- 7 months ago
Diagnosis Murder Season 7 Episode 13 Frontier Dad
Category
📺
TVTranscript
00:00I told you once before Miller you're leaving town on your horse or in a hearse it's up to you
00:30I told you once before Miller you're leaving town on your horse or in a hearse it's up to you
01:00so gang you all having a good time are you kidding they may never leave here
01:13just being here on the set and seeing Dash Donovan is so cool
01:17you know for the kids that is
01:20I think that Alex is the show's biggest fan
01:24speaking of big CJ is that really you hi Mr. McClain hi Bob I'd like you to meet Dion
01:35ah the new addition to the family handsome young man yes he is Dion this is Mr. McClain he's the show's stunt coordinator who got us passes so we could watch the filming today
01:47thank you Mr. McClain
01:48my pleasure
01:50you big Dash Donovan fan
01:52yeah he's pretty cool
01:55I guess
01:57ah yeah right
02:00well stick around guys the next scene up should be even better
02:04Bob I've got to get back to the hospital I had no idea it took this long to shoot these
02:09oh what a shame
02:10just when Dash Donovan's big scene is coming up
02:13thanks so much for having me yes it means a lot to me you bet say hi to Steve
02:17I will see you
02:18bye
02:19hey Alex could you grab some shots for me just
02:23thanks
02:24see you
02:25see you Mark
02:26nice move there Dash
02:35now are those Dash's kids on the show
02:38no no that's Buck and Tessie see Dash took them in when their parents were killed by Indians
02:42alright positions everyone
02:44places
02:45quiet please
02:46and we're rolling
02:49atmosphere
02:51action
02:53that was great Dash
02:56can you stay a while this time Dash please
02:59oh now kids you know Dash is a busy man
03:04he's got things to do and slices to go
03:07and doesn't miss Kate always take good care of you while I'm gone
03:11yeah
03:12yeah I guess
03:13just try and keep him out of the saloon if you can
03:17go
03:17I'll take care of this trouble out of Yellow Fork and be back before you know it
03:22be careful Dash
03:24until the next time
03:27where comes Dash's trademark mount
03:35oh man
03:52urge this again
03:53dude when is this guy gonna start using a stunt man
03:58I'm fine everybody really
04:01I'm fine I just tweaked my wrist a little bit
04:03trampoline broke on me
04:05why don't we just try another one shall we
04:11right right maybe we should take a break
04:15somebody ought to put that poor guy out of his misery
04:21I'm fine
04:23like that
04:24I'm fine
04:27yeah
04:29yeah
04:30I'm fine
04:31yeah
04:33yeah
04:34yeah
04:39yeah
04:40yeah
04:44yeah
04:46yeah
04:48The End
05:18The End
05:48The End
06:18You think that killing me off in the season opener is going to raise the ratings?
06:25Do you think I'm stupid?
06:28My nose behind is Brad, and if Carl thinks that he can get rid of Jeannie that easily, he's even dumber than I thought.
06:34This is what I think of your season opener.
06:38Paul, how many times have I told you about keeping the action on this thing clean?
07:01I mean, it feels like it's got gravel in it. Take care of it, would you please, today?
07:06Whatever you say, boss.
07:07I guess not all actors are like the characters they portray on screen.
07:14Well, it must be the pressure.
07:17He is the star.
07:18Yeah, and boy, does he know it.
07:20All right, that's it, Carl.
07:30I'm going to let Jimmy do the high fall. I don't want any argument.
07:34Don't look at Chris. This is my call.
07:37Carl, we can't risk having you get hurt any further.
07:40Well, after all, you are the show.
07:46Well, it is my guy.
07:50Well, great. Maybe for once we can finish a day's work on time.
07:56Keep practicing, kid. You got a long way to go.
07:59Oh, yeah? Have you seen the show's fan mail lately, old-timer? I'm gaining on you.
08:04Why don't you just go polish your prop gun, you pipsqueak?
08:08Come on, let's go get a burrito.
08:10All right, everybody, let's get back to work. We've wasted enough time already.
08:15Make sure Jimmy gets into the wardrobe for the high fall.
08:18Second team out. Let's go, people. We're burning daylight.
08:25Here he comes.
08:26You think you should ask him for an autograph?
08:28Why not? What's the worst he could do? Shoot you?
08:31All right.
08:32Excuse me, Mr. Simpson.
08:33I was... No, no.
08:35Hey, kids.
08:36Who wants a picture with Dash Donovan, huh?
08:40All right. Excuse me.
08:42All right.
08:47Okay, smile.
08:51All right.
08:52Okay.
08:53Okay.
08:59Everyone in position up there?
09:15Ready when you are, boss?
09:17All right, Jimmy.
09:18Jimmy, on action.
09:19I want you to edge out to the roof.
09:22Jack, you come up behind him and fire.
09:25He'll be a near-miss bullet hit.
09:27Jimmy, that's gonna be your cue to take the fall.
09:30But not before you hear me say go.
09:33I got three cameras on you, and I don't want to miss this, okay?
09:41We got it. Let's go.
09:46If I'm not mistaken, to get away, Dash is gonna jump off the roof.
09:51It's pretty cool, huh?
09:52Please tell me you realize that even on TV, a jump like that would kill a man.
09:58No, no, no, Jesse.
09:59Bob already said they're gonna get another shot of Carl Landon in the haywack.
10:02Then he's gonna bounce up, gun in hand, and shoot the bad guy off the roof.
10:06Killing him?
10:08No, it's the Quality Family Network, remember?
10:11You see, he'll fall on the horse trough, only wounded.
10:14Because Dash never kills anybody, he only wins.
10:16Well, that's nice of him.
10:18Now, that's kind of corny, isn't it?
10:21Maybe, but it's what people want these days.
10:24You see, Frontier Dad's kind of like a throwback, like a Lone Ranger.
10:29Who?
10:31Or Roy Rogers.
10:33Who?
10:35All right, quiet all around.
10:38And let's go.
10:44All cameras ready?
10:46And action!
10:52And action!
10:58A camera wall!
10:59Roll it!
11:01What the?
11:02A camera turtle!
11:04Roll it!
11:07A camera street!
11:09Roll it!
11:10Hold it!
11:11Go!
11:12Jerry, go!
11:16Jerry, go!
11:20Get an ambulance!
11:24Transportation, call and get an ambulance here now!
11:27Don't move!
11:28Don't move!
11:31I'm coming down.
11:32How is it?
11:43Okay, just hold on, okay, buddy?
11:45You hold on.
11:47Keep holding on.
11:49Just stay with us, okay?
11:51Just stay with us.
11:52I'm sorry, Bob.
12:03We did everything we could.
12:05Oh, no.
12:07Jimmy.
12:08It was an accident.
12:10She's right.
12:11There's nothing you could have done.
12:13No, it's my fault.
12:15I set it up.
12:16He depended on me.
12:18It took every precaution.
12:19No one could have foreseen a short circuit.
12:22Well, someone sure foresaw it.
12:25As a matter of fact,
12:27it looked like it was planned.
12:30What are you talking about?
12:31Well, we went and took a look at the junction box.
12:33It was full of coffee.
12:35Someone poured a whole cup on it.
12:37Now, if you want that airbag to malfunction,
12:39that's a hell of a good way to do it.
12:41If that's true, it was murder.
12:45Oh, my God.
12:48I almost did that stuff myself.
12:51I don't believe this.
12:53I saw the box short out.
12:54I tried to stop him.
12:56I told him to hold it.
12:57What the hell are you talking about?
12:59You told him to go.
13:01On the radio, I heard you.
13:02Hell, everybody did.
13:03No, I didn't.
13:05I swear.
13:08Bob,
13:09better have a talk with Steve.
13:10Well, there you are.
13:32Would you like a soda?
13:33No.
13:37Since when don't you want a soda?
13:40I'm not thirsty.
13:45Dion,
13:46I know that you saw something terrible today,
13:50and I am so sorry that you had to see that.
13:53You want to talk about it?
13:57It's no big deal.
14:00Someone must have tampered with my radio.
14:02Switched the channels or something.
14:04I don't know.
14:05I checked with the sound department.
14:07All the radios are accounted for
14:09and were set on the proper channel.
14:10When you talked to the guys on the roof,
14:13the radio was working?
14:14Yeah, it was fine.
14:16And you had it right up until the stunt.
14:18You didn't leave it anywhere.
14:20I'm not sure.
14:21I don't know.
14:22I might have put it down for a minute.
14:23I made the final safety check on the airbag.
14:27Bob, I have to ask.
14:29Did you have any personal problems with Jimmy?
14:32No.
14:33Well, I mean,
14:36we had our differences.
14:38He was ambitious.
14:40He made no secret about wanting my job,
14:42but I wouldn't kill him over it.
14:44You said before that Carl insisted on doing his own stunts.
14:48Yeah.
14:50Wait a minute.
14:53You think they were after Carl and Jimmy by mistake?
14:57I think we have to consider that possibility.
15:00Can you think of anybody that had something against Carl?
15:03To know Carl was to have something against him.
15:06I can't think of many people on the set
15:08who don't want to kill him at times.
15:10Including stuntmen?
15:12He puts people in danger, Steve.
15:16Sometimes he makes my job almost impossible.
15:18But I wasn't trying to kill him,
15:20and I didn't kill Jimmy.
15:21Steve?
15:25Steve?
15:27Look, Dad, you know I'll do everything I can,
15:29but this plan of yours...
15:31It's a little unconventional, I think.
15:33Unconventional?
15:34Dad, I'll never get clearance for it.
15:36Come on, it's something you've always wanted to do
15:38since you were in his head.
15:39Look, Dad, we've already discussed it.
15:41I'm sorry, but...
15:43No.
15:44I'm not doing it, and that's final.
15:52Cut.
15:54All right, bring it.
15:56All right.
15:56Carl, this is Steve Randall, your new double.
16:06Until we clear up Jimmy's murder,
16:08he'll be doing all your stunts from now on.
16:10Understand?
16:11You okay, Steve?
16:16Oh, yeah.
16:20This guy's perfect.
16:27You want to tell me what the hell you're doing here?
16:29The producer liked the way I handled things on the set
16:32when the medic froze,
16:33fired him, and offered me a job
16:35until he could find a replacement.
16:37You're not serious.
16:38You took it?
16:39Why not?
16:40I mean, it's just until the end of the episode,
16:42and I got a little time off,
16:44and the pay is good.
16:45Besides, I know my way around a film set.
16:49I'm familiar with the biz.
16:51The biz?
16:52I can snoop around.
16:54I know what I'm doing.
16:55Hey, I've been hit enough times to know how to fall down.
16:58Besides, I used to train with Bob.
17:00I wanted to be a stuntman when I was younger.
17:02I believe the operative word there is younger.
17:05Look, are we fine as long as you don't blow my cover?
17:07So just do me a favor.
17:08Will you stay away from me?
17:10Can I just please just hang in so bad?
17:12Stop.
17:15You don't mind these, boy.
17:31Listen, do me a favor, will you?
17:34After lunch, I want you to stop my wardrobe, okay?
17:37They'll fix you up with some special books.
17:40You got to measure up, right?
17:44Oh, and another thing.
17:47Doubling for me isn't just a matter of taking falls, you know?
17:52You have to move like me.
17:54React like I would.
17:56You see, I'm fast, but smooth.
17:58Like a cat.
17:59So watch me, study me, shadow me if you can.
18:04Just try and stay out of my way, okay, sport?
18:10Whatever you say, sport, I have what he's having.
18:15I just wanted to say thanks again, Mr. Perkinson.
18:24I can't tell you enough how much I enjoy being on the set here.
18:28Lucky you.
18:29Hey, if I were a producer, I would be on the set all the time, watching over things, keeping
18:35my finger on the pulse of the show, so to speak.
18:38Doc, if you produce this show, you do it from your office.
18:41Oh, no, that's not correct.
18:43I'm a hands-on kind of guy.
18:45I'd be here all the time.
18:47Yeah.
18:51Well, if Carl wanted a hands-on producer, I wouldn't be banned from the set.
18:57Banned?
18:58You were banned?
18:59Yeah.
19:01I create the show for Carl, give him the role of a lifetime, and that's how he repays me.
19:08You're still the producer, aren't you?
19:11Tell me a title.
19:14If I had any guts, I'd tell him to shove it.
19:18But as long as I hang around, they have to pay me.
19:21And I just love sticking that to them.
19:24I didn't realize show business can be so brutal.
19:27Yeah.
19:28It can be murder.
19:33Oh, bless you.
19:36Allergies?
19:37Oh, thanks.
19:38No.
19:39Guess it's just all the dust around here.
19:41With me, it's horses.
19:43I can't get anywhere near them.
19:45I start sneezing, my eyes swell up, and I can't hardly breathe for hours.
19:50Me working on a western, that's pretty funny, huh?
19:52Yeah.
19:53Say, you know, I've been around stuntmen all my life.
19:57Used to be one myself.
19:59How come I've never seen you around?
20:01I've worked overseas a lot.
20:03You know, Italy, Spaghetti Western.
20:06Been from Canada the last few years.
20:08Hmm.
20:09I've done some work up there myself when I was starting out.
20:12You even coordinated a couple of shows before you got this bum leg.
20:16What happened?
20:19Go ahead, tell them, Paul.
20:20I'm surprised he hasn't already heard.
20:23Ah, it's ancient history, Jack.
20:25You know I don't hold that against Carl.
20:27Well, that's mighty big of you, Paul.
20:31But don't you think you should tell him for his own protection?
20:36See, the first year of the Frontier Dad, Carl decided that he was going to do his own stunts.
20:41But he screwed up.
20:43Paul here had to pay the price.
20:45Yes, Carl ended his career.
20:49Must be pretty bitter.
20:51Oh, I'd be.
20:53Nah, you know stunts, it can happen.
20:56Besides, I like doing props.
20:58And Carl's always made sure I had the job.
21:01So you're okay with him now?
21:04Why do you ask?
21:06Because the word is, whoever sabotaged a high fall might have headed him for Carl.
21:15Ah, I see what you're getting at.
21:17But I already spoke with the police.
21:20I was on a shopping run when that stunt went bad.
21:22And I have time-coded receipts to prove it.
21:26Lucky for me, huh?
21:28Yeah.
21:29Lucky for you.
21:30Got it, boys.
21:40Brian, I'll catch up to you guys later.
21:44Play some hacky sack.
21:46I'll tell you what, though.
21:48Something did happen to Carl.
21:50I don't think anyone around here would greatly miss him much.
21:55This is exactly what I've been talking about.
21:57It's all here.
21:58I'm what they want.
22:01Right.
22:01We're what they want.
22:03Teenagers.
22:05The advertisers.
22:06The network.
22:06The audience.
22:08They'd all rather see a show about us.
22:12The old man over there?
22:14He's almost 30.
22:16Yuck.
22:17I'm telling you, Bradley, we could do a lot better on our own.
22:21You mean some sort of spinoff?
22:23Sure, why not?
22:26The Adventures of the Frontier Kid.
22:29Kids, right.
22:31Frontier Kids.
22:33Two teenagers alone against the savage west of the 1880s.
22:37You know, that's not a bad idea.
22:39A couple of kids roaming around the frontier facing danger.
22:42To avenge the brutal murder of their parents, that kind of thing.
22:45Yes, that's it.
22:47Did I tell you he's our man?
22:49So what do you think?
22:52Of course you'd need a writer-producer to create the whole thing.
22:57Exactly.
22:58And who would you rather work for?
23:00I mean, when?
23:01We're back.
23:03Think about it.
23:05Kind of a cold attitude for a couple of young kids, huh?
23:14Can't really blame them.
23:17Carl's never been very good with them either.
23:19Besides, they're probably right about that used market crap.
23:24Hell, next year they'll probably be too old.
23:26Come on, let's go, honey.
23:31What?
23:32What?
23:33Is it time to go home?
23:34No, no, it's time to work.
23:35We've still got to ruin your lunch.
23:37Oh, I can't.
23:39Yes, you can now.
23:40Come on, up see me.
23:41Everything okay?
23:42Oh, yeah, she's been working a little too hard to leave.
23:45You know how it is.
23:47Come on, babe.
23:48Come on.
23:52All right, the bad guy will be holding the bar girl at gunpoint.
23:56You're going to jump on a chair.
23:58You're going to leap up on this chandelier.
24:00You're going to swing over.
24:01You're going to kick the bad guy over the bar.
24:03You got it?
24:05Sure.
24:06Okay.
24:07All right, positions, everyone.
24:10Remember what we talked about.
24:12Like a cat.
24:13Right?
24:14Right.
24:17Much better.
24:18Quiet, please.
24:20And roll camera.
24:23Ready, Steve?
24:24Yeah.
24:24Action.
24:34Cut.
24:36Cut.
24:37I think we need another take anyway.
24:39I mean, the whole jump to the chair and the leap to the chandelier should be much more graceful.
24:45And cat-like, huh?
24:53That was a great start, sport.
24:56Just beautiful, but what do you say?
24:58You got one more in you, huh?
24:59Not a chance.
25:03See, he's had his bell rung twice today, so no more stunts until I get him to the hospital.
25:07He gets checked out.
25:14Seems the little town of Saddlebrook is just overflowing with murder suspects.
25:18Follow my finger.
25:20We're going to have to narrow down the field a little bit if we're going to help Bob.
25:24Well, the prop man's the only one with a solid alibi so far.
25:31Hey, guys.
25:31Check it out.
25:33Bob sent over the dailies.
25:35Oh, good.
25:36Do we get to see Steve go bye-bye?
25:38Steve didn't go bye-bye.
25:40No, that was today.
25:41This is the footage from the past few days.
25:43Oh, good.
25:43I want to have a look at that high fall.
25:46So, how about you?
25:47Did you have any luck?
25:48Oh, the food is awesome.
25:53You know, I had lunch with the two kids from the show.
25:56They're pretty ambitious, and they don't seem to care much for Carl, but I really don't think that they're capable of murder.
26:03Oh, and you know the producer, Bradley Perkins?
26:06Well, it turns out that Carl has stolen all control of the show away from him, and he's not too happy about it.
26:14Anyone else?
26:15Yeah, there's Jean Malone, who's under the impression that Carl is trying to write her out of the series, and she's ready to put up a nasty fight.
26:24Oh, yeah, and we're just getting started.
26:28Jesse, you're the medic on this show.
26:30Do you think we can get into the company's medical insurance files, see if anyone else has been seriously injured or disabled because of Carl?
26:38Of course I can.
26:40So, uh, can I get a clean bill of help?
26:43Well, for the time being, but you be careful.
26:45No more dangerous stuff for at least a couple of days.
26:48Don't worry about it.
26:49Careful is my middle name.
26:54Just kidding.
26:54Good night, sweetheart.
27:08See you in the morning.
27:11Well...
27:11Yes?
27:13Can I sleep with you tonight?
27:15CJ, what is it?
27:17I can't sleep.
27:19I keep thinking about that man.
27:23Oh.
27:24Oh, man, what a baby.
27:27Dion.
27:31Son, it is perfectly normal for you to feel the way that you do.
27:35I've been thinking about that poor man, too.
27:39It's not easy seeing such a terrible tragedy.
27:43But you know what?
27:45It helps me to talk about it.
27:48So what do you say?
27:50You want to talk?
27:52Yeah.
27:55That goes for you, too, Dion.
27:57It might help you feel better.
28:00I feel fine.
28:01Now, Dean, I said I needed at least a dozen extras for the big explosion scene,
28:14and now I hear that the production manager is only allowing me six people.
28:19I'm afraid so.
28:20Sorry.
28:21Well, I'll tell you what.
28:22You get a few members of the crew, put them in wardrobe,
28:26and we'll stick them in the background.
28:28You'll do fine, Doc.
28:30Check in with wardrobe.
28:31What?
28:39When?
28:41Look, just let her stay in her dressing room.
28:44We'll shoot the scene without her.
28:46See how she likes that.
28:47Oh, Jeff.
29:08What's your rush?
29:09I'm going to be in the show.
29:11What are you playing?
29:12Uh, cowpoke number four.
29:14It's better than cowpoke number five.
29:16You should find anything out.
29:17Yeah, I was in the production office, and I was able to sneak a peek at those insurance records.
29:22Cute secretary.
29:22Cute secretary.
29:23Melanie.
29:24Blue eyes, blonde hair.
29:26I get the picture.
29:27And?
29:27And nothing much, I'm afraid.
29:29I mean, a few stuntmen and an actor were injured on the set of Frontier Dad because of Carl, but nothing too serious.
29:36The stuntmen refused to work with Carl ever again.
29:38And the actor, well, he got his own series, so he didn't really press the issue.
29:42That was all in the medical records?
29:44Well, Melanie sort of filled in the blanks.
29:47Where are you taking her to dinner?
29:48I'm hoping she likes barbecue.
29:51Good luck, partner.
29:58Okay, we'll do it just the way we rehearsed it.
30:01Steve, you'll be inside, all padded up, waiting by the window.
30:06Carl, you walk through the front door and go directly to the back exit.
30:11Don't waste any time.
30:12We'll give you a five count before we blow the charges.
30:14Understood?
30:15No sweat.
30:16Steve, you're going to come through the window just ahead of the blast.
30:22Just try not to land on your head.
30:25Bob, the pearl handles their oblong.
30:28Nice job.
30:29You don't think they're too much?
30:31They're just fine.
30:32All right, wasting time.
30:33Everybody take your start positions.
30:35All radios off.
30:38What's the widget?
30:43Quiet.
30:44Quiet.
30:46And roll camera.
30:51Give the roll.
30:53Ready.
30:56And action.
30:57Action.
31:07One.
31:11Two.
31:14Steve.
31:15Three.
31:16Three.
31:20Steve.
31:20Steve.
31:24Five.
31:25that wasn't there two minutes before we rolled i checked well we're sure there when i tried to
31:49get out and this man saved me oh sure i could have gotten out by myself broken the door down but
31:55that's not the point this man is a hero well it's a studio lock all right see the envelope these are
32:02specially made for us who usually locks up studio guard he unlocked everything this morning
32:08who else has issued these locks makeup wardrobe sound props but they look after their own you
32:17can check for yourself but i already asked all of the set locks were accounted for
32:23what did i tell you among other things i keep the guns and the plaques in there i gotta be real
32:36careful now that's it it's the last one every lock is in its place i gotta get these spurs on the set
32:42so if none of the locks are missing then how i don't know someone must have fabricated one just
32:51made a copy and brought it to the studio with them well then someone's been planning this a while this
32:56is all premeditated two attempts in two days i think we better find them before they try again
33:03try again you think they try again listen carl i think you should consider shutting their show
33:11down you really shouldn't know no way i'm not letting them scare me i've got my fans to think about
33:17besides you're pretty good at this you know better than those dumb cops anyway well they're not exactly
33:25dumb heck yeah as long as i got you by my side watching my back i got nothing to worry about right
33:32look out
33:34i thought i was supposed to be watching your back
33:41grab them up and be quick about it
33:45sorry carl the wranglers thought the horses were locked in the trailer and they got loose and took off
33:53got loose how looks like someone stole the lock off the trailer
33:58wrangler said the horse trailer was parked right here all day
34:04what are you looking for
34:09signs
34:11signs of what
34:13someone that shouldn't have been here
34:15footprints
34:17prints of horses stunt guys cowboys and wranglers
34:21and they all had reason to be back here
34:23not him
34:25what are you talking about
34:28episode 87
34:31the capture of crippled jack clawford
34:34i was able to track him down because he left a stink prince
34:38see here
34:39short step
34:41long step
34:42short step
34:43long step
34:44with one print deeper than the other
34:46there's only one guy around here who can make prints like that
34:51and i say
34:53it's the same guy who stole the lock off the horse trailer
34:56put it on the saloon door
34:58and tried to kill me
35:00carl
35:03something i should tell you
35:06i didn't take the lock and i never even had a key for it
35:11then why were you by the trailers
35:12i wasn't
35:13we have your footprints ball
35:15you can't
35:16i never
35:17making keys is part of your job
35:21so is fabricating documents
35:22like time carded receipts
35:24you never left the studio the day of the murder did you
35:27no no no
35:28you sabotaged the junction box because you thought carl was doing the high fall
35:31you got this all wrong all this time
35:34you never forgave me for the stunt that injured you
35:38shouldn't have got so close to those horses paul
35:42those allergies can be killers
35:44nice work
35:47partner
35:49don't mention it
35:51lieutenant
35:52hey cute guess what i have
35:56alex developed the film
35:58look
36:02here's the shootout
36:04and here's dash
36:06and here's
36:08this horse
36:09and here's
36:11and here's the stunt accident
36:18you know about the camera didn't you
36:26you know what
36:27you know that i lost the camera
36:29your camera
36:30is that what's been bothering you
36:32i never knew
36:33you gave me the camera
36:34i never had a camera before
36:37i never even took a picture before
36:39i wanted to take pictures for you
36:42and then all that stuff happened
36:43and that guy got hurt
36:44i dropped it or something i don't know what i did with it i'm sorry
36:48it's okay
36:50it's okay
36:50it's okay honey it's just a disposable camera
36:54it doesn't even matter
36:55were you ever in trouble for losing something
37:06my lunchbox
37:08and were you punished for it
37:10that's when
37:12i'm so sorry
37:23everything's gonna be okay now
37:28and we're gonna find your camera
37:30paul pishney was the guy behind all this
37:45i can't believe it
37:46yep
37:47we put it together
37:48everything fits
37:50motive
37:52means
37:52opportunity
37:53and uh
37:54allergies
37:55may take some more questioning
37:57but it looks like you'll crack
37:58are you convinced
37:59he was after a carol
38:00absolutely
38:01why
38:05well i'm afraid all you've got him on
38:08is a captain murder
38:09what did you expect to find in the dailies
38:18i wanted to examine the scene from the high fall
38:22but i also wanted to take a look at that footage where carl tries to vault onto the horse
38:25nothing unusual there
38:30except i usually make it
38:31now this next shot is from the camera mounted on the ground
38:36yeah the low angle makes the horse and carl's vault look higher
38:40don't rub it in
38:41the first part of the truck and carl's the trampoline still in the frame
38:46hasn't panned up
38:47but that hasn't caught my attention
38:50and i don't really see what you're talking about
38:52yeah i know it's not very clear on there
38:54so i had these stills made and had them blown up
38:57look at this
38:58see that support bracket for the trampoline there
39:01now that's been tampered with
39:03couldn't that just come loose
39:06oh i checked that before the stunt
39:08so it was sabotage
39:10but why
39:11the fall would hardly kill me
39:13no
39:14but it might injure you just enough that you couldn't do the high fall
39:18and jimmy would have to
39:20that's right
39:22you remember after you carl jimmy was the intended victim the whole time
39:26what about paul pishney
39:27i have a hunch that his alibi is going to hold up
39:31especially where jimmy is that's concerned
39:32yeah but what about the second time
39:34he was trying to blow me up in the saloon wasn't he
39:38yeah but maybe he was just trying to take advantage of the situation
39:40yeah that makes sense
39:42he'd probably figure we'd blame whoever killed jimmy
39:45which i'm afraid puts us right back where we started
39:48yeah
39:51and me the number one suspect
39:54are you sure you want to do this
40:01the episode's almost finished
40:03there's still a killer roaming around
40:04we're going to help bob i've got to see this thing through
40:07just be careful will you
40:09i will
40:09and i'm actually going to miss all this
40:12it kind of grows on me after a while
40:15won't just be fun
40:16i admit i got a kick out of being dash
40:19and they may never get rid of jesse
40:26what have we here
40:28hey mark what do you think
40:31i get it yosemite sam
40:33right
40:34i missed out on my big scene when the saloon blew up
40:38so the director said i could be in this one
40:40we're going to steal it all right
40:42hi guys
40:43so this is my search team
40:46and alex has graciously volunteered to help us find dion's camera
40:50and we intend on turning saddlebrook upside down
40:54right guys
40:54right
40:55whatever it takes
40:56as long as i get lunch
40:57you bet
40:58uh let me guess
41:00jesse james
41:01oh
41:02oh i get it
41:04i'd like to help you out
41:07but uh i promised steve i'd stay and watch the last scene
41:10you know what that is
41:11oh yes yes
41:12all right well we'll see you later
41:13good luck
41:15steve
41:18okay guys
41:20this is the big one
41:21uh tommy uh
41:23you and missy are on the porch watching
41:25and gene
41:26is gene here
41:29you gotta be kidding
41:33jesse
41:37director needs me
41:41listen
41:49gene is in her dressing room
41:51she's passed on
41:52will you see what the problem is
41:54hey uh
41:56mark you may want to come with me
41:58you know the actress i told you about
41:59gene malone
42:00she's in her dressing room
42:01and they can't wait for her
42:03i'm sorry
42:13i just didn't realize how tired i was
42:16you're lucky you're not dead tired
42:19you're addicted aren't you
42:21what
42:22does she describe your symptoms on the set
42:27nervous
42:27edgy
42:28then falling asleep
42:29i have a
42:30bad back
42:32and i just
42:33need a little something to work
42:35that's all
42:36you don't need to tell him anything darling
42:38it's no business in theirs
42:39well it is if i'm right about these
42:41looks like a vicodin knockoff
42:43same color
42:44same shape
42:45no pharmaceutical markings
42:47quite illegal
42:48and no doctor would ever prescribe this amount
42:51and no pharmacist would fill it
42:53not here anyway
42:53Mexico
42:55don't answer that
42:57gene who's your supplier
43:01is someone on the set gene
43:03i doubt you've been running back and forth across the border
43:07you know a lot of stuntmen
43:08get hooked on these things for chronic pain
43:11i treated bob mclean for it years ago
43:14is that it gene one of the stuntmen
43:16gentlemen please if ward got out about this
43:19you realize how damaging this would be to gene
43:21it wouldn't exactly be a boost to her career would it
43:24and that may have occurred to your supplier
43:26you want that hanging over you
43:28what's it gonna be gene
43:30you wanna talk about it here or downtown
43:32downtown
43:35for what are you a cop
43:37as it turns out
43:39lieutenant
43:41steve sloan
43:43oh no
43:46you're not nailing me on this thing
43:49but you don't deny giving gene the drugs
43:51look
43:52i only gave them to her
43:54because i knew jimmy was supplying her
43:55he didn't exactly keep it a secret
43:57i found the pills
43:59when i was going through his things
44:00and i knew she'd need them
44:02just to get through the day
44:03so you knew jimmy had her hooked
44:05everyone knew she had some kind of problem
44:07and if it was drugs
44:09no one can work for the quality family network
44:12that has a drug problem
44:13all the networks are very strict about that policy
44:17jimmy was ambitious wasn't he
44:19you probably planned on using that knowledge to pressure gene into
44:23what
44:24stunt coordinator's job in
44:27that follows
44:27she'd do anything to protect her connection
44:30that bob mclean would just have to go
44:32correct me if i'm wrong
44:34you killed jimmy so you could step into the same deal
44:38wait a minute
44:39what are you blind
44:40doesn't it make more sense to you that she did it
44:44she kills jimmy and she thinks all the problems are over
44:47only she doesn't know
44:49that i knew what was going on
44:51think about it
44:52there's just one problem with the idea that gene is guilty
44:56you see it was a man's voice on the radio that gave jimmy the go signal
45:00everybody heard it
45:02yeah
45:03and i don't even have a radio
45:05well now
45:06well now
45:07that's not exactly true
45:10what are you talking about the sound department never said anything about actors having radios
45:15it was a favored nations kind of thing last season you know
45:19carl asked for one and suddenly they all wanted one i
45:23forgotten all about it
45:25yep but as soon as i heard that everyone wanted one i gave mine back
45:29yes and so did the kids
45:33everyone but gene
45:35i never even heard about this i never got any radio
45:38what do you mean i was there when your manager came and picked it up
45:43of course
45:45you knew what would happen if jimmy spilled the beans
45:49gene would be out of a job out of a career and you would be out of a meal ticket
45:53just how many other clients do you have phil
45:57that's what i thought
46:00and you only had gene because you were romantically involved
46:03you couldn't bear to see her ruined
46:06you set up the whole thing then
46:09you fixed carl's springboard so that jimmy would have to do the stunt
46:14then you poured the coffee in the junction box
46:17and then you changed the channels on bob's radio
46:20and you gave the go signal on a radio that everybody forgotten about
46:24even made it seem like someone was trying to get carl
46:27very clever
46:29look mark we found it
46:31oh great amanda just give me a minute
46:33oh man you even had a little help from paul pishney
46:38who only confused things when he tried to kill me
46:41oh phil
46:44baby none of this is true this is crazy i mean don't listen to that
46:47you can't prove it
46:48but there's one thing you didn't count on
46:50an outing of little kids with disposable cameras
46:53they took pictures of everything that day including the stunt
46:56can i have the camera now
46:58sure
46:59i think we have all the evidence we need on you right here
47:02plus what three more cameras full of evidence
47:05that's right
47:06oh
47:09oh
47:10what
47:11oh
47:12oh
47:13i'll handle this
47:19oh
47:23typical
47:27oh
47:41oh
47:42oh
47:44oh
47:46oh
47:48oh
47:50oh
47:52oh
47:54oh
47:56oh
48:00oh
48:02no way
48:04oh
48:06oh
48:07oh
48:09oh
48:10hi guys
48:11hi
48:14hi
48:15hi
48:16hi
48:18hi
48:19hi
48:20hi
48:21hi
48:22hi
48:23hi
48:24hi
48:24hi
48:25and I finally got my autograph to shoot Carl.
48:28Well, maybe there's hope for old Carl yet.
48:31You know, Mark, what did you really find
48:33when you developed Dion's film?
48:35Oh, there were a couple of beautiful shots of you and CJ,
48:39and there was about 22 fuzzy pictures of horses' ropes.
48:44It's a good thing Phil didn't hang around to find that out, huh?
48:47Quiet on the set, please.
48:49And roll camera.
48:51Get rolling.
48:53Action.
48:55So where are you headed this time, Dash?
49:10Back out to Yellow Fort, kids.
49:13Can't leave a job half done.
49:15Pete Grayson still needs me out of his place.
49:18Can we help you this time, Dash, please?
49:21Get out, kids.
49:22You need to stay here and look after Miss Kate
49:25until she's feeling better, right?
49:27All right.
49:28Okay, Dash.
49:29Say, where is Pete anyway?
49:32Pete?
49:38Dash, how could I ever repay you?
49:40Uh, now, Pete, I may have run off those rustlers,
49:46but we still got plenty of strays to round up,
49:49so don't thank me just yet.
49:54So until the next time.
49:56Oh, look at him go.
50:14That's my boy.
50:18God, Prince.
50:20That's a rock.
50:21Thank you, sir.
50:30Goodbye.
50:30roman the championship song,
50:30and I'm like this.
50:31He so grateful.
50:31Wow.
50:32Hoorayers.
50:37.
Recommended
49:20
|
Up next
45:32
45:32
44:32
48:14
48:31
47:38
49:00
49:08
0:46
2:55
11:13
Be the first to comment