मुंबई, महाराष्ट्र: हाल ही में फिल्म चिड़िया की कास्ट ने IANS को एक एक्सक्लूसिव इंटरव्यू दिया, जिसमें उन्होंने फिल्म से जुड़ी कई खास बातें साझा कीं। अभिनेता विनय पाठक, अभिनेत्री अमृता सुभाष और निर्देशक मेहरान अमरोही ने फिल्म की कहानी, किरदारों और पर्दे के पीछे की मेहनत पर खुलकर चर्चा की। फिल्म चिड़िया एक दिल को छू जाने वाली कहानी है, जो उम्मीद, संघर्ष और भावनाओं से भरपूर है। इंटरव्यू में विनय पाठक ने बताया कि उन्होंने अपने किरदार में गहराई लाने के लिए काफी रिसर्च और मेहनत की। वहीं, अमृता सुभाष ने बताया कि उन्होंने अपने कैरेक्टर को असली ज़िंदगी से जोड़ने की कोशिश की जिससे वह दर्शकों को ज्यादा रिलेट कर सके।
#ChidiyaFilm #VinayPathak #AmrutaSubhash #MehranAmrohi #BollywoodCinema #EmotionalStory #IANSInterview #BehindTheScenes #FilmPromotion #RealLifeConnection #ActorTalks #HeartfeltMovie #IndianCinema #ActingExperience #FilmDiscussion #BollywoodUpdate #CinemaLovers #CharacterDepth #PowerfulStorytelling #HindiFilm
#ChidiyaFilm #VinayPathak #AmrutaSubhash #MehranAmrohi #BollywoodCinema #EmotionalStory #IANSInterview #BehindTheScenes #FilmPromotion #RealLifeConnection #ActorTalks #HeartfeltMovie #IndianCinema #ActingExperience #FilmDiscussion #BollywoodUpdate #CinemaLovers #CharacterDepth #PowerfulStorytelling #HindiFilm
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00:00First of all, massive congratulations for Chidya that's about to release in theatres.
00:04I would like to start off with the director, the captain of the ship, of course.
00:08When you set off to make this film, what were the initial thoughts, the germ of the film?
00:15What kind of process did you bring the world to the whole world?
00:17What kind of process did you bring the world to the end of the film?
00:19What was the process of end-to-end, from start to finish?
00:23You said, when I was writing this film, I was writing a lot of money.
00:28I was writing a lot of books for my life for many years.
00:33I was writing a lot because when I was writing a lot of books for Bombay,
00:36I was writing a lot about the culture, specifically if I talk to Chol,
00:39it was a very new thing for me.
00:41And if I was writing a new culture, if I was making a film for North India,
00:44I was writing a lot about that, but it was a lot of research for me.
00:51And for many days, I was writing a lot about the world to me.
00:55I was writing a lot about the world to me.
00:57So, when I was writing a lot about the work, it was a lot of books for me.
01:02It is difficult in terms of when you have a Vinaipath and Amrita Subhas
01:16like that, you can think about it.
01:19There are so many actors who have emotions and emotions every kind of thing.
01:26But when the story of the kids came, I had to find them for me.
01:31In Bombay, there will not be any children, when I auditioned,
01:39I didn't have auditioned. I auditioned almost more than 2,000 kids for this role.
01:45Finally, I got these two love for me.
01:49When I got to meet them, I got to be very easy.
01:51And then after that, I got to be very difficult for me.
01:54And when I wrote this film, I didn't write it.
02:02I was just thinking about the story.
02:04It might not be possible that it might not be possible.
02:07But there was a story.
02:10There was a story for me.
02:12My audience, I had to listen to my father.
02:15It was good for me.
02:17It was good for me.
02:19I was confident.
02:21It was a big thing for me that time.
02:31So, it was a big thing for me that time.
02:32And in fact, I also, when I responded to my father,
02:34I wanted to know my story.
02:36Of course, I have to share everything.
02:39And then, when I went to my father, everything was very easy for me.
02:41And then, when I went to my father, everything was very easy for me.
02:42And when I went to my father, everything was very easy for me.
02:43And the father helped me to make a film.
02:44Because when I was making a new film, I didn't assist anyone.
02:48So, of course, of course, I wanted to share everything.
02:51And then, when I went to my father, everything was very easy for me.
02:55And the father helped me to make a film very easy for me.
02:57And the father helped me to make a film.
02:59Because when I was making a new film, I didn't assist anyone.
03:04I didn't assist anyone.
03:05I didn't do any formal education for me.
03:07I didn't do any kind of college where I was making a film.
03:10But someone who would trust me to make a film more difficult.
03:13If I could help someone, I would be very easy.
03:17But, sir, I trusted him.
03:19And I wish I could keep that trust.
03:22Now, tell me, when the film is released,
03:24I have tried to make a trust that I have made a trust that I have never to break.
03:28And now, the film is coming.
03:31So, I assume that it would also be good.
03:35And Amritah Ji, what I really love about the motherly characters that you have played,
03:39is that she's very calculated.
03:41Where the love of the character I express her,
03:45Where the anger, where it gets tough,
03:48Where it gets tough,
03:49Where it gets tough with her.
03:50And then, the characters.
03:51When you chose this character,
03:52what was the pitching initially?
03:54What did you think of this pitching initially?
03:56Did you think of this pitching?
03:58Did you pitch it on the pitch?
04:00Did you pitch it on the notes or go down the top of the notes?
04:02Or did you find it on the minimum?
04:04What was the process of this?
04:05I would use for many most of the mother's characters I have done would be she's human
04:13or is ki shuruwaat mujha lagta hai chidiya se hui hai. After that I did Killa or Gully Boy.
04:19Usmei bhi jo maa hai na wo ek human being hai. Matlab usmei woh gussa bhi karte hai jase aapne kaha
04:26meri chidiya mein entry hai ki mein thappad maharati ho Shanu ko. And that was the most difficult
04:31thing for me to do because I'm very scared to hit kids. Matlab mehre se toh woh jhouti ho jata hai.
04:37Matlab heise khudi ghabrati ho. I don't she has no problem.
04:41Nahin woh bhiar. Fight sequence se hi mujhe. Or maa khane se bhi. Pahle hi yase ho jata hai.
04:48Matlab mujhe bhahat dar lagta hai. Toh ye jo maa hai woh uske sab se mujhe woh shuruwaat thi me.
04:55Because I was at that time that was one of the first mother's role I have done in my life I would say.
05:01Matlab meh ye sab aya hai baaki ke jo maine zikr kiya. Toh mujhe wohi achcha laga uska.
05:06Ki woh ekdem human being thi. Pyaar, kya kehette hai, no nonsense pyaar hai. Uska matlab.
05:13Aysa wala hai nii. Ki kahani bataati hai woh sabse piyara se. Pyaar sabse zyada woh joh dhikha rie ho.
05:20Joko kahani bataane wala ek scene hai uspe meh bhuwa ko kahani sunati ho. Otherwise she is also you know gareeb toh hai aur young hai. Pati chala gya hai.
05:32Achanak accident, rikshah chalata tha. So I assume that ki matlab kuch huwa hai. Sudden death hai. Toh sudden death jab ho jati hai.
05:41Or doh bachche jab hai aap. Aapko bade karne hai na. Toh aapko moorning ka bhi wakt nahi hain hain hain hain hain hain hain hain hain hain.
05:46Aap bas lak jate ho aur aap. Madab usse na aapke anndar kai bar thoda sa ho sakta. Thoda sa bitterness bhiya sakta hai.
05:54Ek aap edge pe ho. Hamishha aap edge pe ho. Because you are tense about your kids all the time.
05:59You are fighting the world basically. Exactly because joh kamane maala tha woh chala gya hai.
06:03Ab mein kaise karne wali hu. Mujhe lagta hai uske pahle toh woh ab toh usne wosilai wilai ka shuru kiya hai.
06:08Toh mujhe lagta hai she was not doing anything when her husband was alive. She was not earning.
06:13But now she is trying to just say hum ah ah sink ho raha hai toh aise se haat pair mar mar ke hum.
06:20We try your you try your best to just keep your you know. Kuch tarah se mein breathe karo aapne bacho ko ye karo.
06:27Toh vayse wali woh ek. Kahi bar meinne badlab agar udharan ke tawar pe na kahi bar.
06:32Jab ah minne se videos dekhe na ki bacho ke saath jab koji bhi animal.
06:37Nadi jab cross karre ho te toh bich bich mein woh mai na khud aise se karke unko bhi.
06:42You know us kinaare jana hai hume.
06:44Toh woh ek.
06:45Is maa mein woh sab hai.
06:47Eek animal hai.
06:48Kyunki eek.
06:49Jab aapka survival is at stake na.
06:51Toh kahi bar aapko woh softness ka afford nahi karte hai.
06:55You know.
06:56You know.
06:57Woh wali baat.
06:58Is me mujhe dekhya.
06:59Or woh mujhe bhoot.
07:00Chui.
07:01Uh huh.
07:02Uh huh.
07:03Uh huh.
07:04Uh huh.
07:05Uh huh.
07:06Uh huh.
07:07Uh huh.
07:08Uh huh.
07:09Uh huh.
07:10Uh huh.
07:11Uh huh.
07:12Uh huh.
07:13Uh huh.
07:14Uh huh.
07:15Uh huh.
07:16Uh huh.
07:17Uh huh.
07:18Uh huh.
07:19Uh huh.
07:20Uh huh.
07:21Uh huh.
07:22Uh huh.
07:23Uh huh.
07:24Uh huh.
07:25Uh huh.
07:26Uh huh.
07:27Uh huh.
07:28Uh huh.
07:29I have worked with the writers and the rawness that I like, but of course, the first thing would be content.
07:38So, when they heard the stories, I knew they could tell a story.
07:43My first narration remains very important for me.
07:48And I came to this film by Vinay.
07:51Because we did a film called Island City, which was not our work.
07:55But somehow, I think his work was very good.
07:59I have seen his work a lot.
08:01And then he suggested my name to Mehran.
08:05And Vinay suggested that I read a good script.
08:12So, I started working on that film.
08:18And Vinay said that he wrote that mail to you.
08:21And it kind of changed your life, if I may say so.
08:24Yes, absolutely.
08:25As a storyteller.
08:26Absolutely.
08:27When you opened your inbox and saw the mail, when you read through the idea,
08:33what went on in your mind?
08:35And when you met him, to extract more of the story from him,
08:41what was that like in the story or narration?
08:44Yeah.
08:45Yeah.
08:46So, that was a great thing.
08:47That was a great thing.
08:48That was a great thing.
08:49Thank you very much.
09:19Thank you very much.
09:49Thank you very much.
11:51I didn't write a story, but I didn't write a story in the film, it was just a story in the form of a story.
11:55The obvious thing is that when I started it in the film, in the screenplay,
11:58there will be some changes, visual cues will change,
12:00the lensing will change in the writing.
12:03How many re-writes have been from start to finish when it went on the floor?
12:08I am trying to do this today,
12:10if I am writing a story,
12:13I am trying to do this when I am writing,
12:16then I will not write a film.
12:18If I am writing a film,
12:20then I feel like it is a process.
12:23I feel like if I am writing a film,
12:26then I will give it a certain beginning,
12:28a particular end,
12:30there will be a particular middle point of the film.
12:33I don't want to write that way.
12:35I just want to write the script.
12:37We will see later on.
12:38Of course, when it is later on stage,
12:40we have to draft a lot of a draft.
12:42I also do this work,
12:44when I am writing a subject,
12:46I am trying to do this kind of subject.
12:50I am trying to think about it in the direction.
12:54When I was writing a film,
12:56I have seen a lot of films in the world.
12:58I have seen a lot of films in the world.
13:00I have seen a lot of films in the world.
13:02I have seen a lot of films in the world.
13:04Of course, we all have a big fan.
13:06Sure time, of course,
13:07haven't prepared me to do this.
13:09Of course,
13:10of course,
13:11it has made the años ل PhpantsVille Turimetச rescue movie.
13:13I got it Haas.
13:16That is my performance scene here.
13:17I think this is something I would love after.
13:19And I am on the way.
13:20Then there seems to be lots of movies to end that.
13:24That it'd be a long time.
13:26Since my mid-тьipper movie 그렇죠,
13:29it's is a movie about an young person and a young man.
13:30I would love to be able
13:32to record a film мечery today.
13:33Not for me.
13:34I don't even remember, but there were many, many, many drafts, and I gave a lot of time on the script.
13:41I almost wrote it for two years.
13:44Yes.
13:45And Amrita Ji, Amrita Ji and Vinay Sir both,
13:49both of you are very high.
13:51You are doing a lot of work.
13:54But when you have to act with children,
13:56as I understand, acting is all about how you react to your fellow artist.
14:00This is the question for both of you.
14:03When you work with children,
14:06does it keep you really on your toes?
14:08And does it make you very hyper aware of your surroundings?
14:10You can react to something in front of us.
14:12So, we should be able to get out of it.
14:15Is there anything that happens to you?
14:17Yes.
14:18I like it.
14:20As you said,
14:22there are mostly all my films with children.
14:25From my beginning,
14:27there are many films with children.
14:30I was lucky to have all the directors,
14:32whom I have worked with children,
14:33whom I have worked with children.
14:35He also knew how to deal,
14:36because how to deal with children,
14:37how to deal with children.
14:38So, if the director knows that,
14:41then every child is the best actor in the world.
14:44As you said,
14:45Innocence,
14:46he will react with the truth.
14:47That's the truth.
14:48That's the truth.
14:49That's the truth.
14:50That's the truth.
14:51That's the truth.
14:52That's the truth.
14:53I was lucky to have all the directors,
14:57whom I have worked with children.
14:59He also knew how to deal,
15:01because how to deal with children.
15:03So, if the director knows that,
15:07then every child is the best actor in the world.
15:10As you said,
15:11that is the truth.
15:12That's the truth.
15:13The truth.
15:14If the person is the best actor,
15:15he is the best actor.
15:16That's the truth.
15:17actually was a just a good guy
15:19a big girl
15:21a comfortable girl
15:23without observing
15:25many things
15:27that was a good
15:29that was a good
15:31and that was a good
15:33god
15:35you know
15:37happy go lucky types
15:39as you said
15:41I feel like
15:43concentration
15:45you know
15:47I feel like
15:49many children
15:51I feel like
15:53action
15:55and I feel like
15:57I feel like
15:59I feel like
16:01I feel like
16:03this is
16:05that last action
16:07until I have seen
16:09something that is going
16:11to be able to
16:13look at
16:15all of their children
16:17but the way
16:19they are coming
16:21what they will do
16:23I have tried my best
16:25I have tried my best because I think that when we were young, we were all these things.
16:34When we were young, we were all these things.
16:39I was lucky that Shanubuwa has taught me a lot.
16:44And Vanessa?
16:46Same, what she is saying is bang on.
16:49That working with children and animals is the most difficult shooting part especially.
17:00But if it works for you, it is also the most joyous part.
17:04If you have done right casting, you don't need to do acting.
17:15Because there is an instinct to react.
17:19You don't know how to do it.
17:25We were very lucky.
17:36We were very lucky.
17:38The man who also got so instinctive and so playful,
17:42who came a little bit more seriously than me,
17:45was also very, too serious.
17:47We were trying to do it as a little bit.
17:52We were playing since then.
17:53My baby was a little.
17:55It was very nice.
17:58And it was an intense effort.
18:00We were smoking in my bedroom too.
18:03So, when shooting at Pune, Tiffin came from home, and when we came from Tiffin, we would have two dogs like this.
18:12We would have left something in Tiffin, and we would have left something.
18:15You would have shown that I didn't give it to you.
18:17No, I didn't give it to you.
18:18No, but we would have to sit here and eat it.
18:21Do you remember that?
18:23Wherever anyone is eating, it was me like that.
18:26If anyone is eating anything, it will get tired of it.
18:29There was also a goal.
18:31If anyone is eating, I would have seen it.
18:35I would have seen it.
18:37I would have seen it.
18:39What are you eating?
18:40It's a dog eating.
18:42Our mother said that it was in my eyes.
18:46We were eating a lot.
18:51We were eating a lot.
18:53The children have made this film very special.
18:57It was a special one.
18:58And I think that Bua is a song.
18:59I am not working on it.
19:01Yeah.
19:02We are singing a song of the harmonics.
19:04And Bua has danced and it is not a song.
19:06That would be the one of us.
19:07We did not recreate it.
19:08No.
19:09No.
19:10That's the one that was done.
19:11That's the one that was done.
19:12No.
19:13That's the one that was done.
19:14What was it that was done?
19:15That's the one that was done.
19:16The one that was done.
19:17We didn't have choreographed.
19:18We didn't have choreographed.
19:19He is very instinctive.
19:29He is very instinctive.
19:32Yes, 100%.
19:34And my next question, Mehran says.
19:37Because you said that this story is based on a set.
19:42The space is very constructed.
19:44Logistically, it will be very difficult.
19:47From the logistical point of view,
19:54what challenges you faced me?
19:58During the shoot, it was a bit difficult.
20:02Technically, when we shoot a film,
20:06we can dub it.
20:08But I wanted to use a set of audio in the film.
20:14We used to sing sound.
20:17But I was shooting a live-in.
20:19There were 500-1000 people.
20:23They eat food.
20:25They watch TV.
20:27They watch cricket matches.
20:29There were only one sound.
20:31The sound of the song is being made.
20:32The sound of the song is being made.
20:34The sound of the song is being made.
20:36we have cut
20:38we have cut
20:40we have cut
20:42of course it was a little difficult
20:44but the reason
20:46sir, ma'am
20:48or all the other actors
20:50probably easily
20:52recreate that
20:54studio
20:56but for the children
20:58it is very difficult
21:00to think that
21:02particular shot
21:04we have to recreate it
21:06so this is why I didn't want to do it
21:08because it was a difficult
21:10but we all had to meet
21:12the difficulties
21:14but
21:16this is a challenge
21:18shooting
21:20because shooting
21:22it was a good time
21:24sir, ma'am, my producer
21:26all the people
21:28my DOP
21:30art, everyone
21:32they were very talented
21:34people
21:36actually
21:38we started our
21:39captain of the shape
21:40and all that
21:41I didn't understand
21:42today
21:43because I think
21:44all the work
21:45I think
21:46all the work
21:47is
21:48that
21:49a very beautiful team
21:50and then
21:51the work
21:52ended up
21:53because
21:54when
21:56people
21:57who
21:58had
22:00for men
22:02the
22:03the
22:04film
22:05they
22:06all
22:08come to the
22:09scene
22:10and
22:11the same
22:12thing
22:13that
22:14we
22:15need
22:16to have
22:17this
22:18shot
22:19It was just a moment to tell us that we want this particular feeling from the scene.
22:24When we were so talented people, like my co-writer Amida Verma Ji,
22:29or my co-dialogue writer Ganesh Pandey, he was a wonderful writer.
22:33He wrote films like Hitch, Balak-Balak.
22:36They were very good films.
22:38These people, my DOP, my production, everyone, all of them.
22:42Vikas Joshi, they were very good people.
22:45I was a captain of the ship or lead, nothing.
22:49Sir, go there and tell us, when he has to do something like this.
22:53Then he says, sir, they are very good people.
22:56Basically, they are the captain of the ship.
22:58I was just sitting on my monitor and enjoying it.
23:02I used to come to these people.
23:05I used to come to them.
23:07I used to come to them.
23:09It was a very good experience.
23:10I enjoyed shooting.
23:12You mentioned this one thing.
23:14The sound basically was a challenge for you.
23:16After shooting was finished,
23:18when your sound director or sound engineer,
23:20when you were taking room tone,
23:22what kind of greater depth did you do?
23:25Sir, because you have asked a lot of technical questions,
23:27I will try to answer it as well.
23:31When we wanted to do sound,
23:33my sound designer, Shahab Alam,
23:35he is a very good sound designer.
23:36He has done a lot of films.
23:37He has done a lot of films.
23:39We had a lot of preparation for them.
23:43We had set him on the set.
23:45I used to sit with my DOP,
23:48with my sound,
23:49with my production.
23:50Everyone.
23:52And we probably knew everything about that.
23:55We had to leave set on the set.
23:59It is on sound designer that when the room tone should be decided, even before going to the set.
24:19For example, in this particular scene, we have 10 shots.
24:22It is on DOP that which shot should be taken first.
24:25It is on sound designer that when the room tone should be taken first.
24:28It is on sound designer.
24:30The technique was good.
24:31When everyone was in the set, they would record it in the night.
24:36They would record it in the night and record it in the night.
24:41It is on film.
24:45But we enjoy it when we watch the film.
24:48That was there.
24:49The team was good.
24:51Again, I am saying that it was good.
24:54It is on film.
24:55It is on film.
24:56It is on film.
24:57It is on film.
24:58It is on film.
24:59It is on film.
25:00It is on film.
25:01It is on film.
25:02It is on film.
25:03It is on film.
25:05It is on film.
25:06It is on film.
25:07You have a trust.
25:08Your team has longed for people.
25:09If you want to research a lot in there, the way you want to do it.
25:11But, when the team is a друг, you will trust them.
25:14化 it.
25:15The trust is on the team.
25:17It also uts a great place and it makes sense.
25:20I think that the film is fine.
25:22I think that my film is fine.
25:25When it will release and you will see it,
25:27we will tell you how it will take you.