Dishonored Lady is a 1947 American film noir directed by Robert Stevenson, starring Hedy Lamarr. The story follows Madeleine Damien, a glamorous but troubled fashion editor in Manhattan, whose life spirals out of control due to the pressures of her career and her tumultuous love life. After a near breakdown, she seeks help from a psychiatrist and decides to start fresh under a new identity. As she rebuilds her life, Madeleine finds love and purpose, but her past catches up with her when she is implicated in a murder. The film explores themes of identity, redemption, and resilience, with Lamarr delivering a compelling performance.
Credits:
Director: Robert Stevenson
Producer: Hunt Stromberg
Starring: Hedy Lamarr, Dennis O'Keefe, John Loder
Screenplay: Edmund H. North
Cinematography: Lucien N. Andriot
#DishonoredLady1947 #HedyLamarr #FilmNoir #ClassicHollywood
Credits:
Director: Robert Stevenson
Producer: Hunt Stromberg
Starring: Hedy Lamarr, Dennis O'Keefe, John Loder
Screenplay: Edmund H. North
Cinematography: Lucien N. Andriot
#DishonoredLady1947 #HedyLamarr #FilmNoir #ClassicHollywood
Category
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Short filmTranscript
00:00:00The End
00:01:30I didn't mean to disturb you, miss.
00:01:49Just wanted to be sure everything was okay.
00:01:51Excuse me, lady.
00:01:55But are you sure you're all right?
00:02:21I don't know.
00:02:22I don't know.
00:02:23I don't know.
00:02:25I don't know.
00:02:27I don't know.
00:02:29I don't know.
00:02:31I don't know.
00:02:33I don't know.
00:02:35I don't know.
00:02:39I don't know.
00:02:40I don't know.
00:02:41I don't know.
00:02:42I don't know.
00:02:43I don't know.
00:02:44I don't know.
00:02:45I don't know.
00:02:46I don't know.
00:02:47I don't know.
00:02:48I don't know.
00:02:49I don't know.
00:02:50I don't know.
00:02:51I don't know.
00:02:52I don't know.
00:02:53I don't know.
00:02:54I don't know.
00:02:55I don't know.
00:02:56I don't know.
00:02:57I don't know.
00:02:58I don't know.
00:02:59I don't know.
00:03:00I don't know.
00:03:01I don't know.
00:03:02How is she?
00:03:03Luckier than she deserves.
00:03:04I just checked on her up the road.
00:03:06She was acting kind of strange then.
00:03:08I'd better call that ambulance.
00:03:10I doubt if it's serious.
00:03:11And I'm as good a doctor as you'll find at this time of night.
00:03:14Let's take her inside.
00:03:23Well, no bones broken.
00:03:24Bruises, that's all.
00:03:26I think you'd better rest here for the night.
00:03:29I'm a little surprised.
00:03:31You're a beautiful young woman.
00:03:33You've been in an accident.
00:03:35You haven't asked for a mirror.
00:03:37Perhaps that fits with the way you were driving tonight.
00:03:40Perhaps you find the idea of living not very attractive.
00:03:44Is that any of your business, doctor?
00:03:46As a matter of fact, it is my business.
00:03:48I happen to be a psychiatrist.
00:03:51I don't need a psychiatrist.
00:03:53Don't mind if I disagree with you.
00:03:56Here's a beautiful young woman.
00:03:58Apparently well-to-do.
00:03:59Apparently in good physical condition.
00:04:01Who just doesn't care what happens to her.
00:04:03This is interesting.
00:04:05Not altogether unusual, but interesting.
00:04:07Of course, there are the obvious deductions.
00:04:10It's my life, doctor, and I prefer to run it myself.
00:04:13And you don't want anyone to see inside it.
00:04:16Perhaps you don't even want to take a look yourself.
00:04:18Many women haven't the courage to face themselves.
00:04:21So they look for escape in one excitement after another.
00:04:24Half my patients are like that.
00:04:25Half my patients are like that.
00:04:26But I'm not one of your patients.
00:04:30If you tell me how much I owe you, I'll...
00:04:32I'll be going back to town now.
00:04:34Very well.
00:04:35I'll drive you to the station.
00:04:53Miss Damien, you're an intelligent woman, not an idiot.
00:04:56Will you promise me one thing?
00:04:58When you get ready to throw yourself off Brooklyn Bridge,
00:05:01will you come and see me first?
00:05:07Goodbye, doctor.
00:05:28Miss Damien.
00:05:29Miss Damien.
00:05:30Miss Damien.
00:05:31Miss Damien.
00:05:32Miss Damien.
00:05:33Miss Damien.
00:05:34Miss Damien.
00:05:35Miss Damien.
00:05:36Miss Damien.
00:05:37Miss Damien.
00:05:38Miss Damien.
00:05:39Miss Damien.
00:05:40Miss Damien.
00:05:41Miss Damien.
00:05:42Miss Damien.
00:05:43Miss Damien.
00:05:44Miss Damien.
00:05:45Miss Damien.
00:05:46Miss Damien.
00:05:47Miss Damien.
00:05:48Miss Damien.
00:05:49Miss Damien.
00:05:50Miss Damien.
00:05:51Miss Damien.
00:05:52Miss Damien.
00:05:53Miss Damien.
00:05:54Miss Damien.
00:05:55Miss Damien.
00:05:56Miss Damien.
00:05:57That's what I want to know.
00:05:58Our trouble is Miss Damien.
00:06:00Miss Damien again?
00:06:01She's as pretty as a picture and as stubborn as a mule.
00:06:04But this time there's a lot more involved than just...
00:06:15Come in, Miss Damien.
00:06:16We were just ripping you up back a little bit.
00:06:18So I gathered.
00:06:19There's nothing personal.
00:06:20It's about Mr. Cortland.
00:06:21Cortland?
00:06:22Oh, yes.
00:06:23He runs a jewelry store.
00:06:24He owns Cortland and Company.
00:06:26London, Paris, Fifth Avenue.
00:06:28You may remember him as one of our biggest advertisers.
00:06:30Oh, what Shirley wants to say...
00:06:32I know what Shirley wants to say.
00:06:33I always know what Shirley wants to say.
00:06:35He wants to know why I killed the art layout
00:06:37on Mr. Cortland's famous jewels.
00:06:39And I understand the April number goes to press without it.
00:06:42That's right.
00:06:43In the first place, it's no art layout.
00:06:44It's a press agent's dream.
00:06:46But the result is we stand a good chance
00:06:48of losing the Cortland account.
00:06:50Am I running my department or am I not?
00:06:53I haven't said anything, Miss Damien.
00:06:55Well, I had a talk with Cortland and he was decidedly acid about it.
00:06:58I'm not interested in Cortland.
00:07:00But if this magazine is going to submit to advertisers blackmail,
00:07:04I'd like to know about it.
00:07:05Now, please, Miss Damien.
00:07:06If that's the policy, Mr. Craney,
00:07:07you'd better get someone else to take my place.
00:07:09Please, Miss Damien.
00:07:10Just a moment.
00:07:11Gentlemen, if you don't mind.
00:07:12I'll talk to you later.
00:07:14I thought I should bring this to your attention.
00:07:17You can't blame us for trying it.
00:07:18No, no, no.
00:07:19Of course not.
00:07:20No harm done, gentlemen.
00:07:22Madeline, you've got yourself all worked out.
00:07:25Come sit down.
00:07:27I'll get you a drink.
00:07:29No, thanks.
00:07:30I don't want one.
00:07:31No?
00:07:33What is this private blackmail of yours?
00:07:36Threatening to quit in order to win an argument?
00:07:38Oh, I'd just as soon quit.
00:07:39I mean it.
00:07:40Now, now, tell me.
00:07:41What's happened?
00:07:42You're all wound up.
00:07:43What's bothering you?
00:07:44Oh, nothing's bothering me.
00:07:45You know I don't want you to quit.
00:07:47I won't go into my personal feelings,
00:07:49but you are the best art editor we've ever had.
00:07:52How's the insomnia?
00:07:54Oh, I found some new sleeping pills.
00:07:56Red ones this time.
00:07:57Red pills to put you to sleep.
00:07:59White pills to wake you up.
00:08:00Doesn't sound very sensible, my dear.
00:08:02What are you doing this evening?
00:08:03Dining with Freddy Fanshawe.
00:08:05Oh, Freddy again.
00:08:07Oh, I couldn't get out of it, Victor.
00:08:08We're using some of his drawings next month.
00:08:10But it'll be the last time, I promise.
00:08:13Madeline, there are a bundle of lies.
00:08:17A very lovely bundle.
00:08:19Beautifully tied together.
00:08:20I'm trying to be honest, but you won't believe me, will you?
00:08:23No, my dear.
00:08:25Because I don't really think you believe yourself.
00:08:40Why do you have to go back to bed, poor Freddy Fanshawe?
00:08:53You haven't even given me a chance to make love to you.
00:08:55You've been doing all right.
00:08:57You know something?
00:08:59It's awfully hard making love to a woman who makes more money than I do.
00:09:02It would be much easier if you made love to me.
00:09:05Would it?
00:09:06No.
00:09:07You're trying to give me the brush off, are you?
00:09:09Well, finally we understand each other.
00:09:12Well, there you are, Freddy.
00:09:15There's your girl and no bones broken.
00:09:17I'll see you at the office, Madeline.
00:09:19I'll join you if somebody asks me.
00:09:22Nobody's asking you.
00:09:24Fair enough.
00:09:26Why do you have to dance with that pollywog?
00:09:29Look, I've told you not to drink.
00:09:32I always drink, particularly when I'm with you.
00:09:35Oh, am I that hard to take sober?
00:09:38You're a voluptuous pain in the neck.
00:09:41I'm going home.
00:09:44You're not going to walk out on me.
00:09:46Come on, be yourself.
00:09:47I've told you I'm going to leave early.
00:09:49But you can't leave me just sitting here in the snow.
00:09:52I'm mad about you, in my own foul way.
00:09:56Good night, Freddy.
00:10:08Any chance of getting a cab, Jim?
00:10:10I'll try, Miss Damien.
00:10:11Oh, Miss Damien, here's someone I know you're anxious to meet.
00:10:14Mr. Felix Cortland, one of our most prominent advertisers.
00:10:17How do you do, Miss Damien?
00:10:19How do you do?
00:10:21Mr. Garrett is the soul of tack, don't you think?
00:10:24He's just been telling me all about you.
00:10:26Oh, I hope he wasn't that blunt.
00:10:28Oh, you needn't worry.
00:10:29I always form my own conclusions.
00:10:31Can I give you a lift anywhere?
00:10:33My car's just outside.
00:10:34No, thank you.
00:10:35They're getting me a cab.
00:10:36Oh, I'm very sorry.
00:10:37I'm sorry, Miss Damien.
00:10:38There isn't a cab around.
00:10:39Oh, how long do you think it'll be?
00:10:40That's hard to say.
00:10:42Are you sure you don't want a lift?
00:10:43Well, there doesn't seem to be any alternative.
00:10:45Good night, Mr. Garrett.
00:10:46Oh, I'm sorry, Miss Damien.
00:10:47I'm sorry, Miss Damien.
00:10:48There isn't a cab around.
00:10:49Oh, how long do you think it'll be?
00:10:50That's hard to say.
00:10:51Are you sure you don't want a lift?
00:10:56Well, there doesn't seem to be any alternative.
00:11:01Good night, Mr. Garrett.
00:11:11Good night, Mr. Cortland.
00:11:16I wasn't very polite, was I?
00:11:21Neither was Garrett, for that matter.
00:11:23Oh, he always enjoys uncomfortable situations.
00:11:26Do you still feel uncomfortable?
00:11:29No.
00:11:31Frankly, I don't.
00:11:33Good, nor do I.
00:11:34You know, you're not at all what I imagined.
00:11:37No.
00:11:38No.
00:11:39The big international jeweler.
00:11:41I happen to inherit a business that runs itself very nicely.
00:11:45As a matter of fact, you don't look like an art editor.
00:11:48More like a work of art.
00:11:50That layout on your jewels is still a wretched piece of copy.
00:11:54I can only admire your good taste.
00:11:56And I'm still not going to...
00:11:58I wouldn't try and persuade you for the world.
00:12:01Mr. Cortland, I think you're a very dangerous man.
00:12:05I only wish it was so.
00:12:07The truth is, I'm a very ordinary one.
00:12:10Oh, I'm sorry.
00:12:11I forgot to give you my address.
00:12:12It's my fault.
00:12:13I forgot to ask you.
00:12:14Won't you come in for a minute?
00:12:15No, I don't think so.
00:12:16Oh, but you really must see those jewels you've been insulting.
00:12:17They're much handsomer than the vodagrass.
00:12:18I'll need you in about 15 minutes.
00:12:19But I said I wasn't coming in.
00:12:20Oh, yes.
00:12:21So you did.
00:12:22Oh, come on.
00:12:23Come on.
00:12:24Come on.
00:12:25Come on.
00:12:26Come on.
00:12:27Come on.
00:12:28handsomer than the vodagrass I'll need you in about 15 minutes but I said I
00:12:33wasn't coming in oh yes so you did
00:12:37let me take care of it well I'm only going to stay a minute of course
00:13:00what a wonderful room I've had this place a long time in fact I'm pretty disgustingly rich
00:13:09don't you find out rather places always not so hard to take once you get the hang of it
00:13:15I think I know all the troubles that come with money and all the pleasures well have you got
00:13:23me all figured out only what I see here good books fine pictures wonder if you ever look at
00:13:30them oh I do I'm a lonely bachelor and I spend hours here all by myself pouring over old
00:13:35manuscripts you don't expect me to believe that do you didn't my father paint that was
00:13:42step and Damien your father that's very interesting is it I remember when he came here to paint that
00:13:50picture of my mother everybody was fascinated by him especially mother father ended by chasing
00:13:55him out of the house I'm afraid that's the way it usually ended my father was very much in love
00:14:01with life that's a Hungarian customer isn't it not exclusively Hungarian what you want to show me your
00:14:08jewels oh yes of course I'd quite forgotten that's the reason we came in here wasn't it
00:14:14you ought to feel very flattered Miss Damien this safe is one of my darkest secrets you really want
00:14:26to see those jewels not particularly I can't tell a brilliant from a diamond not one person in our
00:14:34that can but then very few people are intelligent enough to admit it thank you how about another drink
00:14:40no thanks you know you need relaxing lots of relaxing I can hear your nerves snapping like
00:14:52rubber bands I'm not nervous at all see you're a very curious mixture a highly moral voice that's not
00:15:00me that's my mind a man's mind I'd say why not I do a man's work and desperate eyes eyes full of shadows
00:15:08insomnia insomnia does that does it
00:15:13Bing Miss Damien give you her secretary
00:15:25Miss Damien's office no Mr. Cortland she's not here yet shall I have her call you
00:15:33yes Mr. Cortland where's Glamourfuss she hasn't come in yet
00:15:38well who sent please Mr. Felix Cawson Mr. Cortland that's very interesting she never misses does she
00:15:46mm-hmm jealous if I'd given it any thought I could have predicted it
00:15:49I guess I won my bet she's got a new boyfriend I guess those dames gotta have no excitement all the time yeah here today gone tomorrow personally I don't see what she sees it at all is that any concern of yours no Miss Damien I didn't hire you to gossip about my private life no Miss Damien go get your money you're through
00:16:13no Miss Damien come in yet what's the matter sweetheart Miss Damien fired me fired you what for
00:16:30he heard me talking about Mr. Corland
00:16:33Corland huh don't you worry baby I'll fix that
00:16:35I understand you fired June that's right it's the idea I don't like people to gossip about me
00:16:43you don't hey no I don't well it's pretty late to be thinking about a thing like that and it's a rotten trick to take it out on your secretary
00:16:49get out of here you don't think your life is a secret do you boys are betting eight to five this morning that the Cortland layout would be in the next issue
00:16:56you're disgusting
00:16:59Madeline why don't you get wise to yourself everybody else is
00:17:02one romance after another that's your whole life and you adore it
00:17:05get out you try to dress it up with pretty words but you don't fool anybody
00:17:10they know what you are and you'll never change
00:17:12get out you don't care because it's too much fun
00:17:14it isn't true
00:17:21it isn't true
00:17:23it isn't true
00:17:25I think you're surprised here's a beautiful woman who just doesn't care what happens to her
00:17:39many women haven't the courage to face themselves so they look for escape in one excitement after another
00:17:52that's you find the idea of living not very attractive
00:18:04lady if you want to kill yourself why don't you try the bridge
00:18:10I'm glad I was right an intelligent woman not an idiot sit down
00:18:22that's it
00:18:27now if you feel like talking just go ahead and talk
00:18:32you're afraid aren't you well it's our job to find out why
00:18:39to explore the shadows and throw light on what we find there
00:18:43then you'll be able to see yourself clearly and face yourself honestly
00:18:47when you can do that you won't be afraid anymore
00:18:51I was living with my father
00:19:02mother had left him before we came to America
00:19:06I was ten
00:19:09and to me the way he lived seemed romantic and wonderful
00:19:14he was a successful painter women adore him
00:19:20he went his own way and did what he pleased
00:19:23just as you've been trying to do
00:19:25I suppose so
00:19:27but why did it make him so very happy
00:19:30oh I was certain he was the happiest man in the world
00:19:33until
00:19:35until he killed himself
00:19:38and you couldn't understand why he did it
00:19:42you understand now
00:19:45I think I do
00:19:47did you ever do any painting yourself
00:19:49I used to
00:19:51why'd you give it up
00:19:52oh didn't pay enough
00:19:54and besides I didn't want to be like my father
00:19:57I wanted my own life
00:19:59and have you been living your own life
00:20:01of course I have
00:20:04the kind of life you really want
00:20:06I don't know I don't know
00:20:09don't you think you've been hiding from yourself
00:20:12did you ever try and discover the person you really were
00:20:15deep down underneath
00:20:16I never cared to
00:20:18I'm not so sure I do now
00:20:20in that case I'm afraid I can't help you
00:20:26but of course that's entirely up to you
00:20:29shall we go on then
00:20:34I was doing what I wanted to do
00:20:43playing my own way and making my own rules
00:20:46and nobody was hurt
00:20:48nobody but yourself
00:20:49and it didn't really make you happy did it
00:20:51wasn't that because down underneath you knew there was something missing
00:20:55something important
00:20:57I suppose so
00:20:59that would worry you wouldn't it
00:21:01and then you would drug yourself with the excitement of more excitement
00:21:06oh I know the pattern Miss Damien
00:21:08you're suffering from a disease of the times
00:21:10a neurotic malady as commonplace as chronic alcoholism
00:21:14suppose for a moment that you were an alcoholic
00:21:17they're much the same you know
00:21:18unsure of themselves underneath
00:21:20and seeking reassurance from new excitement
00:21:23instead of getting at the cause
00:21:25the drunkard solves his problem by taking another drink
00:21:28this of course is no solution
00:21:30and eventually we find him sprawled hopelessly at a bar
00:21:33without the strength or even the desire to save himself
00:21:37I can't go on with this
00:21:38you're not helping me you're insulting me
00:21:41you've been insulting yourself Miss Damien
00:21:44insulting your body and insulting your soul
00:21:47your life hasn't been gay and glamorous at all
00:21:50it's just been muddled and senseless
00:21:53you know that now
00:21:54and if you really want to change it
00:21:56you can start right away
00:21:58now it's up to you
00:22:05you can have my apartment a little
00:22:07the rents pay till the end of the month
00:22:09darling I feel like a vulture
00:22:11wheeling over your head
00:22:12I'm not in whoever it is
00:22:14Miss Damien's office
00:22:15no no she still hasn't come in Mr. Cawson
00:22:18well I don't know exactly
00:22:20later in the day I'll
00:22:22did he hang up?
00:22:24yes good
00:22:25let me call him back darling
00:22:26you may be sorry later
00:22:28everything in this file returned without comment
00:22:30this I would ask to see more of their work
00:22:32and these you may be able to use
00:22:33but you haven't given me your new address
00:22:35I'm not giving it to anyone
00:22:37hello Madeleine
00:22:38beautiful would you mind popping out for a minute?
00:22:40that's just 60 seconds
00:22:42you better talk fast
00:22:43Madeline I'm on a jam
00:22:45I've got to raise some money
00:22:46I need about $5,000
00:22:47what do you expect me to do about it?
00:22:49well I thought you might talk to Cortland
00:22:51I'm sure he lets you have it if you ask him nicely
00:22:54you're really quite a rat aren't you?
00:22:57look Madeleine I'm in debt up to here
00:22:59I only make $100 a week and you know I can't live on that
00:23:02$5,000 doesn't mean a thing to Cortland
00:23:04you better get out of here before I lose my temper
00:23:07you're forcing me to say things that I don't want to say
00:23:09but if you're going to act cold and virtuous about it
00:23:11you'll hear them
00:23:13suppose I tell Crannish
00:23:15tell him what?
00:23:17about Cortland
00:23:19you know you've got a very nice job here
00:23:21but you won't have it very long if I tell Crannish
00:23:23I don't want to tell him but
00:23:25what's so funny?
00:23:28as a blackmailer you are pitiful
00:23:31go on tell him
00:23:32tell him what a rat I am and you are and he is
00:23:35go on use my phone if you want
00:23:37and my desk and my office
00:23:38I'm through with all of them
00:23:50Boulevard Magazine
00:23:51no Miss Damien hasn't been back
00:23:54just a moment please
00:23:58I'm sorry she doesn't work here anymore
00:24:00you might try at her home
00:24:02Waldorf Apartments
00:24:04Waldorf Apartments?
00:24:06Miss Damien?
00:24:07oh no she gave up her apartment
00:24:09why don't you try the post office
00:24:12Dalton?
00:24:13Dalton?
00:24:14Dalton?
00:24:15Dalton?
00:24:16Dalton?
00:24:17Damien
00:24:19here Richard Caleb
00:24:20137 West 50th Street
00:24:27well I've nothing to you except that Miss Damien
00:24:28has taken my advice as a doctor
00:24:31she's been living in an area of infection
00:24:33and she's removed herself from it
00:24:35I take it you consider me part of the general contamination
00:24:38now you've come here for information not diagnosis
00:24:41I usually charge a fee for insulting people
00:24:44I'm willing to pay for data of any kind
00:24:47yes I gather that
00:24:49but I have nothing for sale
00:24:51I suppose you're being very ethical
00:24:53but I'd like to talk to Madeline
00:24:55in your presence if you wish
00:24:57Miss Damien is living under a different name
00:24:59in a different world
00:25:01she told me to tell you if you inquired
00:25:03that she was busy growing a new soul
00:25:06now would you please keep off the grass
00:25:08goodbye Mr. Cortland
00:25:11goodbye doctor
00:25:14doesn't it ever worry you playing the almighty in this fashion
00:25:17not particularly
00:25:19I'm used to it
00:25:38how's it look?
00:25:44it's better than torn wallpaper
00:25:45so you think I'll tell him then
00:25:47you'll do better after you get the hang of it
00:25:48I only hope the new tenant will like it
00:25:50well he seems awful particular
00:25:52he's a floor walker at Macy's
00:25:53oh
00:25:54well you can always give it back to me
00:25:56you'll never sell it you know
00:25:57take my advice and try something more cheerful
00:25:59you know like flowers and butterflies
00:26:02I'll do that
00:26:04thank you Mrs. Geiger
00:26:23thanks you saved my life
00:26:25is this yours?
00:26:26yes
00:26:27Mrs. Geiger would scout me
00:26:28if she knew I kept mice in my room
00:26:29well why do you keep mice in your room?
00:26:31hmm
00:26:32oh uh
00:26:33pathology is part of my homework
00:26:34I really shouldn't bring these fellas out of the lab
00:26:36but well I got kind of attached to this one
00:26:38thanks again
00:26:43hey
00:26:44women are supposed to scream
00:26:46aren't you afraid of mines?
00:26:47well no
00:26:48but
00:26:49next time I'll scream
00:26:50good afternoon Miss Green
00:26:57hello
00:26:58how are we going?
00:26:59oh all right I think
00:27:00yes
00:27:01let's go
00:27:02let's go
00:27:20come in
00:27:22hello
00:27:23hello
00:27:24say you're an artist aren't you?
00:27:26well I don't know
00:27:28oh Mrs. Geiger said yesterday that you were
00:27:30she's an authority if I ever saw one
00:27:32I was wondering could you do a job for me?
00:27:35want your portrait painted?
00:27:37me?
00:27:38oh no
00:27:39no nothing like that
00:27:40I'm doing some research and it has to be illustrated
00:27:42oh
00:27:43what do you want me to draw?
00:27:44nothing fancy just blood cells and things
00:27:49sounds fascinating
00:27:51oh it is really
00:27:52you see it's a lot like
00:27:53oh no no you'd be surprised it really is fascinating once you get in it
00:27:57of course I'm on a fellowship and I couldn't pay you very much
00:28:01matter of fact I uh
00:28:02I couldn't pay you anything until the first of the month
00:28:05that'll be all right
00:28:06oh fine swell so I'll settle then
00:28:08I'll see you at my place about 6 o'clock
00:28:10oh but I couldn't I
00:28:11oh sure you can
00:28:12I just live downstairs
00:28:14you know the mousetrap
00:28:18oh uh by the way my name is Cousins
00:28:20mine is Dixon
00:28:23very glad to know you Miss Dixon
00:28:33just what am I drawing? am I allowed to find out?
00:28:36sure
00:28:37a fact of anti-reticular serum on cell tissue
00:28:40that's all I wanted to know
00:28:42oh say say that's quite good
00:28:44I'll take you to the lab with me in the morning
00:28:46just about ready for the next one
00:28:48do you realize it's 12 o'clock?
00:28:50oh
00:28:51I haven't had my dinner yet
00:28:52and you haven't either
00:28:54oh gosh I'm sorry but
00:28:56well I get I got so wound up on this
00:28:58so did I but now I'm hungry
00:29:01well I'll tell you what let's do
00:29:03we'll go out and eat
00:29:04that's a brilliant idea
00:29:07I'll get your coat
00:29:12do you do this all the time?
00:29:14only since I got out of the army
00:29:15I was lucky to get this job of research
00:29:18now I've got to get it finished
00:29:20then what?
00:29:21oh then I go back to Oregon
00:29:22become the usual respectable small town doctor
00:29:26no mice?
00:29:28no
00:29:30no mice
00:29:32head colds and belly aches
00:29:34five dollars a visit
00:29:36maybe you'll like it
00:29:38you'll get some rest
00:29:39no I'll get plenty of rest all right
00:29:40but
00:29:41I don't think I'll like it
00:29:44you folks going out this time of night?
00:29:46that's right
00:29:47we're meeting a few friends at the busy bee cafeteria
00:29:49we don't want to miss the floor show
00:29:50we'll have to hurry
00:29:51see that he eats
00:29:52he hasn't got any more sense than a goose
00:29:54I'll feed him with a spoon
00:29:58I got onto it first up in a little town in Germany
00:30:00while I was still in the army
00:30:02I'd met a couple of Russian medical officers
00:30:03who were working on that in particular
00:30:04and
00:30:05well they were pretty steamed up about it
00:30:07sorry sir?
00:30:08no no thanks
00:30:09we got together the first night
00:30:10over a bottle of vodka
00:30:12I remember the town was still burning
00:30:16well maybe it was the vodka
00:30:18but it
00:30:19anyhow we got to talking about anti-reticular
00:30:21and
00:30:22well I guess I got pretty excited
00:30:24you mean you speak Russian?
00:30:25over a bottle of vodka
00:30:26anybody speaks Russian
00:30:27can you ever some coffee?
00:30:28no thanks I have milk
00:30:29oh
00:30:30one please
00:30:32at any rate I promised myself that night
00:30:33that
00:30:34just as soon as the war was over
00:30:35I was
00:30:36going to do a job of this
00:30:38you haven't stopped to eat ever since
00:30:39that's an error
00:30:40I'm just about to rectify
00:30:42one dollar even
00:30:46here you are
00:30:47thank you
00:30:49thank you
00:30:51you
00:30:52sure you've got everything you want?
00:30:53oh yes thanks
00:30:58you know I don't think you're much of a doctor
00:31:00doctor
00:31:01you call this a sensible diet
00:31:02pancakes and pickles
00:31:03well scientifically there's two kinds of diets
00:31:05the kind that doctors prescribe
00:31:07and the stuff they eat themselves
00:31:10but you're always in such a rush
00:31:11you can't make scientific discoveries that way
00:31:14sure you can
00:31:16take Banny
00:31:17he saw some flies nibbling in a piece of pancreas
00:31:19figured out that there must be sugar in
00:31:20and one minute he had the idea for insulin
00:31:22you know you're a very lovely girl
00:31:29you're not being very scientific doctor
00:31:31oh but I am
00:31:32it's the very heart of science
00:31:33it's the truth
00:31:37let's talk about insulin
00:31:39insulin
00:31:40I'm
00:31:41I'm
00:32:10come in
00:32:12come in
00:32:14hello
00:32:15hello
00:32:17say did you buy these new manuscript covers?
00:32:19yes are they all right?
00:32:20oh sure sure they're fine
00:32:22how much they cost?
00:32:23oh nothing at all
00:32:24something like twenty cents
00:32:25oh nothing at all huh?
00:32:27you know you can buy a pair of good mice for twenty cents?
00:32:30ha ha ha
00:32:31David have some wonderful news
00:32:32I just sold a picture
00:32:33no fooling
00:32:34who bought it?
00:32:35the floor walker downstairs
00:32:36floor walker downstairs. He said it's almost as good as a photograph. Well, the man has great taste.
00:32:41Oh, I think it's wonderful. I'm proud of him. And I'm a little proud of myself, too. David Cousins on
00:32:48anti-reticular. Oh, David, it looks fine. It's important, isn't it? I mean, not just to you,
00:32:56but really important. Well, it won't cure all the ills of man or beast, but yes. Yes, I think it may
00:33:06be important. And I also think that I better hand it in before I start changing it again.
00:33:13Like to come along? Oh, could I? Well, sure. Why not? I think you've been drawing blood cells long
00:33:18enough. It's time now for you to meet one of them face to face.
00:33:36I hope your text is as good as your illustrations. I hope so, too, sir.
00:33:56Well, that's that. You didn't tell him there were your drawings, did you?
00:34:01I didn't tell him there weren't. Come on, I'll show you my lab.
00:34:05Coffee. I wouldn't try and drink it if I were you. Assistant pathologist.
00:34:17Well, this is me. How do you like it? I think it's wonderful. But how do you find anything in this
00:34:23place? I've been here for six months and I haven't lost anything yet. It doesn't matter anyway. The boss
00:34:29okay is my research. I'll be out of here in a week.
00:34:36Back to Oregon? Yes, back to Oregon. All that way just to make a living.
00:34:43Is it as bad as all that? Oh, what's the use in kidding,
00:34:48Madeline? I'm so much in love with you, I can't see straight. I haven't done any work in here for
00:34:52days. I just sit around waiting until I can see you. I know. Because that's just what I do, wait to see you.
00:35:00Oh, darling. Oh, darling, I never felt like this about anyone before. Tell me, when did you first
00:35:10know? Oh, when I first saw you, I think. Yeah, me too. I'll never forget you standing in that hall with a mouse in
00:35:17your hand. Only I didn't know then what was happening. I thought I had the flu. Will you marry me?
00:35:28Oh, David.
00:35:32Well, will you?
00:35:37We don't know each other. I mean, you don't know me. Oh, but I do. Of course I know you. Now,
00:35:45what do you want to know about me? David Cousins, MD, University of Oregon, Captain Medical Corps Reserve,
00:35:50young, healthy, and very much in love. Will you marry me?
00:35:57Oh, please don't ask me now. Well, I've got to ask you now. Oh, I'll marry you now.
00:36:04Please give me time, David. I'm all mixed up. I'd like to go home now. All right.
00:36:26Oh, my God.
00:36:34Oh, my God.
00:36:39Oh, my God.
00:37:11Madeline, you have an answer to a rather important question I asked you.
00:37:19I can't say no, because I wouldn't mean it.
00:37:26Oh, darling.
00:37:30David, I do love you.
00:37:36Good night, darling.
00:37:44Good night.
00:37:48And you better close the door.
00:37:58A gentleman I hired provided me with your new address and the proper keys.
00:38:11Suppose someone had seen you.
00:38:13You wouldn't have cared, would you?
00:38:15I didn't think it mattered.
00:38:16You see, I expected to find you wretched and lonely grappling with your conflicts.
00:38:20Rather naive of me.
00:38:21Will you please go?
00:38:22Of course I'll go.
00:38:23But before I do, wouldn't you like to tell me about him?
00:38:25Why?
00:38:26I'm in love.
00:38:27Now, laugh if you want.
00:38:28I don't feel like laughing.
00:38:29I've always wondered if it were possible for people like you and me.
00:38:31And you think you've really got it.
00:38:33Love eternal, the fireside, the slippers, the whole thing.
00:38:35Yes, the whole thing.
00:38:36I'm very glad for you.
00:38:37I think I'm a little sad for myself.
00:38:38You haven't told him, have you?
00:38:39Told him what?
00:38:40Well, about, about me, for instance.
00:38:41Why should I tell him?
00:38:42You're absolutely right.
00:38:43You shouldn't.
00:38:44Men prefer to keep their illusions, don't they?
00:38:45Please go.
00:38:46If you ever know me, don't you?
00:38:47I don't feel like laughing.
00:38:48I don't feel like laughing.
00:38:49I've always wondered if it were possible for people like you and me.
00:38:51And you think you've really got it.
00:38:52Love eternal, the fireside, the slippers, the whole thing.
00:38:54Yes, the whole thing.
00:38:55I'm very glad for you.
00:38:56I think I'm a little sad for myself.
00:38:58You haven't told him, have you?
00:38:59Told him what?
00:39:00Well, about, about me, for instance.
00:39:01Why should I tell him?
00:39:02You're absolutely right.
00:39:03You shouldn't.
00:39:04They prefer to keep their illusions, don't they?
00:39:06Please go.
00:39:08If you ever need me, you'll let me know, won't you?
00:39:11And don't call the past too many names.
00:39:34I don't care what you say, I'm going to marry him just as soon as it can be arranged.
00:39:40You want to run away from your problem?
00:39:41I'm not running away.
00:39:42Are you?
00:39:43You're looking for security from someone else instead of building it within yourself.
00:39:47But I love him.
00:39:49I can't talk to you if you don't believe me.
00:39:51Falling in love doesn't cure everything overnight.
00:39:54What do you mean?
00:39:55Let's be honest.
00:39:56There's a side of you that hasn't fully changed.
00:39:59Isn't that true?
00:40:01That is true, isn't it?
00:40:10Yes.
00:40:16Have you still not told David about yourself?
00:40:18I couldn't tell him.
00:40:19You let him fall in love with an illusion.
00:40:21With someone who doesn't exist.
00:40:23I could never tell him.
00:40:25He might stop loving me.
00:40:26Isn't that a risk you'll have to take?
00:40:28You're being very careless about it.
00:40:30You can't build a lifetime relationship on a lie.
00:40:33If you're really in love, you'll tell him.
00:40:35With the others, it was different.
00:40:37But if you love him...
00:40:38Will you please stop saying if?
00:40:40How many times must I tell you I love him?
00:40:42But real love is a sharing.
00:40:44If you're strong enough to face this yourself, you're strong enough to face it with David.
00:40:49I can't do it.
00:40:51I can't risk the only happiness I've ever had.
00:40:54That's up to you, Miss Damien.
00:40:56Hi.
00:40:57Hello, darling.
00:40:58You're home early, aren't you?
00:40:59Well, if you're fired, if that's what you mean.
00:41:02Dr. Lutz read my paper.
00:41:03Really?
00:41:04What did he say?
00:41:05Well, he, uh...
00:41:06He liked it.
00:41:07Oh, David, that's wonderful.
00:41:08The only trouble is he thinks it's so important he wants me to go to Chicago and read it before
00:41:12the convention.
00:41:13Oh, David, no.
00:41:14Well, that's not my idea.
00:41:15I don't want to go.
00:41:16Well, when will you have to leave?
00:41:17Well, it's not true.
00:41:18Oh, I don't know.
00:41:19I don't know what I know.
00:41:20What will you have to leave?
00:41:21Tonight.
00:41:22Got to catch the 8 o'clock plane.
00:41:23And when will you come back?
00:41:24Oh, I don't know, a few days.
00:41:26But I'll tell you what, as soon as I get back, let's get married.
00:41:31You can get a license in three days, and it only takes 15 minutes to get married.
00:41:43But?
00:41:44Well, you know, the answer is probably enough.
00:41:46minister get married still want to marry me don't you more than anything in the world
00:41:54you know I'm gonna feel kind of silly at that convention course it's a great honor and all
00:42:08that but you realize that I'll be talking before some of the biggest men in the field
00:42:12what's matter darling nothing I was just thinking how I'd feel if you didn't love me
00:42:20don't be silly not a chance David could you ever stop loving me well that's really a gruesome thought
00:42:26of course not even even if there was a reason the world is bothering you nothing I just wanted to
00:42:33be sure sure about what that you love me and not a illusion you built up about me scientists can't
00:42:41believe in illusions I believe in you you're the best thing that's ever happened to me poor
00:42:45shirts I wonder if that'll be enough I'm thinking it'll have to be that's all I've got socks just
00:42:53about does it Madeline was there something special on your mind something that you wanted to tell me
00:43:02just that I love you that's all
00:43:08write me every day every day hope you miss me hope you suffer like a maniac I will I promise oh gosh I hate to
00:43:30believe you you know I'm gonna be jealous jealous of what oh I don't know nobody everybody just jealous
00:43:37darling I belong to you don't you know that I'm only alive because you love me we'll be married the
00:43:43minute I get back well look who's here if it isn't Madeline how are you it's been a long time David this is mr.
00:43:53Courtland David dr. Cousins might be on scene you're a very lucky man doctor I think so well then goodbye
00:44:00miss Dixon my congratulations to you both thank you good night good night I don't believe a minute of it do you
00:44:07Gareth you're a very cynical man you don't believe in true love you don't think Madeline does either do you I
00:44:14don't know but I've always been fascinated by miracles
00:44:19I don't know but I've always been fascinated by miracles
00:44:26I don't know but I've always been fascinated by miracles
00:44:31come in telegram for you miss Dixon I thought I'd bring it up myself I thought it might be important
00:44:46the news he won't be back till Friday that's men for you you never can count on them oh I forgot a doctor
00:44:56somebody called you said you were to call miss Ethel Royce she's been trying to get in touch with you
00:45:01friend of yours yes I suppose you got your own reasons but you ought to get out and see your friends
00:45:08instead of sitting in this room all day and all night thanks mrs. Geiger none of my business mind you
00:45:27Ethel this is Madeline Madeline darling but this is really a voice from the dead
00:45:34I pestered that doctor of yours for hours I just have to talk to you
00:45:38well what about will you remember that art supplement the one you started
00:45:42well I do need your help dear I'm in an awful mess
00:45:45sorry dear I'll never come into that office again as long as I live
00:45:49oh but I wouldn't ask you to do that just meet me somewhere it'll only take an hour I promise
00:45:54well if it's just the two of us
00:45:59all right I'll be there at five oh so relieved we were really desperate wonderful I'm just dying to see you
00:46:07bye dear she'll do it good wonderful thing professional pride and never die how'd you sound awful what do you expect
00:46:15too bad Victor I don't want you to be there wouldn't think of spoiling your reunion my dear
00:46:21I don't trust Madeline doctor or no doctor or you either my sweet
00:46:34hello miss Damien glad to see you back
00:46:36glad to see you Jim
00:46:37hello Luigi is Miss Royce here she just came in Miss Damien
00:46:47we've missed you Miss Damien have you been away
00:46:49no but it's nice to be back just the same hello Ethel
00:46:53darling you look wonderful
00:46:55a little pale but so interesting
00:46:57you know I can't stay very long
00:46:59I understand dear we'll get right to work
00:47:01usual Miss Damien
00:47:03well I don't know Carl you better wait till you see the mess I'm in with the supplements
00:47:07all right Carl
00:47:09darling I'm just dying to hear what you've been up to
00:47:12you must tell me everything
00:47:14but there's nothing to tell
00:47:16come on let's go to work
00:47:23you're just marvelous my dear you've made the whole project seem utterly simple and practical
00:47:28not for me darling you used to be able to drink ten in a row
00:47:32I'm out of training
00:47:34no one would know it my dear you seem just like the old Madeline again
00:47:37it's the surroundings
00:47:39what do you say we have dinner and go to a show
00:47:41no really I've got to stagger home
00:47:44Madeline my dear this is a surprise
00:47:46Mr hello
00:47:48what good fortune running into you like this do you mind
00:47:50don't let him fool you Madeline
00:47:52you heard me making the date with you
00:47:53it's true but I'll deny it
00:47:55frankly I want to have a look at you
00:47:57you look very dashing for a hermit
00:47:59thank you
00:48:00we've all missed you desperately haven't we I thought
00:48:02and though our little house would break
00:48:05what about a drink with your old boss
00:48:07please
00:48:08three of whatever it is
00:48:09I've got all the data we need on the supplement
00:48:11good
00:48:12what about the data on Madeline
00:48:14no data
00:48:15now if you'll excuse me I'll
00:48:17you can't go now
00:48:18look who you'll run into
00:48:20he's seen you
00:48:25mr. Garrett no longer graces our staff
00:48:27oh what happened
00:48:29he got to be utterly cabrette
00:48:30say nothing of a slight discrepancy in his accounts
00:48:33mr. Garrett believes that the world owes him a gay life
00:48:36no matter who pays for it
00:48:37well hello stranger how are you
00:48:39wonderful
00:48:40nobody here seems particularly glad to see me
00:48:43should we be
00:48:45oh well
00:48:47it's been nice knowing you
00:48:49there goes one reason for my ivory tower
00:48:54what
00:48:55darling
00:48:56I'm constantly running into that new door
00:48:58you sleuth of them
00:48:59you painted them all
00:49:00who
00:49:02I know what you're thinking
00:49:03I had an odd way of expressing my distaste
00:49:06not odd darling
00:49:07shall we say just uh hooding
00:49:10well
00:49:12here's to memory
00:49:14may I speak to mr. Gordon please
00:49:20just a moment sir
00:49:27just a minute
00:49:44come in
00:49:47mr. Garrett on the phone sir
00:49:50all right
00:49:55hello Garrett
00:49:56I have some interesting news
00:49:59you know who's here
00:50:00Madeline
00:50:01how considerate of you to call
00:50:04by the way I've just been through the stones in my safe
00:50:07and one's missing
00:50:08the stones are not terribly important
00:50:10but you're the only person who knows about my safe
00:50:12and the fact is you did have my keys for quite a while yesterday
00:50:16what are you getting here
00:50:17only that I don't like thieves
00:50:19but you're being ridiculous
00:50:21let me come over and talk about it
00:50:23there's nothing to talk about I'm taking it up with the police
00:50:25but Gordon's you can't do that
00:50:41mr. Garrett again sir
00:50:42tell him I've gone out
00:50:44I'm sorry mr. Cortland has just left
00:50:54are you all right darling
00:50:56of course I am
00:50:57you're not going to disappear again
00:50:58oh yes back to my tree top
00:51:01it's raining let me drive you home
00:51:03oh no
00:51:05Ethel wouldn't approve
00:51:07good luck my dear on your tree top
00:51:09bye darling
00:51:13well
00:51:14let's face it
00:51:15she's a changed woman
00:51:16she'll never change darling
00:51:18she's just got herself a new set of words
00:51:20that's all
00:51:28when
00:51:38uh
00:51:41nothing
00:51:42no thanks
00:51:43I'm waiting for a cab
00:51:44Don't be silly there are no cabs you get drenched
00:51:45please
00:51:46I'll drop you off
00:51:47I'm going home
00:51:48alone
00:51:49come on in you get
00:51:58I hope you didn't get too wet.
00:52:02Your concern is touching.
00:52:05Quite a coincidence, finding you in the rain.
00:52:08Is it?
00:52:09I can't lie to you, especially when there's no point to it.
00:52:12I was informed you were playing hooky.
00:52:16You're detestable.
00:52:18I'm really not detestable at all.
00:52:19I happen to be very fond of beauty,
00:52:22which shouldn't be a crime in your eyes.
00:52:24Please, no debates.
00:52:25I'm a little dizzy.
00:52:28A good dinner will soon take care of that.
00:52:31Why do you always hound me?
00:52:34You know I despise you and everything you stand for.
00:52:38There's always a chance I may be able to improve your opinion
00:52:41and your manners.
00:52:43I'm sleepy.
00:52:45You know you're very lovely.
00:52:48Please don't bother.
00:52:50I'm not listening.
00:52:58Where are we?
00:53:03Don't you remember?
00:53:04You visited here once upon a time.
00:53:06You're foul.
00:53:07You said you were taking me home.
00:53:08You forgot to mention the subject.
00:53:10A significant omission, as your friend Freud would say.
00:53:12Come on, I'm getting soaked.
00:53:13I'm going home.
00:53:20Right after dinner.
00:53:21Think how wonderful you'll feel when you slap my face.
00:53:29That'll take the chill out of your bones and maybe even your heart.
00:53:32Still cold?
00:53:33Not at all.
00:53:34It's quite warm in here.
00:53:36Cigarettes?
00:53:37Thanks.
00:53:39Very warm.
00:53:40Light?
00:53:42Now, I'm not really detestable, am I?
00:53:45No.
00:53:47I am.
00:53:48Why?
00:53:49Because I ought to go home.
00:53:51In this rain, you mustn't even think of it.
00:53:53You see, you are detestable.
00:53:55And you've been very annoying for months.
00:53:57Madeleine, we belong together.
00:53:59You know that.
00:53:59No, I don't know that.
00:54:00Of course you do.
00:54:01We feel the same way about life.
00:54:03You're not making sense, Mr. Corden.
00:54:04Why make sense?
00:54:05Doesn't this make more sense than talking and lying?
00:54:08No sense at all.
00:54:09Then what would you call it, darling?
00:54:11Stupid.
00:54:12Madeleine, you're wonderful.
00:54:13Stupid.
00:54:14Stupid.
00:54:14Stupid.
00:54:14Stupid.
00:54:18I'd better see how it's here to do this.
00:54:44But I tell you, I'm going to raise the money.
00:54:58I'll pay you, honestly.
00:54:59I don't like dealing with thieves.
00:55:01That's a job for the police.
00:55:02You swear out a warrant, you'll never get a dime.
00:55:03Look, I didn't sell it.
00:55:05I just had to have some money temporarily.
00:55:06Here's the pawn ticket.
00:55:06I'm not interested in pawn tickets.
00:55:08It's a good night.
00:55:08But Corden, you've got to give me a chance.
00:55:09I said good night.
00:55:10You've got to let me talk to you.
00:55:29Let me explain this.
00:55:30You stupid fool.
00:55:34If you don't have the stone back, I'll get it to you.
00:55:36I promise I will.
00:55:36All I need is a little more time.
00:55:38Just a couple of weeks.
00:55:39What are you doing?
00:55:40Calling the police.
00:55:41You can't do that.
00:55:41I'm not going to let you ruin me.
00:55:42I'm not going to let you ruin me.
00:56:12You're looking very lovely this morning, Mrs. Geiger.
00:56:22You wasn't expected back until Friday.
00:56:24That's what I'd like to cheer you all from home.
00:56:26Is Dixon upstairs?
00:56:27I haven't seen her this morning.
00:56:32Who is it?
00:56:42Oh, I couldn't wait until Friday.
00:56:53I just said my little piece and ran out on them.
00:56:55Oh, I needed you so badly.
00:56:57I'd be lost without you.
00:56:59Don't ever leave me again.
00:57:00That you can depend on.
00:57:02Say, I've got big news.
00:57:03I'm a success.
00:57:04Oh, tell me all about it.
00:57:05I wonder what else is the matter with you.
00:57:07You don't look very good.
00:57:09Well, I think you'd better get back in bed.
00:57:12Now then.
00:57:14First, I don't have to go back to bellyaches in Oregon.
00:57:17You're not marrying a small-town country doctor, young lady.
00:57:20You're marrying a promising young research scientist.
00:57:22At least that's what Dr. Broder says, and he ought to know.
00:57:25He's got a long, white beard.
00:57:26But, darling, I'm so proud of you.
00:57:29I think I'll take your temperature.
00:57:30Gee, I wish you could have been there.
00:57:34When I finished reading my paper, they all got together and offered me my own laboratory in California.
00:57:38I still can't believe it.
00:57:41There it is, right in the paper.
00:57:42You'll find it on the bottom of page 10.
00:57:44He makes you feel that you're really important.
00:57:59You know what he said?
00:58:01Madeline?
00:58:02Madeline, what's the matter?
00:58:03Oh, Terry.
00:58:04Oh, darling, you're cold as ice.
00:58:06You've got to chill.
00:58:07You stay right here.
00:58:08I'll be back in a minute.
00:58:09Oh, don't go.
00:58:10Don't leave.
00:58:10I'll only be a second.
00:58:11I want to get a hot water bottle and some more blank.
00:58:14Is Madeline Dixon at home?
00:58:22I don't know.
00:58:23Friends of hers?
00:58:23We're from police headquarters.
00:58:24Where's the room?
00:58:25Upstairs.
00:58:26What do you want to see Miss Dixon about?
00:58:27We'll tell her.
00:58:28Well, perhaps you'd better tell me first.
00:58:29Miss Dixon isn't well.
00:58:30Who are you?
00:58:31He's a doctor.
00:58:31He lives here.
00:58:32If it isn't important, I suggest you come back tomorrow.
00:58:34It's important.
00:58:36Could you get some extra blankets and a hot water bottle, please?
00:58:38Are you a friend of Miss Dixon's?
00:58:39Yes, why?
00:58:40Just ask him.
00:58:41Well, what is it?
00:58:41An accident or something?
00:58:42I wouldn't call it an accident.
00:58:44I wish you'd cut out this mystery and tell me what it's all about.
00:58:46Okay, Doc.
00:58:47Take it easy.
00:58:51Madeline, these men are from the police.
00:58:54They want to ask...
00:58:54We'll take over from here, Doc.
00:58:55I'm Sergeant Vitelli.
00:58:56This is Sergeant Feitler.
00:58:57You're a friend of Felix Cortland's, weren't you?
00:58:59Matter of fact, you were with him last night.
00:59:00No, no, I wasn't.
00:59:01Did you see Mr. Cortland any time yesterday?
00:59:02No, I didn't.
00:59:03Now, look, Miss Damien.
00:59:04We wouldn't be here asking questions unless we already knew most of the answers.
00:59:07Oh, wait a minute.
00:59:08Her name's not Damien.
00:59:09I think you've got the wrong party.
00:59:10I think maybe you've got the wrong party, Doc.
00:59:12The name happens to be Damien.
00:59:13This happens to be a case of murder.
00:59:15Take a look at that newspaper.
00:59:16I want to know what's going on in here.
00:59:21This is my house, and I've got to know.
00:59:23Sorry, madam.
00:59:23We'll talk to you later.
00:59:24As long as I've been here.
00:59:25There's never been police in this house.
00:59:26Take her and see what you can find out.
00:59:27Come on, lady.
00:59:27Come on.
00:59:30Now, Miss Damien, tell us what happened last night.
00:59:33What time did you leave Cortland's house?
00:59:34Oh, Dave.
00:59:35You and this guy, Cortland, were pretty sweet on each other.
00:59:36Isn't that right?
00:59:37Oh, but it isn't.
00:59:38It isn't true.
00:59:39Now, according to the chauffeur, you got to Cortland's house a quarter to seven.
00:59:41What time did you leave?
00:59:42Oh, but I didn't go into the house.
00:59:43I met him by accident.
00:59:44David, don't look at me like that.
00:59:46How long have you known Miss Damien, Doc?
00:59:48Not very long.
00:59:49Only a few months.
00:59:50Know that she was mixed up with this guy, Cortland?
00:59:51Oh, but it's a lie.
00:59:52David, it's a lie.
00:59:53Okay, so you didn't go into the house with Cortland?
00:59:55No, I didn't.
00:59:56He wanted me to come to the house, but I wouldn't do it.
00:59:59Oh, I didn't go into the house.
01:00:00I didn't, I tell you.
01:00:01Who are you telling?
01:00:02Me or the doc here?
01:00:04Did you get anything?
01:00:05She came in about nine.
01:00:06In the cab?
01:00:07No, she was walking in the rain.
01:00:09Landlady said she looked kind of wild-eyed.
01:00:11What about Cortland?
01:00:11He was here all right.
01:00:12He visited her a couple of weeks ago.
01:00:14Get the date?
01:00:14Yeah, April 10th, around midnight.
01:00:16Anything else?
01:00:17The landlady thought that Cortland had a key to this place.
01:00:20She was kind of vague as to how he got it.
01:00:23I didn't give him a key.
01:00:25David, you can't believe that.
01:00:26I've got his key ring here.
01:00:28This one fits.
01:00:30He had a key all right.
01:00:31But I didn't give it to him.
01:00:33Where are you going?
01:00:38Oh, Dana, don't leave me.
01:00:40I didn't kill him, I swear.
01:00:41I didn't kill him.
01:00:42Who cares whether you killed him or not?
01:00:44I didn't kill him or not.
01:01:14Just a minute.
01:01:15Well, it isn't regulations.
01:01:18Okay, 60 seconds.
01:01:23David, please listen to me.
01:01:25You lied to me.
01:01:27You've always lied to me.
01:01:28But I'm not lying now.
01:01:29I didn't want to go with him.
01:01:31He said he'd drive me home.
01:01:32And he made love to you, didn't he?
01:01:33Oh, don't deny it.
01:01:34Of course he made love to you.
01:01:35He had a key to your room.
01:01:37I should have told you many things.
01:01:40I tried to.
01:01:41But I just couldn't.
01:01:44If this thing were so innocent, you would have told me.
01:01:46When I said I was in love with you.
01:01:48When I asked you to marry me.
01:01:49I was afraid, David.
01:01:52I was afraid you wouldn't understand.
01:01:53You bet I wouldn't.
01:01:55Before I met you, I was horrible.
01:01:58But you changed all that.
01:02:00You made me sane and happy.
01:02:02Why keep on lying?
01:02:03You tried that upstairs and it didn't work.
01:02:05Look, I was in love with you.
01:02:06All right, I made a mistake.
01:02:08I thought you were something wonderful.
01:02:09And you turned out to be something else.
01:02:11So let's just forget about it.
01:02:13The only thing that you can do for me is let me alone.
01:02:19I love you, David.
01:02:21I'll always love you.
01:02:41And so, ladies and gentlemen of the jury, the prosecution will prove beyond a shadow of a doubt
01:02:55that Madeline Damien is guilty of the premeditated murder of Felix Cortland.
01:03:03We will prove that she was in his apartment the night he was murdered.
01:03:06We will prove that her fingerprints are on the table lighter with which she was murdered.
01:03:13And we will prove further that she had a motive for the murder.
01:03:17For after all, this is a very simple story.
01:03:21To one man, Dr. Cousins, she was a pure and noble woman.
01:03:25To the other, Felix Cortland, an irresponsible light of love.
01:03:31Too self-indulgent to be faithful to the man she wanted to marry.
01:03:34Too weak and lacking in character to break with Cortland.
01:03:40Her twisted soul was bent on a heartless deceit.
01:03:43To make one man believe what all others knew to be alive.
01:03:50And when Cortland threatened to expose her, she went to his apartment to plead with him.
01:03:56In the only way she knew.
01:03:58She embraced him.
01:04:02She made love to him.
01:04:04And when in spite of that, he threatened to expose the lie that she was living.
01:04:10She silenced him forever.
01:04:13Ladies and gentlemen of the jury.
01:04:15The state asks you to find Madeline Damien guilty.
01:04:20Guilty of murder in the first degree.
01:04:25On the night Mr. Cortland called on the defendant, did you let him into her apartment?
01:04:28I certainly did not.
01:04:30How did he get in then?
01:04:31He must have had a key of his own.
01:04:32A key of his own.
01:04:35Where was the defendant when he arrived?
01:04:37Out of the doctor, I suppose.
01:04:39Pulling the wool over his eyes.
01:04:40Thank you, Mrs. Geiger.
01:04:48Your witness, Mr. Mitchell.
01:04:50You've got to let me cross-examine her.
01:04:54No questions.
01:04:56Miss Damien, I can't defend you properly if you won't let me.
01:04:58We've got to put up a fight.
01:05:00Fight?
01:05:00What for?
01:05:03And now, Mr. Gareth, just what was the nature of the work you did for Mr. Cortland?
01:05:09Most of it was personal.
01:05:10Well, confidential secretary, I suppose you'd call it.
01:05:13And in that capacity, you were in a position to learn a great deal about his private life?
01:05:17Yes, of course.
01:05:19Did Mr. Cortland know that Miss Damien was lying to Dr. Cousins and concealing her true character from him?
01:05:26I'd rather not answer that question, Mr. O'Brien.
01:05:28You see, both Miss Damien and Mr. Cortland were friends of mine.
01:05:35Yes, I understand.
01:05:37Well, let's get back to the meeting at the airport.
01:05:39What was the attitude of the defendant when Cortland saw Dr. Cousins?
01:05:44She was embarrassed, naturally.
01:05:46Yeah.
01:05:47She was embarrassed, naturally.
01:05:52Your witness, Mr. Mitchell.
01:05:54I've got to cross-examine.
01:05:55If I don't, we haven't a chance.
01:05:57Don't ask him anything.
01:05:59No questions.
01:06:02Were you a close friend of the defendant?
01:06:05Yes, I was.
01:06:06Did she confide in you on matters of a personal nature?
01:06:09Yes, she did.
01:06:10If you were asked for Miss Cort, do you think you could recall any of those intimacies?
01:06:15I could recall some of them in, uh, lower detail.
01:06:19Your Honor, I object.
01:06:21Objection sustained.
01:06:22Well, let me ask you this, Miss Royce.
01:06:23Would you say in general that men found Miss Damien attractive?
01:06:27Definitely.
01:06:28And would you say that Miss Damien found men attractive to her?
01:06:32I'm afraid I most certainly would.
01:06:34You would?
01:06:36What were the relations between Miss Damien and her former employer, Mr. Cranish?
01:06:40They were, uh, friendly.
01:06:42In your opinion, was there anything more than friendly?
01:06:45I object, Your Honor.
01:06:46The question calls for the conclusion of the witness and is prejudicial.
01:06:49Objection sustained.
01:06:54Dr. Cousins, I'm Dr. Caleb.
01:06:57Miss Damien's a patient of mine.
01:06:59I don't happen to think she's guilty of murder, do you?
01:07:01No, I don't.
01:07:04She may be guilty of other things, but in there she's being tried for murder.
01:07:07And she won't even defend herself.
01:07:09She's got a pretty good lawyer, hasn't she?
01:07:10She needs your help, Doctor.
01:07:12In her own mind, she's not on trial for murder.
01:07:14She's on trial for those other things.
01:07:16And it's not the judge who's trying that case.
01:07:18It's you.
01:07:19I don't want to be rude, Doctor, but I don't think you know what you're talking about.
01:07:22I'm sorry to disagree.
01:07:24You see, I've been treating Miss Damien for some time.
01:07:27I happen to be her psychiatrist.
01:07:29Dr. Caleb.
01:07:30I'm sorry to have bothered you, Doctor.
01:07:32Your name be Richard King.
01:07:53You're a psychiatrist?
01:07:55I am.
01:07:56Miss Damien came to you as a patient?
01:07:58Yes.
01:07:58Did she come of her own free will?
01:08:01Yes, of course.
01:08:02Isn't it true, Doctor, that people do not go to a psychiatrist unless they consider themselves,
01:08:07well, shall we say, not well balanced?
01:08:10In general, that's correct.
01:08:11As a matter of fact, wasn't Miss Damien on the verge of committing suicide when she made her first visit to you?
01:08:16Your Honor, I object.
01:08:18Well, no matter.
01:08:19We'll prove that by other witnesses.
01:08:20However, is it not true that people who come to you as patients come with problems?
01:08:27Objection.
01:08:28Objection overruled.
01:08:31Well, Doctor, there'd be no point in their coming to me if they didn't have problems.
01:08:35So, the defendant came to you with a problem.
01:08:40Do you mind telling us, Doctor, in your opinion, just what was Miss Damien's problem?
01:08:45That is a confidential matter between doctor and patient.
01:08:48I'm afraid I can't discuss it.
01:08:50Well, during the course of your treatment of Miss Damien, did you ever discuss her relationship with Dr. David Cousins?
01:08:56Yes, we did.
01:08:57Well, bearing in mind the fact that she's engaged to be married to Dr. Cousins, do you think she was in fact with him that she should have been?
01:09:04As a matter of fact, I urged her to tell him everything.
01:09:06Then did she?
01:09:07Not to my knowledge.
01:09:09Well, why not, Doctor?
01:09:10Why didn't she?
01:09:11I'm afraid you'll have to ask Miss Damien about that.
01:09:15Did you ever meet Dr. Cousins?
01:09:17Yes, just a few minutes ago.
01:09:20Well, I'm sure you found him a reasonable, intelligent young man, and yet the defendant refused to confide in him.
01:09:26Having met Dr. Cousins, I think I can see why Miss Damien hesitated to confide in him.
01:09:33Do you mind telling us why?
01:09:36It's my impression that Dr. Cousins hasn't the capacity, either emotionally or intellectually, to understand a problem like Miss Damien's.
01:09:50How's the trial going, Doctor?
01:09:52Not very well, I'm afraid.
01:09:54There's a Dr. Cousins in your office.
01:09:56Oh?
01:09:57You said you weren't expecting him.
01:09:59As a matter of fact, I was expecting him.
01:10:03Hello, Doctor.
01:10:04Sit down, sit down, relax.
01:10:06Tell me, is this a professional or a social call?
01:10:10Dr. Caleb, you said some pretty rough things about me this afternoon.
01:10:13Yes, I did, didn't I?
01:10:14I think I'm entitled to an explanation.
01:10:17So do I.
01:10:19As a matter of fact, I'm very glad you came over.
01:10:23I wanted to talk to you about Miss Damien.
01:10:25I'm not interested in Miss Damien.
01:10:27I'm glad to see you're still in love with her.
01:10:29And I'm not in love with her.
01:10:32All the better.
01:10:33Then we can approach the subject of Miss Damien as one scientist to another.
01:10:37You see, I'm interested in Miss Damien because she's a patient of mine.
01:10:41I believe I was well on the way to solving her problem.
01:10:44It would be most distressing to me if she were to die now for a crime she didn't commit.
01:10:49It would be as though you had lost one of your white mice.
01:10:52One that you had just inoculated.
01:10:54What's all this got to do with me?
01:10:57Only this.
01:10:58That when you testify tomorrow, you'll be asked to tell the truth.
01:11:02The whole truth.
01:11:04The whole truth about a human soul is a complicated proposition.
01:11:08Now, I'm not going to tell you anything about Miss Damien that you haven't already heard.
01:11:12But isn't it possible that you've picked up a few stray facts
01:11:16and added them up to a conclusion that's entirely wrong?
01:11:24Won't you sit down, doctor?
01:11:38Hear ye, hear ye, hear ye.
01:11:40The court is now on stage.
01:11:42Call your next witness, Mr. O'Brien.
01:11:46Dr. Cousins, please.
01:11:50This will be their last witness.
01:11:51You've got to let me put you on the stand.
01:11:53I tell you quite frankly, Miss Damien,
01:11:55if you won't testify, we haven't got a chance.
01:12:01Where's your right hand?
01:12:02Is the only swear to tell the truth of the whole truth about the truth, so off your guide?
01:12:05I do.
01:12:05Please be seated.
01:12:06Your name, please.
01:12:08David Cousins.
01:12:10Under what name did you know the defendant?
01:12:12Madeline Dixon.
01:12:13Did she ever tell you her true name?
01:12:14No, sir.
01:12:15Did she ever lie to you about her identity?
01:12:18Yes, sir.
01:12:18How long did she continue to lie to you?
01:12:20Until the morning the police came.
01:12:22Did she ever tell you about her relations with Corfin?
01:12:24No, she didn't.
01:12:25You proposed marriage to the defendant and she accepted you?
01:12:28Yes, sir.
01:12:30And still she didn't tell you about Corfin?
01:12:32No, sir.
01:12:34When did you first know of the true relationship between them?
01:12:37The same morning, the morning the police came.
01:12:40Oh, I see.
01:12:41And from the moment you met her until the day she was taken into custody,
01:12:45you didn't know the truth about her character.
01:12:47I object, Your Honor.
01:12:49Mr. O'Brien, haven't you covered your point?
01:12:51Well, Your Honor, I'm merely trying to clarify for the jury,
01:12:54the true nature of the defendant's motive.
01:12:57I see.
01:13:00One more question, Dr. Cousins.
01:13:02If you had known the truth,
01:13:04would it have affected your love for the defendant?
01:13:07Your Honor, I must protest.
01:13:09Let him answer.
01:13:10Objection withdrawn.
01:13:13And now, Dr. Cousins,
01:13:15if you had known the truth,
01:13:18would it have affected your love for the defendant?
01:13:24I was in love with Miss Damien then,
01:13:27and I'm in love with her now.
01:13:33Your witness, Mitchell.
01:13:34No blessings.
01:13:35Did you really mean it?
01:13:44Yes.
01:13:45I really meant it.
01:13:48I can't believe it.
01:13:50Now, will you let me put you on the stand?
01:13:52Do you admit you went to Cortland's apartment that night?
01:14:00Yes.
01:14:01He made love to you?
01:14:03Yes.
01:14:03Did you have any conversations about Dr. Cousins?
01:14:06No.
01:14:07Positive?
01:14:08Yes, I am.
01:14:10But tell me, Miss Damien,
01:14:11were you in love with Felix Cortland?
01:14:13No, I wasn't.
01:14:13Were you in love with Dr. Cousins?
01:14:15Yes.
01:14:16Oh.
01:14:17But you went to Cortland's apartment nevertheless.
01:14:20Yes, I told you that.
01:14:21You were in love with one man,
01:14:22yet you chose to visit the apartment of a man you didn't love.
01:14:25Did you go of your own free will?
01:14:27Yes.
01:14:27Mr. Cortland didn't force you or threaten you?
01:14:29No.
01:14:30Then why did you visit him?
01:14:33I don't know.
01:14:34I made a mistake.
01:14:36You made a mistake.
01:14:38As you've told us on several occasions
01:14:39that you and Mr. Cortland were interrupted by a mysterious intruder,
01:14:42can you tell this jury anything definite about that person,
01:14:45anything at all?
01:14:45No, no, I didn't see him.
01:14:47You didn't see him.
01:14:47I only heard his voice.
01:14:48You seem very certain it was a man.
01:14:50It was a man.
01:14:50What did he say?
01:14:52Well, I don't know.
01:14:52They were talking in the hall.
01:14:54I couldn't tell what they were saying.
01:14:56Yes, you heard a voice.
01:14:57You were willing to swear it was a man,
01:14:59and you couldn't hear what he said.
01:15:01Now, what sort of a person do you think
01:15:02would be calling at that time of night?
01:15:04A bill collector?
01:15:05A man selling magazines?
01:15:06Or perhaps even a burglar?
01:15:08Why not a burglar?
01:15:09Mr. Cortland was a very wealthy man.
01:15:11He must have been a very timid burglar
01:15:12because nothing was stolen.
01:15:13Of course, you realize that Mr. Cortland
01:15:16kept his jewels in the vault of the store.
01:15:18Not all of them.
01:15:20He kept some at home in his safe.
01:15:21Safe what safe?
01:15:22The one in his living home.
01:15:23You didn't by any chance see that safe,
01:15:25did you, Miss Damien?
01:15:26Yes, I did.
01:15:28Mr. Cort, please,
01:15:29this is the first we've heard about a safe.
01:15:30I asked for a recess to examine the apartment.
01:15:32Well, Your Honor,
01:15:33we've been all over the apartment.
01:15:34But if there is a safe,
01:15:35and if it has been robbed...
01:15:36Gentlemen,
01:15:37court is adjourned until tomorrow morning.
01:15:39I suggest a district attorney,
01:15:41an attorney for a defendant,
01:15:42examine the apartment together.
01:15:44What about this safe, Mr. O'Brien?
01:15:52What safe?
01:15:52How about some pictures on the inside, Mr. O'Brien?
01:15:54You boys had better wait outside.
01:15:56I may have a statement for you when I come out.
01:15:58Mr. O'Brien?
01:15:59Huh?
01:16:00Mind if I tag along?
01:16:01I don't know why you're sure.
01:16:02The fine witness you turned out to be.
01:16:03Couldn't help that, sir.
01:16:04All right, Garret, where's the safe?
01:16:06Me, Mr. O'Brien?
01:16:07I don't know of any safe in here.
01:16:08I didn't think you did.
01:16:09If you want an unbiased opinion,
01:16:11I don't think there is a safe.
01:16:12Well, here's the learned of counsel.
01:16:14Perhaps he knows.
01:16:15Where's the safe, Mitchell?
01:16:16My assistant's checking the location with Miss Damien.
01:16:18He'll be along in a minute.
01:16:19Oh, Your Honor, dead one.
01:16:20While we're waiting,
01:16:21maybe Mr. Garrett could tell us where the safe is.
01:16:23I've asked him, he doesn't know.
01:16:24I don't understand that, Mr. Garrett.
01:16:25You were very close to Corflin, weren't you?
01:16:27That's right.
01:16:28I'm sure if there was a safe in here,
01:16:29I would have known about it.
01:16:30At least I would have seen the key to it.
01:16:32The answer's very simple.
01:16:33There is no safe.
01:16:35What did you find out?
01:16:36I got the dope on him, Mr. Mitchell.
01:16:37It's over here in this bookcase.
01:16:39You were wrong for once, Mr. O'Brien.
01:16:41Put me.
01:16:46What do you know about that?
01:16:47Have you got Cortland's keys?
01:16:48There they are.
01:16:52That looks to me very much like a safe, Mr. O'Brien.
01:16:55Yes, it does, doesn't it?
01:16:59But not like a safe that's ever been robbed.
01:17:01I don't think a good burglar would leave those behind.
01:17:04I guess we're right back where we started from.
01:17:05Well, I've seen all I want.
01:17:06How about you, Mitchell?
01:17:07You win this round.
01:17:08Lock it up, sir.
01:17:09Yes, sir.
01:17:10See you in court, gentlemen.
01:17:11Can I give you a lift, doctor?
01:17:12No, thanks.
01:17:13Sergeant, I have some papers here, Mr. Cortland,
01:17:15as I'd like to put in order.
01:17:16Do you mind if I stay?
01:17:17It's all right with me.
01:17:18We're finished with the place.
01:17:19Thank you very much.
01:17:22Anything I can do for you, doctor?
01:17:24Oh, I was just curious about something.
01:17:27I've never seen a safe like that before.
01:17:29One that operated with a key.
01:17:31Come to think about it, I guess I haven't either.
01:17:33A normal assumption about a safe is that the lock works on a combination.
01:17:37Yes, I guess most of them do.
01:17:40I was wondering how you knew that this one worked with a key.
01:17:42You said you'd never seen the key to it.
01:17:44Did I say that?
01:17:44Uh-huh.
01:17:45I guess I must have said something I didn't mean.
01:17:47Oh, oh, I see.
01:17:49There could be another explanation.
01:17:51Really?
01:17:52Yes.
01:17:53That you were lying when you said you'd never seen the safe before.
01:17:57You're not serious, are you, doc?
01:17:58I'm a scientist, Mr. Garrett.
01:18:03When we get hold of an odd fact, we consider every possible explanation.
01:18:07We make some of our most important discoveries that way.
01:18:10Well, it must be fascinating work.
01:18:12Yes, it is.
01:18:14Suppose I had known about that safe, which I didn't.
01:18:17What would that prove?
01:18:19Frankly, nothing.
01:18:21But it does suggest a theory.
01:18:23You were very close to Cortland.
01:18:25You knew about the safe.
01:18:27Maybe the safe was robbed.
01:18:29Perhaps he found out about it.
01:18:31He was quarreling with a man in the hall the night he was killed.
01:18:36Maybe that man was you.
01:18:38That's a very interesting theory.
01:18:41Yes, isn't it?
01:18:43Well, as I said, I'm a scientist.
01:18:45When we hit on a theory like that, the next thing we do is to test it.
01:18:51That's all I'm doing.
01:18:53I see.
01:18:55Then you, uh, you won't mind having a little talk with the police?
01:19:01No, no.
01:19:02Why should I?
01:19:05Fingerprints.
01:19:06But then, of course, if you've never seen the safe before, you won't mind them checking it for yours.
01:19:10Oh, certainly not.
01:19:17The number is Spring 73100.
01:19:25Okay, Doc.
01:19:38No hard feelings.
01:19:40Don't you think this sort of thing is rather out of your line, though?
01:19:42I guess maybe you're right.
01:19:45Bye, doctor.
01:19:46Goodbye.
01:19:46Goodbye.
01:19:46Goodbye.
01:19:47Bye-bye.
01:19:47Goodbye.
01:19:54Goodbye.
01:20:04Bye-bye.
01:20:08Spring 73100 wasn't it Mr. Gareth?
01:20:32I guess maybe I underestimated you, doctor.
01:20:38I don't know.
01:21:08I'm sorry.
01:21:38surprises. Notably, the beautiful defendant's stock and disclosure of the jewel book, hidden
01:21:43in the apartment of the late diamond importer. The beautiful Madeline Damien goes free, and
01:21:46Broadway is tipping its hat today to the young doctor who engaged the murderer in a battle
01:21:50royal. Miss Stryger, I've been looking for Miss Damien. Have you seen her? She's gone.
01:21:55She asked me to give you this. Gone? Well, where did she go? I couldn't get a word out
01:21:59of her, but I know she left the airport more than an hour ago.
01:22:08David, dear, I can still hear your voice in that courtroom, and I'll never forget what
01:22:17you said. You did much more than save my life. You made my life worth saving. I can't bear
01:22:23to tell you how much I love you and want to marry you, but right now, that wouldn't be
01:22:28fair. I'm going away for a while. I want to be terribly sure, after all this, that I can
01:22:34really be the kind of person you once thought I was. Maybe, after a while, that will be possible.
01:22:41And then, when we're both sure, David, please ask me again. Goodbye, my darling.
01:22:47Passengers on flight 41, voting at gate 6. Will you try and see him once in a while?
01:23:06Of course. You see, I want to be sure of myself. I'm sure of you. Are you really? After what
01:23:14you've been through, I'm very sure. On board, please. I still think you're making a mistake.
01:23:49Bye-bye.
01:23:52Bye-bye.
01:23:53Bye-bye.
01:23:53Bye-bye.
01:23:54Bye.
01:23:58Bye-bye.