Part 2 of the series: Cuttputlli.2022.1080p.Hindi.WEB-DL.5.1.ESub.x264-HDHub4u.Tv.mkv.
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CreativityTranscript
00:00the number you have dialed is currently busy on another timber trail road
00:14a body has got the forensic team for our dispatch please
00:31what happened
00:44I don't have to inform you, sir.
00:46Yes, sir.
00:48Yes, sir.
00:50Okay, sir.
00:52Okay.
00:54Okay.
00:56Okay.
00:58Okay.
01:00Okay.
01:02Okay.
01:04Okay.
01:06Okay.
01:08Okay.
01:10Okay.
01:12Okay.
01:14Okay.
01:16I'll call you.
01:18Arjun, Arjun, one second.
01:20I remember that Komal just sat in the auto.
01:22It was made a red color star.
01:24It was written down below, Racer.
01:26Hello, Arjun?
01:28Hello, Arjun?
01:34Look out!
01:36Arjun, look out!
01:40Arjun, look out!
01:42Let's fight!
01:48Look out!
01:50I can't do that!
01:52I can't do that!
01:54It was a farm!
01:56No, I can't do that!
01:58No, I can't do that!
02:00No, I can't do that!
02:02Oh, no, no, no, no, no, no.
02:19There's nothing to me.
02:20Let me take you.
02:22Let me take you.
02:28Stop, Salih!
02:29Stop!
02:32Tell me.
02:33Tell me.
02:34Tell me.
02:35Tell me.
02:36I haven't done anything, sir.
02:38I always give you tips.
02:40What tips?
02:42Sir, the school student is the only one in my car.
02:48Who gives you tips?
02:50Tell me.
02:54Who gives you tips?
02:56Sir, tell me.
02:58Tell me.
02:59Sir, the old man is the only one in my car.
03:01He would sit in my car and take the girls' house.
03:05Where is your daughter's house?
03:07Tell me, sir.
03:09Good.
03:10Good.
03:22Where is the house?
03:23Sir, I'm going to go.
03:26Yes, sir.
03:27You're with me, sir.
03:28Yes, sir.
03:29There was a lock, sir.
03:35There was a lock, sir.
03:59Yes, sir.
04:00That's the only one in my car.
04:01This is the only one in my car.
04:02You should be a salt in the car.
04:03Sir, I got the school bag.
04:05Look, sir.
04:07Let that change.
04:08Yes, sir.
04:09Let go.
04:10This is the question of Tomer.
04:13They don't need to match in the pile of school.
04:15Sir, I got a school bag of Comer.
04:18Look at this, sir.
04:21Do not seal the wrong house.
04:23Yes, sir.
04:24Mashupadi, seal all of them.
04:40Okay, sir.
05:0335 Marks, the people.
05:05Stand up.
05:10How many percent?
05:17Sir, 18.
05:20How many percent?
05:22Sir, 18.
05:24How many percent?
05:26Sir, 18.
05:28How many?
05:3018.
05:32Bring it here.
05:34Sir, please.
05:36Bring it here.
05:40Sir.
05:50Sir, please.
05:5210 days here.
05:54Sir.
05:56Sir, please.
05:5818 percent.
06:00Sir, I'll get better.
06:02Sir, please.
06:04I'll do better.
06:06Who are you?
06:10My classmate.
06:12And this.
06:14Sir, please.
06:15Tell me.
06:16Sir, please.
06:18I'll get better.
06:19Yes, sir.
06:20I'll get better.
06:21I'll get better.
06:22Well, what would you feel?
06:23What would you feel like?
06:24When they call school.
06:26They'll show a test report.
06:28What's wrong with her daughter?
06:30If he passed away, he will be removed from the school.
06:51We do this.
06:53We call him to Papa.
06:54Do it.
06:55No.
06:56No?
06:57So what?
06:58Do you do hard work?
06:59Yes, sir.
07:00Do you?
07:01Yes.
07:02Do you?
07:03Yes.
07:04I will call him to Papa.
07:06Yes?
07:07Sir, sir.
07:08Sir, what will you get from this match?
07:11Yes, sir.
07:12Yes, sir.
07:13Yes, sir.
07:14We will get to the coaching center in Kasulvi County.
07:21Close the door now.
07:28Yes, sir.
07:29It's not enough to do anything.
07:31No, no.
07:32It's not enough to do anything.
07:33I never wanna come.
07:34OK, wait.
07:35The host can mail me to the hospital.
07:36No.
07:37I never wanna come to the hospital.
07:38No.
07:39No.
07:40No.
07:41No.
07:42No.
07:43No.
07:44No.
07:45No.
07:46No.
07:47No.
07:48No.
07:49No.
07:50No.
07:51No.
07:52No.
07:53No.
07:54No.
07:54No!
08:24Sir, sir, sir, sir!
08:27This guy isn't getting faster.
08:29What does he say halal?
08:32Sir, sir...
08:39What?
08:40Get that hand out!
08:45Get that hand underneath.
08:46I'll give you the gun.
08:47I'll jump in.
08:50Use the chiarosc daw让.
08:54Oh
09:05Oh
09:11Kamal goto, oh
09:15I'm a guitar for an six
09:17Nefinger prints me verify key
09:19I'm coming to your house
09:21What happened to him?
09:26Will he say or I'll call him from here?
09:28No, sir. I don't know, sir.
09:31I met Komal's tip from the bottle.
09:34Komal knew me first, because I would take her Maltz's tution.
09:38That day...
09:45Komal, actually, I was in a hurry.
09:47It's okay, sir. You take it.
09:49I'll take the other car.
09:50I'll take the other car.
09:51No, I'll do this.
09:52Let me drop it and go to the house.
09:54Okay, sir.
09:59I got a problem with him,
10:01and I took my book of Maths.
10:15Come on, son.
10:17I'll take the book.
10:20Are you going to juice?
10:21No, sir.
10:22Today's house is going to be quick.
10:23Take some water, son.
10:24Sit down.
10:25Okay, sir.
10:26Give me water.
10:27Move.
10:28I'm coming up.
10:29Let me do some water.
10:30I'll take the water.
10:32I've got the water.
10:33Let's go.
10:34I'm coming.
10:35It hurts.
10:36I'm coming.
10:37I'm coming.
10:38I have to go.
10:39Let's go.
10:40Shoot!
11:10You're talking about the same thing.
11:16You're talking about the same thing.
11:18You're not killing all the girls.
11:20I didn't kill anyone.
11:22You're talking about the same thing.
11:24Please go outside.
11:26Go outside.
11:28What was that?
11:30You go outside.
11:32The suspect has got a math teacher in Passey School.
11:41He has also taken the coaching center of the patients.
11:43Which is why he knows most of the victims.
11:45Evidence?
11:46Yes, sir.
11:48Inspector Machan has given evidence with his team.
11:51This?
11:52His school bag, his fingerprints.
11:54Did he get the suspect?
11:56In the hospital,
11:58the case of the doctor's confession will be released.
12:00Well done.
12:02Thank you, sir.
12:04Machan, good job.
12:12What happened?
12:14The case is over.
12:16And that's what Machan Ji is doing.
12:18We are not alone.
12:20Leave it.
12:22Leave it.
12:24Leave it.
12:26How can I forget?
12:28Now I'll show you something.
12:32Come on.
12:34Teddy.
12:36What happened to Solah today?
12:38Malil is still here.
12:40What's the problem with her?
12:42Wait.
12:44Arjun, take your dad.
12:52Didi?
12:54Didi?
12:58What are you doing?
13:00What are you doing?
13:02Cut?
13:04Yes, let's go.
13:06I'm taking them all.
13:16Excuse me.
13:18Shut up.
13:20What's up?
13:22What's up?
13:24What's up?
13:26Yes, I am.
13:30Nice surprise.
13:32The feeling is mutual.
13:34Mama, come quickly.
13:36Come fast.
13:38Come.
13:40Come.
13:42Come.
13:44Sorry.
13:46What's up?
13:54What's up?
13:56Jesus, Father Is This
14:14Happy birthday to you.
14:16Happy birthday.
14:44Do you have any drinks for? Soft drinks?
14:46No, I didn't drink it.
14:48What the hell?
14:52Do you drink beer?
14:54No, I know the beginning, but I don't know the end.
14:58That's why I avoid it.
15:00You know what I mean.
15:01Yeah, I know, I know.
15:03So, did you see the sightseeing of Kasuali?
15:06Yes, I see the sightseeing of Patrolling.
15:10Nice.
15:12So, do you like to watch the film in the theater?
15:15No, I don't.
15:17I'm just holding my hands on my hands.
15:19I'll avoid that.
15:21In the past, there's a son of Baba Ji.
15:24Okay.
15:25You should go there.
15:27I'm giving it.
15:28Itty.
15:29Itty, come here.
15:30Let's go.
15:31Let's go.
15:32Let's go.
15:33Let's go.
15:34Let's go.
15:35Let's go.
15:36Let's go.
15:37Let's go.
15:39Let's go.
15:41Let's go.
15:42Let's go.
15:44Let's go.
15:45Let's go.
18:27I'm sorry.
18:29I'm sorry.
18:31I'm sorry.
18:33I'm sorry.
18:35I'm sorry.
18:37I'm sorry.
18:39I'm sorry.
18:41I'm sorry.
18:43I'm sorry.
18:44I'm sorry.
18:45I'm sorry.
18:47I'm sorry.
18:49I'm sorry.
18:51Yeah?
18:52Yeah?
18:53No, no, no!
19:23I don't want to go there.
19:27Don't go there.
19:29Don't go there.
19:41Ma'am.
19:42Where are you?
19:43Ma'am.
19:53I don't want to go.
19:55I just want to go there.
19:57I just want to go there.
19:59I'm sorry.
20:01You're so sorry.
20:03I don't want to go.
20:05I'm sorry.
20:07No.
20:09Oh, sorry.
20:23The patrolling team Kala Choki area. Serial killer shot dead. I repeat, serial killer shot dead.
20:31Copy that, sir.
20:32D.S.P. Sir to be informed.
20:33Okay.
20:34So, I have attacked you in this way. And in counter-attack, we had to fire our officers.
20:43Hello?
20:46Huh?
20:48What?
20:53Aja, Aja, Aja.
20:59Ayan-Ayan.
21:00Ayan.
21:01Ayan was like a week-to-order.
21:02Ayan-Ayan, Ayan.
21:03Ayan was like a week-to-order.
21:04Ayan was like taking care of her.
21:05Ayan leaves.
21:06Ayan, I say a few more.
21:07Ayan.
21:08Ayan.
21:09Ayan, Ayan.
21:10Keep your eyes off.
21:11Ayan, Ayan, Ayan.
21:12Ayan.
21:13Let it take care of her.
21:14Ayan, Ayan.
21:15Ayan.
21:16Ayan, Ayan.
21:17Ayan!
21:18Ayan.
21:19No, I see.
21:20Ayan.
21:21Oh, my God.
21:51Oh, my God.
22:21Ma'am, my daughter's daughter is missing.
22:28Go to the station.
22:36Sandy, send two constables to the house.
22:39Shweta is alone.
22:57Happy birthday to you.
23:17Shweta, there was a girl who was shooting all of us.
23:26Yes, Rishu.
23:27Yes, Rishu.
23:28Where is he?
23:29Out.
23:30Where is Rishu?
23:32Rishu.
23:33Where is Rishu?
23:34Where is Rishu?
23:35Rishu, where is Rishu?
23:37Rishu.
23:38Look at that.
24:02Who did this pile talk about?
24:04I don't know who was there.
24:06There was only a car sound,
24:08like the engine is on.
24:11One thing is clear, Guleria Ji.
24:13You didn't have a serial killer.
24:15Serial killer is now alive.
24:17Come on, here.
24:19In Casoli.
24:36I read it.
24:37I'll kill them.
24:38I'm far away.
24:39You're in the road.
24:40I'm far away.
24:41You're in the road.
24:42I'm far away.
26:13Hello?
26:17Hello.
26:20Oh, no one needs to come.
26:23The area of Guleria Church Road is checking.
26:28The road is on Redford Academy.
26:47The road is on Redford Academy.
26:54I'll call you something.
26:57What is there?
26:58Nothing.
27:01Do you know what is there?
27:02Nothing.
27:05You're saying to me.
27:07You're saying to me.
27:08You're saying to me.
27:09No, nothing.
27:10There's nothing.
27:11Please, let me see.
27:13I'm saying nothing.
27:14It's very necessary.
27:15Why?
27:16Why?
27:16No, no.
27:17Please, let me see.
27:18I'm saying to you.
27:20Please, let me see.
27:21I'm saying to you.
27:22Let me see.
27:23Let me see.
27:25Let me see!
27:39Nibari.
27:42Nibari.
27:44No, no, no, no.
27:47No, no, no.
27:49What's going on now, brother?
27:53Arjun?
27:58My brother.
28:01Arjun?
28:03My brother.
28:05Arjun?
28:07What are you doing there?
28:12Arjun got a clue.
28:14Arjun is going to the police station to investigate.
28:17Don't be afraid.
28:19Our pile will come back.
28:21Arjun, take this chabu.
28:24Go to the police station.
28:27Go inside.
28:29Nothing will happen to our pile.
28:31Arjun will come.
28:32Arjun will come.
28:33Arjun said, go.
28:34Go.
28:35Come.
28:37Come.
28:44Let her.
28:48I'm trying very well.
28:53Before I run away at time,
28:56speak so cold and that would be pretty.
28:59She is the host.
29:02Can youЧaseize the head?
29:04Don't you worry?
29:05Yes.
29:06Don't.
29:07questo è vero.
29:08Non ci sono disbelielli.
29:10Non ci sono cambiare le sc glasses.
29:11Non ci sono dei garanti.
29:12I love you.
29:42Hello, good lady.
30:12I got the body of Payal.
30:14I'll take it to her.
30:16But let me inform you to the madam.
30:42I'll take it to her.
31:10I'll take it to her.
31:12I'll take it to her.
31:14She's gone.
31:16That's why I'm going to leave you.
31:18You should keep your mind.
31:20I'll take it to her.
31:30I'll take it to her.
31:54I'll take it to her.
31:56I'll take it to her.
31:58I'll take it to her.
32:00I'll take it to her.
32:02I'll take it to her.
32:04I'll take it to her.
32:06I'll take it to her.
32:08Let's go.
32:10I'll take it to her.
32:12I'll take it to her.
32:14I'll take it to her.
32:16I'll take it to her.
32:18I'll take it to her.
32:20I'll take it to her.
32:22I'll take it to her.
32:24I'll take it to her.
32:26I'll take it to her.
32:27I'll take it to her.
32:28I'll take it to her.
32:29I'll take it to her.
32:30I'll take it to her.
32:31I'm sorry, Arjun.
32:32Yes.
32:33You're dismissed.
32:34I'll take it to her.
32:58And you tell me that I'll take it to her.
33:02Mr. Divya,
33:05neither I have a police team
33:07nor the investigating power
33:11The killer doesn't stop, Divya
33:14He will get out of the fight,
33:16then he will become a girl and we will not do anything
33:23Itty,
33:26bad manners
33:28Don't listen to the big things
33:32Sorry,
33:35he recorded the hearing aid from this hearing aid
33:38so that his speech can be cleared
33:41This was what Komal suggested
33:50You mean,
33:51Komal's hearing aid was the only recording facility in Komal's hearing aid?
33:54Yes
34:02Can I have a moment alone?
34:11Sure
34:12Thank you
34:32Oh
34:39What the hell?
34:40What the hell?
34:41Oh
34:42Please
34:43What a hell?
34:44What a hell?
34:54What a hell?
34:55I was going to stop
34:56And you can see
34:57I haven't heard this tune yet, but I can confidently say two things.
35:12One, this is a Scottish tune.
35:14Two, who you are watching, is definitely a train pianist.
35:22You're doing it, man.
35:23Get out of the tune and put me in a pen drive.
35:25Of course.
35:27Sir, as you are saying, I can't take a decision on a program.
35:31You have to talk to the station manager tomorrow.
35:34Sir, tomorrow morning it will be late.
35:36Please.
35:39It's a very important job. If it's not, then...
35:41Listen.
35:42But, sir.
35:43My show is starting in 10 minutes.
35:45It's not the prime time, but the listeners are mine too.
35:47If you want, I will do it.
35:49That will be a big help. Thank you very much.
35:51This is Radio Rainbow.
35:53And I am your friend Roshni Benival.
35:55Today's show is very special.
35:57That's why listen to me.
35:58I will play a music piece for you.
36:00And whoever will identify the composer of this music piece,
36:04who will be able to play all the time.
36:05If I am using this music piece,
36:07I can afford to purchase a fine.
36:08The company will be able to buy a pioneer by aallowsrival.
36:09So, I will find in front of 10,000.
36:10The company will be able to buy you're worth a prix-1,000.
36:11If it's not even a profit-1,000,
36:12if they can afford it,
36:13why can't we pay a fee-1,000-000-0,000-0,000-0,000-0,000-0,000-0,000-0,000-0000.
36:14Here goes.
36:24So, call me on 84930997 and tell me, where did you hear your tune?
36:31Who is his composer?
36:33Alright, we have our first caller.
36:36Hi.
36:37My name is Pawan Malhotra, I'm talking about Kasuali.
36:39Hi Pawan, tell me, where did you hear your tune?
36:42This tune, I've heard from Anil Kapoor's film in my life.
36:45Wrong, my friend.
36:50Hi Roshni.
36:51This is Pritha's tune.
36:53No, no boss.
36:54No, no, no, sorry Roshni, this is his tune.
36:57Wrong.
36:58This is Jurassic Park.
36:59This is Vithin Chakravarty's film, Cheetah's background music.
37:02Big, big, big thank you.
37:08Sorry.
37:09Thank you very much.
37:12And congratulations for your child.
37:21Listen.
37:22A caller's phone came.
37:23She's identified the tune.
37:24She's on the line.
37:32Hello Roshni, this is Shweta from Parvano.
37:34Tell me, who did you hear this tune?
37:36I heard this tune from Anil Function Day.
37:39Which school is Shweta?
37:41A.P.S. Parvano.
37:43Okay then.
37:44Okay then.
37:45Yes, officer.
37:46Three months ago, there was an annual day of school.
37:49Can you see an annual function video recording?
37:52Of course.
37:53Of course.
37:54Is this girl's connection?
37:55Yes.
37:56And this lady's other, did she get a contact number?
38:00No.
38:01Because this lady cannot speak.
38:02No.
38:03Because this lady cannot speak.
38:04Sir.
38:05No.
38:06Because this lady cannot speak.
38:07Sir.
38:08No.
38:09Sir.
38:10I need some information.
38:11Is this girl's other than that?
38:12And this lady's other than that?
38:13Is this girl's other than that?
38:14Is this girl's other than that?
38:15No.
38:16Because this lady cannot speak.
38:17Sir.
38:18Is there any information about this?
38:19Sir.
38:20She's coming in a dark blue van.
38:21Sorry sir.
38:22Divya.
38:23Hi.
38:24Hi.
38:25Divya, I need some information.
38:27Did you have a magic show before you were missing?
38:30Yes.
38:31It was?
38:32Why?
38:33And did you have a magic show before you were missing?
38:34Yes.
38:35It was?
38:36Why?
38:37And did she perform the magic show before you were missing?
38:38Yes.
38:39Yes.
38:40Yes.
38:41Yes.
38:42Yes.
38:43Yes.
38:44Yes.
38:45She was wearing a mask and I think she was mute if I'm not wrong.
38:49Yes.
38:50I need all the details of the woman.
38:53Okay.
38:54Fine.
38:55Let me try.
38:57Bye.
38:58Arjun.
39:00Yes.
39:01Yes.
39:02Yes.
39:03Yes.
39:04In America, there was a magic show before a few days before.
39:07Try it sir.
39:08Take a copy of her video and try it and make the details of the magician.
39:12Okay.
39:13Yes.
39:14Yes.
39:15Yes.
39:16Yes.
39:17Yes.
39:18Yes.
39:19Yes.
39:20Yes.
39:21Yes.
39:22Yes.
39:23Yes.
39:24Yes.
39:25Yes.
39:26Yes.
39:27Yes.
39:28Yes.
39:29Yes.
39:30Yes.
39:31Yes.
39:32Yes.
39:33Yes.
39:34Yes.
39:35Yes.
39:36Yes.
39:37Yes.
39:39Yes.
39:41Yes!
39:46Just watch your mobile.
39:47You have five minutes, whatever you want to say, I'll say.
39:52Yes.
40:04Ma'am, the first victim of this case is Samik Shah.
40:10In his school, there is an annual function on August 18th.
40:13And he is kidnapped on August 20th,
40:15that means two days later.
40:17After that, Amrita, the second victim.
40:20On August 14th, there is a school function on August 16th.
40:24The third is Komal.
40:25On August 28th, there is an event on August 28th.
40:27And on August 30th, there is a kidnap on August 28th.
40:30And Ma'am, the fourth is Pail.
40:32Second Jan has a school function,
40:34and fourth Jan also has a kidnap on August 28th.
40:36In every school event, the same magician.
40:38In volunteers, there are four boys.
40:41It's clear, Ma'am, that in the magic show,
40:43they mark their target,
40:45and try to catch them.
40:46They impress them with the magic tricks,
40:48and try to be friendly with them.
40:50So after the magic show and kidnapping,
40:52why do they have two days gap?
40:53They have two days planning.
40:54They follow the target routine,
40:56and follow them.
40:57And then, two days later,
40:59they meet them by chance,
41:00by chance, by chance.
41:02And that is why she's no more a stranger to them.
41:04That's why she's no more a stranger to them.
41:05So, she's very easy to trap her in the jail.
41:07What's your fault?
41:08Ma'am,
41:09a young woman is making a serial killer.
41:11Why is she making a serial killer?
41:12Ma'am.
41:13Oh, you shut up.
41:14Ma'am, how are you talking about her?
41:15Ma'am.
41:16Ma'am.
41:17Ma'am.
41:18Ma'am.
41:19Ma'am.
41:20Ma'am.
41:21Ma'am, how are you talking about her?
41:22Ma'am, how are you talking about her?
41:23Your daughter, Ma'am.
41:24Yes.
41:25My daughter.
41:26My daughter.
41:27My daughter.
41:29My daughter.
41:30That's why I can understand this,
41:32that next target,
41:33that someone's child can be.
41:35My daughter.
41:36But Ma'am.
41:37Shut the fuck up, Ma'am.
41:39She's saying,
41:41she's saying,
41:42she's a serial killer,
41:43she's a serial killer,
41:44but we didn't hear it.
41:45She's saying,
41:46it's a pattern.
41:47She's drawing a profile.
41:48But I didn't hear it.
41:50Today,
41:51she's taken away from herself,
41:52but she's still here in the case,
41:54so that she doesn't do that with any other child.
41:56And you want me to reject her.
42:00I'm not going to do it.
42:02If I'm wrong,
42:04I won't do it again.
42:10Today,
42:11we're all together with you, Harjan.
42:13I'll talk with DSP.
42:15Yes.
42:16Issue him the service revolver.
42:21Now.
42:22Right, Ma'am.
42:23You're officially appointed back on the case.
42:25Thank you, Ma'am.
42:27Now you lead us.
42:29St. Peter's school,
42:30out of Kasoli.
42:31Yes.
42:32Yes.
42:33Yes.
42:34Yes.
42:35Yes.
42:36Yes.
42:37Yes.
42:38Yes.
42:39Yes.
42:40Yes.
42:41Yes.
42:42Yes.
42:43Yes.
42:44Yes.
42:45Yes.
42:46Yes.
42:47Yes.
42:48Yes.
42:49Yes.
42:50Yes.
42:51Yes.
42:52Yes.
42:53Yes.
42:54Yes.
42:55Yes.
42:56Yes.
42:57Yes.
42:58Yes.
42:59Yes.
43:00Yes.
43:01Yes.
43:02Yes.
43:03Yes.
43:04Yes.
43:05She will strike today.
43:08What time is school?
43:10Two hours.
43:11Please don't leave school until I come.
43:14I'm going to reach quickly.
43:35Mr. Ajahn Sethi, please.
43:40Middle row, left and side, last seat.
43:43As you know, you're not safe.
43:46But your safety is in your hands.
43:49There are five points I want you guys to remember.
43:51Point number one, don't fear.
43:53Because fear is the biggest enemy.
43:56Fear reduces your mental and physical ability.
44:00Point two, to face the situation.
44:03To face the situation.
44:05To show the attacker that you have the courage.
44:07Point number three,
44:09When and as the chance you get,
44:11find the way to run.
44:13Point number four,
44:15If there is no point,
44:17then you have to attack the attacker.
44:21Point five,
44:23keep your phone silent,
44:25keep your hidden pockets.
44:27Your phone is your biggest asset.
44:29Good points.
44:31Please note my number.
44:339766-9173
44:37Did you save it?
44:39Yes, sir.
44:41Do it.
44:43Perfect.
44:45Just hide your phone.
44:49Okay.
44:51Thank you very much.
44:53Take care of yourself.
44:57Let's go.
44:59Sir.
45:01I don't understand.
45:03When you know Ayesha's next target,
45:05why don't you get a safe home?
45:07Why don't you inform her parents?
45:09Because Ayesha will die,
45:11then no one will die.
45:13We need to reach that serial killer.
45:15We have one way.
45:17Ayesha.
45:19I don't understand.
45:21I don't understand.
45:23What is wrong?
45:25I don't understand.
45:27Who is wrong?
45:29I don't understand.
45:31I can't see that at all.
45:33I never understand.
45:35I'm sorry.
45:37I can't see that.
45:39I'm sorry that's the other one.
45:41I can't see that.
45:43I can't see a friend.
45:45Come on.
45:46Come on.
45:47Come on.
45:48Come on.
45:49Come on.
45:50Come on.
45:51Come on.
46:10This one will continue.
46:15This is from Kate to Fear.
46:18It's truly a battle.
46:19Well done.
46:22This game is run.
46:25Dad!
46:26F Business!
46:27I felt like this is what we would include in jakiÅ› moments.
46:30We're supposed to close up during this war.
46:31We have such a death suit before the film itself.
46:33That's why we left the film itself.
46:35That's possible.
46:36Is if you were to join us as a man.
46:37You'reイ est anda, nana?
46:39Yeah, we are crying.
46:41You're still crazy.
46:42Okay. Bye.
47:06I didn't wait.
47:12I didn't wait.
47:19I didn't wait.
47:24Candy?
47:28Ice cream.
47:30Ice cream, bro.
47:36Ice cream.
47:38Ice cream, bro.
47:40What's your name?
47:42A mango bar?
47:44How much is it?
47:4610 rupees.
47:48Wait a minute, wait a minute.
47:50Who was she in the van?
47:52She was asking her address.
47:54How did she see her?
47:56She was in S.I.C.T. art school today, right?
48:00Sir, she's Ayesha.
48:02I'm talking about it. We're twins.
48:04What?
48:06Where is Ayesha?
48:08I'll pay Nrithya Kala classes.
48:12All teams, Nrithya Kala class. Mall Road.
48:14Okay. Thank you, Rita. Thank you.
48:38I'll pay Nrithya Kala.
48:40I'll pay Nrithya Kala.
48:42I'll pay Nrithya Kala.
48:44I'll pay Nrithya Kala.
48:46Hurry up.
48:48Quick, quick, guys. Leave. Hurry.
48:50One minute.
48:52Ali, brother.
48:54Yes, sir.
48:56Please trace the GPS on Ayesha Khan immediately.
48:58Please trace the GPS on Ayesha Khan immediately immediately at this time.
49:02The number is traced.
49:04It is now on Bhoj Highway.
49:06In movement.
49:08Inform team to reach Bhoj Highway.
49:10Repeat. All team report to Bhoj Highway.
49:13Son, there is a trace of number.
49:14At this point, it's on the Bhoj Highway.
49:16In movement.
49:17Involve team to reach Bhoj Highway.
49:19Repeat. All teams report to Bhoj Highway.
49:42Sir, it's here.
49:44It's in lane number 3.
50:06Bhoj Hullaria?
50:07Bhoj Hullaria?
50:08Bhoj Hullaria, come in!
50:09Bhoj Hullaria?
50:10Bhoj Hullaria?
50:11Bhoj Hullaria?
50:12Bhoj Hullaria?
50:13Bhoj Hullaria?
50:14Bhoj Hullaria, come in!
50:20Sir, you are crossing my church on Canter Road.
50:23Keep tracking.
50:24We have this Canter Road.
50:26Low connectivity, sir.
50:27Or, who will you turn off the phone?
50:29Ma'am, we have to search house troops.
50:32Madam Ji, you go there.
50:33I'll see you.
50:34Okay.
50:35Okay.
50:36Okay.
50:37Okay.
50:38Okay.
50:39Okay.
50:40Okay.
50:41Okay.
50:42We will take that OutCast from the man.
50:43Okay.
50:44Okay.
50:45Okay.
50:46Okay.
50:47Okay.
50:48Okay.
50:49Bye.
50:50See you.
50:51Bye.
50:52Bye.
50:53Bye!
50:54Bye!
50:58Bye.
50:59Bye!
51:00Bye!
51:01Bye!
51:02Bye!
51:03Bye!
51:04Bye!
51:05Bye!
51:06Bye!
51:07Mom...
51:17Mom, I'm not going to...
51:37Fear is the biggest enemy.
51:41When you get the chance,
51:43you will find the way to run.
51:51Ma'am, can I use the restroom?
52:07Your phone is your biggest asset.
52:21Please, oh my god.
52:35Aisha, Aisha, where are you?
52:37I've been in the bathroom.
52:40I've been in the bathroom.
52:44Aisha, don't be afraid.
52:45Why are you?
52:48Cyber sense.
52:50Call, Ali.
52:51Sir, where you are,
52:52from the north side,
52:53200 meters away,
52:55there is a girl.
52:56I've sent you ma'am.
52:57Aisha?
52:58Sir, she's running away.
53:00Sir, she's coming.
53:02Do you want to ask, Aisha?
53:04There's no window in the bathroom.
53:05Sir!
53:06Look at the exit.
53:19Sir, go to the right side.
53:2050 meters away.
53:21Aisha is there.
53:22Sir.
53:49Aisha?
53:50Aisha?
53:51Aisha?
53:52Aisha?
53:53Aisha?
53:54Where are you?
53:55Sir, where are you?
53:56Sir, I'm in a room.
53:57Who are you in a room?
53:58Yes, Ayesha.
54:00Where are you?
54:02Sir, I'm in a room.
54:04Who are you in a room?
54:06I'm in a room.
54:08Who are you in a room?
54:10Sir, there are big eyes.
54:12Yes, in front of my big eyes.
54:14And...
54:16On the left, on the table.
54:18And on the right, on the right.
54:20Yes, yes.
54:22Where are you in a room?
54:24Yes, in front of my big eyes.
54:26And on the left, on the table.
54:28And on the right, on the right.
54:30Yes, yes.
54:32So, I'm in that room. Where are you?
54:34Sir, hello.
54:36Sir, sir.
54:38Ayesha.
54:44All rooms are in.
54:52The room is in the room.
54:54You can have to go to the room.
54:56Sir, I was running from the room.
54:58It's a magician.
55:00Sir.
55:02Hi, I'm in the room.
55:04I'm in that room.
55:06I'm in that room.
55:08I'm in that room.
55:10There's a magician.
55:12Sir.
55:22Ayesha!
55:42Ali, Bulls.
55:43Sir, GPS has been matched.
55:44You are standing there.
55:45There is a team spot on Ayesha, sir.
55:47There is no one here.
55:48Sir, they are on there.
55:49I'm telling you, it's not Ali.
55:51Sir!
55:52Sir, you are going far away.
55:53Sir, come back.
55:54Sir, you are there.
55:55You are there.
55:56I can find you.
55:57You will get there.
55:58Sir, I will leave the coordinates in the same spot.
56:01Okay.
56:21I will leave the coordinates in the same spot.
56:22That's a huge deal, Ayesha!
56:29Do you want anything else?
56:31I don't want anything to be concerned.
56:34She was concerned.
56:35She was concerned about her.
56:36Oh, my God!
56:37Oh, my God!
56:38Oh, my God!
56:39Of course, it's a matter of fact.
56:40I had no doubt about her.
56:41Oh, my God!
56:42Oh, my God!
56:43Oh, my God!
56:44Oh, my God!
56:44Oh, my God!
56:45Oh, my God!
56:46Oh, my God!
56:47Oh, my God!
56:48Don't touch me!
56:58Don't touch me!
56:59What?
57:00Don't touch me!
57:05How they smell?
57:07Don't touch me!
57:09Let me go!
57:10Your eyes!
57:11Hey!
57:12Hey, please stop me!
57:13Hey, boy, let me go!
57:15So she will find me.
57:17Okay. Okay. Okay. Okay. Calm down.
57:20Calm.
57:22Calm down.
57:24Calm down.
57:26Calm down.
57:28Calm down.
57:30Calm down.
57:32Calm down.
57:34Calm down.
57:36Calm down.
57:38Calm down.
57:40Okay, man.
57:42You have to seal the entire casol.
57:44You should leave the killer from the city.
57:46She can't hide anywhere.
57:48Shuvane.
57:49Yes, ma'am.
57:50Forensics and other teams.
57:52Yes, ma'am.
57:53Yeah.
57:54Let's go.
57:55Let's go.
57:56Let's go.
58:05Tell me, Divya.
58:06Heavy police movement.
58:08I hope everything is okay.
58:09Magician ran away, Divya.
58:11You just keep the doors locked.
58:13Arjun, I'm a bit scared.
58:14Where are you?
58:16I'm from your house here.
58:18I'll come back for a while.
58:19Okay.
58:20Take care.
58:21Take care.
58:49Everywhere.
58:50I got caught.
58:51You don't want to grow.
58:52Help us.
58:53No, my hands.
58:54I need to