00:00signal
00:01on my car
00:02and
00:03people
00:04saw me
00:05so I was very
00:06beautiful
00:07and
00:08so I was
00:09looking for
00:10acting
00:11and
00:12I was
00:13happy
00:14but
00:15the
00:17masses
00:18are
00:19intellectual
00:20or philosophy
00:21they don't
00:22understand
00:23they need
00:24physical
00:25level
00:26when
00:27I
00:28stood
00:30and
00:31I was
00:32scared
00:33and
00:34I was
00:35scared
00:36that
00:37I was
00:38afraid
00:39that
00:40I had
00:41a
00:42story
00:43in
00:441982
00:45and
00:46I was
00:47in
00:48the
00:49film industry
00:50I was
00:51playing
00:52by
00:53and
00:54I was
00:55making
00:56and he had written a script in the Ardhsatya.
01:02So, he suggested that this is the role of Rama Shetty,
01:11that you should take the role of Sabashivji.
01:14And he told me,
01:17who I suggest,
01:20I will not take the director.
01:24But I don't know if I will take it or not.
01:28But, Govind Ji took me from the moment,
01:33and then I came to the Ardhsatya.
01:37After that, I came to the film industry.
01:40Sabashivji, tell me something.
01:42How much does your film life influence your personal life?
01:46The film line of my personal life,
01:51which is my life,
01:53has no effect on me.
01:55So, when we come to the house,
02:02I keep my profession outside of my home.
02:07After that,
02:09I become a Marathia.
02:12And the film industry,
02:17I will leave it on the set.
02:21So,
02:23because it is my profession,
02:27the film's the family,
02:28because,
02:29I used to be a country.
02:31That's right.
02:32So,
02:33I'm very proud of my family,
02:34they've got you,
02:35I'm not a volunteer in my home,
02:36it's an interview.
02:37So,
02:38I've been working on a police room,
02:40and I'm,
02:41you know,
02:42you know,
02:43I don't know what to do.
02:44Well,
02:45I've been taught you,
02:46that I've had to learn a career,
02:47but I think I'm going to lose my mind when I'm going to be the right person.
02:54I will not lose my mind when I have a bad person.
03:01or when I have a bad person, I will not lose my mind.
03:07I will not lose my mind when I am in my head.
03:14you have seen recent films, so how long has it been on your own, how long has it been on your own?
03:24No, it's not. I have seen very few films of myself.
03:29I have seen 3-4 films that I have seen before.
03:34I have seen it before, and then I have seen it before.
03:39I have seen a few films.
03:44People can tell exactly what they have seen in theatre.
03:49When my character comes, what do they think?
03:53Who can react?
03:54People tell me, I can imagine, but I have the experience of myself.
04:04क्योंकि 25 साल how Does your
04:22with who are acting or acting will react.
04:27This is one of the ideas that you will not have to do.
04:32When you have to react to the time, you will be able to act if you have to react to the
04:40camera.
04:41If someone has said that it's not the reaction to me, then I will try to watch.
04:49But today, I have been able to understand and understand and understand and have been
04:56very close to acting and I have been aware of the time and the reaction I have come from
05:03that way.
05:04That way, I am very confident.
05:06Because if I am not able to do this, I will not have any benefit.
05:14Tell me something, your performance which has been very appreciated by the masses,
05:19how have the people reacted and how have you interacted with them?
05:29People interact, like I was going to Kali,
05:33my car was on the signal and some people saw me.
05:40There was a very beautiful young man who was wearing a bunion.
05:46He started acting and started acting on me.
05:51I got a lot of anger.
05:53I got a lot of anger.
05:55I said, this is good or bad, I don't know.
06:01But one thing came to me is that people strongly react.
06:06The problem is that if we react to our acting,
06:13it is good to be a good place to react.
06:19But this reaction is always the same.
06:24That means, when we go to the signal,
06:29when we go to the outdoor location,
06:31there are a lot of people react.
06:35Where our film,
06:37we call it,
06:39we call it,
06:40we call it,
06:41we call it,
06:42we call it,
06:43we call it,
06:45we call it,
06:47we call it,
06:48We call it,
06:50and then we call it.
06:51This is the cure for the reaction,
06:53the Pure czarer's reaction.
06:54The reaction,
06:55we call it,
06:56but it is not too much.
06:57Well,
06:58we call it,
06:59but it's not too much.
07:00It's a very bad thing.
07:01When the reaction is not,
07:02it's a lot too much,
07:03for the things that people don't find out.
07:04Manorengen for the time pass, the time passes for the day-to-day
07:09and the tension of the day-to-day.
07:12Manorengen for the film is not the case of Manorengen.
07:16People want, they want, they want, they want,
07:20they want, they want, they want, they want.
07:22They want, they want, they want, they want.
07:25Because I have done so-called art film,
07:29and in commercial films,
07:32I want to say that
07:36art film is very easy.
07:40Intellectual people are very easy.
07:44A good interior decorator
07:47you can create a beautiful,
07:50which is realistic.
07:52Women sleep can talk,
07:54or problems can talk.
08:00Today, the world,
08:02we can talk about social media,
08:04psychology,
08:06and people are happy.
08:08But the masses,
08:10which are made of commercial films,
08:12the masses, or intellectual,
08:14or philosophy,
08:15we don't understand.
08:16It is important to be a physical level.
08:18We need to be a physical level.
08:20We need everything.
08:21The mother said
08:27to mother to be aware.
08:28And the daddy,
08:29the mother brought up the cashier,
08:30the people who need to pull out the things,
08:31the people who treat us,
08:32the people who kill us,
08:34the people at that,
08:37these people who treat us as well,
08:38They know exactly what the bad is and what the bad is.
08:42So, to be happy and to be happy, to be happy, this is a very difficult task.
08:50Life at home. Basically, what are your likes, dislikes and what do you fear most?
08:58Is there something that you feel scared?
09:01You are a very tough villain on screen.
09:08In my house, I am very simple.
09:12I am a vegetarian.
09:15I am a very common man and I want to live there.
09:31The fear is only one thing.
09:34When I first sat in the car, I was afraid that I was afraid.
09:42After that, I will never sit on the car in my life.
09:47If you have a car, I will stay away from the car.
09:51The fear of the film industry has given me a car.
09:55What happened to the car?
09:57It was a long time for me to listen.
09:59The reason why I am not living.
10:03I don't know why I was an engineer,
10:05I felt like a suicide scene.
10:07I was thinking to do something else.
10:08You are not living with a car in my house.
10:10I do not have an experience to thank you.
10:12and I didn't have any experience and I didn't have anything to do with horse riding.
10:21And when they told me that you have to sit on the ground,
10:25then I felt very easy to sit on the ground.
10:29I felt very easy to sit on the ground and sit on the ground,
10:32so I felt very lightly.
10:35But Anil said,
10:36I felt very easy to sit on the ground and sit on the ground and sit on the ground.
10:48Then I felt very insecure.
10:53But it's not something that's very simple.
10:57It's very easy to do.
10:59I was like,
11:00I have some kind of problems,
11:01but I have to do it like this.
11:03And I started to do it like this.
11:06I was very confident.
11:08But I was very conscious.
11:09After playing that,
11:10when he was running away,
11:11I felt very difficult if he didn't go there.
11:13And then I started to do it like that.
11:16And when he was the right thing,
11:18the other thing is not the right thing.
11:20And I didn't have to stop it.
11:22But I didn't get it.
11:24I didn't get it.
11:25And for a half hours, particularly in 35 minutes, I was on the goda,
11:32which was my condition.
11:34I didn't get it.
11:36I didn't get it.
11:37I didn't get it.
11:38I said, first of all, I'll be back.
11:40And after that, I changed the sequence completely.
11:43Anil was on the Jeep.
11:45But first of all, I felt that my confidence was broken.
11:51And it wasn't today.
11:53When your family watches you being beaten up by the hero
11:59or a particular character that you're doing,
12:02like, for example, Maharani in Sadak,
12:04what was their reaction to it?
12:06Now, my big girl,
12:09she thinks that my father is acting.
12:13She has made this character paint.
12:16She can't get away from it.
12:19But my two little children,
12:22they love me.
12:24They love me.
12:25They love me.
12:26They love me.
12:27They love me.
12:28They love me.
12:29They love me.
12:30They love me.
12:31They love me.
12:32They love me.
12:34They love me.
12:35They love me.
12:36They love me.
12:37They love me.
12:38They love me.
12:39They love me.
12:40They love me.
12:41They love me.
12:42They love me.
12:43They love me.
12:44They love me.
12:45They love me.
12:46They love me.
12:47They love me.
12:49They love me.
12:50One day,
12:52they love me,
12:54he is.
12:55This is why,
12:57you miss your class.
12:59My girlfriend,
13:00you miss I make my childhood,
13:02the story upon the other day.
13:04My girlfriend is being told
13:07that you will not be the ledger.
13:09Don't do that.
13:10What was your reaction to your Mrs.?
13:16No, she should ask her.
13:19After asking the reaction to me, this is a very different thing.
13:26If someone comes spontaneously, I will listen.
13:29But I don't ask anyone what reaction is.
13:32That's it.
13:34Okay.
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