EL ARCA DE ORO (Pot O'Gold, 1941, Full Movie, Spanish, Cinetel) HD
Category
🎥
Short filmTranscript
00:00:00The Arc de Oro.
00:01:00James Hamilton Haskell, Musical Instruments.
00:01:16Hello, Mrs. Simmons. Hello, Mary.
00:01:19Hello, Mr. Haskell.
00:01:20I've brought you your shirts.
00:01:22Thank you very much.
00:01:24It's the least I can do to let Mary come and practice.
00:01:28It doesn't matter.
00:01:30How is she doing?
00:01:31Don't stop encouraging her. If she keeps practicing like this, she'll be very, very good.
00:01:35I'll be back in an hour.
00:01:37I'll take care of her.
00:01:39Get to work, Mary.
00:01:45Mary, can you play me a A?
00:01:57That's it. Good. Thank you.
00:02:04Jimmy, when will you bring new records?
00:02:13What for? You haven't exhausted the old ones yet.
00:02:16It won't take long.
00:02:19Hello, Tommy.
00:02:20Some eggs for our last class, Jimmy. I'll bring you the bacon tomorrow.
00:02:24Very good. Take the trombone. I think you left the scores there.
00:02:54Uncle Charlie, I'm so glad to see you.
00:03:14Hi, Jimmy. I'm glad to see you, too.
00:03:16What a surprise. What brings you to this remote corner of the world?
00:03:19I've come to see you because you didn't take the trouble to answer my letter.
00:03:24Your letter? Oh, yes. I needed time to think, but come in, Uncle Charlie.
00:03:32I wrote to you. I wrote to you three months ago.
00:03:37Yes? So long?
00:03:38Well, you know how things are when you're very busy.
00:03:42And you have to change the oil every thousand kilometers.
00:03:49That's it.
00:03:52Jimmy, Jimmy, I've come to see you to talk to you about an important matter.
00:03:57All right, go ahead. I'm listening.
00:04:00Can we go somewhere where you don't hear this hellish noise?
00:04:05Oh, yes, yes, of course. We can go to my room.
00:04:07Where is it?
00:04:08Right there.
00:04:13All right.
00:04:16Oh, no, no, no, no, no. Not in that chair, Uncle Charlie.
00:04:18It needs to be fixed. They changed it for a second-hand clarinet.
00:04:23Jimmy, I'm not going to beat around the bush.
00:04:27As you know, you and I haven't been very close.
00:04:30And after all, we're the last Haskells.
00:04:33Is that so important?
00:04:35For me, yes. I want the Haskells to stay connected to the food business.
00:04:39Yes, well, I know what you're thinking, Uncle Charlie,
00:04:41but I want it to stay connected to the music business.
00:04:44I'm talking about important business.
00:04:47Don't you realize?
00:04:49I need you, Jimmy.
00:04:51One day, everything I have will be yours.
00:04:55But I assure you that you will have nothing
00:04:57if you try to waste your life in this place,
00:05:00in this little town.
00:05:04I like it here.
00:05:06Dad was happy here.
00:05:09Oh, I never understood my brother.
00:05:12And I warned him when he opened this place that it would never be successful.
00:05:16Well, it was a failure that was successful for 25 years.
00:05:19It's not bad.
00:05:21If he had listened to me, he would have become rich.
00:05:25But no. And what did he have when he died?
00:05:28The best funeral he's ever seen in the city.
00:05:30There was no one missing.
00:05:32Did everyone owe him money?
00:05:34Maybe that's why.
00:05:36Dad had a wonderful life.
00:05:38He enjoyed hunting, fishing, music.
00:05:41Music.
00:05:43You know, he talked a lot about you.
00:05:46Oh, yeah?
00:05:48I think you always made him a little sad.
00:05:50What made him sad?
00:05:52Because life gave you nothing but money.
00:05:55And if it were so?
00:05:57Since when is it a crime to make money?
00:05:59Since when? No, I'm not going to argue with you.
00:06:02No way. I don't want to get mad.
00:06:04No, sir.
00:06:06Jimmy.
00:06:07Jimmy.
00:06:09Uncle, I'm sorry.
00:06:11Don't hit him, Jimmy. He's an old man.
00:06:13The chair has broken.
00:06:15Did you hurt yourself, Uncle Charlie?
00:06:17Don't worry about me.
00:06:19Can I talk to you?
00:06:21Yes, but let's go.
00:06:23Excuse me for a moment, Uncle Charlie.
00:06:26I have bad news for you, Jimmy.
00:06:28What is it, Dad?
00:06:30I'll have to close the store if you don't get some money.
00:06:33Oh.
00:06:35Well, you'll have to do it.
00:06:37Unless, all of a sudden, the eggs cost $500 a dozen.
00:06:41Look for the money.
00:06:43I'll delay it as much as I can.
00:06:45All right. Thank you, Dad.
00:06:50Oh.
00:06:52I wanted to talk to an agent.
00:06:54They want to buy some instruments.
00:06:56It's Sherry, isn't it?
00:06:58How do you know?
00:07:00I knew his father.
00:07:02Once I saw how he gave some documents to your father.
00:07:04Yes.
00:07:06Well, Jimmy, what do you say?
00:07:08Chase the rainbow or come with me?
00:07:10I can put a bow full of real gold at your fingertips.
00:07:12Well, I...
00:07:14Wait a minute.
00:07:16It's a good idea for my radio show tomorrow night.
00:07:18You'll have heard my hour of happiness.
00:07:20Of course, everyone has heard it.
00:07:22Have you ever?
00:07:24Listen.
00:07:26The clouds that tomorrow will bathe
00:07:28will leave sooner or later.
00:07:30There's always a bow of gold at the end of the rainbow.
00:07:33This is a good traditional philosophy.
00:07:36My God.
00:07:38Well, now I have to go.
00:07:40What are you going to do?
00:07:42Well, the truth is, Uncle Charlie,
00:07:44if...
00:07:46if a miracle doesn't happen in the next few days,
00:07:48I think I'm going to fall from the rainbow.
00:07:50Good.
00:07:52And I'll land on the bow.
00:08:00Healthy food, Haskel.
00:08:02What was I saying?
00:08:04And besides...
00:08:06And besides, I don't see any reason to change...
00:08:08What was I saying?
00:08:10And besides...
00:08:12And besides, I don't see any reason to change
00:08:14the air pumps we use
00:08:16to inflate our rice and other cereals.
00:08:20Our air pumps are completely silent devices.
00:08:24Therefore, I suggest that...
00:08:28And I start that band again.
00:08:32Oh, my God.
00:08:34Oh, my God.
00:08:44How am I going to focus on the business
00:08:46with that noise day after day?
00:08:48Tam-tams, jungle screams,
00:08:50are a threat to health.
00:08:52What was I saying?
00:08:54Tam-tams and jungle screams.
00:08:56No, no, but it's the truth.
00:08:58The Van Corkers have put that band in their house
00:09:00to annoy me.
00:09:02And that's why they ignore all my protests.
00:09:04I think it's a new band, just created.
00:09:06Who wants a new band?
00:09:08Go and create them in some cave.
00:09:12I'll finish this once and for all.
00:09:20Hey, you!
00:09:24You!
00:09:26Hey!
00:09:28Listen!
00:09:30What's wrong with you?
00:09:32Stop making that hellish noise
00:09:34or I'll make you do it.
00:09:36Yes, don't tell me.
00:09:38You and who else?
00:09:40The police.
00:09:42I'm going to have that gang of vandals
00:09:44put in jail for disturbing public order.
00:09:46And we disturb public order?
00:09:50And what do you tell me
00:09:52about your damn explosions day and night?
00:09:54I guess they're not
00:09:56the most pleasant things,
00:09:58no, you piece of chimpanzee?
00:10:00Those explosions are a business
00:10:02and we're used to it.
00:10:04The band is too.
00:10:06And you'll have to get used to it
00:10:08or worse for you.
00:10:10I'll get an order.
00:10:12Yes, really?
00:10:14Listen to me, you heartless bastard.
00:10:16For years I've tried by all means
00:10:18to sell my house
00:10:20to expand your factory.
00:10:22But I'm not going to sell it, Haskell,
00:10:24and not at your price.
00:10:26I'll do it if you think you can get rid of our band.
00:10:28Wait and see.
00:10:30You'll see.
00:10:36Go ahead.
00:10:38Hit me with all your strength.
00:10:40Haskell, go get Haskell.
00:10:42Haskell!
00:10:44Haskell!
00:10:46Come on, don't just stand there like a fool.
00:10:48I have to do it all, Haskell.
00:10:50Haskell!
00:10:52Are you looking for me, CJ?
00:10:54You're not here when I need you.
00:10:56The police are on their way.
00:10:58The police?
00:11:00And the army, if necessary.
00:11:02This is the last time Mrs. McCorkle insults me.
00:11:04She's said that before.
00:11:06Yes, I know, but this time she's serious.
00:11:08That band is driving me crazy.
00:11:10That's true.
00:11:12Haskell, arrest them.
00:11:14I'm on it.
00:11:24Hi, Sy.
00:11:26What's a-cookin'?
00:11:28Hi, Sy. How's she lookin'?
00:11:30Life will be as sweet as can be
00:11:32if I can find a cookie that you're lookin' for me.
00:11:34Hi, Sy.
00:11:36I'm doin' it all day,
00:11:38doin' it like it's high to the moon.
00:11:40All day long, I wash it and dry it
00:11:42to bring my little cookie out away from Shanghai.
00:11:44It shines for you.
00:11:46Ten cents of private revenue.
00:11:48Your dog will get a real shampoo.
00:11:50The real magoo.
00:11:52Raspberries!
00:12:14Are the apples good?
00:12:16They're the same ones I sell to the Ritz.
00:12:18The McCorkles will like them.
00:12:20Have dinner.
00:12:22Here, Willie.
00:12:24You think I'm a loader?
00:12:28Anything else, Mrs. Molly?
00:12:30No, thanks.
00:12:32Here, you idiot.
00:12:34Take it.
00:12:38Let's go.
00:12:42Can't you carry a few packages without complaining?
00:12:44Yes, I don't mind carrying them.
00:12:46Wow, who are you?
00:12:48The boy who carries the packages.
00:12:52I thought my brother Willie was behind me.
00:12:54No, he was in front of you.
00:12:56I'm so sorry.
00:12:58He must have been taken by surprise.
00:13:00I suppose life in the big cities
00:13:02is made of surprises.
00:13:04Like what?
00:13:06For example, a music band that plays in the heights
00:13:08in broad daylight.
00:13:10It comes from our roof.
00:13:12From your roof?
00:13:14The band will play up there until we find work.
00:13:16My sister Donna and I sing.
00:13:18My brother plays and my mother feeds us.
00:13:20It must be a great band.
00:13:22Not everyone here has the same opinion.
00:13:24Don't tell me the neighbors are complaining.
00:13:26No, the neighbors.
00:13:30We have problems.
00:13:34Mrs. McCorkle, as you can see, I have come with the law.
00:13:36To protect you?
00:13:38Of course not.
00:13:40To give you one last warning.
00:13:42That music must stop playing once and for all.
00:13:44What do you want this time?
00:13:48Nothing violent, officer.
00:13:52Hi, Mom.
00:13:54What a company, Mac.
00:13:56I'm here to give you one last warning.
00:13:58Really? Don't tell me.
00:14:00Yes, that band has to go.
00:14:02It's disturbing the peace of the whole neighborhood.
00:14:04Of the whole neighborhood?
00:14:06Does it bother you, Mrs. McCorkle?
00:14:08Not me. It makes me feel young.
00:14:10The whole neighborhood, huh?
00:14:12How are you, Mrs. Sweeney?
00:14:14I'm fine.
00:14:16My husband doesn't scream when he hears music.
00:14:18The same old thing.
00:14:20A bunch of thugs.
00:14:22Ruffians.
00:14:24All right, go back to your den
00:14:26and tell old Haskell what you heard.
00:14:28Let's go.
00:14:30What's going on here?
00:14:32You know the enmity between the Hatfields and the McCoys, right?
00:14:34Yes.
00:14:36Well, this is the same between the McCorkles and the Haskells.
00:14:38What? Who?
00:14:40Let me go!
00:14:42What are you doing?
00:14:44Looking for a good tomato.
00:14:46My hat! Don't touch my hat!
00:14:48Step aside.
00:14:50No, wait, wait, wait.
00:14:52You could fail.
00:14:54Get down.
00:15:00Now.
00:15:02Step aside.
00:15:04I've made a mistake as a man.
00:15:06Not at all.
00:15:08Run.
00:15:10But wait.
00:15:12Let's go.
00:15:14What's going on?
00:15:16Oh, it's blood.
00:15:18They shot me.
00:15:20Are you all right, CJ?
00:15:22No, I'm not.
00:15:24Call an ambulance.
00:15:26But it's not blood, CJ.
00:15:28It's not blood?
00:15:30Then what is it?
00:15:32Tomato, CJ.
00:15:34Someone threw a tomato at you.
00:15:36Phew.
00:15:38You know all the shortcuts around here.
00:15:40I would have arrived earlier if I hadn't had to wait for you.
00:15:42I didn't want to ask you to take my suitcase.
00:15:48Take a bite, hero.
00:15:50It's all I have.
00:15:52Thank you. Hero? Me?
00:15:54Of course.
00:15:56Maybe they'll lift a statue of you while you throw the tomato.
00:15:58Like the one in the disco ball.
00:16:00It was an accident.
00:16:02An accident?
00:16:04That's great.
00:16:06If you only knew how much everyone hates old Haskell.
00:16:08Yes, why?
00:16:10Why? I could give you a reason for every dollar he has in the bank.
00:16:12You know he wanted to kick us out of our house
00:16:14because he doesn't like music?
00:16:16What a bastard, isn't he?
00:16:18Yes.
00:16:20Believe me, the name Haskell is like the poison in this neighborhood.
00:16:22Yes?
00:16:26Well.
00:16:28I have to go.
00:16:30Why are you in such a hurry?
00:16:32I have to find a place to live.
00:16:34I was hoping I could go to a relative's house,
00:16:36but now I don't think it's a good idea.
00:16:38If you don't mind the continuous activity,
00:16:40you could stay here.
00:16:42Hey, Molly.
00:16:44What's going on here?
00:16:46Who are you and what do you want?
00:16:48I'm looking for a place to live, Mom.
00:16:50Oh, are you also in the band or are you going to pay me some rent?
00:16:52Mom, it's the guy who gave Mr. Haskell the tomato.
00:16:54God bless you.
00:16:58Honey, why didn't you tell me?
00:17:00It was you, wasn't it?
00:17:02Hey, young man.
00:17:04You don't have to look for more.
00:17:06You'll live here with us.
00:17:08Give me the suitcase.
00:17:10You're very kind.
00:17:12I'm going to install you in the best room in the house,
00:17:14even if you can't pay for it.
00:17:16Come on, give me the suitcase.
00:17:18I'll take it.
00:17:20Willie!
00:17:22I was looking for you, Molly.
00:17:24I've finished the arrangements.
00:17:26Willie, I want you to put this suitcase in the car.
00:17:28I'll do it.
00:17:30Stop grumbling and get in the car.
00:17:32Let me see it.
00:17:34The changes are great.
00:17:36Put Frankie aside.
00:17:38Let's go, guys.
00:17:58He plays a song
00:18:00All the kids will never fail him
00:18:02They sing a song
00:18:04Along with the pipe
00:18:08People gather round when they hear the sound
00:18:10The camels are coming, hooray, hooray
00:18:12When their lively feet
00:18:14Catch the piper's beat
00:18:16They start to sway
00:18:18And then it isn't long
00:18:20Till all the folks
00:18:22Are dancing, their hearts are gay
00:18:24When he will play
00:18:26Them a song
00:18:28When he's done all that
00:18:30They pass the hat for fascinating
00:18:32Pete the Piper Man
00:18:56Pete the Piper Man
00:18:58Pete the Piper Man
00:19:00Pete the Piper Man
00:19:02Pete the Piper Man
00:19:16Sorry, I didn't mean to interrupt.
00:19:18Come on, guys.
00:19:20Really, I didn't mean to interrupt.
00:19:22Silence.
00:19:24Can you read music?
00:19:26Of course.
00:19:28Play it like this.
00:19:30Me?
00:19:32Put yourself there.
00:19:34Let's go, Frankie.
00:19:50People gather round
00:19:52When they hear the sound
00:20:10People gather round
00:20:12When they hear the sound
00:20:14The camels are coming, hooray, hooray
00:20:16Now it won't be long
00:20:18Till all the folks
00:20:20Are dancing, their hearts are gay
00:20:22When he will play
00:20:24Them a song
00:20:26When he's done all that
00:20:28They pass the hat for fascinating
00:20:30Pete the Piper Man
00:20:44Pete the Piper Man
00:21:14Pete the Piper Man
00:21:16Pete the Piper Man
00:21:18Pete the Piper Man
00:21:20Pete the Piper Man
00:21:22Pete the Piper Man
00:21:24Pete the Piper Man
00:21:26Pete the Piper Man
00:21:28Pete the Piper Man
00:21:30Pete the Piper Man
00:21:32Pete the Piper Man
00:21:34Pete the Piper Man
00:21:36Pete the Piper Man
00:21:38Pete the Piper Man
00:21:40Pete the Piper Man
00:21:42Pete the Piper Man
00:21:44Pete the Piper Man
00:21:46Pete the Piper Man
00:21:48Pete the Piper Man
00:21:50Pete the Piper Man
00:21:52Pete the Piper Man
00:21:54Pete the Piper Man
00:21:56Pete the Piper Man
00:21:58Pete the Piper Man
00:22:00Pete the Piper Man
00:22:02Pete the Piper Man
00:22:04Pete the Piper Man
00:22:06Pete the Piper Man
00:22:08Pete the Piper Man
00:22:10Pete the Piper Man
00:22:12Pete the Piper Man
00:22:14Pete the Piper Man
00:22:16Pete the Piper Man
00:22:18Pete the Piper Man
00:22:20Pete the Piper Man
00:22:22Pete the Piper Man
00:22:24Pete the Piper Man
00:22:26Pete the Piper Man
00:22:28Pete the Piper Man
00:22:30Pete the Piper Man
00:22:32Pete the Piper Man
00:22:34Pete the Piper Man
00:22:36Pete the Piper Man
00:22:38Wait, Greddy!
00:22:42Wouldn't you like to give me a slap before you go?
00:22:45No, no, no, it doesn't matter.
00:22:47I've had a great time and I've had a lot of fun running with you.
00:22:51If I can get rid of this one, I hope to come back here sometime.
00:22:56And thank you for the bun. It was very good.
00:23:03Let's go, Greddy.
00:23:05Yes, let's go.
00:23:09Next case.
00:23:12Wait a minute, Judge, we're here.
00:23:14Molly, where are you? Come on, it's going to start.
00:23:17Order, order in the room.
00:23:20Mary McCorkle, sit down.
00:23:23Hey, Mike, you don't want to give the important ones to me.
00:23:27Sit down.
00:23:31Let's see what the case is about.
00:23:34What's your name, young man?
00:23:37My name?
00:23:38I'd prefer your real name.
00:23:45My name is James Hamilton.
00:23:49James Hamilton. Write that down.
00:23:52And where does James Hamilton live?
00:23:55With us, in my house.
00:23:57419 63rd Street.
00:24:00And tell me, James, under what circumstances did you break the law?
00:24:08I threw a tomato.
00:24:13He's too modest.
00:24:15He threw a tomato and hit the old Haskell in the face.
00:24:19Really?
00:24:24Where were we?
00:24:26I just threw a tomato.
00:24:28Yes, yes, yes.
00:24:31Now tell me, Jimmy, young man,
00:24:34did you deliberately throw a tomato at Mr. Haskell?
00:24:41Well...
00:24:42Let's say the defendant refuses to answer,
00:24:45claiming that the answer could go against him.
00:24:48Blessed be you, Mike, you do know about the law.
00:24:51Having evaluated the facts,
00:24:53the court decides that the case is dismissed
00:24:57and that the defendant is released on bail,
00:25:01assuming that someone can pay for it.
00:25:03We have $200. Is that enough?
00:25:06That's exactly the sum the court had in mind.
00:25:10Who has it?
00:25:11Me, ma'am.
00:25:12The secretary will take care of it.
00:25:17Next case.
00:25:18Thank you, Mike.
00:25:19Step aside.
00:25:21Let me through.
00:25:22Don't push me.
00:25:23I'm not pushing you.
00:25:26What are you doing?
00:25:27Double pneumonia is coming.
00:25:29Open the windows.
00:25:31It smells like rotten tomatoes.
00:25:34Very funny, Mrs. McCorkle, very funny.
00:25:37I wish you were the one who threw that tomato at me.
00:25:40I agree.
00:25:41I would have put a stone in it.
00:25:43Yes, really?
00:25:44Well, you know what?
00:25:49Proceed with the case.
00:25:51I'm here.
00:25:52Where is the man who attacked me?
00:25:54If you don't mind taking this case,
00:25:56I don't need your advice.
00:25:58Well said, Mike.
00:26:02Let's go.
00:26:15Move it.
00:26:16Get in.
00:26:22All right, let's go, Eddie.
00:26:24Let's go.
00:26:49That's not enough, Mike.
00:26:51Silence.
00:26:52This is an outrage.
00:26:54It's a mockery of justice.
00:26:56Fifty bullets or fifty days.
00:26:58What?
00:26:59Decide.
00:27:00For fifty, it's worth saying what I think.
00:27:02And for a hundred, too.
00:27:03Very well.
00:27:04But wait for the elections.
00:27:07Wait for what?
00:27:09I'm waiting.
00:27:10For what?
00:27:13Ma'am, I don't seem to have any money on me.
00:27:17Something like that, take it.
00:27:18You can't do this to me.
00:27:19The hearing is adjourned.
00:27:21You can't do this to me.
00:27:23I saw the Lord at work,
00:27:27and He came.
00:27:31He'll redeem me
00:27:38by the blood of my...
00:27:47Yeah!
00:27:48Bravo!
00:27:49Yeah, that's good.
00:27:50Oh, yeah.
00:27:51Very good.
00:27:52Listen to me.
00:27:53Now, a little more cheerful.
00:27:56How about when Johnny plays the horn?
00:27:59What?
00:28:00When Johnny plays the horn.
00:28:02When Johnny plays the horn.
00:28:04You know?
00:28:05Great.
00:28:06Let's go.
00:28:07Sure.
00:28:11You gotta get up, you gotta get up.
00:28:13You're in the army now.
00:28:15Johnny blows the bugle, knows the calls from A to Z.
00:28:19But he's always at his best when blowing reveille.
00:28:31When Johnny toots his horn,
00:28:33disturbing the peace at break of the dawn.
00:28:35You gotta get up.
00:28:37You're in the army now.
00:28:39Before your eyes are open, you're dressing on the run.
00:28:43And standing at attention with the sergeant's hat on the corporal's gun.
00:28:48He totally toots you into your clothes
00:28:50and makes you rue the day that you were born.
00:28:54There's nothing anyone can do,
00:28:56the captain has to make you do.
00:28:59You gotta get up when Johnny toots his horn.
00:29:17Toot, toot, toot, toot.
00:29:35He toots you out of slumber,
00:29:37he toots you out of bed.
00:29:39He toots you into line
00:29:40and then he goes somewhere and he hangs his head.
00:29:44and blows and blows, blows and blows, blows and blows, blows and blows and blows and blows and blows, yeah, yeah.
00:29:51He wakes you with his crazy tune that goes to bed and sleeps till noon.
00:29:55You gotta get up for Johnny Sleuth is home.
00:30:00He stands behind the barricade and plays his morning serenade.
00:30:04The private gets up, the corporal gets up, the sergeant gets up, the lieutenant gets up, the captain gets up,
00:30:09the major gets up, the colonel gets up, the general gets up, the army gets up.
00:30:13You gotta get up for Johnny Sleuth is home.
00:30:23For Johnny Sleuth is home.
00:30:40Music.
00:30:42Even in jail I have to listen to music.
00:30:44You'll get used to it.
00:30:49Hey, no, let me go.
00:30:51Take your hands off me and stop already.
00:30:55You're a gang of scoundrels.
00:30:58Jimmy, boy.
00:30:59Uncle Charlie, what a surprise to see you here.
00:31:01It's a grave mistake of justice.
00:31:04Oh, but this won't stay that way.
00:31:08Hey, what are you doing here?
00:31:10Uh, we could say I'm a boy from the village who's been to bad companies.
00:31:20What's going on, Sheriff?
00:31:21We've got more prisoners than we can handle.
00:31:23Someone's been in jail.
00:31:25Yeah.
00:31:26It's a fraud to the taxpayers.
00:31:29All right, boys, back off.
00:31:31Come on, let's go.
00:31:32You, what's your name?
00:31:34Hasker.
00:31:35Hasker.
00:31:36There's a Hasker.
00:31:38Yeah, put that down.
00:31:40What's your name?
00:31:41Hasker.
00:31:42Well, that's funny.
00:31:43I guess you're all Haskers.
00:31:46Your initials?
00:31:47James H.
00:31:49There's no James.
00:31:51So you're the policeman, huh?
00:31:53Come on, get out of here.
00:31:54They should lock you up for fraud.
00:31:56Hey, James.
00:31:57I've got my purse in my office.
00:31:58Grab it and pay for my bail.
00:31:59All right, Uncle Charlie.
00:32:01I'll be right back.
00:32:02Bye, boys.
00:32:04Adios.
00:32:05Adios.
00:32:06Adios.
00:32:07Eh.
00:32:08Sabes cantar?
00:32:09No.
00:32:10Odio la música.
00:32:11Esto tenemos que arreglarlo, chicos.
00:32:12Eh.
00:32:13Vamos.
00:32:14Vamos.
00:32:15Vamos a por él.
00:32:16Ahora día.
00:32:17Ah.
00:32:18Ah.
00:32:19Ah.
00:32:20Ah.
00:32:21Ah.
00:32:22Ah.
00:32:23Ah.
00:32:24Ah.
00:32:25Ah.
00:32:26Ah.
00:32:27Ah.
00:32:28Ah.
00:32:29Ah.
00:32:30Ah.
00:32:31Ah.
00:32:32Ah.
00:32:33Ah.
00:32:34No.
00:32:35Ah.
00:32:36We don't have clue on how the salsa came to fix it.
00:32:37What?
00:32:38Jimmy.
00:32:39Dónde has estado?
00:32:40Bien.
00:32:41Yo?
00:32:42Pues he tenido que ... ¿qué pasa?
00:32:45Te hemos estado buscando por toda la ciudad.
00:32:48Si.
00:32:49¿ así?
00:32:49¿por qué?
00:32:51Porque.
00:32:51Date prisa.
00:32:52¡Vamos!
00:32:53Eh.
00:32:53Traigo Jimmy.
00:32:54Moli.
00:32:54Jimmy, está aquí.
00:32:55¿Qué?
00:32:55¿Qué os había dicho?
00:32:57Sabía que volvería.
00:32:58¿Qué ha pasado?
00:32:59¿Dónde estabas?
00:33:00Me volvieron a enfriar por error.
00:33:02No, you had the boys worried.
00:33:04They were biting their nails thinking you had left them planted.
00:33:07Why am I so popular all of a sudden?
00:33:09Have they used their instruments to get you out?
00:33:11It was Molly's idea.
00:33:13Oh, thank you.
00:33:15It's nice to know that I'm worth $200.
00:33:18Last call for dinner!
00:33:21Jimmy, you're back!
00:33:23You'll be in charge of the table. Molly, take care of him.
00:33:30Don't touch anything!
00:33:31Get up, all of you!
00:33:33What's going on, Molly?
00:33:34Aren't you going to teach the new member the rules of the class?
00:33:37Sit next to him.
00:33:38What?
00:33:39Come on, get up, Wingo.
00:33:40Come on, let him sleep.
00:33:41How can I not sleep?
00:33:49And now...
00:33:54Hail, McCorkle!
00:33:57Hail, McCorkle!
00:34:00We proudly sing thy praise!
00:34:11Hail, McCorkle!
00:34:14Hail, McCorkle!
00:34:16Where no one ever appears!
00:34:22Welcome to this university
00:34:25For the fraternity so full of knowledge
00:34:28Welcome to our little college
00:34:30Hooray!
00:34:31And as we march along
00:34:34We'll sing our college song
00:34:40A knife, a fork, and a spoon
00:34:43We'll beat out a happy tune
00:34:46You'll all feel chummy as you fill your tummy
00:34:48With a knife, a fork, and a spoon
00:34:51Start tap, tap, tap in the dish
00:34:54You'll get your favorite wish
00:34:57And trouble-dash you as you're corned
00:34:59Be happy with a knife, a fork, and a spoon
00:35:02At Mama Corkle's table
00:35:05That's where we play each night
00:35:08We eat all that we're able
00:35:11So we may fuss, it's home to us
00:35:14So come on, lift up your cup
00:35:16Let's drink it down, bottoms up
00:35:19Through stormy weather
00:35:21We'll all stick together with a knife, a fork, and a spoon
00:35:28We're gathered round the table
00:35:33We're real friends through and through
00:35:39We're gathered round the table
00:35:44To eat Ma's Irish stew
00:35:50Ma's Irish stew
00:35:54Ma's Irish stew
00:36:00Ma's Irish stew
00:36:21Boarding house, dear boarding house
00:36:25From thee we'll never roam
00:36:33Oh, boarding house, dear boarding house
00:36:39To us, your home sweet home
00:36:55Now you can consider yourself a member of the MacCorkle clan
00:36:58Do I have to give a speech?
00:37:00Do it and you'll starve to death
00:37:02Oh, this stew looks good
00:37:07Tomatoes?
00:37:08Thank you
00:37:13I don't want tomatoes
00:37:26Good
00:37:33What's the matter?
00:37:34Nothing
00:37:37I'm sorry, I don't feel well
00:37:40Too much emotion, isn't it?
00:37:42I think so
00:37:43Prison and everything else
00:37:45I'll feel better if I go out and get some fresh air
00:37:48Willie, go with him
00:37:49Of course
00:37:50No, there's no need
00:37:53Maybe it's better if you come up to my room for a while
00:37:56Show him his room
00:37:57Come on, Willie does everything here except eat
00:38:02Let me know if you need anything
00:38:08Home sweet home
00:38:09Thank you
00:38:22When Johnny toots his horn, disturbing the peace at break of dawn, you've got to get out
00:38:39Horrible, this is horrible
00:38:40Yes, but you're getting better
00:38:42I don't want to get better, I still hate music
00:38:45You're a good man
00:38:46I'm a good man
00:38:47I'm a good man
00:38:48I don't want to get better, and I still hate music.
00:38:52You're not reasonable.
00:38:54All right, all right.
00:38:56Try again with more enthusiasm.
00:39:19Uncle Charlie, it's me.
00:39:21Hey, Jimmy, finally!
00:39:23Let me out!
00:39:25Where have you been?
00:39:27Uncle Charlie, it's me.
00:39:29You'll pay dearly for this.
00:39:31Look what they've done to me.
00:39:34How am I going to present the hour of Hasker's happiness tonight?
00:39:38Well, something would happen if you canceled your show today.
00:39:41What?
00:39:42I said you were out of tune singing in jail.
00:39:45Don't be ridiculous.
00:39:48Ladies and gentlemen, for reasons other than our own,
00:39:53we present to you the hour of happiness,
00:39:56with CJ Hasker, pastry maker, sweet and healthy.
00:40:01Ladies and gentlemen, I can't, I have no voice, I'm mute.
00:40:06Of course you can, Uncle Charlie.
00:40:08Jimmy, you do it.
00:40:10No, no, no, no, forget about it.
00:40:12Mr. Hasker will speak to you immediately.
00:40:14The microphone.
00:40:16Read.
00:40:18Ladies and gentlemen...
00:40:22Tonight I want to share a little poem with all of you.
00:40:27All of us should be as happy as the gods are,
00:40:32because the world is full of precious gifts.
00:40:36The rain and the sun help the wheat grow on the earth.
00:40:40Hey, Willie.
00:40:42What do you want?
00:40:44Listen to this.
00:40:46Why do you want me to listen to it?
00:40:49Just a moment.
00:40:51The daisies...
00:40:53The daisies and the lilies of the beautiful spring
00:40:57grow before our eyes without paying a penny.
00:41:00The light...
00:41:15Good evening, sir.
00:41:17Good evening, Sparks.
00:41:19Sparks.
00:41:22Is the guest room ready?
00:41:25Of course, sir.
00:41:27This is my nephew, Mr. James Hasker.
00:41:32Ben, it's a pleasure to meet you.
00:41:35Likewise.
00:41:37Excuse me, your luggage is in the car.
00:41:39Luggage? No, I brought a suitcase, but...
00:41:42Why are you whispering?
00:41:43I don't know, you started it.
00:41:45I've been whispering and singing.
00:41:47Singing? You?
00:41:49Yes, me!
00:41:51I think I'm going to get my suitcase.
00:41:53You don't need it, we have everything here.
00:41:57What do you think, boy?
00:41:59All this is yours from now on.
00:42:02I'm glad you're finally with me.
00:42:05Thank you very much, uncle.
00:42:07If you need anything, here you have it.
00:42:09Oh, perfect.
00:42:10Breakfast is at 7.30.
00:42:12Then I'll take you to the factory so everyone knows you.
00:42:16Better yet, Jimmy, I'm going to put you on the payroll.
00:42:19I imagine you don't have a lot of money.
00:42:22Well, your cashier has paid me a check.
00:42:25A personal check?
00:42:27How much?
00:42:29Uncle, I was satisfied.
00:42:31$214 is all I had when I closed the store.
00:42:34Oh, come on, that unfortunate episode has been left behind forever.
00:42:38Tomorrow will be another day.
00:42:40With more music from the McCorkles, I'm sure.
00:42:43Jimmy...
00:42:45That woman is deliberately trying to destroy my health.
00:42:49But why?
00:42:51Just because I want to keep her property.
00:42:53Oh, how unreasonable.
00:42:55Yes, she takes me out of my house, I can't stand it anymore.
00:42:58Hey, Uncle Charlie, why don't you go on vacation?
00:43:01And that the McCorkles think they've managed to kick me out of the city
00:43:05is exactly what they want.
00:43:06I swear to you that no one in this world
00:43:09will be able to stop me from going out with that damn bitch
00:43:12who threw that tomato at me.
00:43:17If you want something, I'll sleep here.
00:43:21I'll take a hot bath, I'll have a drink,
00:43:24and then I'll go to bed. Good night.
00:43:26Goodbye, Uncle Charlie.
00:43:36Good night.
00:44:06© BF-WATCH TV 2021
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00:48:21© BF-WATCH TV 2021
00:48:30Oh, hola, hola.
00:48:33¿Pasa algo?
00:48:34Te hemos oído en la radio.
00:48:36¿De veras?
00:48:37¿No ha sido horrible?
00:48:40¿Y Molly?
00:48:41No.
00:48:42No, ¿eh?
00:48:43Menos mal.
00:48:44Oye, ¿qué hay entre tú y el señor C.J. Haskell?
00:48:47Oh.
00:48:48Bueno, será mejor que os lo diga.
00:48:50Es mi tío.
00:48:51¿En serio?
00:48:52Sí.
00:48:53Mira, te lo demostraré.
00:48:54Es una carta para mí.
00:48:55A James Hamilton Haskell.
00:48:57Ese soy yo.
00:48:58Ven, ¿quieres leerla?
00:48:59Gracias.
00:49:00¿Qué es todo esto?
00:49:01¿Qué estás haciendo aquí?
00:49:02Vaya, se me había olvidado por completo.
00:49:05Doscientos dólares para que desempeñéis vuestros instrumentos.
00:49:08Toma.
00:49:09¿Te lo ha dado tu tío?
00:49:10Tú no conoces a mi tío.
00:49:11Gracias, James.
00:49:12No hay de qué.
00:49:13No hay de qué.
00:49:14Me gusta la gente de esta casa.
00:49:16Sobre todo, bueno, me gustáis todos y me quedaría a vivir aquí, pero cuando Molly
00:49:22se entere de quién soy, me pondrá de malitas en la casa.
00:49:25Pero, supón que no se enterase.
00:49:26Bueno, eso sería genial, pero...
00:49:28Eres un buen tipo.
00:49:29Has venido a devolvernos la pasta.
00:49:31Yo estoy de tu parte.
00:49:32¿Y tú, Horace?
00:49:33Sí, yo también.
00:49:34Muchas gracias, de veras, chicos.
00:49:38Aunque eso no resuelve el problema.
00:49:40Tarde o temprano, Molly descubrirá quién soy.
00:49:43Y tarde o temprano, el viejo Haskell descubrirá quién le lanzó aquel tomate.
00:49:48Y todo se estropeará.
00:49:50Sí, soy hombre muerto.
00:49:52¿Y cómo se va a enterar tu tío?
00:49:54Bueno, me verá en el juicio, ¿no?
00:49:56¿Qué pasaría si el tío Charlie no apareciera en el juicio?
00:49:59El caso sería sobreseído.
00:50:01Es la solución.
00:50:02Deshacernos del tío Charlie.
00:50:04¿Cómo?
00:50:05Bueno, que Red lo atropelle con la furgoneta.
00:50:07¿Lo haría?
00:50:08No podéis hacer eso.
00:50:10¿Cómo que no podemos hacer eso?
00:50:11A él le encantaría.
00:50:12Iré a buscarlo.
00:50:13Espera, espera un momento.
00:50:14¿No podríais hacer algo un poco menos drástico?
00:50:17Pues...
00:50:18¿Alguna idea?
00:50:19Sí, me parece que será mejor que vuelva al pueblo.
00:50:22El tío Charlie es un tipo duro de pelar.
00:50:24Y por lo que me ha dicho esta noche,
00:50:26será mejor que busquéis otro lugar para ensayar.
00:50:28Adiós, Horace.
00:50:29Adiós, Jim.
00:50:30Siento mucho, de verdad.
00:50:31Adiós, Willie. Gracias por todo.
00:50:32Hasta la vista.
00:50:33Jim, espera.
00:50:34¿Qué?
00:50:35Eso es, la banda.
00:50:36A él no le gusta.
00:50:37No, la verdad es que no.
00:50:40Vamos.
00:50:42¿Qué quiere hacer?
00:50:43Vamos.
00:50:54Vamos.
00:51:25¡Ah!
00:51:26¡No dispares a mi!
00:51:27Te lo has buscado.
00:51:28¡Ah!
00:51:54Jimmy!
00:51:55Jimmy!
00:51:56¿Ya viene?
00:51:57¿Crees que funcionará?
00:51:58Eso espero, por tu bien.
00:51:59Sí, tío Charlie.
00:52:00¿Sabes dónde está la banda?
00:52:01En el sitio.
00:52:02En el sitio.
00:52:03Jimmy!
00:52:04Jimmy!
00:52:05Jimmy!
00:52:06Jimmy!
00:52:07Jimmy!
00:52:08Jimmy!
00:52:09Jimmy!
00:52:10Jimmy!
00:52:11Jimmy!
00:52:12Jimmy!
00:52:13Jimmy!
00:52:14Jimmy!
00:52:15Jimmy!
00:52:16Jimmy!
00:52:17Jimmy!
00:52:18Jimmy!
00:52:19Jimmy!
00:52:20Jimmy!
00:52:21Jimmy!
00:52:22Jimmy!
00:52:23Yes, Uncle Charlie.
00:52:24Jimmy!
00:52:26What are you doing here? And who is this man?
00:52:29You see, Uncle Charlie, I was so worried about you that I couldn't sleep,
00:52:32and I called a specialist, Professor Hyde, my Uncle Charlie.
00:52:36Nonsense, I don't need a doctor. I feed myself with my healthy food.
00:52:40I have broken nerves.
00:52:42That's why I'm here, to solve your problem.
00:52:44Relax, please.
00:52:48Relax? How am I going to relax with that hellish music?
00:52:53Music?
00:52:54Music?
00:52:57What music?
00:52:59That horrible music, don't you hear it?
00:53:03See what I mean, Professor.
00:53:09I'm telling you, I hear music.
00:53:12Maybe it's the library's radio.
00:53:19No, it's not the radio.
00:53:21Do you still hear it, Uncle Charlie?
00:53:23Yes, it's still playing.
00:53:25Mr. Haskell, tell me, where does the music come from?
00:53:29I have no idea, but wait a minute, I'll tell you.
00:53:36It's coming from here.
00:53:41Uncle Charlie, you'd better go back to bed.
00:53:43I swear, Jimmy, I hear it.
00:53:46Yes, here.
00:53:49Here, it's coming from here.
00:53:51From the ventilation duct.
00:53:54Interesting.
00:53:56Listen to it yourself.
00:53:58Jimmy, please, tell him.
00:54:00Do you hear it?
00:54:03I'll call Parks.
00:54:05He'll clear my doubts.
00:54:07Parks will support me.
00:54:09Yes, you'll see.
00:54:10What's wrong?
00:54:12Here.
00:54:14And don't tell me you don't hear anything.
00:54:16I was getting nervous.
00:54:18A beautiful string quartet.
00:54:20String quartet?
00:54:21They're hornets.
00:54:23Hornets on the phone.
00:54:25I'm telling you, I hear hornets.
00:54:27Don't make fun of me.
00:54:29All right, let's get some fresh air.
00:54:31As long as you don't start seeing things, there's no need to worry.
00:54:34I'm fine.
00:54:43Jimmy, look.
00:54:45Doctor, what do you see?
00:54:47What do you want us to see, man?
00:54:49Some girls dancing on the grass.
00:54:51Where?
00:54:52There.
00:54:58He's confusing pieces of paper with dancers.
00:55:01They were papers.
00:55:03You're right, Jimmy.
00:55:04I feel very bad.
00:55:06I have broken nerves.
00:55:08Doctor, what do you think I should do?
00:55:10Mr. Haskell, give your nerves a long rest.
00:55:14I will.
00:55:16I'll go to a...
00:55:18I'll help you with the luggage.
00:55:20No, I won't go until I find the man who threw that tomato at me.
00:55:24Uncle Charlie, your health is more important than a stupid tomato.
00:55:27He's right, he's right.
00:55:29I'll take care of it.
00:55:30When I get my hands on him, he'll prefer to be in jail.
00:55:33Really.
00:55:34While you rest, I'll take care of him.
00:55:36Don't worry about anything.
00:55:38I'm the best.
00:55:40Good.
00:55:41I'll catch the first plane tomorrow.
00:55:45What's going on now?
00:55:47The music has stopped.
00:55:49It only sounds like a cello.
00:55:52You see? You're getting better.
00:55:54Yes.
00:55:58Luderman, vice-president and program manager.
00:56:04Hello, Mr. Haskell. How can I help you?
00:56:06Mr. Luderman, I've come to try to make Haskell's happy hour a little happier.
00:56:10Welcome. Have a seat. What would you like to drink?
00:56:14Well...
00:56:15Hello, Mr. Bacchus.
00:56:17What is this meeting about?
00:56:19We were going to talk about the program.
00:56:21You know that in the absence of Mr. Haskell, I am in charge of the program.
00:56:24He has entrusted it to me.
00:56:26Yes, but not 100%.
00:56:27What did you say?
00:56:28Look, here's a note from my uncle, in which he leaves me in charge of the program.
00:56:32Well, it wasn't hard to put him against me, was it?
00:56:35How do I know you didn't write it yourself?
00:56:37Mr. Luderman, will there be no changes in...
00:56:39Excuse us a moment. I'd like to talk to you.
00:56:41Yes, let's talk about the subject.
00:56:43Yes, that, yes. I'll be right back.
00:56:53I'd like to improve certain things.
00:56:55Go ahead.
00:56:56I plan to use a band.
00:56:58No, no, no, please, no. We're running out of bands.
00:57:00Yes, but this one is perfect, because my uncle hates it.
00:57:03What?
00:57:04Yes, that's why it's in Canada.
00:57:06And why does he want to include it in his program?
00:57:08It's hard to explain, but that way the band will succeed.
00:57:11They'll have to thank my uncle, and I'm sure that will make him feel good.
00:57:15In Canada?
00:57:16In Canada. And there's also a family dispute.
00:57:19A dispute?
00:57:20And there's also a girl.
00:57:22Oh, a girl.
00:57:26It sounds a little messy, doesn't it?
00:57:28No, not at all. It sounds pretty good.
00:57:30Really?
00:57:31That's it. You'll play on Thursday night in a national program at the opening of the Campo Club.
00:57:36That's great, Jim. How did you do it?
00:57:38I don't know. I started talking, and he listened to me.
00:57:40I'm as surprised as you are.
00:57:42How much will they pay you?
00:57:45Nothing.
00:57:46Nothing?
00:57:47No, not a cent.
00:57:49What's the big deal?
00:57:50When we play for the neighbors and old Haskell, we don't earn anything either.
00:57:53But this is an opportunity.
00:57:55You've convinced me. What can we lose?
00:57:57I agree.
00:57:59Bahia Hudson. Factory number 21.
00:58:07Give me a push.
00:58:09Bonsoir, monsieur.
00:58:11What did you say?
00:58:13Bonsoir, monsieur.
00:58:15You've made me carry this backpack for hours to take me to a place where no one knows how to speak my language.
00:58:21What kind of guide are you?
00:58:23Monsieur, do you have a machine that speaks?
00:58:28No, I don't care. I have a very good one right there.
00:58:31I don't intend to sell it.
00:58:33It's just that it's damaged.
00:58:35I want to listen to an American program that starts at 8 o'clock sharp.
00:58:38All right, you do it.
00:58:42Take this burden off my backpack.
00:58:44Oui, monsieur.
00:58:48Oui, monsieur.
00:59:03Oui, monsieur.
00:59:15Thank you, ladies and gentlemen.
00:59:17Everything is ready to start our radio program.
00:59:22Let's go, guys. Good luck.
00:59:26Scared?
00:59:28Take a deep breath.
00:59:34Good evening, ladies and gentlemen.
00:59:37The hour of happiness of Haskell is broadcast tonight from the dining room of the Eastchester Field Club.
00:59:42Field Club, what?
00:59:44With the live presentation of a new band.
00:59:48Music? In my program?
00:59:51Thank you and good evening, dear audience.
00:59:53I'm Horace Hyde, and the first number of our program is Broadway Caballero,
00:59:57presenting Miss Molly McCorkle.
00:59:59McCorkle?
01:00:01And here she is, the enchanting Molly.
01:00:10He's disarming, alarming, charming and gay
01:00:15First he steals your heart, then he throws it away
01:00:20He will tell you of tropical nights
01:00:23Make you dream of a thousand delights
01:00:26First he'll hold your hand, say you're simply grand
01:00:28But soon you're thinking his way
01:00:55Caballero!
01:00:56He's never been south of the border
01:00:59He's never been Argentine way
01:01:02But when he starts to pet, the chances are he'll forget
01:01:04That he's a caballero from Broadway
01:01:07South on Broadway
01:01:10He'll hold you and say, señorita
01:01:12Right here in my arms you must stay
01:01:15And from his dialect, I know you'd never suspect
01:01:17That he's a caballero from Broadway
01:01:20South on Broadway
01:01:23In his daytime, he spends parading on the avenue
01:01:28Then later, you'll always find me with a girl or two
01:01:32And a bird in view
01:01:34He'll take you to all the gay places
01:01:36He'll make every Latin cafe
01:01:39He'll give you such a thrill
01:01:40And then he'll hand you the bill
01:01:41This charming caballero from Broadway
01:01:44South on Broadway
01:01:48When Madame Le Zonga learned the conga, I swear
01:01:51I gave her the lessons and I gave her the air
01:01:54It seemed to be love in bloom
01:01:55Suddenly, boom!
01:01:56Another girl took over from there
01:01:59I know if you meet him, you are likely to fall
01:02:02His methods are sensed because it catches them all
01:02:04He'll sing you a serenade
01:02:06Tenderly played upon an old mail-order guitar
01:02:18You bring up the subject of dancing
01:02:21And all of his pupils will say
01:02:23He's such an awful trumper
01:02:25No one guesses a rumble
01:02:26Like the caballero from Broadway
01:02:29South on Broadway
01:02:33He'll tell you
01:02:35He lives in Argentina's biggest house
01:02:39But we know
01:02:41His hacienda is a boarding house
01:02:43Run by Sanger Kraus
01:02:45He's such an impetuous fellow
01:02:47He's like a dog having his day
01:02:50His pony, Don D'Amico, really cares
01:02:52And he'll give you such a thrill
01:02:54And then he'll hand you the bill
01:02:56This charming caballero from Broadway
01:02:59South on Broadway
01:03:01Don D'Amico really comes from Oswego
01:03:03For a caballero from Broadway
01:03:06He does okay
01:03:31He does okay
01:04:01He does okay
01:04:32Oh, oh, oh, oh, oh, oh
01:04:39You better lock your heart
01:04:40When you are terrified
01:04:41That that is just the start of your trouble
01:04:44You say you're up on top
01:04:45But you are due for a cop
01:04:46Because your dream will pop like a bubble
01:04:49You'll be the kind of man
01:04:50That you will never forget
01:04:51This charming caballero from Broadway
01:04:54Way down south on Broadway
01:04:59Way down south on Broadway
01:05:30And now I want to tell you something
01:05:32I thought you'd never decide to say it
01:05:35No, this is something that worries me
01:05:38You don't know anything about me, Molly, or who I am
01:05:40That doesn't matter
01:05:42You are you and I am me
01:05:43The time has come for you to know that...
01:05:45Ah, here
01:05:46Oh, please
01:05:47Let's continue
01:05:48He won't be so happy when his uncle finds out
01:05:50Believe me, CJ won't finance his romances
01:05:55Haskell is your uncle?
01:05:56Yes, that's what I was trying to tell you
01:05:58And if you let me explain...
01:05:59There's no need for an explanation
01:06:01It's very clear
01:06:02You sneaked into our house
01:06:03Pretending you wanted to help us
01:06:04And you made me believe...
01:06:05Wait, please, please
01:06:06Let me explain
01:06:07Damn it!
01:06:08Of course you're a Haskell
01:06:09Jimmy! Molly!
01:06:10Molly! Shut up!
01:06:11They can hear you
01:06:12Great!
01:06:16Hello, everyone
01:06:17I have very good news
01:06:19Starting next Thursday
01:06:21Mr. Haskell, sponsor of this program
01:06:25Will give someone $1,000 in cash every week
01:06:28$1,000 a week?
01:06:30That's a lie!
01:06:31How generous, isn't he?
01:06:37Very well, Mr. Haskell
01:06:38Let's see how you get out of this
01:06:44I must go home
01:06:45How long will it take you to get out of here?
01:06:47Well, there are two days to the river
01:06:49How long will it take you to get there?
01:06:50A week
01:06:51Luckily, you can go back in a week
01:06:52A week
01:06:53What?
01:06:54Let's go!
01:06:57Jimmy!
01:06:58Jimmy!
01:06:59Congratulations, boy
01:07:01It was a great idea
01:07:02How did you come up with it?
01:07:04Well, just like that
01:07:05Out of the blue
01:07:11The hour of happiness of Haskell
01:07:13Has raised great expectations all over the country
01:07:15By announcing that every week
01:07:17A $1,000 cash prize will be given
01:07:19I know, I've read the penalty
01:07:21Mr. Haskell, good morning
01:07:22Your uncle's lawyer, Mr. Chalmers
01:07:24Hello
01:07:25Nice to meet you
01:07:26Just a moment
01:07:27Sign this paper, please
01:07:28What is it?
01:07:29A statement saying that he did not authorize
01:07:31Miss McCorkle to do what she did
01:07:33That she did it only to harm her uncle
01:07:35Sign it, please
01:07:37Not so fast
01:07:38Don't worry
01:07:39I assure you that we can bring the McCorkles to trial
01:07:42And since they will not be able to pay
01:07:44We will take away their property
01:07:46Which is what your uncle has wanted for years
01:07:48Sign here, please
01:07:50It's curious, but I don't like to be pressured
01:07:52And besides, I don't sign anything without having read it before
01:07:54Do me a favor and get out of here
01:07:56Both of you
01:07:57Don't hit me again, I'm wearing glasses
01:08:00Mr. Haskell, your uncle
01:08:01Good morning, sir
01:08:02Good morning
01:08:10Very well, Parks
01:08:11Thank you, sir
01:08:12Why don't you answer the phone?
01:08:14Say
01:08:15Oh, Jimmy, boy, how are you?
01:08:19Do you want to talk to Molly?
01:08:22Look, I don't think it's a good time to...
01:08:27One moment
01:08:29Solve your problems
01:08:30I can't do it for you
01:08:32I don't want to talk to him
01:08:36I don't want to talk to him
01:08:38I don't want to talk to him
01:08:41Well?
01:08:43Hey, I'm sorry to bother you, but it's important
01:08:46The thousand dollars you offered last night was my idea
01:08:49Understood?
01:08:50No, don't argue
01:08:52And if anyone asks you about the subject
01:08:54Listen to what Greddy tells you
01:08:56Don't tell me to shut up
01:08:58Why would I do it?
01:09:00Because if you talk too much, they'll take your house
01:09:02What is this, another of your tricks?
01:09:04I don't need your help
01:09:05What?
01:09:06I said don't be stupid
01:09:07I don't do it for you
01:09:08I don't do it for you
01:09:09It's for Mom and the kids
01:09:13Excuse me, sir
01:09:14Mr. Luderman and Mr. Sampson
01:09:16Let them in
01:09:17Good
01:09:18Come in, please
01:09:19Hello
01:09:20Hello, Jimmy, congratulations
01:09:22Your program has made a scene
01:09:24Telegrams, calls from all over the country
01:09:26People...
01:09:27Excuse me, Mr. Sampson
01:09:29Delighted, Mr. Sampson
01:09:30But sit down
01:09:31Yes, thank you
01:09:32Mr. Sampson is an inspector of the federal government
01:09:35I see
01:09:36And what does the government have to do with this?
01:09:39We're just worried about one detail
01:09:41How are they going to give the money?
01:09:43Oh, I understand
01:09:44I don't think it's going to be difficult
01:09:45I don't know anyone who has had problems
01:09:47To give away a thousand dollars
01:09:49Let's see...
01:09:50Keep in mind that it can't be a lottery
01:09:52The government won't allow raffles
01:09:54Of any kind
01:09:55Oh, of course
01:09:56Yes, yes, I understand
01:09:57I understand
01:09:58We won't do it, no
01:09:59Good
01:10:00What does a contest program look like?
01:10:02It can't be either
01:10:04They announced that the prize would be given through the radio
01:10:07Not to an audience in a studio
01:10:09Oh...
01:10:10That complicates it a bit, doesn't it?
01:10:13Let me think...
01:10:15What if we took the phone book of the city
01:10:17Chose a number and gave the money to its owner?
01:10:20No, no
01:10:21It would have a local character
01:10:22And this concerns the whole country
01:10:24Well, we'll cancel this matter
01:10:26And we won't give my uncle's money
01:10:28No, they said they'd give him the prize
01:10:30And they should do it
01:10:31Yes, otherwise my company would lose the franchise
01:10:33And your uncle's business would go down the drain
01:10:35And you could be fined and put in prison
01:10:38Wow, great!
01:10:40I don't have many options, do I?
01:10:44Either I give the money and go to jail
01:10:46Or I don't give the money and...
01:10:48I go to jail
01:10:51Pass me the salt
01:10:56You're sad for Jimmy, aren't you?
01:10:58Well, I don't think you'll see him again
01:11:01And he'll probably be happy to have found out what kind of girl he is
01:11:05That's enough, Mom, please
01:11:06No, no, that's enough
01:11:08A boy as good as Jimmy deserves a girl who really loves him
01:11:11Even if her name is Hamilton or Haskell or Hasenpfeifer
01:11:17I hope you're satisfied
01:11:19And now what?
01:11:21It seems that nobody knows how to deal with those thousand dollars
01:11:24And maybe Jimmy has to go to jail
01:11:26Oh, that's terrible!
01:11:28But Jimmy's not responsible
01:11:29He didn't make the offer, it was me
01:11:31He said it was his show and that he took responsibility
01:11:34Are you going to stand there and watch the boy go to jail?
01:11:37Jimmy told me...
01:11:38I know what he told you and why
01:11:40So that we don't run out of room
01:11:42But I'd rather lose our house than lose my pride
01:11:47Oh, Mom
01:11:49I've been thinking the same thing all week
01:11:57Yes?
01:11:59No, not yet
01:12:01Gentlemen, someone has to come up with a solution, and soon
01:12:05Our show airs tonight, not next month
01:12:10And we'll have the same answers as a week ago
01:12:14Yes?
01:12:15I've got it!
01:12:16I got up this morning and it just occurred to me
01:12:19Tell me
01:12:20Look, we'll take a bomb, one of those crystal bombs that are used in raffles
01:12:23Yes, that's it!
01:12:24Yes!
01:12:25I'm proud of you
01:12:26That's it
01:12:27No, gentlemen, no
01:12:28What's wrong?
01:12:29It would be a lottery and the government forbids it
01:12:31No, not yet
01:12:33I'll go back to bed and see if I can come up with something in my dreams
01:12:36You're not sleeping up there?
01:12:37Sleeping? I haven't slept in days
01:12:39I took aspirin as if it were peanuts
01:12:41Gentlemen, I've got it!
01:12:42What?
01:12:43It's the first time I've managed to finish
01:12:48Hey, why don't you all go to the station?
01:12:50Maybe if I stay alone, I'll come up with something
01:12:52All right, Jimmy, we'll go. Come on, Samson
01:12:56Yes?
01:12:57Hey, would you mind putting the phone down?
01:13:00Thank you, sir
01:13:01You're welcome
01:13:05Are you all right, Jimmy?
01:13:06Yes, I'm starting to catch my breath
01:13:08You'll have to think of something
01:13:09Yes
01:13:22Is there any news from Jimmy at 7.30?
01:13:23No, he's not answering the phone
01:13:25What's on the program?
01:13:27When the clock strikes 8 o'clock, the program will begin
01:13:30From coast to coast
01:13:45I'm coming, Mr. Haskell, I'm coming
01:13:51Well, it's time. Why don't you answer the phone?
01:13:54You don't understand that...
01:13:56Wow, it's incredible
01:14:01Come on, wake up
01:14:03Come on, get up
01:14:06Come on, I'm Molly, wake up
01:14:10Oh, it's you
01:14:11Yes, it's me, come on
01:14:13I suppose you want to know how I'm going to give you the $1,000
01:14:16Well, I have no idea
01:14:17Now go home, go home
01:14:20I'm going home?
01:14:21Listen, are you coming with me, like it or not?
01:14:24On foot, man
01:14:26If you think the McCorkles will let a Haskell take the chestnuts out of the fire, you're crazy
01:14:30And if you think the McCorkles are going to take the Haskells out of the fire, you're also crazy
01:14:34Come on, get out
01:14:36You still want to sleep, huh?
01:14:40Wait a minute, don't even think about it
01:14:42Miss, you can't do that
01:14:44Where's the phone?
01:14:50What do you propose?
01:14:51I'll tell the guy from the government what really happened
01:14:53No way
01:14:54Of course I will
01:14:55No, come here
01:14:56I've decided
01:14:57Come on
01:14:58No, don't even dream about it, I don't want to, okay?
01:15:01There are millions of phones
01:15:06That's it
01:15:07What?
01:15:08A needle pointing to millions of phones, millions of telephone guides, parks, and it's not a lottery
01:15:14You're crazy
01:15:15Give me the key, goodbye
01:15:19Silence, in the air
01:15:24The hour of the happiness of Haskell presents the feeling of the nation
01:15:27The pot of gold with hours, Heidi and her band
01:15:33And don't forget, ladies and gentlemen, that before the end of this program
01:15:37we will give someone a thousand dollars in cash
01:15:40Later we will tell you how
01:15:53The Nightingale
01:16:01I'm here, CJ
01:16:02Haskell, you interrupted the program
01:16:04I couldn't, it's being broadcast
01:16:05I will interrupt it even if I have to tear down the studio
01:16:09Why would I get into radio business?
01:16:12Jimmy, where were you? Did something happen to you?
01:16:14Yes, this
01:16:15Take it
01:16:16What are they?
01:16:17List of the whole country
01:16:18Give me the parks
01:16:19Oh my God
01:16:20Go get the others
01:16:21Yes, sir
01:16:23Oh
01:16:25Step aside
01:16:34Hey, we'll give the money by phone, understood?
01:16:36Divide the destinations into sections of 500 pages
01:16:38Yes, and then number them
01:16:39Okay
01:16:41Can I help you?
01:16:42A table
01:16:43Someone bring a table, please
01:16:47You first
01:16:48Thank you
01:16:53Wow, perfect
01:16:54Let's go, Parks
01:16:55We have work to do
01:16:59I agree
01:17:00Well done
01:17:03Ladies and gentlemen of the audience
01:17:05Finally, the news you were waiting for
01:17:08The thousand dollars will be allocated by phone
01:17:10So be careful
01:17:12It's my money you want to give away
01:17:14And I won't allow it
01:17:15I'll cancel my contract right away
01:17:17I'll call you right now
01:17:19Give me a phone
01:17:21Come on, sir
01:17:22A roulette, we have to take the loan
01:17:29You go behind
01:17:30And when Snooki shouts, you take it
01:17:32Snooki? What's Snooki?
01:17:33Come on
01:17:34A delicious prize
01:17:35For the ridiculous amount of 10 cents
01:17:38It's 10 cents compared to this wonder
01:17:41Snooki!
01:17:42Where have you been, my candy?
01:17:44How could you leave me abandoned in Michigan, honey?
01:17:47Hey
01:17:49Miss
01:17:50But you're not my Snooki
01:17:54She's crazy
01:17:55What do you think? Let's continue
01:17:58I've been robbed
01:17:59Police!
01:18:00Call the police, please
01:18:02Make way
01:18:03Make way
01:18:17Hey, kid
01:18:18Can I use your phone?
01:18:19What, mom?
01:18:20Daniel Boone wants you to let him use your phone
01:18:24Get out, tramp
01:18:25No one's going to touch the phone until you give him the thousand dollars
01:18:29What?
01:18:30Daniel Boone?
01:18:33Watch out!
01:18:34Watch out!
01:18:44Let's go
01:18:45Hurry up
01:18:46Let's go
01:18:47Hurry up
01:18:49Get out of here
01:18:50Right here
01:18:51We're live
01:18:52I know
01:18:53See it there
01:18:57Wait
01:18:58You can't go in there
01:18:59It's not a mountaineering program
01:19:02Stop yelling
01:19:04When did you get to the city?
01:19:06Lunderman, I want to talk to you
01:19:10He's been talking for hours
01:19:13Ladies and gentlemen, the roulette is ready to spin
01:19:16and give us the number of the round
01:19:18Larry Johnson, go ahead
01:19:19Ladies and gentlemen, this time we're looking for the number of the round
01:19:23I hope you're lucky and your names are in that round
01:19:27Besides, I'm not going to let go of a penny
01:19:29All right
01:19:30I'll tell you that I have three good sponsors who are dying to buy this program
01:19:35They must be crazy to buy it
01:19:37Yes, you think so?
01:19:38Well, they represent the largest advertising agency in the country
01:19:43What?
01:19:44Wait, wait
01:19:45We want you to be the person that Horace is going to call in a while
01:19:49The needle starts to stop
01:19:50It goes down a little more and more and more and more
01:19:53And it stops at number 124
01:19:55124
01:19:56124
01:19:57124
01:19:58124
01:19:59124
01:20:00I don't have it anymore
01:20:04Now we're going to spin it again to know the number of the page
01:20:07Go ahead, Larry
01:20:09The roulette spins once more to let us know the number of the page we chose a moment ago
01:20:14On that page will be the name of the lucky winner of the...
01:20:18Let me introduce you, Mr. Johnson
01:20:19Nice to meet you, gentlemen
01:20:20It's the best advertising idea I've ever seen
01:20:23Do you want to sell it?
01:20:24It's good
01:20:25I'll give you $20,000 right now
01:20:26It's so good
01:20:27I'll give you $30,000
01:20:28Do you want to steal it from me?
01:20:30It's not long before it stops
01:20:32It goes down a little more and stops at page 66
01:20:36Page 66
01:20:3766
01:20:3866
01:20:42I've got it
01:20:45And now the third and last spin to discover on that page the name of the lucky winner
01:20:49who will receive our call of gold
01:20:51Go ahead, Larry
01:20:52Here we go, ladies and gentlemen
01:20:54This time we will discover on the chosen page the exact name of the person to whom we will send the pot of gold of $1,000
01:21:00It's going to stop, it goes down a little more and more and more and more and more
01:21:05And finally it stops at number 38
01:21:07Let's look for number 38
01:21:1310, 20, come on, 30, and 1, 2, 3, 4, 5, 6, 7, 8, it's...
01:21:21What?
01:21:22It's Olaf
01:21:23The winner is Mr. Olaf Swenson
01:21:26341 de la Calle Perdida
01:21:28Calle Perdida?
01:21:31Plankett, Plankett, Minnesota
01:21:33Plankett, Plankett, Minnesota
01:21:35Operator, put me with Olaf Swenson
01:21:37341 de la Calle Perdida, Plankett, Minnesota
01:21:41That's it
01:21:53Aha, ya voy, no tardo ni un minuto
01:21:57Diga
01:21:58Parad el reloj, parad el reloj
01:22:00Parad el reloj
01:22:01Hola, ¿es usted el señor Olaf Swenson?
01:22:03Ya, sí, soy Olaf
01:22:06¿Una olla de qué?
01:22:09Mildo, ¿qué me...?
01:22:12Oiga, no tengo tiempo para bromas
01:22:16¿Qué?
01:22:18¿Que ustedes no tienen tiempo para bromas?
01:22:22¿Ustedes me regalan mil dólares?
01:22:26¡Elga!
01:22:32Oiga, ha hecho que mi Olaf se desmaye
01:22:35¿Qué?
01:22:37Mil, mil dol...
01:22:43Hola, hola, hola
01:22:47Se han quedado sin habla
01:22:49Es una idea que vale un millón de dólares y es mía, solo mía
01:22:53Oiga, el Cascarrabias está de vuelta, ¿eh?
01:22:55¿Qué hace usted aquí?
01:22:56Disfrutar de nuestro programa
01:22:58¿De su programa? ¿Pero con qué demonios me viene ahora?
01:23:01El programa es mío, ¿ha entendido?
01:23:03¿Está seguro? Pues la idea fue de Molino
01:23:06Intente decirme lo contrario porque no pienso permitir...
01:23:08¿Quién es Molino?
01:23:09¡DJ! ¡DJ!
01:23:11Todo arreglado, le hemos sacado de este embrollo
01:23:13A partir de ahora ya no tiene nada que ver con el programa
01:23:16Lo hemos arreglado y la señorita McCorkle es la única responsable
01:23:19¡Bravo!
01:23:20¡Inútiles!
01:23:22¿Qué le pasa? ¿Qué le pasa?
01:23:25¡Cámara fuera de mi vista!
01:23:28¡Buen lanzamiento, Charlie!
01:23:30¡Charlie!
01:23:36¡Y Pony es la única responsable de este lío!
01:23:39¿Adónde vas?
01:23:40Afuera
01:23:41Ah
01:23:43Horas ha hablado con el ganador, así que todo arreglado
01:23:48¿Sí? ¿Todo arreglado?
01:23:50Sí
01:23:52Supongo que no hay nada que hacer
01:23:55Los McCorkle son alérgicos a los Haskell
01:23:57¿Y viceversa?
01:23:59Sí, y viceversa
01:24:02Adiós, Molly
01:24:04Adiós
01:24:07¡Bueno, Jimmy!
01:24:08Tío, pero...
01:24:09¡Vamos, ven conmigo!
01:24:10¡Vamos, esto también va contigo!
01:24:11¡Mamá!
01:24:16¡Damas y caballeros!
01:24:17Quiero presentarles a los dos brillantes jóvenes que idearon este programa
01:24:21y que a partir de ahora representarán a la hora de la felicidad de Haskell
01:24:25La señorita Molly McCorkle y mi sobrino el señor James Haskell
01:24:33¡Di algo! ¡Di lo feliz que eres!
01:24:36Hola a todos
01:24:37Solo quiero decirles lo feliz que me hace que todo haya salido bien para todo el mundo
01:24:43Damas y caballeros, la razón por la que están felices es porque vamos a casarnos enseguida
01:24:48Anda, señorita McCorkle, a ver cómo sales ahora de esta
01:25:07© BF-WATCH TV 2021