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#Chronique_culture du 25/03/2025 - 25/03/2025
Medi1TV Afrique
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MEDI1TV Afrique : #Chronique_culture du 25/03/2025 - 25/03/2025
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00:00
Welcome to MEDIEN.TV, heading to London, where the first exhibition in the UK is taking place,
00:14
dedicated exclusively to the Norwegian artist Edvard Munch as a portraitist,
00:19
with unpublished works in the UK, such as the portrait of lawyer Thor Lutken
00:25
and physicist Felix O. Bach, by Edvard Munch.
00:29
Munch's works will be explored through the portraits of his family,
00:33
his fellow poets, his patrons and his friends from the 1880s to the 1920s.
00:40
With more than 40 works, the exhibition is organized in a thematic and chronological way,
00:45
attracting visitors on a four-part journey through Munch's close family,
00:51
his interactions with the avant-garde artists he attends, his patrons and collectors,
00:56
and finally, his closest confidants, his guardians.
01:00
I invite you to listen to Alison Smith, the curator of the exhibition.
01:06
This exhibition is Edvard Munch's portraits.
01:09
It brings together 45 of his portraits, which date from the 1880s all the way through to his death in 1944.
01:35
Munch sought the protection of active people in the fields of law, business and medicine,
01:41
which he considered as his tutors, which exerted a stabilizing influence on a man
01:47
who suffered, in a way, from various mental and physical health problems throughout his life.
01:53
The work therefore shows that Munch was a more social person than we often think.
01:59
It takes us beyond Munch as a painter of existential isolation and solitude.
02:13
Visitors will first discover the first portraits of Munch's family,
02:17
made in the 1880s and 1890s.
02:22
These intimate images are often painted on small pieces of cardboard
02:27
in a naturalistic way, introducing key concepts found throughout the artist's work.
02:33
Evening, painted in 1888, serves as a prototype for Munch's symbolic works in the 1890s.
02:41
It shows Munch's sister Laura on holiday with her family,
02:44
just a year before she was definitively hospitalized for schizophrenia,
02:49
capturing her feeling of alienation from her environment.
02:53
Andrea Munch's Sandween Anatomy is a first expression of the fascination
02:58
that the artist has always had for medicine and doctors,
03:01
as well as for the idea of death, which would haunt and traverse the whole of his work.
03:07
Let's listen to Alison Smith, curator of this beautiful exhibition.
03:12
He loved his family, even though he had a difficult relationship with them,
03:17
but he obviously remained in contact with them, and you can see his appreciation.
03:21
Visitors learn that Munch was a very agitated person.
03:25
He was constantly on the move, he was a very loyal friend,
03:29
he loved his family, even if he had difficult relationships with them.
03:33
But he often stayed in contact with them.
03:35
The portraits he painted testify to his recognition and love for them.
03:40
He frequented many intellectuals, artists and writers,
03:44
and it is they, you know, who make up most of his models.
03:49
But he is also, in a very good way, with many of his patrons,
03:52
who have become important collectors of his works.
03:56
The portraits are therefore those of champions of his art
04:00
and of people who embody the same values and the same beliefs.
04:11
And from music now and in the direction of Cuba,
04:14
the discovery of the tres, the national instrument of Cuba.
04:18
It is similar to the guitar, since it belongs to the family of guitars,
04:22
the national instrument of Cuba.
04:24
The world of the tres is traditionally dominated by men,
04:27
and this is said by a good player of the tres, who plays like a macho,
04:31
but musicians like Yairima Blanco, Enid Rosales and Gianni Quiñones
04:36
claim that women are increasingly present on stage
04:39
and that they play in ensembles of traditional tres.
04:42
Today, Yairima is the director and leader of the Septuor,
04:45
Yairima Blanco and San Latino, where she challenges more than one myth every day.
04:50
Playing the tres is one of her challenges,
04:52
and it is a high-coordinated instrument born in the rural areas,
04:56
the star of the soundtracks of Cuban peasant parties.
04:59
I suggest you listen to Yairima Blanco, Gianni Quiñones and Enid Rosales.
05:06
I had never seen a tres before, only on television.
05:10
Studying the instrument and daring to do what few women dared to do,
05:14
gave my life a different flavor.
05:20
When a woman becomes a member of one of these traditional ensembles,
05:24
the question always arises of knowing to what extent she will do well,
05:28
if she will adapt to the style, to the concept,
05:31
and if she will be at the same level as the other male members.
05:37
We fight every day for women to have their own space and their own concept.
05:43
You have to stop saying, you play like a woman or you play like a man.
05:47
These clichés have to stop.
06:07
Thank you, dear viewers, for your loyalty.
06:10
The information continues on our different channels,
06:13
Média TV Arabic, Média TV Afrique, Média TV Maghreb,
06:16
and of course on our digital media, medianews.com.
06:36
www.medianews.com
07:06
www.medianews.com
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