Tommy Shelby, a dangerous man, leads the Peaky Blinders, a gang based in Birmingham. Soon, Chester Campbell, an inspector, decides to nab him and put an end to the criminal activities.
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Short filmTranscript
00:01Thomas Michael Shelby.
00:03Today is my wedding day.
00:05Take the photograph!
00:07Russians have made contact on your wedding night.
00:09Whoever it is up there, he gave the wrong name.
00:12Can you do it? Can you kill?
00:14You know why he didn't come, don't you?
00:16My bloody man.
00:17There was a fire at his restaurant.
00:19You're not threatening us, you're the foreigners.
00:21He's a cavalry officer.
00:23The march will be engaged.
00:25But you are trying things first.
00:28I'm Reuben Oliver, portrait artist.
00:30You have my card.
00:31What was in your heart was beautiful.
00:36Just get this business done.
00:38Get away from things like this.
00:40Promise me.
00:41I promise.
00:43All I could say.
00:57My name is Reuben Oliver.
01:28Across the square, across the bridge,
01:30past the mills, past the stables.
01:35On a gathering storm comes a tall, handsome man
01:39in a dusty black coat with a red, bright hand.
01:44Your brother came to my house.
01:46He said the Peaky Blinders wanted to talk to me.
01:51Aren't you afraid of me?
02:14So, what do you want from a simple man like me?
02:19Fear.
02:25Poor Mr. Nutley had too much to drink.
02:29He went to the railway track to lighten his load.
02:32The train came behind the factory.
02:37Then his body was found in a pile of salt.
02:39I know what you do.
02:42Tell me, what do you want?
02:49This.
02:51The entire warehouse.
02:53Bays 4, 5 and 6.
02:55Do you have the keys?
02:57Yes, I have the keys.
03:00What's in Bay 4?
03:02Type 40s and Type 21s are ready.
03:04The paint shop is on its way.
03:06Bay 5?
03:08Paint shop and parts.
03:11Then Bay 6.
03:13For whom?
03:16I want the keys to Bay 6.
03:19There's only old stuff there.
03:22I want the keys to Bay 6.
03:40I want the keys to Bay 6.
03:52For trouble.
03:54Give it to your charity.
04:05I'm only doing this to save my family.
04:40I'm only doing this to save my family.
05:10I'm only doing this to save my family.
05:33So, you only have boys at your charitable institute?
05:37Or girls too?
05:39Both.
05:42Keep them separate.
05:44You know what the kids do.
05:48Where are your people? They said they'd be here by 5.
05:52They make their own rules.
05:54You'll never understand what they are.
05:57They're like wet soap.
06:02I did some research.
06:05That's true.
06:06You must know them as the Economic League.
06:11I only got a letter from them once.
06:13It was in the name of the Vigilance Committee.
06:15Their intentions were clear.
06:17No.
06:19The name I heard was Section D.
06:23Special branches call them that.
06:25Businessmen.
06:27MPs.
06:28Army officers.
06:31It's even more fun to bring such people to a gypsy scrapyard.
06:38You said it was for privacy.
06:40Since the election, the government has seen us as enemies.
06:45But we're trying to save this country from a revolution.
06:51You're a politician, Mr. Shelby.
06:53You're a politician, Mr. Shelby.
06:57Because people think that soon everyone will have to choose a side.
07:04Are your people coming or not?
07:07Mr. Shelby, you'll soon understand that they're not going to follow the clock.
07:13And then you'll learn to hold small meetings in the morning.
07:17They're like monks.
07:20So when is this Charitable Trust going to start?
07:23Whenever I want.
07:27I'll come and listen to their speeches from time to time.
07:34You should meet MP Mr. Patrick Jarvis.
07:37He wants to be a trustee.
07:40Come and meet him in the evening when he's having a drink.
07:44We'll make a formal agreement with him on a big deal.
07:51I'll have my office there.
08:03Sometimes you get a little devilish, don't you?
08:08Mr. Shelby.
08:10Mr. Shelby.
08:12If I want to become the owner of your fake charity, I might as well become one.
08:18If you want to become a flyer, you can't become a saint.
08:22Am I wrong?
08:28This is too much. It's 6 o'clock.
08:32Well, I hope you had a good day.
08:35Where are you going?
08:37I told you.
08:39If he doesn't show up by noon, the meeting will be cancelled.
08:44Maybe he got stuck in Mr. Jarvis' House of Commons meeting.
08:49Maybe the House of Lords stopped Admiral Hall.
08:53What do you think?
08:56Maybe they've decided they don't want to do business with gypsies in scrap metal yards.
09:01And that won't be good for you.
09:04Send my message to them.
09:06Tell them I went to the factories.
09:09And the cars are in good condition.
09:14How many?
09:1727.
09:20And that man is ours.
09:24This is the man you're going to meet.
09:27Today, at Ritz.
09:29I have two meetings today.
09:31You have only one meeting today.
09:33This one.
09:35This one.
09:37In London.
09:39You're smart. What else can I say?
10:35Cold.
10:37I'm sorry, sir.
10:39How many times do I have to tell you to ask them to send utensils for our servants?
10:43It doesn't matter what I say, sir.
10:46And these eggs from yesterday, and this fish from last year,
10:49and a 100-year-old tea leaf in a broken pot.
10:52Sir, I have a list of today's engagements.
10:54Shall I read yours?
10:56Do we have to go somewhere today?
10:58I have a duty at home today, sir.
11:01There's a lunch at Ritz.
11:03There's a lunch at Ritz.
11:05With Duke Mikhail Mikhailovich.
11:08It's cancelled.
11:10Why?
11:11He said he wasn't feeling well.
11:13Sir.
11:16You have a tea ceremony at 3 o'clock.
11:18With Prince Seward and Lady Mary Lewington.
11:21Sir.
11:24Good.
11:26I'm sure he got rid of him and found beauty.
11:29But if Duke isn't coming,
11:31then Prince and Lady have also cancelled the ceremony, sir.
11:38That means you have an empty day, sir.
11:42But you have an appointment, sir.
11:44To discuss automobiles, sir.
11:47With Mr. Thomas Shelby.
12:02You have an appointment at 3 o'clock.
12:04With Prince Seward and Lady Mary Lewington.
12:06With Duke Mikhail Mikhailovich.
12:08With Prince Seward and Lady Mary Lewington.
12:10With Duke Mikhailovich.
12:12With Duke Mikhailovich.
12:15You had a meeting at an open place.
12:19The fresh air and the sweet smell of the dust.
12:23You said the middle ground.
12:25This isn't the middle ground.
12:28So, this is what we got.
12:32Then, por favor.
12:35Sit down.
12:37Where's Thomas?
12:38He's been called.
12:39He said he'd come.
12:40He's a little busy.
12:41And I just told you he's been called.
12:43What do you want?
12:50Peaky Blinders and...
12:53The Changretta family is doing well.
12:56It's been two years.
12:57Do you want tea or not?
13:00Listen, Finn.
13:01Get these Italians some tea.
13:04We don't want tea.
13:11We want an answer.
13:13But I'll drink this tea.
13:15What answer?
13:17The Little Venice Restaurant.
13:19The one on 4th Street that was burnt.
13:21No, no, we can't do that.
13:23We were at the wedding that day.
13:24You were the one who burnt it.
13:26So that my son couldn't attend the wedding.
13:29No one remembered him.
13:35You've grown up now.
13:38There was a time when you asked us for clothes.
13:40To look like humans.
13:42How's the tea, Arthur?
13:46It's cold.
13:50Please tell Tommy...
13:52We pay him as much as he says.
13:55We stay away from the city and the tracks.
13:58But...
14:00Tell him on my behalf...
14:03That my son...
14:05Will hang out with any woman in the city.
14:08With whoever he wants.
14:10Even if that woman works for the great Thomas Shelby.
14:14My son has fallen in love.
14:18Sorry.
14:19Please forgive me.
14:22Go ahead.
14:27If he wants...
14:29He will hang out with the woman he loves.
14:32Okay.
14:35Okay.
14:37It will be difficult for your son to hang out anywhere.
14:40If I shoot him in both his knees.
14:43I'm sorry.
14:51Too much.
14:54You've said too much.
14:57Sabini says we have to bear a little.
15:01But no.
15:03It's too much now.
15:06Now I will tell you what I am.
15:09Oh.
15:10Okay.
15:11It's too much.
15:19By the way, what was that?
15:20Idea.
15:22Increase the number of men in all the pubs in Natchez.
15:25What are you talking about, Arthur?
15:27Now we are not afraid of these Italians.
15:29Don't tell Tommy about these chairs.
15:31And get all this cleaned up.
15:34But we are not afraid of these cops.
15:36Okay, John.
15:38Arthur.
15:45Hello, Aira.
15:49Tommy Shelby has come to the library.
15:51Actually, I need a book.
15:52About the Russian Revolution.
16:02Did you get any part of the port in Medaville?
16:04I got all the parts of the port.
16:06Sometimes I see our trucks going.
16:09Our trucks?
16:11Shelby Trucks.
16:13What do you have to do with this?
16:15I'm just increasing my wisdom.
16:18Well, this is the list of those who ran away.
16:21And this shows the point of view of those who have struggled.
16:28A Russian came to your wedding.
16:30A Russian came to your wedding?
16:33You didn't tell me who invited him.
16:39Actually, sometimes...
16:41Rich Russians who have left the country...
16:43Are invited to social events...
16:45To increase their prestige.
16:47Is that why he came there?
16:50Why do you want to know that?
16:53I liked him. I want to meet him again.
16:56Is that possible?
16:58No, that's not possible.
16:59What business do you have with the Russians, Tommy?
17:04Can I tear this page?
17:05No, you can't tear this.
17:06This is the property of the people.
17:08When Arthur took the Russians...
17:10He had a pistol in his jacket.
17:11After that, Johnny set the jungle on fire.
17:15You need details because you're getting bored here, Ada.
17:20You used to follow rats with a revolver, Ada.
17:24Oh, shut up.
17:25I have a job for you.
17:29What?
17:56Did we get him to race in the camp?
17:58Danny Lee was drunk.
18:00Instead of giving cocaine to the horses...
18:02He gave it to his cousins.
18:06That's him.
18:07He's your brother-in-law.
18:09Ask Esme to talk to him about this.
18:12Look, before anything happens...
18:17I want you to do nothing about this.
18:20About what?
18:23About Vincente Changreta's son.
18:25The one Lizzy was hanging out with.
18:28So what?
18:29He's not worth more than a penny.
18:31He said you threatened to shoot him.
18:34Now he's telling everyone in the Nicholls...
18:36He's going to kill you.
18:38First of all, it's Lizzy's fault.
18:40And second, it's Tommy's fault.
18:42What are you saying?
18:44We take care of London.
18:46We take care of the North.
18:47We take care of the whole country.
18:49Why should we care about those Italians?
18:51We don't need to get involved in all this.
18:53What does Arthur have to say?
18:55That's why I'm here.
18:57And not him.
18:59If he had come, there would have been a fight.
19:02He said...
19:04Apologize to him.
19:09What?
19:10What did he say?
19:12This city is ours.
19:14We don't need to be ashamed in front of everyone.
19:17If Changreta raises his voice against him, he can go to Sabini.
19:20Sabini is finished.
19:21Sabini is finished.
19:26Everyone is finished.
19:29Everyone pays us.
19:32But we...
19:34Rebels...
19:35We don't need them.
19:38Okay, so...
19:40What does Tommy have to say about all this?
19:41Tommy is busy.
19:42He made me in charge.
19:44So, what do you have to say?
19:45Yes.
19:50A compromise.
19:53I've told Lizzie to do this.
19:55She'll go to meet him.
19:56She'll break up with him.
19:57She'll apologize to him.
19:59And she'll apologize to him.
20:01That's enough.
20:03Do you know what this is?
20:05This is all Arthur's wife's doing.
20:07One slap and the other cheek.
20:10In a few days, we'll be sharing the Bible with his cousins in the bullring.
20:13John, you don't have to do anything.
20:15Lizzie will do everything for you.
20:16And then everything will be quiet.
20:18And no one will be humiliated.
20:20Yes, I'll be humiliated.
20:21Tell me, how will it be?
20:22John, don't do anything.
20:33Take a look.
20:34There will be a reservation for a private room in the name of Mr. Romanov.
20:38Do you work for Romanov?
20:40Yes.
20:41Where do you work?
20:42At his house or in his office?
20:44Is there a problem?
20:45Let me tell you that Duke Mikhailovich or Lady Livington are not here.
20:49And we have to take this payment in advance from you.
20:54Can I ask why?
20:56Actually, we have four old bills of Mr. Romanov.
20:59One for his room and three for the dining room.
21:01And the other two are for the banquets, which we have forgiven.
21:05His Majesty has asked us to take care of our Russian friends.
21:08But it's been a long time.
21:13Can I know your name, sir?
21:15Shelby.
21:16Thomas Shelby.
21:17I can come here a lot for dining in the future.
21:20Then I'll write your name in the special guest list.
21:22Yes, keep it.
21:23This is the menu for you.
21:25The teal and poke here are very good.
21:28By the way, I know that you are a very good cook.
21:32By the way, I know that your guests will order caviar.
21:35I, my wife and my niece first took the train, then the coach,
21:39and then walked through Cremia's villa Ait Ador.
21:42During this time, the thumb of my foot disappeared.
21:45I don't know how, I woke up one morning and saw that it was not there.
21:49Then I saw a dog eating it.
21:52Everyone said that the British have mercy on us.
21:54They put us on the HMS Marlborough ship.
21:57I suddenly kissed its steel deck.
21:59My lips froze on it.
22:01I thanked God and your King for saving us.
22:05By the way, since then they have not left any effect to humiliate me.
22:10Who?
22:11God or the King?
22:13Many times both Mr. Shelby.
22:17So, you have met my niece.
22:21Tatiana.
22:23Do you still love her or not?
22:26You have become sensible if you do not love a Russian woman.
22:30It is better not to talk about Russian women.
22:33And this is the worst thing here.
22:35Russian women know how to hold it.
22:38And it is also important that at what time it should be left.
22:43Do you understand your machine?
22:46English women do not know all this.
22:49I do not know.
22:54So, did he die properly?
22:56That spy?
22:59I asked for the gift of life.
23:03I heard that you got this done from your brother.
23:09So, you have faith in your family.
23:11Like me.
23:13Like us.
23:15Mr. Shelby.
23:17So, let us talk about trust.
23:19Shall we?
23:21You have nothing to do with Romanovs.
23:24You are Georgian.
23:33The palace in which you live in Hampton Court is a charity that you have received as help.
23:39The British Crown gave it to you without any rent.
23:42The manager here told me that you have a lot of debt.
23:46Maybe here and elsewhere.
23:49Look, I have received ten.
23:52And I was promised forty.
23:56I had to kill a man first.
23:58And this kind of work is not done cheaply.
24:02Do you understand?
24:17Come.
24:29Let me tell you something, Mr. Shelby.
24:33Before boarding the ship, my niece had stitched sixteen diamonds in her dress.
24:39And along with that, there are two nilams at her private places.
24:44My wife had also kept two nilams and five diamonds.
24:49All this is for the murder of the spy.
24:53And for the work ahead, advance.
24:59Now tell me, where do you keep these things?
25:02In some bank?
25:04How will we pray for poverty in the society of London if we use the bank, Mr. Shelby?
25:11By the way, you should know.
25:14That Hatton Gardens is not safe at all.
25:18That's why we have our own treasure.
25:23Very good.
25:25I will ask my men to find out the truth.
25:33Before the revolution, we were soft and weak.
25:38We had to compromise.
25:40But let me tell you.
25:42We will not be soft and weak again.
25:46Do you understand?
25:51Good day, Mr. Shelby.
26:12Come, Mr. Changreta.
26:13Do your work. Come on, finish your work.
26:16He is there, sir. He is there.
26:18He will see. Be careful.
26:21Come on, everyone. Finish your work quickly.
26:23Come on, quickly.
26:41Come on.
26:57Are you going to kill me?
27:00Stand up, you scoundrel.
27:01Stay away from him. Do you understand?
27:12This is the order of a bloody blind man.
27:33Won't you introduce me to Michael?
27:35This is Charlotte Murray.
27:37His dad makes cars.
27:41I enjoyed your wedding a lot, Mr. Shelby.
27:45Polly has asked me to call you.
27:47There is some problem.
27:48What problem?
27:51I think she doesn't want to tell me about this.
27:56It was nice meeting you.
28:12Okay, Finn. You can go. Get out of here.
28:17Finn, you can stay.
28:22Sit down, John.
28:24Sit down.
28:31John, you killed Angel Changreta.
28:35While Arthur asked you to apologize.
28:38Yes.
28:39And Polly asked you to make a compromise.
28:42But you didn't listen to her and you didn't make a compromise.
28:47And now there is an Italian around here who says that he will kill my brother.
28:54So tell me, what should we do, John?
28:55Should we apologize or make a compromise?
29:05John was just kidding.
29:09Yes, but he is your brother too, Arthur.
29:11Yes.
29:13And I don't want to start a war over a silly thing.
29:21So in which language will he apologize? Italian or English?
29:28Or should we ask Rooney?
29:29You tell me, which language do you want?
29:31Because I don't understand.
29:32I don't understand.
29:36You said that as long as business is going on in London, you want peace in the house.
29:39And there is only one guarantee for peace.
29:41That there is no reason left for any kind of war.
29:44Apologizing once means that you will apologize again and again and every time.
29:48Like removing bricks from the wall of a house.
29:51Do you want this house to fall apart, Arthur?
29:52Yes.
29:53If you get soft on rebels, they will climb on your head.
29:55I won't get soft on rebels.
29:58You did the right thing, John.
29:59And now it's time to attack.
30:00We will take over two pubs in Chengretta.
30:02And we will do it tonight.
30:03That's it.
30:04Oh, what is the need? Why?
30:06Why?
30:07Why?
30:08Because we can do this work.
30:09Because we can do this work.
30:11And if we can do it, then we will do it.
30:13Because if we bow down in front of those scoundrels today, then they will consider us weak.
30:19Remember, these were the scoundrels who wanted the dead body of Danny Visbang.
30:22They wanted the dead body.
30:28You are getting soft, Arthur.
30:30Soft and weak.
30:32Keep the Bible lesson for Sunday.
30:33Okay?
30:38Finn.
30:40I have to go to Auckland.
30:41And then home.
30:42I am very tired today.
30:43I am very tired.
30:49You will take over Rexham and Five Bells.
30:52And you will get them transferred to us by morning.
30:55And remember, the police should stay away from all this.
30:59And don't use your phone.
31:01Okay?
31:02Maybe someone is listening to us.
31:03Okay.
31:12Very good.
31:34This is for you.
31:47You have to sign this.
31:50And send it by first mail tomorrow morning.
31:55This is for Grand Duke Mikhail Mikhailovich.
31:59I would like to congratulate him on his recovery and offer him a new date for lunch.
32:07This is for Lady Lewington.
32:10She is quite frivolous.
32:12But I have heard that she is a free-spirited person.
32:18And this is for Mr. Shelby.
32:21He has become insolent to check our sapphires.
32:24And we need proof that he has the necessary materials for us.
32:30When it will be convenient for us.
32:35How much did you drink?
32:38Wine.
32:39I didn't drink vodka.
32:40We didn't drink.
32:44At the end of this case,
32:49maybe you will need to kill Mr. Shelby.
32:54Can you do it?
33:00Of course.
33:01Mr. Shelby.
33:10Aren't you hungry, Mrs. Shelby?
33:12Hungry?
33:13No, I am not hungry.
33:14Sorry, Mary.
33:16Your eyesight will be affected.
33:21Tommy.
33:31Hello.
33:32Hi.
33:35Sit down.
33:41Guess.
33:43What should I guess?
33:49He has agreed.
33:50Who?
33:51The leader of Birmingham City Council.
33:54He is coming for dinner.
33:57Everyone is agreeing.
33:58Wow.
33:59Everyone.
34:00I have to change the catering again and again.
34:04My hands are paining while writing.
34:06But why are you writing?
34:07I got a typewriter for you.
34:09On such special occasions,
34:11you don't write letters with a typewriter.
34:13I am sorry.
34:17I have planned everything
34:20where and what to do at home.
34:23There will be a place for children to play here.
34:25Look.
34:26And the Birmingham Charity Commission has also agreed
34:29to remove the old wood.
34:31And you will get a license in a month.
34:36You are not listening to me, right?
34:38Yes, I am listening.
34:39I am listening.
34:40Do you think I am exaggerating?
34:44Yes.
34:46So, should I ask you how your day was?
34:49No.
34:53That means your day wasn't as good as mine.
34:57Everyone has their own opinion about what is good or bad.
35:01Look.
35:02For me,
35:05nothing is better than Sapphire.
35:09Sapphire.
35:13Close your eyes.
35:18Close your eyes.
35:26Close your eyes.
35:37Okay, now open your eyes.
35:41Where did you get this?
35:45It is very beautiful.
35:49You can wear it for the foundation dinner.
35:52Don't you think this will be too much for a charity event?
35:55Grace.
35:57This is Birmingham.
36:00And luxury is only for those who can buy it.
36:05Oh, Mr. Shelby.
36:22Oh.
36:36Did you put the keys in the watch, Arthur?
36:41Come on, it's time to sleep.
36:43Good night.
36:50I have to go out.
36:55I have some work to finish.
37:04Work?
37:05Yes.
37:11But you just got here.
37:13I'll be back soon.
37:14It's 10 o'clock.
37:17It's raining so heavily.
37:20I just got here.
37:22I just got here.
37:25Arthur.
37:29The devil works in the dark.
37:32They say.
37:34Start your work in the light.
37:38Your own light.
37:41Which is inside everyone.
37:45Just a little paperwork.
37:57I need you to clear your men.
38:01Tonight.
38:06I thought for your boys.
38:09These things have become trivial.
38:11Boss.
38:13Don't mind me.
38:15By the way, does Tom like this game?
38:20Think so.
38:23I'm not sure.
38:25I'm not sure.
38:27I'm not sure.
38:29Think so.
38:32Good night, Arthur.
38:33Good night.
38:58Arthur.
39:14Arthur.
39:15What are you doing?
39:21Arthur.
39:25We're going to Garrison.
39:27No.
39:28I'm going home, John.
39:31Okay.
39:32Do one thing.
39:33Go to hell, Arthur.
39:35Go to hell.
39:47Calm down.
39:48Calm down.
39:49That's it.
39:50That's it.
39:52Charles.
39:54He will take the train from Naples to Paris.
40:05And he will be here on Sunday.
40:07Like this.
40:17Charlie.
40:19Charlie, yes.
40:20Look, look, it's so nice, isn't it?
40:26Charlie, come here.
40:27Come here, Charlie.
40:30He and his brother are going to make a lot of money for us.
40:33Or they can make us suffer a loss.
40:35What difference does it make when we have such a magnificent horse?
40:42Do you like it?
40:44Yes, Charlie.
40:51You do it.
40:52Do you want to touch it?
41:03Do you have a house, John?
41:05Yes, full of kids.
41:06So, you have maids for kids, don't you?
41:08Yes, she listens to voices.
41:12Have you prepared food for tomorrow?
41:15I had some important work.
41:17She gets worse in her pregnancy, Tom.
41:21John.
41:22Esme.
41:23Now you go from here.
41:24Go through the back door and lock it.
41:29Go, hurry up.
41:31Two truckloads of policemen have come outside, John.
41:35Where is Arthur?
41:36He goes to his house in Madonna of Mosley at exactly 5 o'clock.
41:39You talk to him, Tom.
41:40Esme, please.
41:41You go from here.
41:42Please.
41:43This has never happened before.
41:45Call Moss.
41:46He is not from this city.
41:47His shoes look like from London.
41:50But since when have we started to fear policemen?
41:52Since everything has changed.
41:54Put your hands up.
41:55Put your hands up.
41:56No one will take it.
41:57Put your hands down.
41:58Leave me.
41:59John.
42:00Leave me.
42:01Okay.
42:02John, this is Scotland Yard.
42:03This is Scotland Yard.
42:04Okay.
42:05Put it down.
42:06Put it down.
42:07Put it down.
42:09Let her go from here.
42:10She was pregnant.
42:11Leave her alone.
42:12Leave her.
42:13What is happening, Tom?
42:18Put it down.
42:19Tell Polly that this is Russian business, John.
42:21Okay.
42:22Peaky Blinders.
42:23Now I will show you.
42:28Are you scared?
42:29No.
42:35Come.
42:41Sit.
42:46I am talking to you, Mr. Shelby.
42:50Sit.
43:01Two odd fellows want to tell you that if you do anything
43:03other than following the instructions,
43:05the consequences will be bad.
43:07What is her name?
43:11You met your sister, didn't you?
43:13Hey, what is your name, kid?
43:16Your sister can be a threat to security.
43:20London has connections with her Bolsheviks,
43:23who have connections with the Soviet Embassy.
43:26I just called your dog a kid.
43:29You love your kid.
43:31Am I right?
43:34Try to understand.
43:37If you have local police in your pocket,
43:40we have Scotland Yard.
43:42They will do what we tell them.
43:44Just like this dog.
43:46Untie him.
43:50Are you listening to me, Mr. Shelby?
43:52I can control dogs.
43:55Gypsy is a magical dog.
43:58And those I can't control,
44:00I kill them with my own hands.
44:04I learned this when I was stuck on a boat with a dog.
44:06They go crazy in the tunnels.
44:08They go crazy in the tunnels.
44:11And I feel like I'm in a tunnel too.
44:15All I can do is either kill or die.
44:24Untie him.
44:26And order him to speak in English.
44:30I've heard you do that.
44:32When no one listens to you or reports you.
44:35Meet your sister once.
44:37Or she'll die crossing the road one day.
44:42All right.
44:46Now you tell me.
44:54If you wanted, I'd be dead by now.
45:00That's the truth.
45:03They want to see you alive.
45:06But once you get home, Mr. Shelby,
45:10look under your child's pillow.
45:14You'll find the Tooth Fairy.
45:18We can go anywhere.
45:21To anyone.
45:32To anyone.
46:02Are you all right?
46:04Yes. Everything's fine.
46:06Everything's fine.
46:09You promised me, Tommy.
46:13I trusted you.
46:18I trusted you.
46:22Everything's fine.
46:24Everything's fine.
46:33Grace.
46:34Grace.
46:36Come here.
46:52You're one of those impressionist artists, right?
46:55That's very political.
46:57And you're not?
46:59Not at all.
47:01I want to paint what's real.
47:04For me, politics is
47:06making things easy for some people,
47:08making things hard for others.
47:17I thought you should wear this.
47:22But I think this is too much.
47:24I'll wear something simple.
47:26No, this is fine.
47:28I don't think I can do this.
47:31I want to put this portrait in the office,
47:33so it should be formal.
47:35This is formal.
47:37It's beautiful.
47:40Made in Paris.
47:42And it was stolen in Birmingham.
47:44The house where my mother used to clean.
47:46In 1901.
47:48No, no.
47:49This is yours.
47:50It's yours.
47:52You have confidence and self-respect.
47:54I've painted women
47:56whose expensive clothes look like they've been stolen.
48:01I won't charge you for this.
48:03You'll have to pay the price.
48:06This is the first time.
48:09So when do we start?
48:11I've already started.
48:13Come to my studio this evening.
48:15I'm busy in the evening.
48:17Polly, invite him.
48:19Invite me for what?
48:20Ada, we're talking business here.
48:22For whom?
48:23Shelby Foundation Dinner.
48:24Polly's going alone.
48:25You should go with her.
48:26Ada.
48:30I'll come to your studio on Sunday.
48:33And then we'll start.
48:54I want to keep you so
48:56You're the only story
48:58That I've never been told
49:00You're my dirty little secret
49:02I want to keep you so
49:05Come on out, come on over
49:07Help me forget
49:09Keep the walls from falling
49:11As they're tumbling in
49:13Come on out, come on over
49:15Help me forget
49:17Keep the walls from falling
49:19As they're tumbling in
49:22Keep the walls from falling
49:24As they're tumbling in
49:26This is love, this is love
49:28That I'm feeling
49:30This is love, this is love
49:32That I'm feeling
49:34This is love, this is love
49:36That I'm feeling
49:38She has confidence and self-respect.
49:51Hello, ma'am.
50:00Oh, hello.
50:03You are looking very beautiful.
50:08Hi.
50:12Hi.
50:19Hi.
50:20Tommy.
50:26Hello, Tommy.
50:27Hi, Danny.
50:28How's business, Tommy?
50:29It's going well.
50:30How are you?
50:31Do you know each other?
50:33I have a share in Cradley Heath's steel factory.
50:36Tommy helps me deliver my goods to the car makers.
50:40Congratulations, Mr. Shelby, on your wedding.
50:44It's strange that I didn't invite you.
50:46How would you like that?
50:49Oh, now the real party has begun.
50:52Who is he?
50:53John Hughes's father from St. Mary Boys Reformatory.
50:57And with him is Patrick Jarvis, MP.
51:00He is a member of an organization called Economic Lead.
51:05Did you invite him, Grace?
51:07I think I've heard his name before.
51:09I think Lord Mayor recommended him.
51:11Oh.
51:12The best people in the city are on your list.
51:15Do you know them?
51:16I'll introduce you to them, Tom.
51:18No, let it be, Danny.
51:19I'll go and meet them myself.
51:35I think I gave you a surprise.
51:37I'm used to it now.
51:41Ever since the Socialists came to Downing Street,
51:43they've been keeping an eye on us.
51:45We have to meet them in person.
51:47Come to Small Heath once in a while.
51:49I'll be able to welcome you better.
51:50They want to know about the weapons.
51:52And about the chains on the wheels.
51:54When the White Guards move towards Tbilisi,
51:56the road will be very bumpy.
51:59The chains are perfect for the snow.
52:01Or the wet ground.
52:02I've already got them parked in the cars.
52:04And one of the weapons fields is in a different BSA.
52:06It's for the Turkish Army.
52:08How are you going to put all this in the train to London?
52:10There's going to be a strike that night.
52:12All over the city.
52:13You'll have to stop the train twice.
52:15How?
52:16Two drivers will be involved in the strike in two different places.
52:21Yeah, that's fun.
52:23So the Communist Union will help the Whites get weapons.
52:26Yeah, yeah.
52:27It's fun, isn't it?
52:29I'm thinking ahead.
52:30I'm thinking about every possibility.
52:32And I'm trying to remember what's going on.
52:37The Russians want to check the cars.
52:40I'll give you the photographs.
52:43Duke has sent his niece.
52:45She's here.
52:47Take her to the factory tomorrow and show her everything.
52:50No.
52:51The Union conveners' factories are under surveillance.
52:55It won't be possible.
52:58Everything is possible, Mr. Shelby.
53:01You'll take her.
53:03You'll take her to this hotel at 10 o'clock.
53:07Like this.
53:08An empty-glass priest.
53:11Let's go back to the party.
53:15For your information, there's a hell.
53:18And there's another place under that hell.
53:22I'll remember everything.
53:25I won't say anything.
53:32Tommy.
53:34This is Duchess Tatiana Petrovna.
53:38Didn't you like meeting the real Duchess?
53:40Yeah, I know.
53:41She has a face too.
53:42Mr. Shelby.
53:43You didn't say it straight.
53:45It was too much.
53:47But it's true.
53:48I come to places like this for champagne.
53:51And where I get the attention of the Duchess again.
53:54You should have kissed my hand, Mr. Shelby.
53:56I'm sorry.
54:00She was asking about my boss.
54:02I thought I recognized him.
54:03She says he's Russian.
54:05My husband has a business with Russians.
54:07Do you know that?
54:08There's no business tonight.
54:10Then why did you go to the concert hall?
54:12Looks like people are ready for dinner, Grace.
54:14But I haven't finished getting my money.
54:16What is this money?
54:17This is what I do every day.
54:20I don't understand.
54:22I don't understand.
54:23What is this?
54:24This is what I do every day.
54:26Do you know each other?
54:29I've made a guest list.
54:31But I think my husband knows everyone.
54:33I heard you know him well.
54:35And where did a Duchess hear all this?
54:37There are some circles.
54:38Okay, enough.
54:39Ada.
54:40Grace.
54:41A lady dogger wants to talk to you about coffee mornings.
54:43She has also mentioned a donation of 2000 pounds.
54:46Tatiana, we'll talk later.
54:48I'll like it.
54:50It's not right to go to the factory tomorrow.
54:53It's okay.
54:54We'll go anyway.
54:56My uncle told me to seduce you so that we can benefit.
55:00But it will be difficult with such a beautiful wife.
55:03It's not right to go tomorrow.
55:04Didn't you hear?
55:05We don't have any rules.
55:06We are Russians.
55:07And we don't have brains.
55:08And no way.
55:10That's why I'll even come to your bed.
55:12What will you say about this?
55:14I don't think you should drink vodka with champagne.
55:17Does your wife know that the sapphire she's wearing is cursed by the gypsy?
55:26What did you say?
55:27No power in the world can make me wear that.
55:43Why are you standing there?
55:44Give this to me.
55:45Why are you standing there?
55:46We accept this deal.
55:47Grace, look at me.
55:48I want to talk to you.
55:49Grace, listen to me.
55:50Leave me.
55:51Look, don't try to make me understand.
55:54In the name of the majesty.
55:55In the name of the king.
55:56In the name of the king.
55:59You can eat now.
56:00Grace, you are looking very beautiful.
56:01But you have to remove this.
56:02Why?
56:03Because it will look better on her?
56:04Grace, look at me.
56:05Go to hell.
56:06Okay?
56:07Go to hell.
56:08I only care about you.
56:10You are my life, Grace.
56:13You are my life.
56:15You are my life.
56:22You are too much, Tommy Shelby.
56:37Shall we go inside?
56:38Yes.
56:40Let's go.
56:42This is for the angels.
56:45Let's go.
56:56Call the ambulance.
56:58Hurry up.
57:16Grace.
57:17Grace.
57:18Grace.
57:19Grace.
57:20Grace.
57:21Grace.
57:22Grace.
57:23Grace.
57:24Grace.
57:25Grace.
57:26Grace.
57:27Grace.
57:28Grace.
57:29Grace.
57:30Grace.
57:31Grace.
57:32Grace.
57:33Grace.
57:34Grace.
57:35Grace.
57:36Grace.
57:37Grace.
57:38Grace.
57:39Grace.
57:40Grace.
57:41Grace.
57:42Grace.
57:43Grace.
57:44Grace
57:45Grace.
57:46Grace.
57:47Grace.
57:48Grace.
57:49Grace.
57:50Grace.
57:51Grace.
57:52Grace.
57:53Grace.
57:57On the gathering storm comes a tall handsome man
58:02In a dusty black coat with a red right hand
58:14you