- 5/10/2025
Category
🎥
Short filmTranscript
00:02:00In here, Cody.
00:02:23Moving or stationary?
00:02:45Moving.
00:03:21Oh!
00:03:29God damn it, hippo William.
00:03:34See you next week, John.
00:03:48I can hardly wait.
00:03:50I can hardly wait.
00:03:52I can hardly wait.
00:03:54I can hardly wait.
00:03:56I can hardly wait.
00:03:58I can hardly wait.
00:04:00I can hardly wait.
00:04:02I can hardly wait.
00:04:04I can hardly wait.
00:04:06I can hardly wait.
00:04:10I can hardly wait.
00:04:12Craig, you got this car really running good.
00:04:27How was the time?
00:04:28We did a 107.
00:04:31Way to go, baby.
00:04:33Good ride.
00:04:34Good luck.
00:04:36Look at this car, Bill.
00:04:38This car's tense.
00:04:42Well, what do you think, Cody?
00:04:57They're dynamite.
00:04:59I meant the driving.
00:05:02Both of them.
00:05:04The driving and the body.
00:05:05They're dynamite.
00:05:07You really are a horse shit at showing emotion.
00:05:10But I like that in a man.
00:05:19Yeah.
00:05:21Did you get some good pictures?
00:05:23You bet I did, Cody.
00:05:24All right.
00:05:25Take it easy.
00:05:26You too.
00:05:27And you, woman.
00:05:28Mm.
00:05:40Rodney, that cowboy sure can drive.
00:05:44June?
00:05:45I'll bet he can.
00:05:47I'm just testing my new little tape recorder I got.
00:05:50They say all private investigators need one so they can keep a record of their daily routines.
00:05:55I hope my days are never routine.
00:05:57Like today.
00:05:58I went out and watched my old friend June Knockers, spelled with an H, test her race car.
00:06:04God, she's got some great moves.
00:06:06Started at the pistol range.
00:06:08I went over and hit the target.
00:06:10At least I hit the board that held the target.
00:06:11Just pulling up to the marina now, where I reside.
00:06:20Well, that's it.
00:06:2110-4.
00:06:22Adios.
00:06:23Over and out, good buddy.
00:06:24Good buddy.
00:06:24Cody, as you know, we're on the Yacht Club Committee, and the fact that you have brought
00:06:43this most obtrusive thing here is beyond our comprehension.
00:06:47You must get rid of it as soon as possible.
00:06:48Now, Doug, as you and the committee all know, my daddy founded this Yacht Club more than
00:06:5625 years ago.
00:06:59My daddy and I also built this.
00:07:01My mama, God rest her soul.
00:07:04Can't be torn down.
00:07:06Not just yet, anyway.
00:07:09Hey, come on.
00:07:10My daddy's representing the Yacht Club in the Transpac.
00:07:12Well, Cody, he'd do a lot better if he didn't have an all-girl crew.
00:07:17He's been lost four times in six days.
00:07:20What's he doing out there?
00:07:22All-girl crew?
00:07:23I thought we just got blown off course.
00:07:32He always was a rather eccentric young man.
00:07:35Mama was afraid of airplanes and boats, but she loved trains.
00:07:46She was killed last year when a private rail car jumped the track.
00:07:49So in her memory, Daddy and I painted a picture of a caboose and put it up in front of our boat.
00:07:54She was killed last year when a private rail car jumped the track.
00:08:25God, I hope that's a cigarette lighter.
00:08:30Hi, I'm May, and this is my friend, Faye.
00:08:33We just arrived from Corpus Christi on my daddy's boat.
00:08:36We're in the slip next to you, and since we're going to be here for a while,
00:08:39we thought we might like to get to know you just a little bit better.
00:08:42We think it's a neighborly thing to do.
00:08:45We didn't think you were ever going to get out of the shower.
00:08:47Well, uh, how'd you girls get by my security?
00:08:50We have our ways.
00:08:51Oui, I must be living right to have these lovelies pull into the slip right next door.
00:08:57You know, we haven't got our water hooked up yet,
00:08:59and we was wondering if maybe May and I could come over and take a shower here.
00:09:04Oh, you poor ladies.
00:09:05Let's see what I can do for you.
00:09:07Let's go down here.
00:09:08We've got a problem.
00:09:33Well, the Russians are five years behind us in computer knowledge,
00:09:38yet they're stealing our stuff right out from under us.
00:09:41How?
00:09:41Well, first they tried to buy some banks in the San Francisco area to obtain the computers and chips.
00:09:48When that didn't work, they set up industrial fronts to buy all the best computers.
00:09:53They send them to friendly nations, and then...
00:09:56Then the Russians pay enormous amounts of money to obtain them from our, uh, so-called allies.
00:10:02There are entire companies here that do nothing but this.
00:10:05We're coming down on them just as fast as we can.
00:10:07So what does that have to do with me?
00:10:10I was having a wonderful vacation in the south of France.
00:10:14We've traced one of the major operations to the home of a dear old friend of yours,
00:10:19Lady Lillian Chamberlain.
00:10:22I don't believe...
00:10:23We want to get somebody in there and check out what's going on, but it can't be you.
00:10:27You're too close to Lady Chamberlain and the household.
00:10:30No one should suspect anything.
00:10:34Who else can do the job?
00:10:37Oh, I have someone in mind.
00:10:39In fact, I was with him earlier today at the Yacht Club.
00:10:46I think you'll be impressed.
00:10:48Name's Cody Abilene.
00:10:56Cody, Cody, Cody.
00:10:58I understand you're a private investigator.
00:11:01And we want to know if you'll investigate our privates.
00:11:03Mm-hmm.
00:11:04Bad timing, little ladies.
00:11:06I've got to go to work.
00:11:08Come on, scoot your butts outside.
00:11:10I'll catch you later.
00:11:11Oh, no.
00:11:12Cody.
00:11:13Cody, come on.
00:11:16When you read out, Pager says that Douglas F.
00:11:18Wilton wants me to call him urgent.
00:11:21He wants me to go see some European catessa named Luciana
00:11:25and get to know her.
00:11:26He says she's good looking.
00:11:28Good evening, Cody.
00:11:46Please come in.
00:11:48Contessa, I hope I'm not late.
00:11:50You could never be too late.
00:11:52Call me, Luciana.
00:11:53Douglas Wilton has told me all about you.
00:11:55I hope I can come up with a few surprises, like this one.
00:11:59Oh, thank you.
00:12:00I'm going to take you someplace special tonight.
00:12:02And I do believe your body could put some life
00:12:05into this simple frock.
00:12:07Please come in and sit down.
00:12:09Help yourself to some wine.
00:12:12I'm going to try this under size.
00:12:14I'll be just a minute.
00:12:15Well.
00:12:27Wow.
00:12:31Wow.
00:13:02Ah, water.
00:13:19Sorry, babe, but I gotta have some water.
00:13:32Bless you.
00:13:35You're marvelous.
00:13:38But I didn't just bring you in for sex.
00:13:41I have a few things to fill you in on.
00:13:43Pleasure before business.
00:13:45I like that in a woman.
00:13:46I'm in love with the girl in the center for the Playboy magazine.
00:13:55Hey, Cody, where are you going, darling?
00:13:57Top of the morning, ladies.
00:13:59Come on over and go dance.
00:14:01I'd love to, but I gotta go to work.
00:14:03Billy, let's take it easy now.
00:14:05Come on, Cody.
00:14:07What are we supposed to do without you?
00:14:10Cody, come on.
00:14:11Contessa Luciana somehow talked me into taking a Douglas F. Wilton job.
00:14:25I'm heading up to Bel Air now and...
00:14:27Oh, no.
00:14:28Not the Buffington family.
00:14:30We got you now, boy.
00:14:37We're going to tell you a new butt.
00:14:39Yeah.
00:14:40With what?
00:14:41With my son's little white Pontiac over there.
00:14:44With that little thing?
00:14:45The sports car's going to eat you up.
00:14:47You think your car's fast.
00:14:49Wait till you see what this one...
00:14:50Thirty years ago at Charlotte, my daddy beat old P.L. Buffington here in a stock car race.
00:14:55He's been mad at our whole family ever since.
00:14:58He's got Doreen, his fat wife, and his boy Bobo here in the feud now.
00:15:02Old P.L.'s just dying to have his boy beat me in a race every chance he gets.
00:15:06All over the road.
00:15:07All right, where do you want to go do this?
00:15:09Box Canyon.
00:15:10Just follow us down.
00:15:12Yeah.
00:15:12See you at Box Canyon.
00:15:14Come on, boy.
00:15:16You're going to lose it now.
00:15:17Hey, Cody, me and my car are going to get you, boy.
00:15:22Let's go.
00:15:23Come on.
00:15:23You don't have a chance, son of a little rat.
00:15:25You don't have a chance, son of a little rat.
00:15:31Oh, man.
00:15:34Hey!
00:15:34Hey!
00:15:35Hey!
00:15:35Hey!
00:15:36Hey!
00:15:36Hey!
00:15:37We got him!
00:15:38We got him!
00:15:39Hey!
00:15:39Hey!
00:15:40Hey!
00:15:40Hey!
00:15:41Hey!
00:15:42Hey!
00:15:42Hey!
00:15:43Hey!
00:15:43Hey!
00:15:44Hey!
00:15:44Whoa!
00:15:44Hey!
00:15:45Hey!
00:15:45Well, just remember the Alamo.
00:15:48I'll get you next time.
00:15:49All right, boy.
00:15:50See you later.
00:15:51Hey!
00:15:52Hey!
00:15:52Hey!
00:15:53Hey!
00:15:53Hey!
00:15:54Hey!
00:15:54Hey!
00:15:55Hey!
00:15:55I would! I would get it! I would get it!
00:15:57How'd you beat Dead Pants of Red's first car with this little thing?
00:16:00I'll show you!
00:16:01Ha! Ha! Ha!
00:16:02With this right here! Ha! Ha! Ha!
00:16:04What's that?
00:16:05Natural hotline! Ha! Ha! Ha!
00:16:07Don't it hurt the car?
00:16:09Yeah! Runs like hell for 20 seconds and it all blows!
00:16:13It was worth the car!
00:16:14That's right! We didn't beat you, Tony!
00:16:25Hey, Cody. How's it going?
00:16:26Hey, Mitch.
00:16:28I'll take a look at this car and tell me how come a four-banger just blew me off the road.
00:16:32Sure. No problem.
00:16:34Hey, Cody.
00:16:35How's my daddy's ols going?
00:16:37It's coming good. It should be done in a day or two.
00:16:39You're really going to like this sucker.
00:16:41We'll deliver it over to your yacht.
00:16:44Got anything I can use in the meantime?
00:16:46Well, I got this old black Ford over here.
00:16:48The keys are in it.
00:16:50Okay.
00:16:52Oh, I got a couple of bags in the DeLorean.
00:16:54I'll get them for you.
00:16:55Of course.
00:17:01Well, I'm still heading for Bel Air.
00:17:03To the home of Lady Lillian Chamberlain.
00:17:06Contessa Luciana's father and Lady Lillian were lovers in Europe several years back.
00:17:10They're still friends.
00:17:15Luciana moved to this country from Italy and has remained close to Lady Chamberlain.
00:17:19Lady Chamberlain wants me to stay at the house for a few days just to check things out.
00:17:23Bel Air has nothing but Rolls Royces, Mercedes, Cadillacs, Ferraris.
00:17:32So I pull up in this borrowed Ford.
00:17:34But hell, with my sophisticated style, good looks, nobody's going to pay any attention to what I'm driving.
00:17:40Howdy.
00:17:41Cody Aveline.
00:17:42Lady Lillian is expecting me.
00:17:43Come on in.
00:17:44You're late.
00:17:45Nice car.
00:17:46She's up by the pool.
00:17:47Follow me.
00:17:48Luciana told me Lady Lillian had broke her leg in a skiing accident.
00:17:55She'll be in this wheelchair for about three more months.
00:17:56Mr. Aveline, how very nice to see you again.
00:17:57Lady Lillian, you're looking wonderful.
00:17:59Shane, bring in Mr. Aveline's bags.
00:18:00Take away my bags.
00:18:22Shane, bring in Mr. Abilene's bags.
00:18:28You got a real charmer there.
00:18:30People say I'm crazy, but I just know there's something going on in this house behind my back.
00:18:40My nephew, Stuart, his wife, Anita, and my niece, Liza, all live here with me since their parents were killed in an accident.
00:18:47Then, of course, there's Shane. You met him. And my maid, Marion. She's a friend of Shane's.
00:18:54Wait till you see her. She is really off the wall.
00:18:59Oh, geez.
00:19:02So much better than tennis.
00:19:07Shane, Shane, where the hell are you?
00:19:11Damn it, I'm late. I gotta get back to the house.
00:19:14Shane Reeves, goddammit!
00:19:16Oh, somebody ought to take that bullhorn and...
00:19:19Ouch!
00:19:21What if that leaves a mark?
00:19:23Don't worry, Mrs. Chamberlain. Your husband will never see it.
00:19:29Shane, what did a guy like you do in jail?
00:19:35He ate a lot of furniture, baby.
00:19:42Shane, leave us in the living room.
00:19:44Cody, would you please take me to the living room? It's that way.
00:19:47Yes, ma'am.
00:19:53Oh, there you are, Anita.
00:19:56Shane, where have you been?
00:19:58Make sure the cook knows Mr. Abilene will be here for dinner.
00:20:02Yes, Lady Lordy.
00:20:04Darling, Anita, come here.
00:20:06This is Cody Abilene.
00:20:08Cody, this is my nephew's wife.
00:20:11My pleasure, ma'am.
00:20:12Cody will be staying with us for a few days.
00:20:15How nice.
00:20:19I'm finally getting a chance to meet the Chamberlain family.
00:20:23Don't know where that child is.
00:20:26Liza's coming down in a minute.
00:20:28I said hello earlier to Anita's husband, Stuart Chamberlain.
00:20:32He's okay, I guess.
00:20:33He seems a little light in his loafers, though.
00:20:35Oh, Liza, there you are.
00:20:37You're late, dear.
00:20:38We had to start without you.
00:20:43Liza, this is Cody Abilene.
00:20:46Cody is our house guest.
00:20:48I noticed your car.
00:20:50Really nice.
00:20:51Well, I like to drive.
00:20:52I just bet you do.
00:21:03Cody, do you cook?
00:21:06Hmm, not much.
00:21:09Well, what do you usually make for dinner?
00:21:12Reservations.
00:21:13Oh, very good.
00:21:16The Chamberlain family is an odd mixture, to say the least.
00:21:19I had to leave right after dinner because twice a week,
00:21:21I meet with my lady cop friend, Sergeant Beverly McAfee, for a workout.
00:21:26Usually we go dancing and playing afterwards.
00:21:28Tonight she's got to go back to work, though.
00:21:30Damn.
00:21:34This place is filled with great-looking bodies.
00:21:37Exercise is okay, but girl-watching is what I do best.
00:21:41I love looking at the gorgeous Diana.
00:21:44Whew.
00:21:45The luscious Lorette.
00:21:47Oh, my.
00:21:48And the outrageously sexy Peggy.
00:21:50Beverly's still one of my favorite ladies, though.
00:21:56They ever give you the night off, Beverly?
00:21:59Nine to five looks so good right now.
00:22:03No one ever told you being a cop would be easy.
00:22:05Hey, Luke.
00:22:06Take a look at that chump over there.
00:22:10Yeah, I know.
00:22:11She's into the little boys.
00:22:12I don't know if she's seeing them.
00:22:13She needs to get herself a real man.
00:22:14Oh, I see we got a couple of new show-offs working out.
00:22:22I wonder how things are working out back at the Chamberlain place.
00:22:28Stuart?
00:22:29Stuart, what are you looking at?
00:22:32Uh, nothing.
00:22:33I thought I heard something.
00:22:34Time's crossword puzzle.
00:22:58Can I help you with a word?
00:23:00You don't mind if I join you, do you?
00:23:07It's a great day.
00:23:10You know, you don't have to be nice to me.
00:23:12Oh.
00:23:14I insist on it.
00:23:15Us Texas boys are known for it.
00:23:18That's really some bullshit.
00:23:23Thank you, Maid Marian.
00:23:24How about some lunch?
00:23:34Do you have some escargot?
00:23:37Snails?
00:23:38No thanks.
00:23:39I make it a point and never eat anything that leaves a trail.
00:23:43I have all days to be stuck here.
00:23:46My Mercedes is in the shop, and I really need to get to Palm Springs.
00:23:50What about chain the chauffeur?
00:23:52Forget that, son of a bitch.
00:23:54Well, can I drive you where you're going?
00:24:01Sure.
00:24:01Why not?
00:24:04Chain's probably slipping it to Anita anyway.
00:24:06I believe you Texans call it laying pipe.
00:24:11They get it on at the beach house.
00:24:14You know about that, don't you?
00:24:15There's Jonathan Harper's building, Cody.
00:24:40Jay, the new computers are coming in next week, and I want you to have a look at those also.
00:25:00Yes, sir, Mr. Harper.
00:25:01I want you to have a look at those of you.
00:25:02I want you to have a look at those of you.
00:25:03Hi.
00:25:04Liza, darling, how are you?
00:25:07This is Cody Aveline.
00:25:08He drove me here.
00:25:10My Mercedes broke down.
00:25:12Your car is always breaking down.
00:25:13Well, that's the way it goes.
00:25:15Cody, my name is Jonathan Harper.
00:25:17Howdy.
00:25:17How do you do?
00:25:20Liza, have you got the financing we talked about?
00:25:22Yes, I do.
00:25:32Hey, what about the other night?
00:25:34Hey, look at those legs.
00:25:37Look at the face.
00:25:38Oh, look at his body.
00:25:39Yeah, great looking guy.
00:25:42Call it.
00:25:42The lady's an investor.
00:25:45Investor?
00:25:45Hey, look, Liza, I think we've seen enough of these gentlemen.
00:25:50Let's get out of here.
00:25:51No, I'm staying.
00:25:53I have business to discuss.
00:25:55Suit yourself.
00:26:05Liza, these are three of my friends, Matthew, Mark, and Luke.
00:26:10They're here to help us.
00:26:12Do me a favor.
00:26:13Wait over there for a few minutes, darling.
00:26:15I'll be right with you.
00:26:16Okay.
00:26:16Okay?
00:26:18See to it that his ass leaves these premises.
00:26:21Yeah, and the rest of his body, too.
00:26:33Hey, you, why don't you pull over for a sec?
00:26:34I gotta talk to you.
00:26:36That's okay.
00:26:37I can find my own way.
00:26:38If you don't pull over, I'm gonna fucking put you over.
00:26:42He's a pretty boy, isn't he?
00:26:43What, are you looking to fuck him?
00:26:46Yeah, maybe.
00:26:47Yeah.
00:27:02Guys, guys.
00:27:04Look, you know what I mess with me?
00:27:06See this body?
00:27:08This body is a lethal weapon.
00:27:11I could kill you guys in a second.
00:27:16I'll show you lethal weapons.
00:27:18Lethal weapon, my ass.
00:27:42Get him.
00:27:43Get him.
00:27:44Get him.
00:27:45Get him.
00:27:46Get him.
00:27:47Get his ass off.
00:27:48Get him.
00:27:49Get him.
00:27:50Get him.
00:27:51You see this?
00:27:52Huh?
00:27:53How about that?
00:27:54Oh, Rick.
00:27:55Yeah?
00:27:56How do you like this, Longhorn?
00:27:57How do you feel without a dick?
00:27:58Huh?
00:27:59Get him.
00:28:00You wouldn't happen to have a loner, would you?
00:28:26Happy trail.
00:28:27Happy trail.
00:28:28Go for it.
00:28:29You got it.
00:28:33Yoo-hoo!
00:28:34We're only kidding!
00:28:37No seriously, come on back!
00:28:45Let's get out of here.
00:28:46Come on.
00:28:47Let's go.
00:28:59I need the fastest thing on this lot.
00:29:09Sugar, I'm the fastest thing on this lot.
00:29:12Oh, mercy.
00:29:15Come back real soon.
00:29:16You hear?
00:29:17Yeah.
00:29:18Right.
00:29:19Come back real soon.
00:29:20You hear?
00:29:21Yeah.
00:29:22Right.
00:29:23Yeah.
00:29:24Yeah.
00:29:25Right.
00:29:26Yeah.
00:29:27Yeah.
00:29:28Yeah.
00:29:29Yeah.
00:29:30Yeah.
00:29:31Yeah.
00:29:32Yeah.
00:29:33Yeah.
00:29:34Yeah.
00:29:36Yeah.
00:29:37Okay.
00:29:38Yeah.
00:29:39Yeah.
00:29:40Yeah.
00:29:41Yeah.
00:29:42Yeah.
00:29:43Boy, that was really a horseshit trip to Palm Springs.
00:29:46I got my ass whipped, my borrowed car shot up, and I was raped.
00:29:51You know, time to see just what the hell's going on around here.
00:29:56It's a short shame.
00:29:58You can screw around with this thing as long as you want.
00:30:01But I'm here to tell you, asshole,
00:30:03your health, you dig your health, it's gonna suffer.
00:30:08You can bet the whole goddamn farm on that, pal.
00:30:12I'll pay.
00:30:13When?
00:30:14When I got it.
00:30:29Hey, Shane, you still messing around with that broad you work for?
00:30:34Maybe you'll pay up pretty soon, huh?
00:30:36Remember, you owe us 30 grand.
00:30:38I owe a guy some money.
00:30:50He's being a nuisance, that's all.
00:30:51How stupid to let your scuzzy gambling friends call you here.
00:30:59Come here, baby.
00:31:00What the hell with you?
00:31:02Maybe it'd be all right to have something said about you.
00:31:04What's said about me?
00:31:07Hand off.
00:31:07I don't know, like, uh, maybe something about this rich lady and ex-con who's been living in her house?
00:31:15Right, the house man.
00:31:17And what's been going on right under her queer hubby's little turned-up faggot nose.
00:31:22I got some state-of-the-art video on you, baby.
00:31:27I also got some pictures you ought to see.
00:31:38Ooh, here's some with you on top.
00:31:48You filthy, no-good son of a bitch.
00:31:52Bastard!
00:31:52I wasn't going to show them to anybody.
00:31:55Your husband doesn't know anything.
00:31:56I'm not stupid, Shane.
00:31:58I need a baby.
00:31:59Come here.
00:32:00I hope to hell the gamblers get you, Shane, and I hope they tear you in little bits.
00:32:05You little whore.
00:32:26Okay, Shane, let's go and take me to the club.
00:32:35Shane is driving Stuart in the Chamberlain limousine.
00:32:50I'm following them along the Sunset Strip.
00:32:53I heard just enough outside of Shane's room to make me wonder what the hell else he's up to.
00:33:05Well, they're making a U-turn and stopping across the street.
00:33:21I'm really surprised an ex-con would assume my morals to be an issue.
00:33:26How very naive of you, Shane.
00:33:28You can only get away so long with performing here for kicks.
00:33:32I'll take my chances.
00:33:33You'll have a better chance to continue playing queen for a day if you help me out.
00:33:43I need 30 big ones right away.
00:33:46Why, that's blackmail.
00:33:47How would you like to go back to prison for another five years?
00:33:53Now, wouldn't this be cute of us in the Faggot Gazette?
00:33:57That you on the bottom, sweets.
00:33:58Suppose I were to take this threat seriously, which I don't for a minute.
00:34:06To whom would I entrust the money?
00:34:07Me, of course.
00:34:09Tomorrow night at Lady Lillian's charity party.
00:34:12It doesn't leave as much time, does it?
00:34:15But then why should I keep you in suspense?
00:34:19The answer is no.
00:34:21Now drive me to the entrance.
00:34:32Shane's pulling the limo in front of the screaming cockatoo.
00:34:35This should be good.
00:34:46Hi.
00:34:47Stuart, you look wonderful.
00:34:49I feel good.
00:34:50I don't believe this one.
00:34:52Stuart has just turned into the most gorgeous woman.
00:34:55Love that dress.
00:34:57You like, huh?
00:34:58Yeah, you.
00:34:59Great lady.
00:35:00Love it.
00:35:01What a day I had.
00:35:02Really?
00:35:02Tell me.
00:35:04I knew he was different, but...
00:35:07Wow.
00:35:08Do me a favor, Frederick.
00:35:09Please don't forget to come to Lady Chamberlain's tomorrow.
00:35:11It's very important.
00:35:12Oh, I won't, Stuart.
00:35:14I'm going to have to work, but I'll definitely be there.
00:35:20Here's to it.
00:35:28Goodies on the tray.
00:35:35What's yours?
00:35:37What an assortment under one roof.
00:35:39Lady Chamberlain thinks I'm here to check on her family.
00:35:42Luciana has me involved in espionage.
00:35:45God, I love intrigue.
00:35:47God, I love Luciana's white dress.
00:35:50Let's have some champagne and toast my art-selling trip tomorrow.
00:35:54I'll toast, but I better stay alert tonight.
00:35:56Can I have some designer water?
00:36:01You are continental.
00:36:05Well, have a safe flight.
00:36:07Let's toast us being together tonight.
00:36:12You know, we have worldwide computer investments for those people who've trusted us with their finances.
00:36:17We've made enormous profits for them.
00:36:19Things look even better in the future.
00:36:20You know, Jonathan, I think your interest in our little Liza here is something just a bit more than financial.
00:36:32Luciana, I mean, Contessa, would you like some champagne?
00:36:36Do you know that snake?
00:36:42I spent a few days with Lady Lillian last month.
00:36:45He was around then.
00:36:48Hey, Tommy, look what we got here.
00:36:51It's Maid Marian.
00:36:52You look very foxy tonight, Maid Marian.
00:36:54Just because we all work with Jonathan doesn't mean you creeps can put your hands on it.
00:37:01Oh, ho, ho, ho.
00:37:10Hello, Shane.
00:37:12Hello, Dick.
00:37:15What are you doing here?
00:37:16Larry, we control the catering service here.
00:37:19You know that.
00:37:20I made a collective bread you owe us.
00:37:21You remember?
00:37:23Yeah.
00:37:25Well, time's running out, asshole.
00:37:28I'll see you later.
00:37:42Stuart Chamberlain, please.
00:37:44Yes, it's very important.
00:37:46Tell him it's Frederick calling.
00:37:50Yeah, the telephone?
00:37:57Hello.
00:37:58Hello, Stuart.
00:37:59Did you forget about our date tonight?
00:38:02Of course not, Frederick, darling.
00:38:03Where are you?
00:38:04This is Shane, Stuart, darling.
00:38:07Remember, tonight's the night.
00:38:10I need that money.
00:38:11I told you, you thieving bastard.
00:38:13I said no, and I meant it.
00:38:16You thieving bastard.
00:38:18You like that, lover boy?
00:38:26Mm-hmm.
00:38:27Now, you've been avoiding me all evening.
00:38:30Now, you come up with a bread,
00:38:32well, guess who's dead?
00:38:33now listen asshole i am not leaving here tonight without the money now you get it up
00:38:42or i'm gonna cut your fucking face don't cut me please please you understand yeah
00:38:51tonight tonight
00:38:55oh damn it
00:39:10that son of a bitch
00:39:25hey marion she is so mad did you hear that she got raped this afternoon by two homosexuals
00:39:37one held her down and the other one hit her hair
00:39:41hors d'oeuvre mr chamberlain slut
00:39:47good night thank you so much for coming
00:39:52good night good night thank you thank you good night cody
00:40:09shane come here dead tired please take me to my room
00:40:13yes lady
00:40:19hi this is regis philbin along with my wife joy tonight's program is about love
00:40:26the whole world depends on on love
00:40:29exactly and i think people should respect each other's feelings
00:40:33oh if you have that respect i got some love for you regis and joy
00:40:37but it's really the love that that agendas that respect
00:40:44i had a way to go baby
00:40:48oh stuart better show up with that money dick's gonna be here soon he's not gonna wait much longer for that dough
00:40:59damn it what am i gonna do
00:41:06okay
00:41:17you know we were talking about love the other day and i uh i guess i can't forget some of the things that were expressed here about relationships and about how people really should feel about one another men and women and women and men and whatever
00:41:21You know, we were talking about love the other day, and I, uh, I guess I can't forget some of the things that were expressed here about relationships and about how people really should feel about one another.
00:41:34Men and women, men and men, and everybody should have that basic love for one another.
00:41:40It's so important to my ears.
00:41:42I think you're right.
00:41:43There's no sincere feeling of love.
00:41:46As a matter of fact, you know, Charlie, I think it's the lack of love that's killing us all today.
00:41:53Exactly.
00:41:55People seem to relate to each other.
00:41:58After all, love is what makes the world go wrong.
00:42:16Oh, I feel great today.
00:42:20I feel hot.
00:42:21Drink to that.
00:42:22Mm-hmm.
00:42:36What's that?
00:42:36Well, Shane, you win some, you lose some.
00:42:54Poor Shane.
00:42:56Luciana, the plane leaves in a couple hours.
00:43:00Why don't you get out of here?
00:43:01I'll vouch for you.
00:43:02We were together all night.
00:43:03I'd rather stay here with you.
00:43:04I'm worried.
00:43:07Don't worry.
00:43:07I can take care of this.
00:43:09You really don't want to get involved.
00:43:10You have to call the police now.
00:43:16Take care of yourself.
00:43:34It looks like he was shot, stabbed, and still made it out here.
00:43:40Sure was tough, son of a bitch.
00:43:42Hey, what's going on in his room?
00:43:46Anita?
00:43:47What the hell are you doing here?
00:43:49I don't know.
00:43:50I don't know.
00:43:51I just came in through the servant's entrance.
00:43:55I saw blood.
00:43:57And it's a chain.
00:44:01I think such a mess.
00:44:04I just got here.
00:44:06It's a shock, I guess.
00:44:08Go in the house.
00:44:09Tell everybody to meet me by the pool.
00:44:12Go.
00:44:13Do it.
00:44:13Let's see.
00:44:17I saw Shane put those pictures of Anita in one of these drawers.
00:44:20Well, they ain't here now.
00:44:22Hmm.
00:44:23There's blood on this camera.
00:44:27Looks like it's got some exposed film in it.
00:44:31I better check this out.
00:44:33The killer must have jimmied these drawers open.
00:44:45Hmm.
00:44:45Oh, this is a terrible thing.
00:45:05Shane was such a good driver.
00:45:07I know.
00:45:07I'm sorry.
00:45:08I feel it was my fault.
00:45:10I wouldn't say that when the police get here.
00:45:12But I was the one that hired him.
00:45:14I don't know what you meant.
00:45:16Excuse me.
00:45:20Uh-huh.
00:45:20I just can't wait to see.
00:45:21Yes.
00:45:21Oh, baby, the sound of your voice is driving me crazy.
00:45:25I'll tell you, baby, I'm only as big as a beer can, but I'm real long.
00:45:29You know?
00:45:29Oh, God.
00:45:30I know what you mean.
00:45:31Oh, Myrna, when you get hot and you let your husband watch, it makes me very crazy.
00:45:36Hi, Sally.
00:45:36It's Cody Abilene.
00:45:37You got anything for me?
00:45:38Cody, you sexy, gorgeous cowboy.
00:45:43Cody, tell me what you're wearing.
00:45:45I would love to.
00:45:46I bet you're wearing those sexy, tight jeans.
00:45:50I'd love to have you here.
00:45:52Too much.
00:45:55Cody, I want you so bad.
00:45:58I want to feel your manhood pressed against me.
00:46:03I understand.
00:46:04Baby, I want you so bad right now.
00:46:07Okay, look, I'll get back to you on that, all right?
00:46:09You sexy man.
00:46:11Your tongue would really enjoy being on me.
00:46:14My nipples are even hard just talking to you.
00:46:19Get on the horn and get the police over here to the Chamberlain house as soon as possible.
00:46:23It's a homicide.
00:46:23God, I wish you could come through this phone right now.
00:46:27Yeah, look, just call the police, all right?
00:46:29I'll talk to you later.
00:46:31Did you learn anything, Cody?
00:46:34Yes, ma'am, I sure did.
00:46:36I'm going to go take a cold shower now.
00:46:38The police will be here in about five minutes.
00:46:40I'll wait right here.
00:46:52The police could have me thrown in jail for withholding evidence,
00:46:55but I want to be the first to see this film when it's developed.
00:46:57Well, I'd better hide this goodie before they get here.
00:47:07Some layup.
00:47:08Yeah.
00:47:11Lieutenant Arledge, Beverly.
00:47:13Cody Abilene.
00:47:14I should have known you'd be involved in this.
00:47:16Come on in.
00:47:17I'll show you the way.
00:47:23How well do you know this guy?
00:47:25Oh, pretty well.
00:47:26Well, I know him very well.
00:47:28Don't let that cowboy charm fool you.
00:47:31He graduated summa cum laude from Texas University.
00:47:40Chamberlain family, this is Lieutenant Arledge.
00:47:42How do you do?
00:47:43Sergeant McAfee.
00:47:44Hello.
00:47:44Morning.
00:47:46Lady Chamberlain, this arrived in my office this morning.
00:47:50It's for you.
00:47:51Oh, thank you.
00:47:55Oh, my.
00:47:56Ah, they're of you.
00:47:59Taken with Shane.
00:48:03How cozy.
00:48:04Take them, Lieutenant Arledge.
00:48:06Ah, can I take a look at this?
00:48:09Nice composition.
00:48:12A lot of focus.
00:48:16It's what we call hard evidence.
00:48:18Lady Lillian gave him a key to the beach house.
00:48:47When?
00:48:49Uh-huh.
00:48:51Mm-hmm.
00:48:52He left with the lady car for, oh, about 20 minutes ago.
00:48:55Okay.
00:48:56Well, maybe we'll find something at the Chamberlain beach house.
00:49:00Lieutenant Arledge thinks Stuart did it.
00:49:02Oh, yeah?
00:49:03How come?
00:49:03Those pictures of Shane and Anita we saw a while ago.
00:49:07That's a pretty strong motive, don't you think?
00:49:09Yeah, I guess.
00:49:10He had the opportunity, but so did a lot of other people.
00:49:13Fun little playhouse.
00:49:31Interesting place.
00:49:35What do you hope to find here?
00:49:38Clues.
00:49:40Pictures.
00:49:42Electronics.
00:49:43But you know me.
00:49:48I just like to cover all the angles.
00:49:50Oh, yes.
00:49:52Speaking of angles, have I told you how good you've been looking since you've been going to the gym?
00:49:57Well, no, but I'm glad you noticed.
00:50:03Of course, I haven't had a chance to take in the whole thing.
00:50:07Well, are you in for a treat?
00:50:09So are you.
00:50:28Oh, really?
00:50:29Really?
00:50:39Hey, you want to see a home movie of us?
00:50:56Sure, go.
00:50:59I don't mean the kind you show your mom.
00:51:01You won't believe what I found.
00:51:05A remote control for a video camera.
00:51:07And when did you find that?
00:51:13I'd rather not say.
00:51:14Hmm.
00:51:14Talk about a soap opera.
00:51:31We should have our own show.
00:51:32Well, it looks like Shane, the photographer, set this up.
00:51:44Sure was a good old boy.
00:51:45I got all day for this.
00:51:48A shit-kicking private eye, a hag, and a roll of film.
00:51:52I'll take that.
00:51:53It's my case.
00:51:56When it's murder, the police take control.
00:51:59Besides, I paid for it with my very own body.
00:52:02And you were worth every frame of it.
00:52:05Well, thank you kindly, ma'am.
00:52:07Piece of cake.
00:52:08Let's go, Tommy.
00:52:10Did you just hear something outside?
00:52:11Show her.
00:52:27Check it out.
00:52:34I'll cover us outside.
00:52:35I'll cover us outside.
00:52:41Go ahead.
00:52:48Go for it.
00:52:49Make my day.
00:52:51Look out!
00:52:58Go for it.
00:53:01Make my day.
00:53:03Are you serious?
00:53:05Careful now, Beverly.
00:53:07There's still one out there.
00:53:08There's still one out there.
00:53:11Whoa, whoa, whoa, whoa.
00:53:15He's coming at the door.
00:53:18There he goes.
00:53:18He's blind.
00:53:25Stay, stay.
00:53:26I got him.
00:53:29Goddamn.
00:53:35Look out, Beverly!
00:53:36Hey, you know, I could have hit him.
00:53:51Oh, really?
00:53:52All right, it's his hands.
00:53:54They're the lethal weapons.
00:53:56Yeah, just be careful when you play with yourself.
00:54:01So, who knew we were coming out here?
00:54:03I almost hate to say.
00:54:08Lady Lillian?
00:54:14You got it.
00:54:17Damn it.
00:54:18Damn it.
00:54:21Okay.
00:54:22I'll call the lieutenant over at the Chamberlain house and...
00:54:26tell him what happened here.
00:54:27Look, if you can handle the cavalry, I'll go to my boat and get a couple things done.
00:54:37Okay.
00:54:38Call my service if you need me.
00:54:45Cody?
00:54:48I need a kiss.
00:54:49Are you going to be okay?
00:54:58I'll be fine.
00:55:00Beverly's right.
00:55:01Who else knew we were coming out here?
00:55:03Could Lady Lillian be a suspect?
00:55:05Nah.
00:55:07On my way back to the marina, I stopped by the grocery store to give me a peanut brittle candy bar.
00:55:11I just need to think things through.
00:55:14Hey!
00:55:15Hey, there you are, Cody!
00:55:16Oh, no.
00:55:16Not the Buffington family again.
00:55:18What's wrong?
00:55:19You're yellow?
00:55:19I don't want to race you guys.
00:55:20Come on.
00:55:21You're chicken.
00:55:21All I have is this junked-out old Dotson Z.
00:55:24It wouldn't even be fair.
00:55:25Fair?
00:55:26You want fair?
00:55:27Go to church, boy.
00:55:28Come on, let's go.
00:55:29Come on, I'm ready.
00:55:30Let's go.
00:55:30Come on.
00:55:31I spent this car expecting just to race you.
00:55:34So, are you ready?
00:55:35Watch in.
00:55:36Watch in, Cody.
00:55:38Hey!
00:55:39Hey!
00:55:39How's that get, huh?
00:55:41I'll race you.
00:55:41Damn.
00:55:42Now they even got a lowrider.
00:55:44Hey!
00:55:45Come on, Bob!
00:55:51Come on, Bob!
00:55:53I'm going through this!
00:56:08Yeah, boy!
00:56:09What do you want?
00:56:10I want!
00:56:10Once again, I've been disgraced by the Buffingtons.
00:56:21I'm rapidly losing face.
00:56:23If I don't whip their butts next time, my daddy's going to whip mine.
00:56:27Careful.
00:56:40This cowboy killed Peter and Tommy this afternoon.
00:56:43Watch him.
00:56:44You stay here and cover us.
00:56:55Okay, ma'am.
00:57:02What are you doing here?
00:57:04Never mind.
00:57:09Move over.
00:57:10I was hoping you'd say that.
00:57:12Shouldn't we take your boots off?
00:57:15Okay, now listen.
00:57:16When I say so, I want you to dive on that floor and get down low.
00:57:20This is kinky.
00:57:21Oh, no.
00:57:22This is nice.
00:57:23This is going to be fun.
00:57:36Let's do it.
00:57:38Come on, girls.
00:57:38This is serious.
00:57:39Oh, my God.
00:57:40Wait a minute.
00:57:40Wait a minute.
00:57:52Yeah!
00:57:53No!
00:57:53No!
00:57:53No!
00:57:55Oh!
00:57:56Oh, my God!
00:57:58Oh, babe!
00:57:59Oh, no!
00:57:59Oh, no!
00:58:00No, no!
00:58:00What the hell is that all about?
00:58:05You girls stay here.
00:58:06Do not leave this room.
00:58:08Babe, what's going on?
00:58:09No, no, no, no.
00:58:10Oh, babe!
00:58:11Oh, God!
00:58:12Oh, no, no!
00:58:14No!
00:58:14What the hell is that about?
00:58:17Oh, my God.
00:58:20Shit.
00:58:22What's the trouble you got there?
00:58:24Man, what's the trouble you got there?
00:58:24Man, what's the trouble you got there?
00:58:24Man, come on.
00:58:24Man, come on.
00:58:25Man, come on.
00:58:30Oh, my God, Faye.
00:58:35I can't believe what's happening.
00:58:37Oh, my God, man.
00:58:37Look what's coming down the hall.
00:58:38Listen to me.
00:58:39I want that film.
00:58:40Where's that film at?
00:58:42I know it's in there somewhere.
00:58:43Damn it.
00:58:44That pisses me off.
00:58:45Where's the damn film?
00:58:48It's in there somewhere.
00:58:51We got to move, man.
00:58:52We got the cops on our ass right now.
00:58:54We got to move.
00:58:54Come on.
00:58:56We got to move.
00:58:56Come on.
00:58:57You sure you don't know where that film's at?
00:59:01No, I don't know what you're talking about.
00:59:02You better not be holding out on me.
00:59:03I'll tell you right now, because that pisses me off.
00:59:09Ow.
00:59:11Yo, man, what the hell happened to your ear?
00:59:13Shut up, my ear!
00:59:14Come on.
00:59:14Now.
00:59:15Now.
00:59:27Come on, Luke, get in.
00:59:33Damn it.
00:59:34I let him get away in that caddy.
00:59:37Well, I better get the girls off my boat so I can get a little sleep.
00:59:49Hello.
00:59:51Jesus, Beverly's cracking on.
00:59:53Listen, Cody, the lieutenant just arrested Stuart Chamberlain for Shane's murder.
00:59:58He found some pictures of Stuart and Shane together.
01:00:00Listen, Beverly, I got something to tell you.
01:00:03Where is she going?
01:00:05Well, the springs, ma'am.
01:00:07The raceway.
01:00:08Yes, ma'am.
01:00:09Thank you, Maid Marian.
01:00:12You may have the rest of the day off.
01:00:14Thank you very much, ma'am.
01:00:17Hey, Beverly, how do you like this Oles?
01:00:19Belongs to my daddy.
01:00:20Hey, he loves cars and gadgets.
01:00:23They're on their way to Willow Springs.
01:00:26Don't count on me for your party.
01:00:28I'm going to Tijuana for the weekend.
01:00:34There's a brown Cadillac back there.
01:00:36I wonder if it could be the one from last night.
01:00:38Better stay on his ass and don't lose him.
01:00:40I'm on him.
01:00:41I got him.
01:00:44You're out of your fucking mind?
01:00:45Stay on him.
01:00:46I'm with him.
01:00:46What do you want me to do?
01:00:47Make miracles here?
01:00:48I got him.
01:00:49Don't worry.
01:00:51Better stay on his ass and don't lose him.
01:00:53Next time you drive, okay?
01:00:54I don't want him.
01:00:55You drive next time.
01:00:57Get him right now.
01:00:58I got him.
01:00:58I got him.
01:00:59Don't lose him.
01:01:00I see him.
01:01:01Son of a bitch.
01:01:09Son of a bitch.
01:01:10All right, relax.
01:01:11What the hell's wrong with you?
01:01:11We'll run the van.
01:01:12We'll get him on the next day.
01:01:12You asshole.
01:01:14He's gone that way.
01:01:15You missed it, you son of a bitch.
01:01:17Matthew, next time you drive.
01:01:29Hey, June.
01:01:31Hi.
01:01:32What are you doing here?
01:01:33Thought you'd be on the track.
01:01:34Oh, I just have to make a few adjustments.
01:01:36Then I'm going out to practice.
01:01:39Who's that, your older sister?
01:01:41She's a working acquaintance.
01:01:42Where's Rodney?
01:01:44Up in the press room.
01:01:46She's expecting you.
01:01:49Thanks.
01:01:50Hi, Rodney.
01:02:07Hi, how you doing?
01:02:08This is Beverly.
01:02:09Hi, Beverly.
01:02:10Nice to meet you.
01:02:10Thanks for doing this for me.
01:02:11We need this film developed.
01:02:12Sure, no problem.
01:02:14Well, by the way, it doesn't have to be good, just fast.
01:02:17Fast?
01:02:17Not good?
01:02:18Huh.
01:02:18Sounds like most men I know.
01:02:20But I bet you'd be different.
01:02:22Now, just get in there and call us when you're ready.
01:02:24Okay, okay.
01:02:28Look, Beverly June's out there.
01:02:30Sure can't handle that car.
01:02:34Shane was very busy.
01:02:36Anita, Stuart, Liza.
01:02:37Oh, he made the maid.
01:02:40Hey, here's one that looks a little different.
01:02:43Looks like somebody's standing in a doorway.
01:02:46I'll bet that's a picture those goons were after last night.
01:02:49Listen, can you reprint that one and just blow up the face?
01:02:51Sure, it'll take a couple minutes.
01:02:53Okay, well, we'll come back.
01:03:10Come on.
01:03:10Let's go look for that red car.
01:03:11All right.
01:03:12We'll find this.
01:03:12Go.
01:03:13Here's that blow up you wanted.
01:03:25Well, be damned.
01:03:26Can you believe this?
01:03:28Well, we better get on this one right away.
01:03:30Thanks.
01:03:35Shit!
01:03:35Get those guns.
01:03:36Let's go!
01:03:39Let's go.
01:03:40Come on, Matthew.
01:03:41Do we need these?
01:03:42You need them.
01:03:47Ow!
01:03:48Crazy!
01:03:48What's going on?
01:03:49Fuck off.
01:03:50Beverly, are you okay?
01:03:52Cody, take this.
01:03:54Get away.
01:03:55Okay, babe.
01:03:56Just hold on.
01:03:56I'll get some help.
01:03:57Come on.
01:03:59Get them doing it.
01:03:59You're crazy.
01:04:03You're a loser, my dude.
01:04:04What the hell are you doing with your man?
01:04:06Come on.
01:04:10Come on.
01:04:21Go ahead.
01:04:34Shit.
01:04:34Stay low.
01:04:36Stay low.
01:04:36Get inside.
01:04:40He's right over there! Come on!
01:04:51Move it!
01:05:07Goddamn piece of shit gun!
01:05:11Where is he?
01:05:20Let's go! Let's go!
01:05:30I'm gonna nail it with the grenade!
01:05:32No!
01:05:33Look at the grenade!
01:05:34Just think for once!
01:05:36Would you think for once?
01:05:37I'll tell you, this car is tits!
01:05:43This car is tits!
01:05:44Oh, yeah?
01:05:45Well, if that car is tits, then what are these?
01:05:47There he is, behind the car!
01:05:55Damn!
01:05:56I don't believe it!
01:05:57I don't believe it!
01:05:58He just got a friggin' kid!
01:06:00This son of a bitch is a madman!
01:06:01Shit!
01:06:07Hey, Bill!
01:06:08Buddy, what the hell's going on?
01:06:09Beverly's been shot behind the car!
01:06:11Get some help! Go!
01:06:12Go!
01:06:13I gotta take your car!
01:06:14You ain't leaving without me!
01:06:15Stay out of there!
01:06:17It never matters!
01:06:18Well, don't you think I know that?
01:06:20You ain't leaving!
01:06:21Why are you shooting?
01:06:22He's already gone!
01:06:23Shut your fuckin' mouth!
01:06:29Over there!
01:06:30Go!
01:06:32You're sick, man!
01:06:34You're a sick man!
01:06:35You're a sick man!
01:06:37You're a sick man!
01:06:38You're a sick man!
01:06:39You're a sick man!
01:06:40What's that?
01:06:41You're a sick man!
01:06:42You're a sick man!
01:06:43You're a sick man!
01:06:45Come here!
01:06:46What's that?
01:06:47What's that?
01:06:48I'm a sick man!
01:06:49Hey, what's up? Get in here!
01:06:52Free that old bastard out!
01:06:54Come on!
01:06:55Move!
01:06:56Go!
01:06:57You don't really mind this thing?
01:06:58Yeah!
01:07:03Don't fool around!
01:07:04Oh, wow, Cody!
01:07:08Go for it!
01:07:14Okay, old man, don't fool around.
01:07:17You do what I tell you, I'll blow your head off.
01:07:19Oh, okay, okay.
01:07:21I'll do it, I'll do it.
01:07:23You're crazy, man.
01:07:25Who can fly this helicopter you can blow his head off?
01:07:28I wanna go that way.
01:07:29Now!
01:07:32I wanna find that race car.
01:07:35Understand that?
01:07:39I love me!
01:07:42What's the matter, Mom? Are you scared?
01:07:43I'm yours.
01:07:46I don't wanna hear it.
01:07:49There it is, over there!
01:07:53He really turns me on!
01:07:55What?!
01:08:07Come on, don't you wanna play around a little?
01:08:09No!
01:08:10I wanna be waiting for those guys!
01:08:11They've already shot Beverly!
01:08:12They're after us now!
01:08:13I don't care about Beverly!
01:08:15Don't you just play with me?
01:08:17I care about us!
01:08:18Jesus!
01:08:19Will you put those things away?
01:08:20Look what he's making it do!
01:08:22That's disgusting!
01:08:23Throw them away!
01:08:24I can't!
01:08:25All I see is kids!
01:08:26Geez, you don't understand that guys are playing for kids!
01:08:28Why, God, you're not the one who can!
01:08:30I'm doing 180 miles an hour!
01:08:32That's nothing!
01:08:33Would you get your head down?
01:08:34I can't see the road!
01:08:35I'll get it down!
01:08:36You're not getting it down, alright?
01:08:37Now come on, out of my way!
01:08:38I'd get down if you'd let me!
01:08:39What about these?
01:08:40Don't they look fun?
01:08:41Please!
01:08:42No, come on!
01:08:43Please!
01:08:44All I want later, okay?
01:08:45If we get out of this alive, please, I promise you the time of your life!
01:08:46I want it now!
01:08:47I can't believe this is happening to me!
01:08:48Jude, I gotta lose these guys, Jude!
01:08:49Come on!
01:08:50I don't believe it!
01:08:51Total rejection!
01:08:52Listen, any other time, baby!
01:08:53Just put them on ice!
01:08:54What are these guys doing up there, anyway?
01:08:55They're trying to shoot us!
01:08:56That's what they're doing!
01:08:57Matt, tell them to pull up a little closer!
01:08:58I'll get a shot off!
01:08:59Blow out his tires!
01:09:00Hey, you can't do it!
01:09:01You can't do it!
01:09:02I can't do it!
01:09:03I can't do it!
01:09:04I can't do it!
01:09:05I can't do it!
01:09:06I can't do it!
01:09:07I can't do it!
01:09:08I can't do it!
01:09:09I can't do it!
01:09:10I can't do it!
01:09:11I can't do it!
01:09:12I can't do it!
01:09:13I'll get a shot off!
01:09:14Blow out his tires!
01:09:16Hey, you guys!
01:09:17You wanna pull around?
01:09:19Say hello to these kids!
01:09:21Oh, my God!
01:09:22He's got a gun!
01:09:23I've been telling you that!
01:09:25Lord, Cody!
01:09:26Step on it!
01:09:27Faster, faster!
01:09:28Go away!
01:09:29We'll circle around him and we'll land on the highway!
01:09:31Then his ass will be out!
01:09:42Take it over that mountain, you bastard!
01:10:12Holy shit!
01:10:13What?
01:10:14Good!
01:10:15Alan, that must be one of those new turbos!
01:10:19Woo!
01:10:37Alright, put this thing down!
01:10:39Now!
01:10:40Okay!
01:10:41Okay!
01:10:42I'll do it!
01:10:43Don't you!
01:10:47Leave it in the middle of the road!
01:10:48I'll be here!
01:10:55Where the fuck are you going?
01:10:56Yo!
01:10:58We're going!
01:10:59What are you doing?
01:11:00Damn, you're crazy, man!
01:11:01What are you doing?
01:11:02Come on down!
01:11:03What are you doing, man?
01:11:04I hope you ever make a heart attack!
01:11:07Come on down, man!
01:11:08Shit!
01:11:09Put this fucking thing down now!
01:11:11Look out!
01:11:12Oh, my God!
01:11:13Watch it!
01:11:14No!
01:11:15No!
01:11:16No!
01:11:17No!
01:11:18No!
01:11:19No!
01:11:20No!
01:11:21No!
01:11:22No!
01:11:23No!
01:11:24No!
01:11:25No!
01:11:26No!
01:11:27No!
01:11:28No!
01:11:29No!
01:11:30No!
01:11:31No!
01:11:32No!
01:11:33I told that meathead...
01:11:34to cool it with those live grenades!
01:11:37Out of gas!
01:11:38Out of road!
01:11:39Shit out of luck!
01:11:40Jesus!
01:11:41Damn it.
01:11:42Hey, Luke!
01:11:43Let's get that turkey with the broad!
01:11:44Come on!
01:11:45All right.
01:11:46Come on!
01:11:47Go!
01:11:48Go!
01:11:49Go!
01:11:50And the other two! Come on!
01:11:51Let's go! Come on!
01:11:57You! Get down!
01:12:00That cannon he's got?
01:12:03What is that?
01:12:06It's a 44!
01:12:09Move out! Come on!
01:12:11Wait a minute. Let's not kill him.
01:12:12Let's not kill him. Let's just wing him.
01:12:13Let's just wing him and break his ass in half.
01:12:14All right.
01:12:15Come on, Connie! Let's go!
01:12:20Come on!
01:12:26Come on!
01:12:31Stay there! Over there!
01:12:32Where? Where?
01:12:38Stay low! Stay low!
01:12:40Come on!
01:12:41Get down! Get down!
01:12:46Come on, Connie! I'm gonna kill you!
01:12:48Come on! Come on!
01:12:50Go away! Go away!
01:12:51Go away!
01:12:52Hey!
01:12:53Whoo!
01:12:54Oh, my God!
01:12:55We've got to make it!
01:12:56I've been down!
01:12:57Tony, get off of me!
01:12:59Tony, get off of me!
01:13:04Oh!
01:13:05Ah!
01:13:06Ah!
01:13:07Oh!
01:13:08Oh!
01:13:09Oh!
01:13:10Oh!
01:13:11Oh!
01:13:12Oh!
01:13:13Oh!
01:13:14We're in big trouble.
01:13:15Shit, Kimo Sabe!
01:13:16Shit, Kimo Sabe!
01:13:19You don't understand.
01:13:20I only have one bullet left, and I've never hit a moving target in my life.
01:13:27Here he comes.
01:13:29Hey, look at these!
01:13:30Steve!
01:13:30Oh, yeah.
01:13:44There he is!
01:13:51Before I get his gun, I just winged him.
01:13:53Oh!
01:14:00I know what you're thinking.
01:14:01Did I shoot five or I shoot six, huh?
01:14:03Go on.
01:14:04Go for it, punk!
01:14:05Don't see me!
01:14:06Don't see me!
01:14:11You know this one's loaded.
01:14:17They were beautiful!
01:14:18All right, look, don't send somebody back for you and your buddy.
01:14:23You son of a bitch!
01:14:24Come on!
01:14:25Come on!
01:14:26Damn it!
01:14:27Easy!
01:14:27All right, watch my side.
01:14:29Slow, man, slow!
01:14:31Damn it!
01:14:35Well, those guys won't need these guns anymore.
01:14:39I'll tell you one thing.
01:14:40June's gorgeous front porch really saved our ass.
01:14:43Here comes a mobile home.
01:14:51We gotta stop.
01:14:53How are we gonna stop this thing?
01:14:54Oh, mercy.
01:14:55I'm gonna stop for this, Ellen.
01:14:58I guess we must be near Hollywood.
01:15:03Can we get a ride in Palm Springs, please?
01:15:06What do you think, honey?
01:15:08You sure can.
01:15:09Now, bring the young lady with you, too, please.
01:15:14Yeah.
01:15:16Y'all come right in.
01:15:24God bless you, sir.
01:15:26God certainly blessed you, ma'am.
01:15:31Well, buckle up.
01:15:32Here we go.
01:15:43Thanks a lot.
01:15:50Thanks a lot.
01:15:51Okay, look.
01:15:52You're going back to the Middle Springs, right?
01:15:53Give this to Beverly when you get there.
01:15:55Here.
01:15:56Go to that general store down there.
01:15:58See if you can't pick me up a box of these.
01:16:00Hollow tips, all right?
01:16:01A whole box.
01:16:03Can I go with you?
01:16:05You and those were marvelous today.
01:16:07But I gotta go in a room for you, okay?
01:16:09Go get me those shells.
01:16:10Now.
01:16:19Hello?
01:16:20Yeah, she's here.
01:16:21Beverly?
01:16:22It's for you.
01:16:23Is that you, Cody?
01:16:26Yeah.
01:16:26No, I'll be okay.
01:16:27Where are you?
01:16:30No, Cody.
01:16:31Cody, wait.
01:16:34Just wait for me to bring some backup, please.
01:16:36Let's go.
01:16:37Let's go.
01:16:42Let's go.
01:16:44A little gift from Shane before he got knocked off.
01:17:08What do you think, Liza?
01:17:09I don't like it.
01:17:10Or your despicable friends.
01:17:11How dare you get me involved in this?
01:17:14I invest in your company, and you show me films of the jerk chauffeur making out with Anita?
01:17:19What the hell is this all about, anyway?
01:17:31All right, everybody, this party's over.
01:17:33Now move out.
01:17:35Now.
01:17:38You and you stay.
01:17:40What the fuck do you think you're doing?
01:17:42This is my home, and these are my clients.
01:17:44How dare you break in here?
01:17:46Sit down!
01:17:50Why?
01:17:52Why what?
01:17:53Why'd you kill Shane?
01:17:54I didn't kill anybody.
01:17:56You killed Shane.
01:17:57You don't have to listen to any of this.
01:17:58You don't like you very much.
01:18:03So you'd be doing real good just to sit there and be a good old boy.
01:18:06Now shut up!
01:18:09The night of the party, you went into Shane's room.
01:18:13You not only stabbed him, but then you shot him.
01:18:16And then you made it look like your brother Stuart did it.
01:18:18You have no evidence.
01:18:19What the hell is going on here?
01:18:30Lieutenant, just in turn.
01:18:32Beverly, sure is good to see you up and around.
01:18:34It's hard to keep a good coat of town.
01:18:37You want to explain this to me, Cody?
01:18:38I think you'll find this quite interesting, Lieutenant.
01:18:42Our little lady here.
01:18:45How busy?
01:18:47Damn you, Cody!
01:18:48What are you doing?
01:18:49Would you get this off of me?
01:18:51I'll be back.
01:18:53Here.
01:18:54Take a look at this.
01:18:55Both Liza and Jonathan were arrested.
01:18:59Case closed, right?
01:19:01Not so.
01:19:02I'd made a mistake.
01:19:03The next morning, I invited everyone involved to meet me on my boat.
01:19:07Oh, damn.
01:19:08Not them again.
01:19:09We're going to get you your pink slip this time, boy.
01:19:12Okay, look.
01:19:13I feel it's only fair to warn you, though.
01:19:16This is my daddy's car.
01:19:17He's got it all gussied up with power.
01:19:18We got your gussied up.
01:19:20My son here is a mechanical genius.
01:19:22And we got a car just waiting for you over at the racetrack.
01:19:26Racetrack?
01:19:27Are you guys serious?
01:19:28Well, hey, daddy.
01:19:29Just a little old Camaro ain't nothing special.
01:19:31That's right.
01:19:32Once again, you're going to eat our ducks.
01:19:34I try.
01:19:35By all means, then.
01:19:37Lead the way.
01:19:38Follow us.
01:19:38Follow us.
01:19:39Come on.
01:19:52The first thing we're going to do is blow Cody's doors off.
01:20:17Then I'm going to buy you a big chili and tamale brick.
01:20:21I don't eat that stuff, man.
01:20:23What?
01:20:23I want some flea mignon, cheese, and some champagne.
01:20:25Whatever you say to me, man.
01:20:27I'm going to go.
01:20:28What the hell did he say?
01:20:29Oh, no.
01:20:30Here.
01:20:30Let's line this thing up.
01:20:32Let's line him up.
01:20:33Come on.
01:20:34Come on.
01:20:35Come on.
01:20:35Come on.
01:20:36Come on.
01:20:36Come on.
01:20:37Come on.
01:20:38Come on.
01:20:39Wait a minute.
01:20:43Get in the car over here, boy.
01:20:45Get in the car.
01:20:46Be safe now.
01:20:47Put on your seatbelt.
01:20:48Get in the car.
01:20:49Come on.
01:20:51Come on.
01:20:52Come on.
01:20:52Come on.
01:20:57Come on, boy.
01:21:00Come on.
01:21:01Come on.
01:21:16What does that mean right there?
01:21:24What does that mean right there?
01:21:24What does that mean right there?
01:21:28Come on.
01:21:42Get in the car.
01:21:44What's that mean?
01:21:47Come on.
01:21:50Where am I?
01:21:51Come on, Mama!
01:22:00Open the door, you old fool!
01:22:02Don't call me.
01:22:03A fool will be in public.
01:22:04Get out of here, Dad.
01:22:05Look, he's cheating.
01:22:06He's cheating, Dad.
01:22:07He's cheating.
01:22:08I tell you.
01:22:09It's a rocket.
01:22:10He cheated, man.
01:22:11He cheated.
01:22:12Dad Vernon, you cheated.
01:22:13You cheated!
01:22:14You cheated!
01:22:15Hey, come on.
01:22:16You cheated!
01:22:17No, Dad, it was a cheat.
01:22:19You cheated.
01:22:20My daddy would want you to have this.
01:22:28What did he get me, daddy?
01:22:30It's a goddamned silver bullet.
01:22:33You got him off, guys!
01:22:37Hey, wait some second time!
01:22:44Sally's phone and lip service may help you?
01:22:47Yeah, babe, it's Cody.
01:22:48I just won my rocket race.
01:22:51Oh, Cody, it's you.
01:22:53I love rockets.
01:22:56I've seen your rocket.
01:22:58It's big and beautiful.
01:23:00Sally, listen.
01:23:01What about those people I had you line up to meet me on the boat in a little while?
01:23:03I've called them.
01:23:05Cody, what's your ETA?
01:23:09I'm on my way there now.
01:23:15I would like to propose a toast
01:23:17to a young lady that we're all very happy to have with us here today.
01:23:21Liza, would you come out here?
01:23:23Do you believe this, Beverly?
01:23:24We just arrested her last night.
01:23:25Lieutenant Watson.
01:23:25What the hell is she doing here?
01:23:27We all know Liza.
01:23:28Certainly Lieutenant and Beverly know Douglas F. Wilton,
01:23:32former district attorney and now high-ranking government official
01:23:35and chairman of my daddy's yacht club committee.
01:23:39All right, boys and girls, ladies and gentlemen,
01:23:42get comfortable and let me explain it to you.
01:23:45I'd been up all night long at the CIA building with Douglas Wilton.
01:23:49By nine this morning, we'd gotten Liza released from jail.
01:23:52But three hours earlier, around six this morning,
01:23:55I was coming back from Willow Springs where I'd gone to pick up my car.
01:23:59On the way back to my boat, I needed a cup of coffee.
01:24:02Damn, I didn't run into Peggy,
01:24:03one of the pretty girls from the health club.
01:24:05Hi, Cody.
01:24:07Peggy.
01:24:08How are you?
01:24:09I can't complain.
01:24:11Coming to the gym today?
01:24:12No, not today, pretty lady.
01:24:14Been up all night working.
01:24:16Oh, I can get a big picture of that.
01:24:19Picture.
01:24:20Picture.
01:24:22That's it.
01:24:23That was the key.
01:24:25I had it all the time, right in front of me in black and white.
01:24:28I've been chased so hard by those three animals,
01:24:30I never really studied it.
01:24:31I thought it was Liza.
01:24:33This picture isn't Liza.
01:24:35How did you know it wasn't me?
01:24:37Well, it didn't hit me for a while.
01:24:39We all know that you're left-handed.
01:24:41Everything you do is with your left hand.
01:24:43Shane's drawer was pried open by a right-handed person.
01:24:47You could tell by the scratches.
01:24:48The killer in the picture Shane took
01:24:50was holding the gun in the right hand.
01:24:53Well, it couldn't have been you, Liza.
01:24:54You ain't right-handed.
01:24:56But if it wasn't me, and it wasn't Stuart,
01:24:58who did kill Shane?
01:25:00I knew it had to be a woman,
01:25:02because the height of the killer in the photo,
01:25:04and all the guys around here are over six feet tall.
01:25:08Couldn't have been the maid,
01:25:09because I don't think she's smart enough to disguise herself.
01:25:12Anita was too drunk.
01:25:15Lady Lillian had her leg in a cast.
01:25:17The only one left was Luciana.
01:25:20Luciana?
01:25:20But I thought she was with you.
01:25:23So did I.
01:25:26After I left Peggy at the coffee shop,
01:25:28I went straight to Contessa Luciana's house.
01:25:31I figured that since she'd left town,
01:25:32I'd have to break in.
01:25:34But I didn't know it would be this easy.
01:25:36She'd left me a key and a note telling me to go on in.
01:25:39I went on in.
01:25:40Found another note telling me to play a tape recorder.
01:25:43This lady was way ahead of me.
01:25:46Cody, by the time you hear this, I'll be in Hawaii.
01:25:49I knew you wouldn't let an innocent person go to jail.
01:25:52I did leave you some obvious clues,
01:25:54and I knew your analytical mind would eventually find them all.
01:25:58I remembered the first time we made love.
01:26:00You were thirsty afterward.
01:26:02So the next time we made love,
01:26:03at the Chamberlain house, after the party,
01:26:06it was easy for me to give you a sleeping powder.
01:26:08Then I went downstairs to Shane's room and killed him.
01:26:12I disguised myself as Liza in case I was spotted.
01:26:16Shane took a picture of me before he died.
01:26:18I purposely pried open his drawer from the right side.
01:26:21Then I intentionally took the wrong camera.
01:26:24I counted on you to figure out
01:26:25that the person in the picture was not Liza.
01:26:28Shane was about to ruin the lives of people I love.
01:26:31He was also a traitor and a threat to our national defense.
01:26:34He was Jonathan Harper's courier to the Russians.
01:26:38I'm not just another pretty face.
01:26:40Of course you will keep it confidential
01:26:42that I work for the government,
01:26:43specifically Douglas Wilton.
01:26:45Douglas and I planned Shane's elimination.
01:26:48Well, there are some things I can't tell you.
01:26:51But Luciano was investigating Jonathan Harper.
01:26:55Shane worked for Harper.
01:26:57They were selling computer secrets to the Russians.
01:26:59No one had been able to catch them.
01:27:01Shane's murder brought in the police.
01:27:03The federal agents needed to do this
01:27:05to conceal their involvement.
01:27:06The police, well, they promptly arrested Stuart by mistake.
01:27:11Did Luciano send me those awful pictures?
01:27:14And why?
01:27:15Well, to throw the blame on Stuart.
01:27:17I knew the pictures I sent of Shane with Anita,
01:27:20plus the pictures the police found of Shane with Stuart,
01:27:23would make Stuart the prime murder suspect
01:27:24and allow me time to get out of town.
01:27:27Lift the red cloth and you will see
01:27:29how I disguise myself as Liza.
01:27:31As you know, I'm an artist.
01:27:34I was able to make a mask similar to this one
01:27:36and wear it the night I killed Shane.
01:27:38It will melt in a matter of seconds.
01:27:41There will be no evidence,
01:27:43except for your eyes only.
01:27:46As I mentioned, I'm in Hawaii.
01:27:48Two things are clear to me.
01:27:50One, I had you figured correctly.
01:27:54You're not only a very attractive man,
01:27:56but an intelligent one also.
01:27:58And two, that you would help us
01:28:01get rid of Jonathan Harper.
01:28:04As soon as you can wrap up this situation,
01:28:07I want you and your body over here.
01:28:11I can't wait.
01:28:13I'm counting the days.
01:28:18Ciao, Cody.
01:28:20Mi amore.
01:28:21Mi amore.
01:28:28You see, Jonathan was convinced
01:28:34that Liza killed Shane
01:28:36because of the information he got
01:28:37from Maid Marian.
01:28:39He sent those two outlaws
01:28:40to the Chamberlain Beach House
01:28:41and then the three stooges
01:28:43to my boat in the racetrack
01:28:44to try to kill me
01:28:45and get back the film.
01:28:47He wanted to protect Liza
01:28:48and her money.
01:28:50The funny thing is,
01:28:51if he had gotten a hold of that film,
01:28:53he would have blackmailed her
01:28:54for the rest of her life.
01:28:56Greed is such an awful thing.
01:28:59Between murder, blackmail,
01:29:01and selling computer secrets
01:29:02to our enemies,
01:29:04I think Jonathan's going to be put away
01:29:05for a long, long time.
01:29:08I do wish Luciana hadn't killed Shane.
01:29:10It's such an inconvenience.
01:29:13Good help is so very hard to find,
01:29:15you know.
01:29:16Except where you're concerned, Cody.
01:29:18You're just a wonderful cowboy.
01:29:21Why, you'd help any woman
01:29:23in distress, wouldn't you?
01:29:25The bright lights of L.A.
01:29:30He made a lot of ladies cry
01:29:33When he told them goodbye
01:29:37And headed out across
01:29:40the Lone Star State
01:29:42hungry, you'd like to Tales to talk to him.
01:29:43weird
01:29:56No
01:29:56in distress,
01:29:57there's nolin
01:29:59mystery
01:30:00There's no mystery
01:30:00It's just a goodroy
01:30:01There's no mystery
01:30:02Its wishes to compare
01:30:04To Heart
01:30:04to Lab without
01:30:06the Advising
01:30:06You yet
01:30:07There's no mystery
01:30:08There's no mystery
01:30:09There's no mystery
01:30:09There's no mystery
01:30:10There's no mystery
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