00:00Start this shit with a bang
00:05This film was an opportunity for me to write a love letter to cinema
00:10I've done a lot of films based on real-life events
00:13comic books I
00:15Wanted to do something that was different from that whose music is America's most important contribution to the global culture. It's a massive story
00:24So it has to be shot on IMAX film camera
00:30I
00:36Step it up to another level on this shot on the 65 millimeter IMAX film. It's the most immersive format
00:42It just mimics the human eyes. I push you right there. You do shoot stuff on IMAX and you fall in love. There's nothing like it
00:48It's beautiful. It's really beautiful
00:52Thought y'all don't forgot about me in here smoke
00:56That ain't your brother
00:59Autumn Parker Paul is my cinematographer. I worked with on what kind of fabric
01:03It's been amazing watching an artist at the height of her craft
01:05Bring this to life and seeing that tall of an image. It just adds this very emotional quality
01:11It's got all the lights elements in it both naturally and supernaturally
01:16Let me in man
01:20This film was shot in a way
01:23That will bring the viewers an experience
01:28Of a lifetime really something that I don't think anybody has seen before
01:39We're gonna kill every last water
01:44It was an opportunity to take creative rich that's such a cinematic statement
01:52You
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