Nine Puzzles – Episode 6
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🎥
Short filmTranscript
00:00Curtis, please, don't walk away like this.
00:05Our daughter, our beautiful daughter, she's in there.
00:08You mean the daughter you lied to me about and kept from me for years?
00:12Yeah.
00:13Trina, and she loves you.
00:16She's a part of both of us.
00:18Can you please just think about her right now?
00:20Think about the beautiful, beautiful family that we've built together.
00:24Please, honey, don't throw away our marriage.
00:28I can't undo everything that we've built because I made a mistake.
00:33I have been the only one thinking about our family, about Trina, but I didn't put them
00:38at risk, and I hate that they are, and I hate that we're here, but I can't undo what you've
00:46already undone.
00:55Are you following me now?
00:57I've got to tell you, that's not a great idea.
00:59Well, I was actually hoping to get you all on, Carly, but not for round two.
01:06What do you want, Nina?
01:07I was really, really wanting our detente to work, but you forced my hand by pushing the
01:13court date forward, so just remember this, whatever happens next is on you.
01:22I have to give you some credit for all the issues that I have with you, and there are
01:30many.
01:31It was very generous of you to pay for Gio's musical education.
01:36I saw how good he was at Brooklyn's wedding, but what we saw on stage tonight, he was exceptional.
01:45He's a great kid.
01:47I'm happy to help out.
01:50I've grown quite fond of him myself, and there's no denying that his musical training
01:56really paid off.
02:03Excuse me.
02:10Ben?
02:11You son of a bitch.
02:13Don't think for a second I'm going to let you get away with setting up my mother.
02:18I mean it.
02:19You were so good.
02:21My goosebumps had goosebumps.
02:23I'm so proud of you.
02:25Come on, Dante.
02:27Give it up already.
02:28Isn't Gio amazing?
02:31Brooklyn's right.
02:32You were awesome up there, Ben.
02:35You are incredibly talented, Gio.
02:38Congratulations.
02:40Dante?
02:41Oh, Dante.
02:42What are you doing?
02:43There you are, but you're not supposed to be here.
02:44You're supposed to be backstage.
02:46Cody!
02:47Oh my goodness, Cody!
02:48You're supposed to be in your costume.
02:50Let's go.
02:51Dressing room.
02:52All right.
02:53Now!
02:54Go!
02:57Why do you look so surprised, Lois?
03:00It's not like this is a shock.
03:02You already knew that Gio was your grandson.
03:05You've been keeping the truth from him his entire life.
03:15You don't ever have to tell me about the beautiful family we built.
03:36I know what I had.
03:38I know what it took for us to build it.
03:40You were the one who took what we built and you broke it.
03:44You didn't trust me enough to tell me the truth, so you lied.
03:47I'm sorry.
03:49I didn't know what to do.
03:51You didn't know what to do, so you manipulated me.
03:55You did Drew's bidding and you left our whole family open and vulnerable to him.
04:02Not to mention yourself.
04:04Curtis, please don't give up on us.
04:06I'm not.
04:07At least not tonight.
04:09And what does that mean?
04:11It means that if I walk away now, it sends a clear signal to Drew that we are no longer a united front.
04:17And that leaves you exposed.
04:19And I won't do that to you.
04:21Honey, thank you.
04:23Because I know we can fix this.
04:24More importantly, I won't do that to Trina.
04:27The last thing she deserves is for her mother to be under Drew's thumb any more than she already is.
04:32So we're gonna go in here, we're gonna smile.
04:35And we're gonna be every bit the loving, happy couple that everyone expects us to be.
04:40And tomorrow?
04:42Let's just get through tonight.
04:51I have no idea what you're talking about, Ned.
04:54Cut the crap.
04:56We both know that my mother wouldn't be sloppy enough to leave evidence of a crime in her own vehicle.
05:02This has you written all over it.
05:04We both know that your mother thinks she's above the law.
05:07We know that, Ned.
05:08And that kind of overconfidence tends to catch up to a person.
05:11Among other things, it can make somebody really sloppy.
05:14We have our lawyers all over this.
05:16And we are gonna find out who planted that drug in her car.
05:19Police already know, Ned.
05:22Willow, Drew is an unconscionable ass.
05:26And we all attempted to give you the benefit of the doubt.
05:30We believe that Drew manipulated you.
05:33And that you are a victim as much as Michael is.
05:36You can let go of that ridiculous idea once and for all.
05:39I'm no victim. And neither is Michael.
05:42You can't be a victim when you won't even try to solve a problem.
05:45What are we talking about here?
05:46I flew to Germany to try to talk to Michael.
05:48To see if we could find a compromise.
05:50Michael wouldn't even see me.
05:53Drew is the only person acting in my best interest.
05:55This one is wreaking havoc everywhere he goes.
05:58And you're just standing by his side cheering him on.
06:01So don't be expecting any sympathy when this whole thing blows up in your face.
06:06Let's go.
06:13So what happens next, Nina?
06:15By testimony, I'm going to prove that Michael abandoned his children.
06:20So what you're saying is you're gonna perjure yourself.
06:23Because nothing could be further from the truth.
06:25Well, you know, that's the funny thing about perspective.
06:28Like the night of the holiday party when Michael played the video of Willow and Drew.
06:35He actually wanted Willow to take the children with her.
06:39Michael wanted Willow to have them.
06:42Michael didn't want to scare his children.
06:45That's how much he loves them.
06:47Well, that's open to interpretation.
06:50But the facts are the facts.
06:51Michael's children were with their mother without so much as a challenge from Michael.
06:58And then he went to Germany and abandoned those kids for bird treatment.
07:04And then he refused to see Willow or speak to their mother after she flew over an ocean to see him.
07:15She made the effort, a substantial one, and he rejected her.
07:18He didn't even care enough about his children to let Willow talk to him about them.
07:24I mean, Carly, this looks bad for Michael. Really bad.
07:31Well, that's your spin.
07:33And like you say, everything's open to interpretation.
07:37And one more fact.
07:39There's only been one parent who's been there consistently.
07:43A loving, stable force for those children.
07:47Giving them everything that they need.
07:51It's not Michael.
07:53It's their mother.
07:55And you better believe I'm going to make sure the court sees that.
08:01Have a nice evening.
08:07Hi, Brooklyn and Mr. Carinthos.
08:09Happy Nurses Ball.
08:11Is that what you say?
08:13Sure. Sounds good. You look beautiful.
08:15Aw, thank you. And so do you.
08:17I actually haven't been this dressed up in a while, so I kind of feel like I need to be on my best behavior.
08:21You do?
08:23Okay, well, your performance was great, so I feel really bad for the person who has to follow you.
08:28I had fun, but maybe we can make this a regular thing.
08:33I guess we should.
08:35I think we should head in there.
08:38I don't know where you got your info.
08:41What I do know is whatever you suspect is absolutely none of your business.
08:47So do us both a favor and stay out of it.
08:50We are long past suspicion, Louis.
08:53I know it all.
08:54I know that Gio is Brooklyn and Dante's son and I can prove it.
08:59You don't know what you're talking about.
09:01Dante got Brooklyn pregnant at summer camp.
09:04Do you need me to finish the rest or are you starting to remember now?
09:09Hey, everybody.
09:12Hi again. I just want to thank all of you once again for being here on this very, very special night.
09:17And do not forget, I'm serious, you know this, go check your silent auction items because we want to take your money away from you.
09:24It's for a very, very good cause.
09:27Now let me think.
09:29Two detectives, a gifted surgeon and a cowboy.
09:33Sounds like the beginning of a joke, right?
09:36But I assure you it's no joke.
09:38They are among the finest Port Charles has to offer.
09:41And we are very, very lucky to have them.
09:44But we're even luckier to have them on this stage tonight.
09:49I want to present Detective Harrison Chase, backed up by Detective Dante Falconeri with cowboy Cody Bell and the gorgeous General Hospital's doctor, Isaiah Gannon.
10:05And ladies and gentlemen, I give you the look of love.
10:31The world is full of strange arrangements and gravity won't pull you through.
10:39You know, you're missing out on something.
10:43Well, that something depends on you.
10:51It takes a lot to love you.
10:55You know, it's true.
10:59There's one thing, yes, one thing that turns this gray sky to blue.
11:06That's the look, that's the look.
11:09The look of love.
11:11That's the look, that's the look.
11:13The look of love.
11:15That's the look, that's the look.
11:17The look of love.
11:22When your girl has left you out on the pavement, then your dreams fall apart at the seams.
11:31Your reason for living's your reason for leaving.
11:36Don't ask me what it means.
11:40I don't know the answer to that question.
11:45If I knew, I would tell you.
11:49Look for your information.
11:52Yes, there's one thing, the one thing that still holds true.
11:56What's that?
11:58That's the look, that's the look.
12:00The look of love.
12:02That's the look, that's the look.
12:04The look of love.
12:06That's the look, that's the look.
12:08The look of love.
12:19Woah, woah, woah, woah.
12:32That's the look, that's the look.
12:34The look of love.
12:36That's the look, that's the look.
12:38The look of love.
12:40That's the look, that's the look.
12:42The look of love.
12:47The look of love.
12:49If you judge a book by the cover, then you judge the look by the lover.
12:57I hope you'll soon recover.
13:02Me, I go from one extreme to another.
13:07And all my friends just ask me.
13:10They say, Chase, maybe one day you'll find true love.
13:15And I say, maybe there must be a solution to the one thing, the one thing that we can't find.
13:24That's the look, that's the look.
13:26Sisters and brothers.
13:29That's the look, that's the look.
13:31Should help each other.
13:33That's the look, that's the look.
13:37That's the look, that's the look.
13:39Heavens above.
13:41That's the look, that's the look.
13:43Hip, hip, hooray.
13:45That's the look, that's the look.
13:47Yippee-yi, yippee-yi-yay.
13:50That's the look, that's the look.
13:52Be lucky in love.
13:56Look of love.
14:13Let me tell you, I caught a few of you out there giving that look of love around, I'll tell you that for sure.
14:18It was so good.
14:19Okay, I just need to acknowledge someone right now.
14:21He's the, one of the newest residents in Port Charles.
14:26And he is the CEO of SRE Worldwide.
14:30Ladies and gentlemen, Mr. Jim Sidwell.
14:32I have to tell you, and he's fitting right in because we are the city of communal generosity.
14:38Mr. Sidwell sponsored the festivities for tonight.
14:41So please, a round of applause for Mr. Jim Sidwell.
14:44Go, Mr. Jim Sidwell, thank you.
14:46A round of applause.
14:52You were so sexy up there.
14:54Yeah?
14:55Oh yeah, you sounded so amazing.
14:57How amazing?
15:02Hey, hey, hey.
15:03Hey.
15:04Hey.
15:05No, no, no, no PDA because it makes people jealous, like me.
15:10And also, this is a, it's a working area, you're impeding traffic flow.
15:14Go, go, get.
15:16Hey, Lucy, have you seen my Aunt Lois?
15:18I think she has my earpiece.
15:20Uh, no.
15:21Oh wait, I did, I did.
15:22I saw her in the dressing room, okay?
15:23But you know, you got to get ready soon, the tango's up soon.
15:26Yeah, I know, that's when you make the earpiece.
15:27No, really, like, like really you need to get ready.
15:29I'll be right back, I'll be right back.
15:30Wow, those guys look fantastic.
15:32And they're brave.
15:34I know, right?
15:35Maybe next year, you'll be up on stage.
15:37I don't think so.
15:38Oh, they're your parents.
15:39Where did you two disappear to?
15:41You're missing all the performances.
15:43Well, we won't miss the most important performance.
15:46We can't wait to see you on stage, honey.
15:48Yeah, the charity stuff, yeah, that's great, but you're the real draw.
15:53Oh, well I hope I don't let you down.
15:55You can never let me down, honey.
15:58Portia, I'm going to go get you that drink.
16:06You two certainly look like you're enjoying yourselves.
16:09Yeah, we are.
16:10Very much.
16:12Oh, well, we're about to check out the silent auction if you want to come.
16:16I'm going to wait for your father.
16:18And that drink.
16:20But why don't you guys bid on something for me?
16:24Surprise me.
16:25Okay.
16:26And if we win, it's because of you.
16:28Just know that.
16:30We'll see you back in the ballroom.
16:36Portia.
16:41Portia, I've been trying to talk to you all night.
16:45Curtis is suspicious.
16:48He's more than suspicious, Nina.
16:50He knows.
16:51Wait, wait, he knows what?
16:53Everything?
16:55He knows about Brad and Drew.
16:57He knows what Drew is holding over me.
16:59And I'm worried.
17:00I'm worried about what he's going to do next.
17:02You're trying to hide it.
17:04But I can see you're not enjoying the nurse's ball as much as the rest of the people here.
17:09Drew is blackmailing Portia.
17:12She just confirmed it.
17:13No.
17:16I was hoping for once your instincts would be wrong.
17:22Me too.
17:24I really wanted to be wrong.
17:26I know you did.
17:28So what are you going to do?
17:34Excuse me.
17:35I missed all of the appetizers, but could I do another glass of champagne?
17:39Hilarious.
17:41What are you doing here?
17:43Just enjoying the evening.
17:46Supporting a good cause.
17:48And who are you keeping an eye on?
17:51Well, you, of course.
17:54Well, in that case, some champagne, please.
17:59Jocelyn.
18:00Hey, who's your friend?
18:04Brooklyn confided in Cody Bell that she was pregnant when they were at summer camp.
18:09He even drove her to the bus station when she wanted to go home.
18:13Once you knew, you took Brooklyn on tour with you with Miguel Merez to get her out of town so no one would know she was pregnant.
18:20I know you think you know.
18:21You arranged for your cousin Camilla Palmieri to keep the baby.
18:26Camilla went on tour with the Nicola Quartet to cover up her absence.
18:30Okay, stop. Enough.
18:32And Gio was born, not in Los Angeles on June 4th as he believes, but in San Francisco on May 15th as baby boy Cirulo.
18:45Hi, I'm Vaughn.
18:46Jocelyn and I know each other from PCU.
18:48Oh, okay.
18:49Well, I'm Carly Spencer.
18:51I'm Jocelyn's mom.
18:52I hope you're having a good time.
18:54Yeah, it's a lot of fun.
18:57I'll see you around, Joc.
18:58Yeah.
18:59It was nice to meet you, Miss Spencer.
19:00You too.
19:02Hey, hey, hey.
19:04He's cute.
19:05What's the deal with that guy?
19:08What are you doing?
19:10Running around, digging for information about a situation that has nothing to do with you and you don't know anything about.
19:16You are messing with people's lives.
19:19No, you are messing with people's lives, Lois.
19:22You have been lying for decades and you have been lying to Gio his entire life, keeping him hidden in plain sight.
19:30And Dante, he's had a son out there this whole time that he doesn't know about because you and Brooklyn have been lying.
19:36Brooklyn doesn't know about Gio.
19:40For all she knows, her son is on the other side of the world and you can't tell her otherwise.
19:46Is that some kind of threat?
19:47No.
19:49My mother and I couldn't let Gio go, so we decided to keep him close and keep the secret from Brooklyn.
19:57And I, as her mother, made the best decision that I could at the time.
20:04Maybe for you, but not for Gio.
20:07Who are you to decide that?
20:09It's about Gio's life.
20:12His whole life is a cover up.
20:14He has no idea where he really came from.
20:18He's not Camilla and Frances Palmieri's son.
20:21He's Dante and Brooklyn's.
20:23And the only question now is, who's going to tell him the truth?
20:33Hello again!
20:34Are we still having fun?
20:36Are we getting lots of your money, I hope, for our charity?
20:39I hope so.
20:40Now, we have had such special performances from our friends and neighbors of Port Charles.
20:46But right now, our next performer, she was born in Australia.
20:49She lives and sings and makes beautiful music in sunny Los Angeles.
20:53And we really need to give her a very warm Port Charles Nurses Ball stage welcome.
20:58Ladies and gentlemen, Edie!
21:16Kisses, thinking she's figured it out
21:26Ignorance is blissful, ain't it?
21:29When you're sitting pretty at your childhood house
21:34You know time moves slowly
21:40Till you're running out of your imagination
21:48Looking in the mirror and the only thing she's saying is
21:52She missed the old her, even though the new her is better than the old her
21:57Cause when you get older, you realize the answers aren't there
22:01When you get older, you realize the answers aren't out there
22:05Maybe there ain't someone holding out a hand to save me
22:09She missed the old her, even though the new her is better than the old her
22:15Cause when you get older, you realize the answers aren't out there
22:19Maybe there ain't someone holding out a hand to save me
22:24Big decisions, midnight living, strangers' kisses
22:29Hoping she'll figure it out
22:38Life gets harder, she gets smarter
22:42Dreams get darker, wishing for a childhood house
22:52You know time moves slowly
22:56Till you're running out of your imagination
23:03Looking in the mirror and the only thing she's saying is
23:07She missed the old her, even though the new her is better than the old her
23:12Cause when you get older, you realize the answers aren't out there
23:17Maybe there ain't someone holding out a hand to save me
23:21She missed the old her, even though the new her is better than the old her
23:26Cause when you get older, you realize the answers aren't out there
23:31Maybe there ain't someone holding out a hand to save me
23:36If you wanna be happy
23:40You gotta know, know, know, know nothing at all
23:44Know, know, know, know nothing at all
23:49Oh
23:52If you wanna be happy
23:55You gotta know, know, know, know nothing at all
23:59Know, know, know, know nothing at all
24:02Nothing at all
24:06Jesus
24:15What you doing?
24:17How many lives you gonna touch and how many of those you gonna destroy?
24:23Like yours
24:26I'm not being petty
24:28And I don't mean to be callous
24:30I have thought of nothing but this for months now
24:33But I knew from the start what you were doing
24:36What you've been doing is wrong
24:38And there have been enough lies
24:40And that ends now
24:42Either you tell Gio and Dante the truth tonight
24:46Or they will hear it from me tomorrow
24:58You working tonight?
25:00I'm always working
25:02Here?
25:03Not right now though, no
25:05You know, I enjoy the evening
25:07You get a chance to talk to Robin today?
25:11She was very sorry that she couldn't be here
25:13You know, the nurse's ball is very important to her
25:15But I said that Emma and I would hold down the fort in her absence
25:20I think she's back there right now taking some behind the scenes shots for her mom
25:25Well, I'm glad to see you here
25:29I'm glad to be here
25:32Missed a lot of important years
25:34Feels good though to honor Robin
25:38And others who've been impacted by HIV
25:43Like Stone
25:45Commissioner Devane
25:47And Mr. Corinthos
25:50ADA Turner, good evening
25:52Oh, am I interrupting?
25:54No, no, not at all
25:57I have to go and change for another performance
26:00So, Mr. Corinthos is all yours
26:04Sonny
26:06Break a leg
26:10Well, that certainly looked intimate
26:16The commissioner and I, we were just talking about her beautiful daughter Robin
26:22And my great friend Stone Cates
26:26He's the reason this is happening tonight
26:30You should look him up
26:40Those were some nice moves on stage
26:43Didn't know I had it in me, huh?
26:45Let's just say I was not at all surprised
26:48It's very nice of you to say
26:50Especially because I wasn't very friendly with your date
26:54He's not my date
26:56He's my boss
26:58On his arm nonetheless, right?
27:00Is that part of the job description?
27:05You should be on my arm tonight
27:08I am so relieved your name was cleared
27:11It makes me feel more confident going into my custody hearing
27:14You should feel confident
27:15We are on a winning streak
27:17You're going to get permanent custody of the kids
27:19And then we can figure out how to start this next chapter of our lives
27:23Whether it be here in Port Charles or, I don't know, even D.C.
27:29Willow, Drew, I hope you're having a wonderful evening
27:33Wasn't the band fabulous?
27:35The band was incredible, it really was
27:37And yeah, we're having a great evening, thank you for asking
27:39That's great
27:40Maybe this isn't the best time to mention this
27:42But Rick did call me
27:44And he said that he wants me to testify on your behalf at the custody hearing
27:49What did you tell him?
27:51I told him that nothing would give me more pleasure
27:54Than to get up on that stand and tell the court
27:58What a wonderful mother you are
28:00And that your children belong with you
28:04And Drew
28:08And I want both of you to know this
28:10With Tracy's arrest and Drew's exoneration
28:14Going forward
28:17You have my full support
28:21Thank you, Mom
28:30Nina
28:32It really just makes me so happy to hear that Willow and I have your support
28:37It means the world to us to have you in our court
28:42Look at them
28:44They make me want to throw up
28:47I can't wait for you to take Wylie and Amelia away from them
28:51It won't be long now
28:53Hey, what are you doing back here? We're about to go on
28:56I just wanted to tell you guys to break a leg
28:58Thank you
28:59You nervous?
29:00No, I have a great partner
29:01I just follow her lead
29:04You know, Mom would be really proud of you
29:06Thank you, sweetheart
29:08Have either of you seen Gio?
29:10No, not for some time
29:13And if he doesn't turn up soon, Lisa's gonna have me put out an APB
29:17Okay
29:18Well, let's tango first and then police force later
29:22Yeah
29:23I'm gonna go find him
29:24Okay, good. Thank you
29:26Isaiah
29:27You were fantastic on stage
29:30Was it fun?
29:32Yes
29:33In that rollercoaster climb before the big drop kind of way
29:38But I'm just glad I got to contribute to my first nurse's ball
29:42Maybe even
29:44Next year I'll have a date
29:47After your performance tonight, I think your odds are very good
29:51And you know what? Whoever she is, she'll be very lucky
29:56Thank you, my friend
29:58And judging from the vibe you and your date have had going all night
30:01I'd say you're having a pretty good evening
30:03I'd say the same thing
30:16Gio, I've been looking everywhere for you
30:24Oh my God, what's wrong?
30:30I need to talk to you
30:31Okay, just let me drop Molly's drink off, I'll be right back
30:34Nope, sorry
30:36I confronted Lois, I did it
30:38She stonewalled me at first and she didn't make it easy, but
30:42Yeah, she copped to the whole thing
30:44Gio is not a son
30:49Oh, where'd you leave it with Lois?
30:51I don't know
30:52What do you two wish for tonight?
30:57Well, on second thought, I thought about it
30:59It might not be so bad performing at next year's nurse's ball
31:02Oh yeah? So do you have a hidden talent?
31:05Well, other than creating ridiculous paintings
31:08No, none that I can think of
31:11But I'd be down for some dancing or singing classes
31:13If that'd mean I'd get to perform with you
31:15Oh, like a two-person act?
31:17Well, the best ones are, right?
31:19Teamwork makes the dream work
31:21Oh, brother
31:24Okay, yeah, teamwork makes the dream work
31:32She was just asking what exactly I was drinking
31:35Excuse me, I'm sorry, can I borrow Brooklyn for a second, please?
31:38Thank you so much
31:39Excuse me
31:41Mom, what is it? Is it Granny?
31:43No, no, but sweetheart, listen to me
31:45We need to get out of here right now, okay?
31:52Okay, oh, oh, that looks great
31:54This is so good
31:55Okay, places, please
31:56Okay
31:58Where's Gio?
31:59He's supposed to be here with his violin
32:01We're not sure, but Emma just went to find him
32:06Find him?
32:07That means he's missing or lost?
32:10Not necessarily, he's probably in the building somewhere
32:13Somewhere? Somewhere's not here
32:15He's got to be up on the stage with you
32:17He's got to accompany you
32:18Otherwise you will be dancing a silent tango
32:21And nobody likes a silent tango
32:23He will be here
32:24Okay, you're right, you're right
32:26He's very professional
32:27Well, I mean, at least he's adjacent professional, you know
32:30Except he's not being very professional now
32:32And this is just like Tracy
32:34Where is he? Where?
32:36Really, where is Gio?
32:39What's going on?
32:43I know you're about to go on
32:44And my grandma and Chase are waiting for you
32:47They really need you to play
32:49Yeah, play
32:54They need me to play
32:56I have to play
32:58Gio?
32:59Because that's, that's the gift I got from my mother
33:07I'm a violinist
33:11My mother taught me everything
33:17That's all that I have left of her
33:21Are you okay?
33:24Because if you're sick or something
33:27I can just tell them that you can't go on, alright?
33:29It's not a problem
33:31You don't have to do this
33:35Yeah, I do
33:39The show must go on
33:49Gio, excuse me
33:51Gio, Gio, here
33:52Thank God you're here
33:53You scared me half to death
33:54Let's go
33:55Get up there
33:56We're running behind
33:57Please, please, please
33:58Chop, chop
33:59You guys, come on
34:00Break a leg
34:02What's going on?
34:03What are you doing over here?
34:04You guys look intense
34:05Yeah, Lulu was just giving me a hard time
34:08Because I forgot to deliver Molly's drink
34:11Drinking myself
34:12Oh, classy
34:13What's wrong with you?
34:14So many, many things
34:16But she also confided in me
34:19She didn't want to tell you
34:20But apparently I was by far
34:22The standout in our Look at Love performance
34:24Yeah, what is wrong with you?
34:26It's best to get these things out there
34:28Yeah
34:29No one was even looking at you, Isaiah, or Chase
34:32I know you're lying
34:33Because they were only looking at Chase
34:35Speaking of, he's got another performance with Anna coming up
34:37We should get to our seats
34:39And why don't you just give Molly your drink?
34:41Problem solved
34:47Brooklyn, I'll explain when we get home
34:49But you have to believe me
34:50We have to leave right now
34:52Ma, unless it's about Granny
34:53Anything else can wait until after their performance
34:55Gio is about to play while my husband dances the dango
34:59Trust me, I've seen the rehearsals
35:00I'm not missing this
35:01Wait, but Brooklyn, wait, please
35:05Rose, you alright?
35:08What's going on?
35:10Sonny, I'm in terrible trouble
35:13Come on, we'll fix it after the show
35:18Hello again, everybody
35:20Are we having fun?
35:22What is that?
35:23What, what?
35:24Really, are we having fun?
35:25Yes, yes, yes
35:27This is such a great, great night
35:30Now you're gonna have a lot of fun
35:31Because this next act started in the streets of Buenos Aires and Montevideo
35:37And I wish I could take you all there, but I can't
35:39But we can do this
35:40We are going to bring you this beautiful, ever-evolving art form
35:45Right here to you
35:46But just a little advice
35:47Keep a long, cool drink handy
35:49Because coming to you to tango
35:53Police Commissioner Anna Devane
35:55Detective Harrison Chase
35:57And accompanying them on the violin
36:00Once again, the extraordinary Giovanni Palmieri
36:57Ladies and gentlemen, I just want to do something I've never done before
37:13I'm going to dedicate this performance to my parents
37:22Brooklyn Quartermaine and Dante Falconeri
37:28Two people who didn't want me
37:31Who didn't claim me
37:34They gave me away
37:36And have been lying to me my entire life
37:57And now
38:18On the next General Hospital
38:19Get me out of here
38:21I want to end this terrible fight over the kids
38:23What are you doing here?
38:25Why aren't you in your costumes?
38:26Rose has to know something
38:28I'm sure of it
38:29You need to get off the track before you get leveled
38:31What do you need me to do?