00:00It's a tightrope that you have to walk to the placement
00:03and how you use them.
00:04I'm sort of curious how you came up with that perfect spot.
00:06Yeah, it was a tightrope that we all had to talk about
00:09a lot with Steven and Winnie as well,
00:11like where's the best place.
00:12And we had them as cameo roles at some point.
00:14Oh, maybe they're Galinda's parents
00:16or maybe they're this or that.
00:17And those were all fine and good.
00:19But every time we sort of thought about it more,
00:22it didn't feel like they're at the top
00:24of their game right now.
00:25They're not like some people who don't do it anymore.
00:28Like they are there.
00:29You want them to do their thing.
00:30And I always felt like as a fan myself,
00:33like if I see them in this movie,
00:34I'm gonna want them to do their thing.
00:36And so we had the section already of this Wizzomania.
00:40It wasn't exactly those words and it wasn't exactly,
00:42it was actually more of a ride that they go on.
00:46Wizzomania was gonna be this almost like a,
00:48it's a small world where you get into a boat
00:50and it takes you through the history of Oz.
00:53And it was gonna be a performance that happens around them
00:55and all this stuff and then send you back out
00:57to the wizard's palace.
00:59So we had that because we needed to set up
01:01what the show didn't have too much about
01:03that we had to do was set up the grimmery,
01:05why the wizard was here, what the prophecy is.
01:08Like we had a lot of information to give.
01:10And it was during those conversations
01:12that Steven and I were talking and I suggested,
01:16we have this section anyway,
01:17that's sort of outside of the narrative that we need to give.
01:21Maybe that's where you do it.
01:23So you can add a little sugar to the information.
01:25And he was like, give me one night.
01:27And he rewrote the whole thing as a performance
01:29for these girls and he did it.
01:31And it made, it was like so fun.
01:33And that's where it felt like, okay,
01:36this is a great moment of sort of a send off.
01:38But even in the edit, we debated it back and forth,
01:41like how much to give, how much to see them,
01:44plenty of shots where they bow, where they leave,
01:46where they wave goodbye and like how much is too much
01:49for the audience.
01:50And so we wavered back and forth a little bit
01:52and tried to find the right medium of that.
01:54I mean, that's somewhat in testing,
01:57but that's why I love the editing process too.
02:00Imagine being able to just say, give me one night
02:03and then coming back with that.
02:06And that one night was raining.
02:08So it's like pouring rain.
02:09We have this giant canopy over the stage,
02:13but it's raining everywhere else.
02:14Our cameras are under,
02:16our technical is under this canopy
02:18and we're trying not to get them wet.
02:19They have these beautiful outfits
02:20that if it gets wet a little bit,
02:22they're gonna drag and change
02:23and you have footsteps everywhere.
02:25So we're trying to keep everything dry
02:27so that you don't have footsteps and wetness.
02:29And it was, but we had one night and it was a magical night.
02:32Everyone, everyone was there
02:33and it was just one of those crying nights all night.
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