Sherlock and Daughter S01E05
Sherlock and Daughter S01
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Sherlock and Daughter S01
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00:00This offence ever conceived.
00:03Now that our lordship is gone, milady,
00:05perhaps we can think of a better way to get acquainted?
00:08He tried to.
00:10It is telephony that I wish to study.
00:13Telephones serve no useful purpose in detection.
00:15Take my rescue of the American ambassador's daughter.
00:17You also recovered the ambassador's stolen jewels?
00:21Not yet.
00:22No.
00:22I am personally taking over this investigation,
00:25so I'm confident the jewels will be found.
00:27I'm Michael Wiley.
00:28Alias adopted by the son of a very dangerous criminal,
00:30also known as Dan Moriarty.
00:33I think spying's an ugly word.
00:34What are you interested in, then?
00:36Your employer's relationship to Professor Moriarty.
00:38If you could find out, I'd be very grateful.
00:40I'll wait for you tomorrow at Mrs. Bailey's tea house on Park Road.
00:58Come in, Mrs. Halligan, and bring Detective Swan and his friend with you.
01:03Sorry, Mr. Holmes, but how did you know who was visiting?
01:06I had three sets of feet on the stairs,
01:08and it took no great effort to deduce that the telephone installer,
01:12Detective Swan promised, will be here by 9am,
01:15has inexplicably arrived at half-past three in the afternoon.
01:19Good day, Mr. Holmes, and allow me to introduce you to...
01:23Mr. Pete Pound, at your service.
01:27Well, I suppose in the future, whenever you're delayed,
01:29you could always call ahead on my new telephone.
01:31As you say, sir.
01:33Now, where do you want the device installed?
01:35Someone over here by the desk.
01:37Mr. Holmes, reconsider.
01:39Bringing that contraption into your rooms will be the end of your privacy.
01:43Oh, no, no, no, Mrs. Halligan.
01:45Imagine connecting to the whole wide world
01:47while sitting comfortably in your parlour.
01:49Why, you could summon the police, or a doctor,
01:53or even speak to distant relatives and friends.
01:56It's quite marvellous.
01:57Excuse me, sir, I just need to make some measurements.
02:01Sorry, sir.
02:02When I opened the door, these hoodlums ran past me.
02:05No problem, Mr. Halligan.
02:06I was expecting these young men, yes, sure.
02:08What is it?
02:09Sorry to come on an ounce, Mr. Holmes,
02:10but we found that Michael Wiley you were looking for.
02:12Wonderful, wonderful.
02:13Well, Detective Swan,
02:16I assume you can finish this installation without me?
02:19Yes, of course, Mr. Holmes.
02:20And Mr. and Mrs. Halligan, I will leave you in command.
02:23And now, sure, if you and your friends could please introduce me to Mr. Wiley.
02:36I began to think you weren't going to come.
02:38Am I permitted to say how much I was looking forward to seeing you?
02:41You can keep your flowers.
02:42I'm only here to say that I won't tell you anything about Mr. Holmes.
02:46But I thought we'd agreed that you...
02:47No, no, my agreement was with someone called Michael Wiley.
02:51Your name is Dan Moriarty,
02:53and your father is a dangerous criminal who's tried to kill Mr. Holmes,
02:57who was talking about you as I walked out the door this morning.
02:59Please, please, please, people who are here.
03:01What?
03:01That's how you begin an apology for lying?
03:04No, no, no, no.
03:04Of course, I regret very much that I lied, but...
03:07Mrs. Halligan, please make sure that neither Detective Swan or Mr. Pound
03:21enter this room for the next few minutes.
03:23Of course.
03:23Of course, sir.
03:29Now, I demand an explanation of your reprehensible behaviour.
03:34I didn't...
03:34Not you, the Moriarty.
03:37Now, on our journey over here,
03:39Miss Rojas claimed that you pressured her into spying on me.
03:43Do you deny it?
03:44And I warn you, sir, this is not mere curiosity.
03:47Before you leave here today, I must be satisfied with your answers.
03:51It's a long story, Mr. Holmes.
03:53Well, feel free to summarise.
03:55As your father has learned to his cost,
03:56my ability to extrapolate from limited information may surprise you.
04:01It's with my father the story begins.
04:04After my mother died,
04:05my father was consumed with grief and work.
04:08Left to my own devices, I was adopted
04:10by a band of thieves
04:12who tricked me into picking people's pockets for their benefit.
04:16Another missing chapter from Oliver Twist.
04:18I had little skill as a thief
04:20and at the age of nine, I was arrested.
04:22But you were just a child.
04:24The Crown saw it differently.
04:26They bundled me off to Australia
04:27and I was sold as an indentured servant
04:30to an isolated sheep farm.
04:32How could they do such a thing?
04:33There was a plague of juvenile delinquents in London
04:36and a labour shortage in Australia
04:38and the decision to solve one of these problems with the other
04:40was both inhumane and extremely popular.
04:44Politics.
04:44They emptied the jails, yes,
04:46but they also emptied the poorhouses and the orphanages.
04:50Little kids torn from their families.
04:54Exiled halfway around the world.
04:55In conditions, it would be improper for a young lady to hear.
05:00I know a lot about forced child labour.
05:03Maybe the British got the idea from California's missions.
05:06Surely you were never treated so badly.
05:08I could have been.
05:09If my mother and I had not had our own ranch,
05:12how long were you living in forced servitude?
05:17It took me 14 months to escape
05:19and change my name to Michael Wiley.
05:22And 14 years of constant application
05:25in order to obtain a position in a trading company
05:28with a branch here in London.
05:29Since my father had not found me,
05:33I resolved to find him.
05:35Not long after arriving here, however,
05:37I discovered that Professor James Moriarty
05:40was not teaching mathematics,
05:42but is the master of a vast criminal empire
05:44and sentenced to prison.
05:45Where he insists you visit him.
05:47One day, once he's paid his debt to society,
05:50I hope that father and I will be reunited.
05:54But should I visit him under his current circumstances,
05:56my employer might discover who I really am and...
05:59Your job and your future would be forfeited.
06:01Imagine, abandoned by your father,
06:04growing up the child of a man
06:05who didn't seem to know you existed.
06:07Yes, how awful.
06:09Amelia, please go upstairs and pack your belongings.
06:12What? Why?
06:13Well, as we discussed,
06:15you'll be moving to the ambassador's household,
06:17a chaperone to his daughter.
06:20But I thought...
06:21We will review this great good change
06:23in your personal fortunes once you have packed.
06:26Mr. Holmes, please, I beg you, hear me out.
06:37Ah, hello.
06:39Detective Swan of the Scotland Yard Scientific Division.
06:42Um, nice to meet you.
06:43I'm Amelia Ross.
06:44Are you here to consult Mr. Holmes?
06:46No, I work for him.
06:47Well, I'm here to supervise
06:50the installation of his new telephone.
06:52Have you ever used one before?
06:53No, not yet.
06:54Oh, well, if you'd ever like to practise,
06:57just call this number.
07:00I've just had it connected,
07:02so I will answer.
07:04I spend most of my days in my office,
07:07all hours.
07:08Can I just...
07:09Oh, yes, of course.
07:11Sorry to delay you.
07:12And since visiting him in prison is out of the question,
07:18I'm worried my father's release could be further delayed,
07:21should you bring more accusations against him,
07:23which I believe you would, if you could.
07:26On that point, you speak truthfully.
07:28If the law allowed,
07:29I would keep the professor behind bars forever.
07:32That, alas, is beyond my ability.
07:34What I can do, however,
07:35is demand that you stay as far away from Amelia as possible.
07:39You have no right to make a demand like that.
07:40Now, listen to me very carefully, Mr. Moriarty.
07:43I am ordering you...
07:44Under what authority?
07:45You just released it from your employment.
07:46I will not argue the point!
07:48A foreigner,
07:49of mixed heritage,
07:50without rank or position,
07:52cannot afford to associate herself
07:54with a man who uses an alias,
07:56Mr. Wiley.
07:57Besides, you can no longer keep your father at a distance.
08:00He insists you visit him.
08:01I am only a clerk on the exchange.
08:04My hours are determined by Sir Nigel Parks, my employer.
08:07If you can find the time to take tea with my maid,
08:10you can manage to see your father.
08:12Sir, I told him to stay outside!
08:15Perhaps I should finish another day.
08:17I'll be available again three weeks from tomorrow.
08:19This is preposterous that a paying customer
08:21should be so ill-used!
08:23Very well, Mr. Pound.
08:24Continue your work.
08:29Any last words, Mr. Wiley?
08:31I'm surprised to find someone of your intellect, Mr. Holmes,
08:36mistaking current circumstances for future prospects.
08:40Perhaps time will reveal just how much you underestimated my abilities.
08:46Oh.
08:48Before I take my leave, Mr. Holmes,
08:49I should like to say that Amelia refused a considerable sum to spy on you.
08:54Well, that's just exactly what I would expect you to say under the circumstances.
08:59Mrs. Halligan, please show our guest out.
09:01Yes, sir, Mr. Holmes.
09:10You're nearly finished, Mr. Pound.
09:12Oh, sure. Extremely close.
09:13I told Mr. Halligan you're sending me away.
09:38It's completely unfair.
09:40Just because I didn't tell you that Dan was following me,
09:43you keep things from me all the time.
09:46Your move to the ambassador's household was settled long before I discovered you with Mr. Moriarty,
09:50about whom I will say only this.
09:52You're newly arrived in London,
09:54and young men will take ruthless advantage of naive young girls.
09:57I beg you,
09:58do not encourage his attentions.
10:00I'm a stranger to London,
10:01not boys.
10:02I know we talked about me working with the Andersons,
10:06but this just feels like you're punishing me for jumping down after you told me not to confront anyone for following me.
10:11You disobeyed me.
10:13True.
10:13And you should not have.
10:14And you ought to have admitted it sooner,
10:16but your new job as Clara's chaperone is not a punishment.
10:19It is an accommodation with the Andersons that I could not refuse.
10:23Once you're inside the ambassador's household,
10:25then you will no longer be overtly connected to me,
10:27and the risk to your life should diminish.
10:29I can take care of myself.
10:30Can Clara.
10:32Now remember,
10:33she was released by her kidnappers in exchange for keys,
10:36but keys to what?
10:38Now we must protect Clara.
10:40We don't know which keys the ambassador traded for her return.
10:43Now Charlie the coachman is lost to us,
10:46so Clara is our best connection to the thread.
10:49And if we want to find Watson and Mrs. Hudson
10:52and identify your mother's killer,
10:53then we must seize every opportunity thrown our way.
10:56And your position in the ambassador's household increases our reach.
11:00Now, this will be my telephone number whenever this interminable installation ends.
11:08If you learn anything new about the thread,
11:11you can call me at once.
11:14All right.
11:15I'll do what I can.
11:19And Amelia,
11:21remember Lord Withersley killed himself to escape the red thread and to spare his family.
11:26So please,
11:27please,
11:29stay on your guard.
11:30Each of you is either a foreigner or a merchant's daughter,
11:48disadvantaged by birth and class.
11:51You may depend on it when I tell you posture is synonymous with nobility.
11:55Men of rank can spot a slump shoulder from across a ballroom.
11:59Everyone,
12:00one step forward,
12:02two steps back.
12:04Again.
12:06Head erect.
12:07Faint smile.
12:08One step forward,
12:10two steps back.
12:12This is what it means to be a lady.
12:15Now.
12:18Now.
12:21While maintaining your balance,
12:24suggest a suitable topic for a lady to discuss with a gentleman.
12:33Clara?
12:34Art?
12:35Good.
12:36Especially if you never take too strong an opinion.
12:39A gentleman may disagree with what you like.
12:41Emma?
12:41Politics?
12:43Absolutely not.
12:44The gentleman might share his opinions.
12:47They often do.
12:48Ladies are above these mundane concerns.
12:53Over brandy and cigars,
12:55men believe they control the world,
12:57but we will control them,
12:59ladies.
13:00And that is our path to power.
13:02Oh, God.
13:06That will be all for the day,
13:07Clara.
13:08I should like to talk with you privately for a moment.
13:10Someone gather up all the books
13:12and put them back where they belong.
13:13Where would you like them?
13:15Those go on the top shelf.
13:17Um,
13:18my dear girl,
13:19I'm sorry to be the bearer of bad news,
13:22though you are still first in line
13:23in case one appears
13:24and the season might extend,
13:26but we don't yet have a date for your ball.
13:29I have a plan.
13:31Ow!
13:33Oh, my gosh.
13:35Clara, help me.
13:37Emma!
13:38Emma!
13:38Somebody help!
13:40Emma!
13:42She's dead.
13:43Oh, my gosh.
13:55I'm not surprised you want to share evidence
13:58for your interest in this case
14:00is well known to me.
14:01Oh, how so?
14:02The young woman who helped rescue
14:03the ambassador's daughter
14:05is none other than your maid.
14:06You don't deny she was following your orders.
14:09She pursues a personal cause
14:11in connection with the case.
14:12What could Miss Roe
14:13possibly have to do
14:14with £50,000 worth of stolen jewels?
14:16Well, you asked the same question
14:17of Lord Withersley a few days ago
14:19and three murders
14:20and one suicide later.
14:22I had no idea
14:23Withersley was in financial distress.
14:25Today, I'll admit
14:27his involvement
14:28seems more probable.
14:30Withersley's complicity
14:31was never less than conspicuous
14:33but I hardly think
14:34he killed three men
14:36before shooting himself.
14:38It's a pity his coachman
14:39for O'Leary of Belfast
14:41was murdered.
14:43He would have made
14:44an excellent suspect.
14:45The police say
14:46he's a revolutionary
14:47dedicated to overthrowing
14:49the Crown.
14:50That's an odd sort
14:51to be employed by a lord.
14:52Did you find the missing jewels
14:54at Withersley's estate?
14:55Alas, no.
14:56I did find two clues
14:57that might interest you.
14:59However,
15:00you suggested
15:01we share information.
15:03Yet I've done all the talking
15:04and you've done
15:05nothing but less than that.
15:05That's a habit
15:06you would do well
15:07to cultivate, Bertie.
15:08Nevertheless,
15:09I'll take my turn.
15:10Well, the two other dead men
15:12you found at the Withersley estate,
15:14Messrs Weems and Maggot,
15:15were not, in fact,
15:17Clara Anderson's fellow hostages
15:19but accomplices to her kidnapper.
15:20All murdered by the largest
15:23and most nefarious criminal syndicate
15:25I've yet to encounter,
15:26attempting a crime
15:27which appears to be,
15:28absurd as it may sound,
15:30beyond my imagination.
15:32This is the same syndicate
15:34with whom you're made
15:35as some personal animus.
15:37They also murdered her mother
15:38whilst the two of them
15:39were living in California.
15:40By the way,
15:42you don't suppose
15:43during your search
15:44for the missing jewels
15:45you have ever come across
15:47a weapon such as this?
15:50No, I'm afraid not.
15:53Why haven't you followed up
15:54these allegations yourself?
15:56People are watching me, Bertie.
15:58If I'm seen to meddle in these affairs
16:00it could cost lives.
16:02Suddenly my clues no longer seem
16:04quite so thrilling.
16:06Well, they are to me.
16:08I can't stay long.
16:09What have you discovered?
16:11Five pairs of footprints
16:12and a button.
16:12Well, that sounds promising.
16:17May well be, Mr. Huns.
16:19May well be.
16:19Follow me.
16:22I understand
16:23the wilderness was poor
16:26training for civilization,
16:28but a servant
16:30may never demand help
16:31of an employer.
16:33Emma just died.
16:34Be careful, little girl.
16:39Like the lion in the jungle,
16:41we did not turn the world
16:42into an empire
16:44without very sharp claws.
16:48You may want to remember that
16:50when next you cry for help.
16:52You can see the first set of prints
17:12belonged to a man
17:13with a slight limp.
17:15The second set belonged to a woman
17:16who stumbled once or twice
17:18in her journey.
17:19These two sets of prints
17:21vanished next to the tracks
17:22of a large carriage
17:23which rolled out of the driveway
17:25headed to London.
17:26I think this button
17:27is lost by the gentleman en route,
17:30but there's nowhere to tell.
17:32Well, there is.
17:33The button is not weathered.
17:35Yes?
17:35So freshly lost,
17:36but not by accident.
17:38Note how the thread broke.
17:39This has been yanked deliberately
17:41from a man's waistcoat
17:42and left behind as a talisman
17:44for us to follow.
17:45Ha!
17:46Well done, dear old friend.
17:48Well done.
17:49That's kind of you to say.
17:50I'm happy the button
17:52tells us more of what happened.
17:53Not what, but whom.
17:55You see how the button
17:56is mother of pearl
17:59and the fabric
17:59to which it was sewn
18:00was broadcloth.
18:02So this comes from the wardrobe
18:03of a professional fellow.
18:04And you see how there is a dent
18:06across the front
18:07where it is regularly bumped
18:08against metal
18:09such as one might find
18:10on a stethoscope.
18:11This button, Bertie,
18:13is proof of life.
18:15And I shall regard
18:15the moment you gave it to me
18:17as the first truly hopeful sign
18:18in many weeks.
18:19So this investigation
18:21is big enough
18:21for the both of us.
18:23Shall we proceed together?
18:24If whilst continuing
18:26your search
18:26for the missing jewels,
18:29you could quickly verify
18:30the recent murder
18:31of Lucia Rojas
18:33outside the city
18:34of Los Angeles
18:34and confirm
18:35that Amelia
18:35is indeed her daughter,
18:37I'll share more
18:38with you on this case
18:39tomorrow.
18:40Until then,
18:41I suggest you carry
18:43a revolver with you
18:44at all times.
18:45And on that note,
18:47I bid you farewell.
18:49Good day to you,
18:50Mr. Holmes.
18:52And good luck.
18:54Friends with Sherlock Holmes,
18:56eh?
18:57Imagine that.
19:04I can't get the sight
19:09of Emma
19:09out of my head.
19:11Dead.
19:12Just like that.
19:13And Lady Violet
19:14seemed so indifferent.
19:15Did she dislike Emma?
19:17No, not at all.
19:19Emma was better
19:19at her lessons
19:20than the rest of us
19:21and at dancing, too.
19:24I've saved my invitations
19:25for every ball of the season
19:28so I can one day
19:29show my own daughter.
19:30Emma's was quite beautiful.
19:31She was so looking forward
19:32to the 18th.
19:33No.
19:43I did not ask you
19:48to grease the top step
19:49of your library ladder
19:50so the girl would slip
19:51and fall.
19:52Clara could wait
19:52another year to debut,
19:54except for your intrigues
19:55which I have advised against.
19:57No.
19:58You listen to me.
19:59My daughter will not
20:00have her ball on the 18th
20:02unless I have received
20:03the full settlement
20:03for the jewels
20:04two days prior.
20:05I am focused
20:06on my part
20:07of this enterprise.
20:08Use your authority
20:09so that the insurance company
20:11pays me immediately
20:12for my losses
20:13or I'll suffer
20:14the consequences.
20:16I bid you goodnight.
20:17I bid you goodnight.
20:30I bid you goodnight.
20:33Bye-bye.
20:34Bye-bye.
20:38Bye-bye.
20:39Bye-bye.
20:41Bye-bye.
20:43Bye-bye.
20:46Hello, operator. Can you ring Mar-Marlebone 15?
21:09You mean Marlebone?
21:11Yes.
21:12Yes.
21:13One moment.
21:15I'm sorry, the telephone you're trying to call is not a working number.
21:28Mr. Pound, I must demand an explanation.
21:30You told me this telephone would be operational yesterday.
21:33If you don't want me to finish, call the other telephone company.
21:37Oh wait, there is no other telephone company.
21:40Your friend seems to take great pride in ridiculing his customers.
21:49Oh, I don't think he is any worse than the other installers, sir.
21:53While he finishes, let us compare these two telephone bills. One listing calls to and from the late Lord Withershey, and the other documenting all the calls in Chief Inspector Whitlock's office. Now we will cross-reference the numbers to see which of them appear on both, and perhaps we can begin to identify some of our conspirators.
22:12But, sir, should we not have a warrant to study private telephone bills?
22:16As to that, Swan, I am not an officer of the court. I recognise no authority higher than my own curiosity. And this bill was handed to me by Chief Inspector Whitlock himself. We are on firm legal ground.
22:31One, two, three. One, two, three. One, two, three. One, two, three. One, two, three. Very good. Or, good enough.
22:40Now, as you know, the residence of the Italian ambassador lacks a proper ballroom, so his daughter's debut will be held here tomorrow, starting in the late afternoon, due to the ambassador's inability to comprehend our customs.
22:56For now, however, I have invited some young men with whom you might practise what we shall charitably refer to as your dancing.
23:06While these boys are not marriageable in any sense, on the floor of the ballroom and to the proper music, they know the steps. Come.
23:17Come.
23:24Like this, see? Isn't it lovely?
23:34Eleanor, please hold your head up when you move so your chin doesn't spread out over your neck.
23:40Deborah! You are supposed to be led, not dragged.
23:59I did not ask you to grease the top step of your library ladder
24:14so the girl would slip and fall.
24:17All done, sir.
24:18You may now use your telephone at your leisure.
24:21Oh, Mr. Pound, you've been so very helpful.
24:25I have.
24:26Yes, and it occurs to me with such specialised knowledge
24:29you might know how to identify a customer from their telephone number alone.
24:34As it so happens, I can do that.
24:36Oh, wonderful. Please, explain.
24:38Just call them up and ask their name.
24:43Will there be anything else, sir?
24:45Apparently not.
24:47See yourself out.
24:51Some inconvenience, but think, sir,
24:53you will be the first to use a telephone like this.
24:56Hello.
24:57Operator, could you please connect me to Belgravia 483?
25:02I cannot believe I have paid a company to treat me with such incivility.
25:05This decline in decorum will be the end of common decency.
25:08Oh, hello.
25:09This is the Department of Lost Property at Paddington Station.
25:12I was calling about that three-volume novel,
25:15what you reported missing.
25:17Mr. Holmes!
25:17Oh, who have I called, then?
25:20No, the Dowager Duchess of Lincolnshire.
25:23Well, how about that?
25:25Mr. Holmes!
25:26Sir!
25:27You've just complained about the decline of common decency,
25:29and here you are lying to a complete stranger.
25:32It wasn't a lie.
25:33It was a simple misdirection and note.
25:36It yielded the information we seek,
25:38a name attached to one of the many telephones
25:40used to call both Withersie and the Chief Inspector's Office.
25:43Yes, let's try again.
25:46No.
25:48Yes, operator, could you please connect me to East 31?
25:54Those of a delicate sensibility might want to leave the room.
25:57Oh, yes, yes.
25:59Hello.
25:59Oh, am I speaking to the head of the household?
26:02Well, you see, I did speak to Sir Thomas last year
26:05about cleaning his carpets with my new patented hello.
26:09Hello.
26:13They both are called the same stockbroker.
26:15The game is afoot.
26:16Justice is no game, Mr. Holmes.
26:18You've taken an invention designed to more closely connect the world,
26:21and you've abused its purpose with more lies and deceit.
26:25Criminals have already corrupted your precious telephone.
26:28With lives at stake, I have little choice but to follow their example.
26:33Yes, hello, operator.
26:35Could you please connect me to Kensington 19?
26:39Go and prepare yourself for greater shocks.
26:42There is worse to come.
26:43Go on.
26:44Go on.
26:44Go on.
26:45Go on.
26:45Go on.
26:46Go on.
26:46Go on.
26:47Go on.
26:48Go on.
26:49Go on.
26:50Go on.
26:51Go on.
26:52Go on.
26:53Go on.
26:54Go on.
26:55Go on.
26:56Go on.
26:57Go on.
26:58Go on.
26:59Go on.
27:00Go on.
27:01Go on.
27:02Go on.
27:03Go on.
27:04Go on.
27:05Go on.
27:06Go on.
27:07Go on.
27:08Go on.
27:09Go on.
27:10Go on.
27:11Go on.
27:12Dr. Collier, wait, there's more.
27:24If you did subscribe to Horton Hound, we would add the Strand.
27:28You'd have quite the eclectic waiting room.
27:31What?
27:32Oh.
27:34Green and Crest Asylum for the Criminally Insane.
27:38Sorry, doctor.
27:40Well, perhaps for visitors.
27:42Oh, okay.
27:48Amelia, there you are.
27:51I want to introduce...
27:53Michael Wiley.
27:54I've already had the pleasure.
27:57Nice to see you again, Miss Rehoss.
27:59I bet there's a story here.
28:02Excuse me, I want to go see if Eleanor has her ostrich feathers yet.
28:05I'm surprised you can get away from your busy job on the exchange for this weird dancing.
28:16My employer is friends with that witch, Lady Violet.
28:23She offered two shillings for young men to dance with these snobby girls, along with a free dinner, if we come for the ball tomorrow.
28:31I only accepted for a chance of seeing you, and then you left.
28:36Are you upset with me?
28:41Upset?
28:43Because Mr. Holmes has lost his trust in me?
28:46Upset because I've lost a job that I love in order to play nursery maid to a boy-crazy girl?
28:51I only asked for what I thought was a small favor without considering it could do you harm.
28:55I offer my sincerest apologies.
29:00Are you at least better paid than when you were with Mr. Holmes?
29:03Not everybody chooses their job based on their salary.
29:07Besides, I work too much to spend it.
29:11Hello?
29:14I said hello.
29:17Oh, hello, ma'am.
29:18I represent the Fund for Police Widows and Orphans, and I was wondering if you might offer...
29:24Why, Sherlock Holmes, you rascal.
29:26I was about to hang up until I realized it was you.
29:29Oh, how annoying.
29:31I was hoping my vocal disguise would hold up long enough to receive one of your legendary reprimands.
29:37I should tell you Orph, but I'm more interested in why you really called.
29:43Uh, well, to say how wonderful it was to see you in person last week.
29:47Oh, how very kind.
29:49And also to ask if Miss Rojas has been a suitable chaperone to the ambassador's daughter.
29:55I would hardly describe the girl as sophisticated, but she does take her responsibility seriously.
30:00Would you care to see your former maid in action?
30:02I'm throwing an afternoon ball for the daughter of the Italian ambassador's debut.
30:06I will send you an invitation at once.
30:09An afternoon ball.
30:11Come, please.
30:13Very well, I'll come.
30:15But do you not find these debutante balls to be a series of pretentious balls?
30:19How else to prepare young girls to be the wives of aristocrats, except by surrounding them with pretentious balls?
30:26Now, I must go.
30:27I look forward to seeing you, Sherlock.
30:284pm, please.
30:29Au revoir.
30:304pm, please.
30:315.
30:325.
30:335.
30:346.
30:3506.
30:366.
30:377.
30:3810.
30:3910.
30:4010.
30:4110.
30:4210.
30:4310.
30:4411.
30:4511.
30:4612.
30:4712.
30:4812.
30:4912.
30:5013.
30:5112.
30:5315.
30:5418.
30:5514.
30:5614.
30:5715.
30:58It might seem strange being dressed up in broad daylight,
31:07but it'll do you good to be amongst the quality for an afternoon, Mr Holmes.
31:12Dancing.
31:14Music.
31:15Yes.
31:16It'll have a stimulating conversation, perhaps,
31:19because the afternoon will be spent without it.
31:22Mr Halligan, I will want you to drop me at the gate
31:24and come back one hour later, if you don't mind.
31:26I don't believe it would be proper for me to mind, Mr Holmes.
31:32Ah, that will be Mr Batwistle. Please show him up.
31:35Good afternoon, Sherlock.
31:56Ah, Bertie.
31:59Ah.
32:00You seem a little overdressed to receive my report.
32:02Yes, yes. Sadly, I have been asked out for the afternoon.
32:06Yes.
32:07Perhaps you have been up to something of more interest.
32:10Indeed I have.
32:11First, there was a notice for Lucia Rojas's murder,
32:15though no official investigation followed.
32:18And the poor woman did have a girl farther unknown.
32:21Possibly an Englishman.
32:22I suppose since the girl was born six months
32:24after the Wild West show completed its London run.
32:27Six months?
32:28Are you certain?
32:29Quite certain.
32:31I was able to determine the date through an exchange
32:33with no lesser personage than Buffalo Bill himself,
32:36though he did not refer to the mother as Lucia Rojas,
32:39but as...
32:40Yes, yes.
32:41Little dove.
32:42It was her Wild West show, Nom de Guerre.
32:46Excuse me.
32:48Whether Amelia is, in fact, Lucia Rojas's daughter,
32:53I cannot say.
32:55We must at least consider her to be an imposter.
32:58For a near penniless girl,
32:59she did quite well out of all these arrangements.
33:03Nevertheless, I'm grateful to you
33:06for establishing as many of these facts as possible.
33:09Very grateful.
33:10Oh, it's my pleasure.
33:11And there was also a series of telegrams sent overseas.
33:15Yes.
33:19Oh, yes.
33:21There we go.
33:26Have you learned anything else?
33:28No.
33:29Just that there is some connection
33:31between the theft of the jewels and someone of rank at Scotland Yard.
33:34Well, I'm not surprised.
33:36With £50,000 to distribute,
33:38I mean, one could bribe the entire police force, couldn't one?
33:40Ha-ha.
33:41Yes.
33:42You're holding out on me, Sherlock.
33:43I am.
33:46Though others might consider you a pompous windback,
33:49I know you to be an extremely serious, would-be investigator.
33:53Well, thank you.
33:55I think...
33:55Yes.
33:56Come along.
33:56The jewels will only be found
33:59by bringing down the criminal syndicate
34:01that has stolen them.
34:02So I say to you advisedly, Bertie,
34:04watch your step, dear fellow.
34:06Watch your step.
34:21Oh, my goodness, Amelia.
34:23Isn't it beautiful?
34:24It's like a fairy tale.
34:28Only you, Miss Anderson.
34:30I'm not your servant.
34:31She's not my servant.
34:32She's the chaperone.
34:34A foreign girl must stay outdoors during the war.
34:37I'd like her to come inside with me.
34:39Miss Anderson.
34:40No, I'd like me to come inside.
34:42Miss Anderson, please.
34:42Please.
34:43Please.
34:44But I need her.
34:46Just don't draw attention to yourself, Claire.
34:48It's just a party.
34:49Just don't dance with the same boy twice
34:51or get pulled away from the crowd.
34:54Okay?
34:54Okay.
34:55Go inside.
34:55It's fine.
34:59There's a bench over there.
35:01Go.
35:01Go.
35:02Go.
35:10The daughter of the American ambassador
35:12to the court of St. James
35:14is Tara Anderson.
35:15Why are you out here instead of looking after your charge?
35:43That's the least of it.
35:45Wait until you hear what I found out about Lady Viren.
35:48She's deeply...
35:49Deeply involved with the Red Thread, yes.
35:52I know.
35:52No, it's much more than that.
35:56Come.
35:56Come.
35:56Miss Anderson, we meet again?
36:17We do indeed.
36:20Mr. Wiley, was it?
36:21How kind of you to remember.
36:24May I be allowed to write my name on your dance card?
36:26Of course.
36:28But only one dance.
36:29I've been ordered to mingle.
36:31And you're certain about the weaponry in Lady Violet's parlour,
36:35the same design as the knife left behind in your mother's body?
36:38As certain as you are
36:39that the button found by Mr. Birt whistle belongs to Dr. Watson.
36:44We're closing in on them, Amelia.
36:46Perhaps separating you from Clara was more than just snobbery.
36:52You always said they would try to approach her again.
36:55Clara is...
36:56so impressionable.
37:00Do I detect a growing fondness for your young child?
37:04Now that I'm seeing how she was brought up,
37:07I know it's not Clara's fault she is the way she is.
37:10She was really kind to me when we met.
37:12Maybe I'm just jealous that she still has a mother to talk to.
37:17I'd give anything to speak to mine again.
37:20Even if it was just for a minute.
37:23Even if it was just to tell her I'm doing what she wanted.
37:28Anyway.
37:28Amelia, I wanted to tell you that if I seemed distant
37:40when I sent you to the Ambassador's house,
37:43I am sorry.
37:46Extremely sorry.
37:49It's all right, Mr. Holmes.
37:51I'm still getting to know you,
37:54so I didn't take it personally.
37:55Also,
37:59you told me someone needs to keep watch over Clara,
38:02and I can't now.
38:03Your mind never strays far from the case.
38:06Commendable.
38:07You will save the subject of Lady Violet for later.
38:09Meanwhile, I will look after the young lady in your absence.
38:12These people don't spend time talking to servants, Mr. Holmes.
38:15And I'm sure someone's watching us.
38:19There's more I want to tell you about later.
38:21Quite right.
38:22It won't be long.
38:25Mr. Sherlock Holmes
38:31of Baker Street, London.
38:33Oh, my God.
38:35Holmes.
38:36Oh, my God.
38:36Oh, my God.
38:36Oh, my God.
38:37You arrived on time.
38:55Oh, I had hope to surprise you.
38:59Well done.
39:00Now, excuse me briefly.
39:01I must check the ballroom and chide my students on their wretched dancing.
39:06Chase me down later.
39:07On that, you have my word.
39:19I'm done.
39:20Help me.
39:20Help.
39:21In the name of God, someone.
39:24Are you okay?
39:24Shall we visit the ballroom and take your first walks?
39:27Thank you, Mr. Wiley.
39:29I will always remember you were the first to ask me to dance, but I'm afraid my principles
39:33do not allow me to stay.
39:35Miss Anderson, you cannot be leaving so quickly.
39:38Mr. Holmes, how lovely it is to see you, but I'm afraid I must say farewell.
39:43My chaperone was forced to remain with the carriages, and I cannot enjoy myself inside
39:47while my friend is outside in the cold.
39:49Are you okay?
39:50Oh, no!
39:53Oh, no!
40:06What do you mean Amelia was denied entry?
40:11Unacceptable.
40:12Excuse me.
40:12I just spoke to wait, Mr. Holmes.
40:15I beg your pardon, Miss Anderson.
40:18Help!
40:20Help me!
40:23Help!
40:26Help!
40:29Hey!
40:30Anyone, please!
40:32Help!
40:33Come on!
40:35Help!
40:41Hey!
40:42Hey!
40:45Hey!
40:46Hey, go!
40:50Hey!
40:52Wait!
41:03Hey!
41:04Hey!
41:04Oh!
41:05Hey!
41:06Hey!
41:06Hey!
41:07Hey!
41:08Hey!