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  • 7 months ago
Dans cet opéra, adapté de la nouvelle d'Annie Proulx et du film oscarisé qui a suivi, une romance tragique et secrèt | dG1fZTlTYnFUX2l0WEU
Transcript
00:00Sous-titrage Société Radio-Canada
00:08La story started many years ago.
00:11I was living in Wyoming,
00:13which is a state that's bisected by the Rocky Mountains,
00:17high, dry, stony, the cowboy state.
00:21The precise idea came very slowly.
00:31I was in a bar one time in Sheridan,
00:34at the foot of the Bighorns,
00:37and happened to notice an older man against the wall,
00:42and he was watching some young cowboys playing pool.
00:46And I noticed that he paid a great deal of attention to them.
00:52He was looking at them very, very intently.
00:55I wondered if perhaps he was an older gay man,
00:58very closeted, very homophobic state, Wyoming,
01:02and that he was being careful about his watching,
01:06but maybe he had grown up there,
01:09and his life had been in the closet and still was.
01:16I thought about that and noticed other things over the next year,
01:20and then finally began to write it.
01:23The story had taken a form in my mind.
01:33You know, originally, the Brokeback Mountain was a creation,
01:36a world creation I programmed for the New York City Opera.
01:40And when I left New York City Opera and I came to Madrid,
01:43there was a moment where I thought,
01:45bah, you shouldn't do it in Madrid.
01:47One of the critics told me,
01:49you should change the cowboys into Toreadoras.
01:52I answered, if I would do that,
01:54I would be lynched at once in Madrid, very soon.
01:57But finally, I thought it has only sense.
02:11If I go further, it's not a story about two cowboys.
02:15or cowboys.
02:16It's a story about a great, great laugh.
02:18It's a story about a great, great laugh.
02:22And you have to pray that love.
02:23And you can.
02:24Why?
02:25Why?
02:26Why?
02:27Why?
02:29Why?
02:30Why?
02:32Why?
02:33Why?
02:34Why?
02:35Why?
02:36Why?
02:37Why?
02:40Why?
02:41Why?
02:42Why?
02:43Why?
03:45...
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