00:00I am a fellow producer, but I am a brother.
00:01In this case, we found a dog in Telugu.
00:03She does not have to have a message in her health,
00:05and we put it together as a girl.
00:08I am part of this, I can't tell anyone.
00:12I can't do that, I can't talk my dad.
00:15Our brother is not going to talk about pressure,
00:18he is going to go, doesn't he?
00:23Social media platform is not a platform.
00:27It's only a platform that makes us feel our talent.
00:29So, in that case, do you have any real talent in the audience?
00:35No, I don't have any talent in the audience.
00:38If we look at the Reels, then we compare the phone and the pattern.
00:43When we compare the TV and cinema, the screen presence is much better.
00:48So, if we click on the screen presence, we click on the screen, we click on the cinema.
00:53So, we click on the screen presence.
00:55The acting is much better than the screen presence.
00:57So, if we click on the screen, we click on the screen.
01:00No, it's a very different.
01:02The camera is first to start the film.
01:05I was first to start the film, the director was the director.
01:07I was very young and I was like,
01:09I'm a friend, I'm a friend, I'm a friend.
01:12And then, we click on the camera, I'm going to click on the camera.
01:15So, when we set up, we don't have any acting skills.
01:19We don't have any acting skills.
01:21We don't have any acting skills.
01:25We don't have any acting skills.
01:27There's another opportunity where there's a film coming into a serial.
01:29So, what is the next second film?
01:31I've given the opportunity to play honest with you.
01:34So, I've given it to me, I've given it to me and I've given it to me.
01:36I've given it to me and I've given it to me and I've given it to me.
01:39But I've given it to me and to me, I've given it to me and to me.
01:44I was like, hey, artist, I'm like, I'm not going to do that.
01:48I was like, I'm not going to do that.
01:50I'm going to do that.
01:53I didn't get that.
01:55Actually, I was going to hit that gradual process.
01:58Because we don't have to do the cinema industry.
02:01I don't know how to say it.
02:05But, that's still a try.
02:07I don't know if I'm going to jump in the middle of the road.
02:11But I was trying to jump in and push me out.
02:17But I think that it's not a freshers.
02:24You know, you're not saying that. You're not saying that.
02:28You're not saying that. You're not saying that.
02:30You're saying that you're not saying that.
02:33And everyone will say, you're doing your attitude, you're doing your attitude, your ganchali, nothing else.
02:40If you're doing your own words, you can say, if you're doing your own words, you're going to be different.
02:46I think I'm stereotyping.
02:50You're telling me the same words.
02:54Basically, it is about me.
02:58People say,
02:59Ganchale, Muthun, and Muthun.
03:02But it's a bit different.
03:04So, if I was doing it, then I would go up to that.
03:07So, I would like to say,
03:09I have the potential for me.
03:11If I have to say my potential for you,
03:12then my potential for you.
03:16I would like to say that.
03:17I would like to focus.
03:19I would like to say that.
03:23I have told you, they're old, and they're old.
03:29They're old, they're old, they're old, they're old, they're old.
03:33They can be a person, a person.
03:36But I feel bad about it.
03:40I feel bad about it.
03:43I feel bad about it.
03:46So, I am trying to explore and explore,
03:49I will be able to keep the music and the music and the music.
03:53We are exposed to everything.
03:57We are exposed to everything.
03:59Everything is in the OTT, everything is in the show, everything is in the sci-fi.
04:06We are exposed to everything.
04:10So let me update you.
04:11If you're convinced of me, I'm not convinced of this story.
04:19That's a very important thing.
04:20I don't know how to do this.
04:23I don't know how to do this in the world.
04:26I don't know how many sci-fi movies are.
04:31They're built on emotions.
04:35They're built on emotions.
04:38So, if you want to be a mangalagrad, you want to be a mangalagrad, you want to be a mangalagrad, you want to be a mangalagrad.
04:44So, you want to be a mangalagrad. So, that is how effective it is.
04:50So, when you talk about it, you will be able to talk about it.
04:58Now, I am talking about the short-term interviews.
05:03They are talking about the back-to-back movies, but you have to talk about it, so at this stage, I am speaking about it.
05:10I am getting it out of that. I am talking about the hard time, so I am taking it out to be a mangalagrad.
05:17Still, I am talking about that a mangalagrad. So, you are talking about the hit or flop and being a mangalagrad.
05:24Ok, now I am talking about this but it is not the most important thing.
05:28What is it?
05:29One is to say a person who is dying.
05:32One is to say a person who is dying.
05:36I'm dying.
05:38I don't have to die from dying.
05:43I'm dying.
05:45I said, I'm dying.
05:49I'm dying.
05:51I can't die.
05:52I'm dying.
05:54I'm dying.
05:55I've never been able to get into my own business.
06:02That's why I was able to get into my own insecurity.
06:05I never thought I was able to get into my own business.
06:09I never thought I would get into my own business.
06:11I would have had to get into my own business.
06:14So, I was very interested in survival.
06:16I think that, if you look at one stage, you will be able to get into survival.
06:21In your stage, you'll catch up on that stage.
06:27When you see people, they are hard to survive.
06:30They come every morning and they see all other people.
06:34And you can't even be sick.
06:36Where you are.
06:38You have to lose your heart in that circle.
06:41You've got to lose your heart in your mind.
06:44You can't lose your heart in your mind.
06:47Sorry about one thing.
06:49You are a producer, the man.
06:51He is a man, he is a man.
06:54I'm going to show you.
06:56In the screen, you should check my own self-analyzation.
07:04That is very important.
07:05I've seen the point in my own self-analyzation,
07:09but that self-analyzation is very important.
07:12I am very important.
07:15So if I'm not worried about it, then I would be a job, I would have been a job.
07:24That is a job as a job.
07:27100%, if I when I'm also a father, I'm not going to give it to my parents.
07:34If I'm not going to be the best, I want to give it to him.
07:36It's all survival.
07:38If I'm not going to be a hero, I'm going to be a hit flop.
07:42There's no option to go outside.
07:44What we did not think of the money we never went outside.
07:47You can get the money and jump outside.
07:52There are no money.
07:54You can get a troll or you can get a relationship.
07:57You can get a relationship like that.
07:59It's not that easy.
08:00At least it's a hard time.
08:05I'm not sure if you're a fan of the film, you're a fan of the film,
08:09but I'm not sure if you're a fan of the film.
08:15Okay, heroines are not in a foreign language.
08:19Heroes are very hard.
08:26Heroes are very hard.
08:28Heroes are very hard to use in a foreign language.
08:33It's a problem with supporting artists.
08:37Most of them are going to be villains.
08:40I mean, Aathara, Pan India, Aathara cinema, etc.
08:47But at least in the South industry,
08:50one of them is very important.
08:54I mean, it's a cultural exchange program.
08:57That's right.
08:59That's a cultural exchange program.
09:07Yes.
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