29:14There's another life that I would like to show you.
29:17One that's full of laughter and good times.
29:19Friends and time to enjoy them.
29:21Not a grind of one long season living in a tent.
29:24But decent engagements.
29:25Like in the theater.
29:27And you, Penny.
29:28You, the toast of the continent.
29:30From London and Paris to Rome and Berlin.
29:33You'd wear beautiful things.
29:36Oh, Penny.
29:37You can't stay in this slavery much longer.
29:40It's too criminal.
29:41You must break away.
29:42Be free to enjoy the things that are rightfully yours while you're young.
29:46Oh, it's all wonderful.
29:49To think about, but...
29:51Oh, it could never really happen.
29:53Why not?
29:54She'd never let me go.
29:55Now, there's one thing I want to teach you.
30:00Forget Aunt Sarah.
30:01That's your first lesson.
30:02Be sure you'll learn it.
30:03All right.
30:04I'll try.
30:05Forget Aunt Sarah.
30:07I can't catch it!
30:21Oh, my God.
30:33Ladies and gentlemen,
30:56your kind attention if you please.
31:02Come on, Sarah, they're getting ready for the big stunt.
31:05This can wait.
31:07McCarthy, my coat.
31:09Yes, sir.
31:10The world's greatest aerialists presenting the three flying pennies.
31:32I love you.
31:38I love you.
31:39Remember the first day she came into the top and thought you was a bear.
31:44Remember when she burned down the whole outfit and you couldn't lick her?
31:49Yeah, and now nobody can lick her.
31:51Yeah, and now nobody can lick her.
31:58Yeah, and now nobody can lick her.
32:05I love you.
32:24I love you.
32:39And gentlemen, you are about to witness
32:46the most death-defying leap ever attempted by an aerialist.
32:50Miss Penny will now attempt a two-and-a-half-fourth
32:57leap ever attempted by an aerialist.
33:01Miss Penny will now attempt a two-and-a-half-fourth somersault blindfolded without a net.
33:14Watch her closely.
33:44Miss Penny will now.
33:51Miss Penny will now.
33:53Miss Penny will now, Miss Penny.
33:56Miss Penny is able to lift her up to
34:10I'll see you in my office.
34:36Immediately.
34:40Don't worry, darling.
34:48Oh, Ricky.
35:07You know I don't allow that kind of nonsense.
35:10But I am in love with him.
35:11I wish to marry her.
35:13You're fired.
35:15Get out right now.
35:17I shall leave also with my brother.
35:21You're not the only analyst in the world.
35:23Get off the lock, both of you.
35:32Pablo.
35:36What happened?
35:37Well, Ricardo and I were discharged.
35:39Oh, I was afraid she'd do it.
35:41Oh, Pablo.
35:43Penny.
35:44Do you love me?
35:45I love you, Pablo.
35:48Then that's all that matters.
35:49Goodbye for just a little while, dearest, and don't you worry.
35:52We'll be happy very soon.
36:11So we back again, huh?
36:14Someone who has just ruined everything.
36:16You're in devilish high spirits.
36:17Nothing is ruined, Ricardo.
36:19We can join another circus.
36:20But I'm sorry you're angry.
36:21Sorry.
36:22What good does that do?
36:23But this is different, Ricardo.
36:25I love Penny and she loves me.
36:33Ricky.
36:35I didn't realize.
36:38You love her, too, don't you?
36:45Now, this is an awful mess.
36:49Train me, taught me everything I know.
36:52Get me out of scrapes, and this is how I pay you back.
37:03Listen, Pablo.
37:05Nothing has ever come between us, and nothing ever will.
37:09Penny must love someone else.
37:11I'm glad it's you.
37:13I wish you both all the happiness in the world.
37:26Aunt Sarah.
37:28What?
37:29I want to talk to you.
37:31If it's about that boy, I won't listen.
37:34Aunt Sarah, please.
37:36You've got to.
37:37I love Pablo.
37:38Nonsense.
37:40You've got a career ahead of you.
37:43That's all that matters.
37:44No, it isn't.
37:45I've always wanted someone to love me,
37:47and someone to have fun with and love with,
37:49like I do with him.
37:51Oh, Aunt Sarah, please don't.
37:52I told you I won't listen, and I won't.
37:57That boy goes.
38:02Then I go, too, Aunt Sarah.
38:04I'm sorry.
38:06You'll go to your tent and stay there.
38:08That's what you'll do.
38:09Now, wait a minute.
38:10I have something to say.
38:11All my life, I've given up every beautiful thing,
38:15beginning with my pink silk dress when I first came to you.
38:18And instead of the fun and affection that other girls have,
38:20I've had nothing but hard work and hard words.
38:23And now when I find love and happiness,
38:24you want to destroy it.
38:25Well, I won't let you.
38:27If Pablo goes, I go.
38:30Go to your dressing tent.
38:32Aunt Sarah, I'm old enough to know what I want.
38:35I love Pablo, and I'll marry him.
39:01Well, what do you want?
39:04The kids are gone, Sarah.
39:08I just said goodbye to Penny.
39:13Well, that's that.
39:17She made her own choice.
39:19Well, you can't blame her, was she?
39:21What?
39:21After all I've done?
39:22Given her everything?
39:25Yeah.
39:26Everything but affection.
39:28Don't ever mention her name to me again.
39:29Now get out, Joe.
39:30And leave me alone.
39:31No.
39:32No.
39:32No.
39:33No.
39:33No.
39:34No.
39:34No.
39:35No.
39:36No.
39:36No.
39:37No.
39:38No.
39:39No.
39:40No.
39:41No.
39:42No.
39:44No.
39:45No.
39:46No.
39:48No.
39:50No.
39:51No.
39:52No.
39:53No.
39:54No.
39:55No.
39:56No.
39:57No.
39:58No.
40:00No.
40:02No.
40:02No.
40:04No.
40:06Stop it, you idiot.
40:07Not in here.
40:07Oh, who cares?
40:10Oh, Ricardo, you should have come with us.
40:12We've had the most wonderful day.
40:13And a very successful one.
40:15Greetings from Coney Island.
40:18Oh, we got the Ferris wheel and we were scared to death.
40:22That's a fact, Ricky.
40:22we tremble with terror ah daring death defying fannies huh any news uh-huh good news
40:41this is marvelous look darling now we can be married just before sandy and spend our honeymoon
40:48on board ship tears penny dear what's the matter
40:59close circuit nose dives plenty road or fold unless biz perks now let me see what that means
41:07well it means that unless aunt sarah gets a headline attraction the show will have to play
41:10only small towns or close penny dear i thought we were going to be happy oh it isn't that pablo
41:18but i never should have left her penny it wasn't your fault you tried to make her understand of
41:25course you did darling she's lived her life now we have to live ours pablo is right penny no one has
41:32the right to interfere another's happiness come now no more tears you must make yourself very beautiful
41:40because they are going to dine and dance and be very gay
41:54don't be long please i'll hurry pablo
42:07you're up again every kind of i'm not so sure it would be good for me to work anywhere just now
42:22what are you talking about i'm tired i'm nervous i need a rest you're not serious of course i am but
42:29that's a crazy idea ricky we've got a great act we can't split now that won't be difficult to replace me
42:35i won't even consider it trust penny's life to a new man it's out of the question
42:41you're right of course but i wish it were possible well now that that's settled where are we dying
42:49tonight to cheer penny up huh don't count on me tonight you're not going with us well i've been
42:55in the apartment all day waiting for the cable i i need some fresh air i want to stretch my legs a bit
42:59i'll see you later
43:11uh we've been thinking things over sarah and well well we we thought we'd like to have a little talk
43:17with you okay what do you want to talk about well sarah you know as well as i do that any circus is
43:23going to fall without a feature act nothing of the kind no one act's going to break my show besides
43:28we've been playing packed houses ain't we oh so far we have yes but the show isn't clicking sarah it's
43:33better than a pancake that's right but people come in expect to see something great and what do they
43:37see just another second okay we'll get another act mac yes get busy on that oh we can replace the
43:44boys sure but look sarah penny's the greatest artist in the world you made her and now you're going to
43:49let some other out there grab her and we're the losers that's right what does she get the kids back
43:54we need penny we can't get along without it she made her choice oh no she didn't she fell in love
44:02that's only natural isn't it she had a career and love don't mix with a career now wait a minute
44:08you had a career and you fell in love shut up joe
44:13no now you've all had your say go along mind your own business now tend to mine
44:30my tender
45:00my tender
45:06pablo
45:10pablo
45:11hi dear
45:15beautiful oh you look so lovely that tonight we must go to some magnificent place
45:21pablo
45:23i think we should go back to the circus
45:25no no you're going to have fun laugh
45:29forget that there is such a thing as a circus
45:33come on up where's your brother oh he went for a walk he didn't want to come with us
45:44mister wake up
45:45say don't take much knock you out does it
45:53bring me another drink well you've had enough you'd better go home
45:56come on
45:57i said bring me another drink
45:59i'll take this take that stuff away but don't you want to get well i said take it away
46:17now mrs post how can we help you if you want to assist us
46:23sarah come on please take your medicine
46:25i won't i said i won't and i will not
46:29go out
46:30oh
46:34what did the doctor say joe doc can't do a thing with her
46:39i'm going after penny
46:40ready
46:46all right let it go
46:50this ring is too long for the trick in here too bad
46:53well try this to limber up
47:10what's troubling you recall
47:14oh just a slight headache
47:16i guess i'll call it a day if you don't mind
47:18all right
47:25is he ill
47:26i don't think so
47:27but i'm glad we're sailing tomorrow
47:30tomorrow
47:32that's our wedding day
47:33hello
47:43joe sherman
47:45good to see you now
47:46joe how are you glad to see you bevel
47:50joe
47:52is aunt sarah all right
47:54well she's pretty sick now
47:56it's not serious
47:57man i'm afraid it is
47:59doc says it's a heart attack
48:01but it's worse than that honey
48:04her heart is dead
48:06oh joe it's all my fault
48:07i know it isn't no it isn't
48:09but she kind of needs you now
48:12doc can't do anything with her and she
48:14she won't even take her medicine
48:17well she just don't seem to care so
48:21pablo we must go to her right away
48:24of course
48:24i think you're smart don't you
48:34what do you think
48:35i think you better quit wasting your time in here and get ready for the show
48:38what do you mean
48:41just what i say
48:43but aunt sarah quit arguing and get along with you
48:47and you better be good because i'm going to be there
48:52tell mccarthy to come here
48:53and i want herman right away
48:56all right all right
49:06she shouldn't excite herself like this
49:12no use trying to stop her
49:14maybe it'll do her good
49:15herman
49:24and sarah want you and mr mccarthy right away
49:27come on mac
49:27well what is it sarah
49:33herman
49:34the flying pennies will have the regular spot on the bill tonight
49:36great stuff sarah
49:38mac
49:39you've got to give this the biggest send off you know how
49:42cover all the newspapers get it on the air
49:45pull everything you've got yes
49:47step on it now and get the results
49:49i'll kick you both right off the lot
49:51we'll put this over for you sarah you bet we will i'll say we will come on
49:55mac let's get rolling
49:58boy oh boy this is swell
50:01penny i just heard the good news
50:03well you're back and everything's all straightened out and we're all set to go again
50:07hey just a minute i don't think you understand
50:09we're giving a show tonight but tomorrow we're sailing for london
50:12pablo
50:13that's what i wanted to tell you
50:16i'm not sailing
50:18penny you can't mean that
50:20oh i'm sorry but
50:22aunt sarah needs me
50:23but if you want to go alone
50:26after all it won't be forever
50:30do you think i'd go without you
50:32no
50:33anything you want to do is all right with me
50:35why that's well oh boy that's a great thing now look mac's going to shoot the works on the
50:40biggest publicity splurge this town has ever seen anything i can do to help can i go to the hotel
50:45and get your stuff and things oh no thanks i'll do that myself everyone besides i'd better go out and
50:49find my brother ah bye-bye donny bye
51:02honey
51:03mercado you got the message
51:06pablo's looked all over town for you and he's just gone to call again well what is it all about
51:10we're going on tonight we can't do that we've accepted another offer oh well i'll explain later
51:15hurry now andres we're on in 10 minutes i can't give a performance tonight well why can't you
51:20well i just can't that's all there is to it but ricky we have to it's been advertised in the papers and on the radio
51:26well even so it's impossible impossible
51:30i've been drinking penny oh ricky why you wouldn't understand oh but you're all right
51:40i'm not all right i'm shaking my head is splitting i can't think straight i
51:44cold water will pick you up come on
51:54put your head there
51:55better
52:00penny i can't go on tonight i tell you but i've made a promise for aunt sarah and she's ill
52:05we've got to go through with it oh ricky won't you do it for me
52:10i'll do my best penny
52:40ready sarah come in joe you want to see the act get yourself a seat are you sure you can get along
52:46without me i've been getting along for 60 years i guess i can manage going
52:52well the kids back again kind of seems like old time
52:56well i ain't going to stand for more of that romantic nonsense from that young man either
52:59oh well now wait a minute sarah
53:02no the kids had a deal on in london they were to sail tomorrow
53:06well well so what well don't you think they gave up a lot for you that you should give up a little
53:12bit for them oh come along and stop acting like an old woman
53:26oh
53:39ladies and gentlemen
53:42it gives me great pleasure
53:44honor to present to you the crowning feature of this circus performance introducing to you
53:57the world's greatest alienist the three flying pennies
54:14is
54:29you all right oh well yes
54:44Honey, I almost missed you.
55:07Steady, only two more.
55:14Don't swing to me again.
55:20It's my old Ricardo.
55:21Oh, lovely.
55:22He's all right.
55:44Honey, I can't do it.
55:48You must.
55:49Ladies and gentlemen, calling your attention
56:04to the dome of the canvas
56:08where you are about to witness
56:11the most thrilling,
56:13the most death-defying leap
56:17ever attempted by an aerialist.
56:22Miss Penny will now attempt
56:25a two-and-a-half forward somersault
56:29blindfolded without a net.
56:34Watch her closely.
56:47Don't swing to me again.
56:49Keep your seats, ladies and gentlemen.
57:07Please, keep your seats.
57:10Ladies and gentlemen,
57:10the show is only half over.
57:12He has a chance,
57:18but it's going to take
57:19a mighty long stretch in the hospital.
57:21Pull him through, Doc.
57:23Or I'll kick you off the lock.
57:25I'll do my best.
57:29I had to fall, Sarah.
57:32I would have missed her.
57:36Well, what are you all
57:37standing around for?
57:38We're giving a show, ain't we?
57:39Come out.
57:39All right, boys, here we go.
57:41What's the matter?
57:41Let's go, boys, now.
57:45Don't worry, darling.
57:47He's going to be all right.
57:50I'll phone you from the hospital.
57:57You can lick lions
57:59and tigers and elephants.
58:02But you can't do nothing
58:03about love, can you?
58:09I'll call you from the hospital.
58:12I'll call you from the hospital.
58:16Hey, boy.
58:17Hey, boy.
58:17Come on.
58:18Hello, my boy.
58:18I'll call you from the hospital
58:21and I'll be all right.
58:23All right, guys.
58:23Go home.
58:24Hoffmen.
58:25I'll come to原's Truth.
58:27Don't know...
58:27I'll ask you what to do for the hospital.
58:31I'll call you from the hospital is
58:32to go home district to the hospital.
58:33Yeah, they're going to pay me
58:35and not go home属.
58:35I'll call you, don't ask me
58:36y'all if you've got a mortgage to io
58:37and go home with you.