- 1 day ago
Silver Spurs (1943) — a Roy Rogers western directed by Joseph Kane. This classic Republic Pictures film is now in the public domain and presented here from public domain archives.
Source: Internet Archive (public domain).
(Use for educational and historical purposes.)
Source: Internet Archive (public domain).
(Use for educational and historical purposes.)
Category
🎥
Short filmTranscript
00:00The End
00:30The End
01:00Oh, how do you do? Can I do something for you?
01:24Well, ma'am, I'm looking for a wife.
01:28Well, I'm sorry. She didn't come in here.
01:30She didn't mean that, Millie.
01:32Oh.
01:34Thank you, ma'am.
01:35No, ma'am, it ain't my wife I'm looking for.
01:38I've been commissioned, sort of, to find a wife for a friend.
01:41And somebody suggested this would be a good place to start looking.
01:44If he's a friend of yours, why do you want to find him a wife?
01:46Hmm?
01:47Oh, never mind. Here, just put down the name and address
01:50and give a brief description of the model desired,
01:52and I'll see what I can put you in touch with.
01:55This is a bit more urgent than that, ma'am.
01:57I know you're busy and got other things to do,
02:00but there's $500 in it for you if you can help me.
02:04$500?
02:04For that, I'll get you a harem.
02:07Who's the wife for?
02:08Oh, here's a picture of him.
02:13What a handsome cowboy.
02:15You mean he has to look for a wife?
02:17Oh, not the cowboy, ma'am.
02:18That's Roy Rogers, Jerry's ranch foreman.
02:21The other one is Jerry Johnson.
02:24What's the matter with him? Two left feet?
02:26No, ma'am. He's sound.
02:27Wait a minute.
02:28Isn't that the Jerry Johnson
02:30who inherited a million or so acres up north last year?
02:32Only 50,000 acres, ma'am.
02:35But he figures it's enough to keep a wife.
02:37Yes, I guess it is.
02:39Well, I'm sure Miss Love will find a way.
02:42I hope so, ma'am.
02:44And what is the matter with him?
02:46Is he shy?
02:47Shy?
02:48Why, he might be, ma'am.
02:50Yes, you can see he's shy and busy.
02:53Now, here's the address.
02:55It's the phoniest deal I ever heard in my life.
02:58With a playboy like that Johnson brat
03:00who can get his pick of a hundred dames?
03:02I'll say it is.
03:14Hey, stop looking at me like that.
03:16Well, I've never seen a mail-order bride before.
03:19What?
03:20Me and cowboys?
03:22Oh, no.
03:23Oh, now, Bailey.
03:25Oh, Mary, I don't expect you to go through with it.
03:28Do you think I'd let you marry a stranger
03:29just to get a story?
03:30Yes.
03:32Oh, Mary, I'm shocked.
03:34And you're the girl I hired
03:35because I thought she meant it
03:36when she said she wanted to be a great reporter.
03:40Where do great stories come from?
03:43Did Richard Harding Davis get his stories
03:44on darkest Africa sitting on a beach
03:46in sunny California?
03:49Are great battle stories written comfortably
03:51behind the lines?
03:52A great reporter goes where the stories are.
03:54Mary, this might be your life's opportunity,
04:00and yet you hesitate.
04:01From fear of bullets, wild animals, disaster?
04:04No, simply because you're afraid of a playboy,
04:07a wedding ceremony, and cowboys.
04:11All right.
04:13I'll go.
04:14Good, Mary.
04:14I know you'd do it.
04:15I'll get you tickets already,
04:16and Billy can go with you.
04:17Well, Rogers, where's that boss of yours?
04:21We certainly thought he'd be here, Mr. Hawkins,
04:23or we wouldn't have fixed up this celebration.
04:25Well, it's too bad,
04:26but I'm afraid we'll have to forget the whole thing.
04:29That would mean a death sentence to all these people.
04:32Or at least on the land expires two weeks
04:33after we quit drilling,
04:34and we quit soon if you turn us down.
04:36Well, tell me,
04:38is there some other way that my company
04:40can run a spur line in here up to that well
04:42without crossing Johnson's property?
04:45No, there isn't.
04:46And yet you're asking us
04:47to advance you enough money
04:48to finish the well
04:49on the vague sort of promise
04:50that we'll get the right-of-way.
04:52But couldn't you give us a little more time
04:53to get you the right-of-way?
04:55Say, two weeks?
04:56No, I'm afraid not.
04:57I can't come down here every time
04:58that Johnson thinks he might be able to see me.
05:01Please, Mr. Hawkins.
05:10Oh, all right.
05:11A couple of weeks.
05:13Progan, I'll see if we can find Jerry.
05:14See you in town.
05:24The best place to look for him
05:25is under the bar at the Frontier Lodge.
05:28We'll go for the rent first.
05:29Suppose he didn't show up at the picnic
05:31because he changed his mind
05:32about the right-of-way contract.
05:34Then I'll have a picnic breaking his neck.
05:42Hey, Jerry, wait a minute!
05:47Your foreman was trying to flag you down, Jerry.
05:49Foreman, may I?
05:50That was my nursemaid.
05:52That guy's a pain in the neck.
05:54Looks like they're gone for the day.
05:56Well, I might as well get my chores, Doug.
05:57Wait a minute.
05:58Let the boys do it.
05:59We're going to the lodge.
06:01We might be able to head him off
06:02before he gets there.
06:02You better stay sober
06:11till your bride-to-be gets here.
06:13I wish you'd quit ribbing me.
06:15Honestly, do I look like the kind of a guy
06:17who would order a wife by mail?
06:19Exactly.
06:21You'll find out I'm not ribbing her
06:22when she shows up at the lodge.
06:24Oh, boy, what a load I must have been carrying
06:26when I pulled that one.
06:28Lucky you've got to help me.
06:29Now, be a good guy.
06:31Have somebody else take care of her.
06:32Put her up at your lodge for a few days.
06:34Show her a good time.
06:36Charge it all to me,
06:37but leave me out of it.
06:38I'll do the best I can.
06:40In the meantime,
06:41I don't think he ought to run
06:42over that wagon up ahead.
06:45That bug board will hold him for us.
07:00That guy's going to blow his brains out
07:02with that horn.
07:03I guess he expects it to go straight up
07:05so he can drive under us.
07:07Hey, get those hay burners out of the road.
07:09The road's a little narrow.
07:10Oh, I can squeeze by.
07:15Jerry, William, go!
07:20Jerry, William, go!
07:20The hay burners out of the road.
07:22Holy, that's great.
07:23There you go.
07:24Anyway, I'll go.
07:25There you go.
07:26The hay burners out of the road.
07:27The hay burners are coming.
07:28I'll go with yourilah burners.
07:43Go for it.
07:43The driver's all right. How's the ladies?
08:04Weren't we in enough danger?
08:06Did you have to come flying through the air and scare the horses worse?
08:08Why couldn't you have yelled, whoa?
08:10The girls are very much alive, Frog.
08:13Don't jump to conclusions, cowboy. Hold a mirror up to our mouths.
08:16I'm not jumping. I've already decided you can take it.
08:19Well, your girlfriend deserves a good shaking up.
08:22Oh, all right, so you stopped the horses, but you also jarred the wheel off the wagon.
08:26Now, how do we get to the Frontier Lodge?
08:28Walk, I guess.
08:29Well, Rory, you can't leave two lovely ladies out here like this, even if one of Ms. Ornery.
08:34You just dig us up a taxi.
08:38Taxi, Frog.
08:42I'm sure I've seen you.
08:47Some place.
08:48Well, you probably have if you've ever been out here before.
08:51I'm foreman over at the Jerry Johnson Ranch.
08:53Jerry Johnson?
08:54You know him?
08:55Oh, I've heard of him.
08:57What's he like?
08:58He's like the guy who just crowded you off of the road.
09:01Oh, so that was Jerry Johnson.
09:04Speedy, isn't he?
09:05He needs plenty of right-of-way and generally gets it.
09:09He's evidently dead at your fenders.
09:11No, I give him plenty of room.
09:13The only reason we're still working for him is that we promised his dad would stick around and keep things going.
09:19Well, after he's married, maybe he ought to need you.
09:22Nobody will ever be able to hold him still long enough to marry him.
09:24That's where you're wrong, cowboy.
09:26I came out here to attend his wedding.
09:28Right?
09:29Not at anything he does.
09:31I'm surprised at the company you're keeping, though.
09:33I'm not so sure of the company I'm keeping now.
09:36You might be a hold-up man on the side.
09:38You've certainly got enough guns.
09:41What about that notch in your rifle?
09:45Does that mean you've killed somebody?
09:47No, that means that somebody took a shot at me and hit the rifle instead.
10:00What happened at the well today?
10:02The railroad company wouldn't kick in with a doe, but it gave them two more weeks to get Johnson's signature on the right-of-way contract.
10:08That's still okay.
10:10By that time, they'll have to come to me for the signature.
10:13They're likely to get it.
10:15Provided they give me a big enough interest in their oil well.
10:17Where is Jerry?
10:18Buck in the rollette.
10:19Keep him at it.
10:20He's expecting company.
10:22Okay, but he's losing his shirt.
10:24It's all right.
10:25Then he'll go as far as he likes.
10:26All right.
10:27Well, it's none of my business how deep he gets into you, boss.
10:32But I heard some guys talking the other day, and they say Jerry can't pay off a nickel.
10:36This old man fixes it in the will so the kid can't sell his property.
10:38That's right.
10:39I don't get it.
10:41Then how are you going to take over?
10:42And him getting married, too.
10:44There'll even be less chance.
10:46I guess I ought to keep you better informed, Steve.
10:49That wedding was my idea.
10:51Jerry can't sell the ranch.
10:53Here's where I might need your help.
10:56His widow could.
10:58If he was married and had a widow.
10:59They're here.
11:04Okay, I'll be right on.
11:06The bride's here.
11:08Stick around, Jerry.
11:09I want to see her first.
11:17Girls have arrived.
11:18Here already?
11:20Well, that's all right.
11:21Lucky promised to keep them away from me.
11:23I'll keep out of sight.
11:29Well, you have quite a place here.
11:39Hey, Lucky.
11:41Lucky, here I am.
11:47It seems to me somebody said you were shy, but I didn't expect to find you hiding under a roulette table.
11:53Well, how can I tell you?
11:55It'd be so beautiful.
11:56You'll soon find out how shy he is.
11:58But first, we're going to have a big get-acquainted pre-wedding party.
12:01Tonight.
12:02What do you mean, a big get-acquainted party?
12:04We have plenty of time to get acquainted after we're married.
12:07We'll make it a wedding party, get married tonight.
12:09Oh, please, now.
12:11A girl likes a little time to think it over.
12:13Oh, no, I mean it.
12:14You came out to marry me, didn't you?
12:16Oh, yes, but not tonight.
12:18Well, okay, okay.
12:19We won't get married tonight.
12:21We'll have a big party, like Lucky says.
12:23We'll get married tomorrow.
12:24Lucky, take care of everything, will you?
12:26I'll be glad to.
12:27I'll get the girls settled.
12:47Enjoy yourselves?
12:48Oh, it's a wonderful party, Lucky.
12:50A wonderful party.
12:51You know, I'm getting very enthusiastic about Mary.
12:53It's going to be swell to have a wife out on the ranch to cook for me and bend my socks and...
12:58And, hey, why don't you get a wife, Lucky?
13:00You ought to get Millie that'll get a wife for you, too.
13:03Haven't you got a wife, Mr. Miller?
13:04Why do you think they call me Lucky?
13:06What's the matter?
13:11Oh, that's Judge Pebble.
13:13Judge Pebble.
13:19Whatever you want.
13:20Just a couple of minutes of your time.
13:22I'm sorry to interrupt your party, but there's a little matter your neighbors want to know about.
13:26Oh, come back, baby.
13:28Yes, we're giving a party.
13:29There's no time to talk business now.
13:31Sit down and enjoy yourself.
13:32Oh, ask the Judge to join the party.
13:34You might just as well, because I'm not going to talk to anybody until after my party.
13:38Oh, pardon me.
13:39Pardon me.
13:40Please.
13:41This is Miss Hartigan and Miss Love.
13:44Especially Miss Hartigan.
13:46Take a good look at her, because she's going to be your new boss.
13:48I've met the ladies before.
13:50Did you say new boss?
13:53That's right.
13:53We're going to be married in the morning.
13:57I really did put my foot in it, didn't I?
13:59I'd like to wish you the best of luck, Miss Hartigan.
14:01I'd be glad to take orders from you.
14:03But I wish you'd use your influence.
14:05Tell him if he wants to do something to sing a song.
14:07He sings pretty good.
14:08I didn't come here to sing, Jerry.
14:10Oh, boy, tell him.
14:11I think it'd be very nice.
14:13I'll tell you what I'll do.
14:13You sing a song, and afterwards I'll talk to you about the right of way.
14:17Is that a promise?
14:18Yeah, sure, sure, sure.
14:20Just a moment, folks.
14:33Our old friend Roy Rogers is going to give us a song.
14:35When they sing, you look for a silver lining
14:55It is silver dollars they're looking for
15:03You will find, my friend
15:08That the rainbows in
15:10That the rainbows in
15:12Is somewhere around your kitchen door
15:19The bird with feathers of blue
15:23Is waiting for you
15:27Back in your own backyard
15:31You'll have the world at your feet
15:36A haven complete
15:39Back in your own backyard
15:45Oh, you can go to the east
15:47Oh, you can go to the east
15:49Go to the west
15:50But someday you'll come
15:53Weary at heart
15:56Back where you started from
15:59You'll find your happiness
16:01You'll find your happiness lies
16:04Right under your eyes
16:07Back in your own backyard
16:13Now do you have something to say to the judge?
16:30Yeah
16:31I don't think it's a good deal
16:32I don't think it's a good deal
16:33And I'm not going to do any more about it
16:35Until I think it over a little longer
16:37You mean you're not going to let the railroad cross your property?
16:39Yeah, that's just about what I mean
16:49Well, I've known you to do a lot of crooked things, Jerry
16:53But this is the dirtiest low-down deal I ever heard of
17:03Go over and stop it
17:04Wait a minute
17:06Roy was invited this party, but you wasn't
17:13Just for that, Rogers
17:14You're too late, I quit
17:16Come on, Pro
17:26Oh, look, there's Roy
17:27Maybe Frog's here
17:29Are you girls running the house for a minute?
17:34I want to talk to that guy
17:41What's that for?
17:42I told you I was quitting, that's my gear
17:44All that stuff yours?
17:46Well, some of it belongs to the boys
17:47Well, what's it doing out here?
17:49I think they want to tell you themselves
17:51Well, they'll get a chance right now
17:53And Rogers, if you talk them into walking out on me
17:55You won't leave this ranch in one piece
17:58Why don't you just tell him the whole thing and let's go home
18:01I can't get him to listen long enough
18:03Oh, just let me get my hands on that bulldog Bailey
18:06Do you think we ought to get Roy to help us?
18:09Start another fight?
18:10No
18:11Well
18:13Maybe I could find Frog, I know he'd help me
18:16Yes, that's it
18:18We've got to get out of here
18:25They're all walking out on me, the dirty double crosses
18:27It's Roy's fault, he talked them into it, I'll fix him
18:30But Jerry, I'm sorry things have gone wrong and you're so upset
18:33But there's something I have to tell you, it's about us
18:35Why I came up here and why I married you
18:37Mary, I don't care why you married me, the fact you did suits me
18:40Right now I want to get this business with the boys settled, I'll kill that guy
18:43But Jerry, what you don't know about me is that I...
18:45Look Mary, will you please not bother me now?
18:48I want to get this thing straightened out
18:50Rogers is pulling a fast one on me
18:56Hello
18:57Let me talk to the sheriff
18:59But you just got here
19:02I know, we just got here and we just want to leave
19:05Oh Frog, it's a long story, everything's gone wrong
19:09We want to go back to the lodge and then take the train home
19:12Well I'd like to take you, but Roy's waiting for me
19:15Oh Frog, I came to you because I thought you were the one big strong, unafraid man we could depend on
19:22Well I'll take you all right in the jalopy
19:25I don't feel very strong when you look at me like that
19:27Ah, you're a darling
19:30Well, come on
19:32Okay, but you better make it fast
19:57Here, get over
20:07Was that some Mario monkey business?
20:13She's not running away from me
20:15Well she's not running away from me
20:17Well she's not running away from me either
20:18While I catch her, I'll give her a lesson she won't forget
20:21But first I'm going to settle with you
20:22Oh
20:26Jerry
20:28What's all the shooting about?
20:33Oh Jerry's going haywire and somebody's liable to get hurt
20:36I'm going after him
20:37I'll be along with the rest of the boys
20:38I'll be along with the rest of the boys
20:39I'll be along with the rest of the boys
20:49What's all the shooting about?
20:50Oh, Jerry's going haywire, and somebody's liable to get hurt.
20:53I'm going after him.
21:02I'll be along with the rest of the boys.
21:19Jerry! Hey, Jerry, slow!
21:49Jerry!
22:19Okay, Trigger.
22:49Beckham!
23:19Hello, Sheriff.
23:32You couldn't arrive at a better time.
23:34Is he dead?
23:35Very.
23:39He drove it right over the side, eh?
23:41Been drinking?
23:42Yes.
23:42But it wasn't the accident or the alcohol that killed him.
23:45There's a little matter of a bullet hole in his head.
23:48We thought we heard a shot down the line.
23:52Roy, I'm sorry about this.
23:55Jerry phoned and said he'd been having trouble with you.
23:57I didn't suppose it was this serious.
23:59Well, you don't think I killed him, do you?
24:01You've gone crazy, Sheriff.
24:02Well, that Balut probably shot that hole in his own head.
24:05He was running wild.
24:06He didn't shoot himself.
24:08There was a bullet hole through the windshield.
24:10From there on, you're going to have to figure it out.
24:13Let me see your guns.
24:14That hole in the windshield was put in there by a rifle book.
24:20Went clear through.
24:34Why, that's not your gun, Roy.
24:36Sorry, Roy, but you're under arrest.
24:44Sheriff, that's not my rifle.
24:46That means whoever killed Jerry was still here while I was down in the gorge.
24:50Don't you think you ought to at least take a look around?
24:52I aim to, but not until after I've taken you in.
24:56That kind of puts me on the spot, doesn't it?
24:57I'm afraid it does.
25:06You're being mighty foolish, Roy.
25:09Maybe so.
25:10But it looks like if anybody's going to catch the guy who really killed Jerry,
25:12it's going to have to be me.
25:25What do we do now?
25:26Looks like there's only one thing to do.
25:29Let's ride back to town on one horse and get up a posse.
25:33What now?
25:34Well, I'm going to talk to Miller and check up on his honor, the judge.
25:37You want me to go with you?
25:38No, you go back to the room and wait.
25:39I've got to call in for Bailey, and I don't want to miss it.
25:41No matter what happens, if you get him on the wire, hold him there till I get back.
25:44I don't care if it takes all night.
25:46Okay.
25:49Is Mr. Miller in his office?
25:50Oh, I think he went down to the tack room, Mrs. Johnson.
25:57Oh, hello, Mrs. Johnson.
26:00I was told I could find Mr. Miller here.
26:03Well, he was here and left.
26:18They caught Rogers?
26:19Not that I know of, ma'am.
26:20What made you think they'd captured Rogers, Mrs. Johnson?
26:25Oh, I just wondered if they had.
26:28That'll probably take some time, the way he knows this country.
26:31The clerk said you were looking for Mr. Miller.
26:32He asked me to tell you he was in his office now.
26:36Get rid of that.
26:40What do you want me to do with it?
26:42I don't care.
26:43Bury it.
26:43Throw it in the river.
26:44Anything but advertise it for sale in the newspapers.
26:46Okay.
26:47Hey, Steve.
26:49Speaking of newspapers, just reminds me where I've seen that day before.
26:53You mean?
26:53Yeah, Mrs. Johnson.
26:55She was in the newspaper office when I went there.
26:58She works there.
26:59She's a reporter.
27:00You sure of that?
27:01Positive.
27:02Come on.
27:02I was lucky to hear this.
27:07I want Bailey and nobody else.
27:09And if he isn't there, I want you to tell me where I can find that low-lying double-crosser.
27:13Oh, Mary.
27:14How could you talk about me like that?
27:16With no effort at all.
27:19Where have you been?
27:20You promised.
27:21Yes, Mary.
27:21I know I promised, but I'm a sick man.
27:25Well, can I help it if I got sick?
27:28Can I help it if I got sick?
27:31Oh, that's all right, Mary.
27:32I knew that you'd understand.
27:34Now then, tell me, what have you got so far?
27:41Lucky Miller.
27:42Holy smokes.
27:44Do you think he bumped him off personally?
27:46No, it begins to look like a community project with Jerry Foreman doing the actual killing
27:50and Miller directing the show.
27:52All right.
27:52Now listen, Mary.
27:53I'm going to tell you just what to do.
27:55In the morning, turn over all your facts to the law out there.
27:58Shoot in your story and hop the first train back in.
28:01Okay.
28:03And, Bulldog, I'm sorry you're sick.
28:05Oh, that's all right, Mary.
28:08I'll get along.
28:09Good luck, Mary.
28:10She'll need more than luck.
28:16You were right.
28:18She is a reporter, and she knows enough already to cause a lot of trouble.
28:21Maybe I'd better go up and have a talk with her.
28:23Not here in the lodge.
28:26You better go along with her when she takes her ride in the morning.
28:29Show her lookout point on the cliff trail, but don't let her get too close to the edge.
28:34There's a 500-foot drop there.
28:35How do you figure to do it?
28:41You going in the lodge and ask the desk clerk if you can see Mrs. Johnson?
28:45Maybe if there's no other way.
28:46Yeah.
28:47Maybe she'll come to the jail and see us on business day.
28:57We better not go by the trail.
28:59That's just the way we are going.
29:01That could be the lady we're looking for.
29:03This is lookout point, Mrs. Johnson.
29:19You can see clear across to your ranch from here.
29:22Well, I'm not going to look over it.
29:23I get dizzy when I stand on a thick rock.
29:26Your ranch house is in that far clump of trees.
29:29I'm not going to look again.
29:31It makes me want to jump.
29:33Oh!
29:34Oh, Millie, don't be childish.
29:36Never mind.
29:36You all horse won't want to jump.
29:37Good morning, folks.
29:39Why, it's Roy.
29:41Rogers.
29:43I wouldn't do that, Corlin.
29:45Look.
29:49You still ain't been invited to the party, Steve.
29:53Frog!
29:54Hello, Millie.
29:56Throw your gun away, Steve.
29:57You ain't going to need it anymore.
29:59Yeah, toss it over the cliff.
30:00Now that the dramatic's over, maybe you'll go on about your business.
30:13My business is with you, ma'am.
30:15I want to talk to you about the ranch and that railroad right-of-way.
30:17I have nothing to talk about with you.
30:20Then I'll have to insist.
30:22Then it'll be in jail because I'll have the sheriff on your trail in another half hour.
30:25Frog, I still intend to talk to you.
30:29I guess we'd better find a place with a little more privacy.
30:33Frog, bring Millie along as a chaperone.
30:35Oh, why, Frog, you're kidnapping me.
30:46You see the sheriff?
30:47Tell him he went that-a-way.
30:52I'd like to have music with this.
30:54Okay.
30:54You know, I believe if you knew how important that right-of-way is to the people in this neighborhood,
31:07you'd let them have it right now.
31:09I'm not interested in what you do or don't believe, Mr. Rogers.
31:12Well, you can be as stubborn as you like, but in this case, you're going to do as I say.
31:17I saw Jerry after you killed him, so I know what you're capable of.
31:22But you can't frighten me into doing anything I don't want to do.
31:25I'm sure glad you're not my jury.
31:27They'll at least hear my side of the story.
31:29And I'm getting awful tired telling you I didn't kill Jerry.
31:32Then why are you hiding out up here?
31:34And why are you trying to force me into this land deal?
31:37And why are you tied up with somebody like Lucky Miller?
31:40Miller?
31:41I'm not tied up with him or anybody else.
31:43I happen to know better.
31:45I saw your rifle in his tack room at the lodge.
31:49Buck Walters has probably got it cleaned up nicely for you by this time.
31:53Ready to use again.
31:54Are you sure you saw my rifle at the lodge?
31:58Absolutely.
31:59If you remember, I commented on the notch once before.
32:03Although I was surprised you hadn't cut another one in it.
32:08Brogue.
32:08Hmm?
32:15It's not there, Buck.
32:34I'm sorry.
32:35I'm sorry.
32:36I'm sorry.
32:37I'm sorry.
32:38I'm sorry.
32:39I'm sorry.
32:40I'm sorry.
32:41I'm sorry.
32:42I'm sorry.
32:43I'm sorry.
32:44I'm sorry.
32:45I'm sorry.
32:46I'm sorry.
32:47I'm sorry.
32:48I'm sorry.
32:49I'm sorry.
32:50I'm sorry.
32:51I'm sorry.
32:52I'm sorry.
32:53I'm sorry.
32:54I'm sorry.
32:55I'm sorry.
32:56I'm sorry.
32:57I'm sorry.
32:58I'm sorry.
32:59THE END
33:29THE END
33:59THE END
34:01THE END
34:05THE END
34:07THE END
34:09THE END
34:13THE END
34:15THE END
34:17THE END
34:19THE END
34:23THE END
34:25THE END
34:27THE END
34:29THE END
34:31THE END
34:33THE END
34:35THE END
34:37THE END
34:39THE END
34:41THE END
34:43THE END
34:45THE END
34:47THE END
34:49THE END
34:51THE END
34:53THE END
34:55THE END
34:59THE END
35:01THE END
35:03THE END
35:05THE END
35:07THE END
35:09Send the sheriff down here. Dump that guy into my office. Wait a minute.
35:13THE END
35:15THE END
35:17THE END
35:19I buried it. Colin told me to after that newspaper woman seen it here. Newspaper woman? Mrs. Johnson? Yeah. And Lucky knows it? Yeah. Where you going? To get the sheriff. I want you to tell him what you told me.
35:31You're a dead man, Roy, if you move a finger. As a matter of fact, Sheriff, I'm glad to see you. That's just about what you said the last time. Take his gun. I was on my way to get you. What are you talking about? Buck Walters has a story about who killed Jerry Johnson. And it wasn't me. I don't believe it. Well, you will. All right. Let's go.
36:01You got him, huh? Good. Is Buck Walters in there? He certainly is. With a knife on his back and Roy's lariat around his neck. Well, I just left him. He was all right then. He isn't all right now. He's dead.
36:26Hey, Roy. It's me, Frog.
36:33Where have you been, Frog? To sleep? Oh, no. Honest, I ain't. He went and slugged me.
36:38Who? Lucky. He tried to get me to tell him where the girls was.
36:42But I fooled him. I sent him clean to the North Fork of the Heeler River.
36:46You sent him where?
36:48To Ghost Town near the North.
36:51North.
36:52South.
36:54Oh, my goodness.
36:55That's where they are.
36:58This toothache, Roy, must have made me do a thing like that.
37:01Well, how long ago did they leave?
37:03Oh, about an hour.
37:06Well, I'm getting out here. Let me have your gun.
37:08I ain't got no gun. Lucky took it away from me.
37:14Let me have your gun belt.
37:21Now, listen.
37:22Get Trigger and have him ready.
37:23Keep an eye on the sheriff. He's out front.
37:25Leave it to me.
37:39You can't see Roy, if that's what you're figuring on, Frog.
37:42Oh, I didn't come into town to see him.
37:44One of my wisdom teeth's been hitting me on the head,
37:47and I come in to let the dentist take a look at it.
37:49I wish I hadn't.
37:51Why not?
37:51Please, Jack.
38:13I wish I'd better take a look at it.
38:18And then he took a gimmick with a needle that long and shoved it into my mouth and stabbed
38:30me. I bet my grandpappy felt that clean back in 1865. Hold my head, wait till I cut it.
38:48Just as I'm beginning to feel like my face belongs to somebody else, what does he do but
39:01wheel in a gadget with a grindstone on it that big and shoves it in my mouth and crawls
39:06in after it and gives me one of these.
39:18Look out!
39:48Wow! Look, I don't mind these shortcuts, but that one goes right into the pearly gates
39:55and I can't play no harp. You better take the other route around.
40:04Troy! You'll break your neck!
40:18Fox, you stay here with the horses. The rest scatter around.
40:48All right, line up against the wall.
41:14Oh, rats! Looks like we're being rescued.
41:21What do you plan to do with this?
41:29I'm writing the end of your story for you. Too bad the boys had to be in on it.
41:36All right, I'm up.
41:43That's okay.
41:44It's like you're living in on the tree.
41:56Cool!
41:58The horses that will cheer their hand out here.
42:28All right, call your men off, Lucky.
42:44Hurry up!
42:48Wait a minute.
42:54Hold it, boys. Everything's under control.
42:57Let's go.
43:27Keep them busy, boys.
43:29Come on, Bob. We'd better get the girls out here.
43:33And where are the saddles, Bob?
43:35Well, they're back in the store.
43:39We'll hit the horses to the wagon.
43:41Mary!
43:45We'll hit the horses to the wagon.
43:47Mary!
43:51Mary!
43:53We'll hit the horses to the wagon.
43:57Mary!
43:59And then there.
44:01Yeah!
44:05The horses to the wagon.
44:09Yes, sir.
44:11Ready, Roy?
44:32Yeah.
44:32Turn it on!
44:41Where are the rest of the horses?
44:55Pete and Jim still round them up.
44:56I'll give them a hand.
44:58You too.
45:11Come on!
45:41Roy, give me a gun.
45:46I'll show them jaspers how.
45:48Here you are.
45:48Here you are.
45:50Just like a shooting gallery, Roy.
46:14All right, it's time to move, boys.
46:17Come on.
46:28Let's rush.
46:29You looking for us?
46:30I'm out of shells.
46:40You got any?
46:40Yeah.
46:41Here's a few.
46:42Come on.
46:42There goes his gun.
46:52Here's our chance.
46:53We've got any more shells.
46:54We don't need any.
46:56I'll take the horses.
46:57You take the wagons.
46:57Here you are.
47:01Here you go.
47:55Hey, girl, get out quick.
48:19You too, bro.
48:19Well, yeah, but...
48:20Never mind the questions.
48:23Now give me your hats.
48:24You get out of sight, quick.
48:28Come on.
48:29Come on.
48:30Come on.
48:31Come on.
48:32Come on.
48:33Come on.
48:34Come on.
48:35Come on.
48:36Come on.
48:37Come on.
48:38Come on.
48:39Come on.
48:40Come on.
48:41Come on.
48:42Come on.
48:43Come on.
48:44Come on.
48:45Come on.
48:46Come on.
48:47Come on.
48:48Come on.
48:49Come on.
48:50Come on.
48:51Come on.
48:52Come on.
48:53Come on.
48:54Come on.
48:55Come on.
48:56Come on.
48:57Come on.
48:58Come on.
48:59Come on.
49:00Come on.
49:01Come on.
49:02Come on.
49:03Come on.
49:04Come on.
49:05Come on.
49:06Come on.
49:07Come on.
49:08Come on.
49:09Come on.
49:10Come on.
49:11Come on.
49:18Looks like Old Man River did the job for us.
49:20You men are under arrest.
49:35I'll take that gun.
49:36Would you mind telling me what this is all about?
49:38Mrs. Johnson told me enough to send you up for life.
49:45Roy!
49:50Are you all right?
49:51Yeah, I'm all right.
49:52I'm a little wet.
50:00There's your right of way.
50:03And here's our company's check for $10,000.
50:05There's plenty more where that came from.
50:07You can't know where that came from if you need it.
50:08You can't know what this means.
50:10There it is, folks!
50:15Just one other little matter of business before we bring this first annual meeting to a close.
50:20Mary here feels that she'd like to do something as a sort of monument to the memory of Jerry and his father.
50:27So she's going to throw the whole Johnson property into our cooperative oil company, share and share alike!
50:33Hooray!
50:34Hooray!
50:35Hooray!
50:37So, Mary, we all…
50:40Meeting is adjourned!
50:42Meaning is adjourned.
50:52Well, Mary, I suppose you'll be getting back to your newspaper where there's a little excitement.
50:56Excitement?
50:58Roy, may I say that in your quiet country way,
51:01you boys up here managed to make a newspaper office look about as exciting as a tiddlywinks tournament.
51:05And another thing, guess again if you think you're going to get me out of here before our oil well comes in.
51:12You mean you're going to stay a while?
51:14Gee, that's great, Mary.
51:15That'll give us a chance to, well, you and I, I mean...
51:20Why don't you sing it, cowboy?
51:22Maybe I better.
51:23If it's free, I'll be found
51:27Lifting along with the tumbling, tumbleweeds
51:32Scares for the past or behind
51:36Know where to go but I'll find
51:41Just where the trail will find
51:46Lifting along with the tumbling, tumbleweeds
51:50I know when night has gone
51:55That a new world's born at dawn
51:59Honest, Lily, there comes a time in every man's life when he's just got a...
52:04Oh, my tooth, it's hard for me to talk.
52:08Oh, go on, Frog, say it.
52:11Well, sooner or later, every man...
52:13Frog!
52:16My toothache's gone.
52:18Oh, but what were you going to say, Frog?
52:23Sooner or later, every man's got to have his tooth full.
52:27Oh, Frog!
52:29To the broken hearts and roam
52:32And as you travel along those ribbons of gray
52:36They all unravel and pull you homeward to stay
52:40Cause highways are happy ways
52:43When they lead the way to home
52:48The end of the day of the day of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night of the night
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