00:00It's so easy Jose de Burundanga
00:02It's so easy Jose de Burundanga
00:04Because this girl, what's the name of your hostess?
00:06Juliana
00:08No, no, no, she's not
00:10She's pretty, that girl
00:12So, we can fix it, let's go
00:14One morning, we put the glass with water
00:16No, but wait, this is black magic
00:18Stop the voice of your father
00:20Father, locate yourself
00:22But, isn't there a level of Burundanga, little one, that gives you a little kiss?
00:24No, no, no
00:26Bye
00:28Bye
00:42No
00:44No
00:46No
00:48No
00:50No
00:52No
00:54No
00:56Sincera, sin que nadie lo maten en el Twitter totalmente diferente de lo que pasó con...
01:01No importa, eso no quiere decir que sea un error.
01:03O sea, se están riendo.
01:07Le voy a poner algo en una bebida, una mina para poder transartela.
01:11¿Qué me estás cargando?
01:12No, pero es que hay un montón de gente escuchándote.
01:14El chiste es metételo en el culo porque hay un montón de mujeres...
01:17No, pero hay un montón de mujeres que van al boliche, le ponen eso y lo escuchan ahí
01:22y decís, ah, mira, si lo dijeron en la tele y todos se rieron.
01:26Viniendo de que le tocó el culo a cuanta mina pudo, hay una mina que lo denunció.
01:30Tiene muchas denuncias.
01:32Es un tipo que viene de ese lugar.
01:33Para mí, este pibe, esa sí muestra su verdadera cara.
01:37Vamos a ver los antecedentes.
01:39Tiene antecedentes, tiene denuncias públicas.
01:42Ha pasado acá con una sonidista de este canal en su momento.
01:49Recién recibida, yo tuve que vivir mi propio tormento en el ámbito laboral.
01:54Y creo que muchas nos callamos por temor a perder el trabajo.
01:58Sufrí con él no abuso, pero sí acoso.
02:01Desde comentarios y requerimientos verbales hasta ser destinataria de algún regalo inapropiado.
02:09Finalmente, al cabo de cinco años, ya no aguanté más la situación
02:16y dejé definitivamente de trabajar en el programa.
02:20Y habló de los regalos. ¿Qué regalos?
02:22¿Qué regalos?
02:23Consoladores y tangas.
02:24¿Eso lo regalabas?
02:25Ay, no, qué horror.
02:26Consoladores y tangas.
02:28Y empecé a trabajar haciendo locución comercial en el programa.
02:32Y estuve ocho meses que para mí fueron muy difíciles, la pasé muy mal.
02:38Era volver a mi casa todos los días llorando por situaciones que pasaban con él,
02:45por sus actos violentos, no solo conmigo, con todo el equipo.
02:51Pero conmigo hay algunas situaciones puntuales que recuerdo,
02:54muchas seguro se me van a haber olvidado, pero algunas recuerdo.
02:57Cuando yo llegaba a la mañana a la radio, yo entraba a las ocho,
03:01y era como una condición que lo tenía que hacer,
03:05entrar al estudio y saludarlo a él con un beso.
03:09Y cuando me acercaba a su silla, él abría las piernas para que yo me acercara más a él.
03:15Se repite en cada una de nosotras, ¿no?
03:17Esto de dar la vueltita en el estudio, a todas te agarra piel de gallina
03:21cuando escuchas que a otra le pasaba lo mismo.
03:23Y vos decís, pensar que yo pasé eso también.
03:26Es terrible.
03:27¿Cuándo empezó esta forma de trabajar?
03:30¿O no fue desde el día uno, que ya notaste que era algo así turbio, raro?
03:34Cuando él me cita para entrevistarme, que me dijo tomemos un café,
03:39me da una dirección en Palermo y yo voy a tomar el café,
03:43y no era un café, era un restaurante con velitas y una champañera esperándome.
03:48Así te esperó.
03:49¿Eh?
03:50Así te esperó.
03:51Así me esperó.
03:52Cuando me entro, digo, no, no, no, yo ya, no, ya está, no,
03:56yo venía a bailar, pensé que era algo más rápido, un café,
03:59para saber, bueno, el sueldo, ¿no?
04:01Lo que se habla comúnmente.
04:02No, yo me tengo que ir, me tengo que ir.
04:04Y ya le molestó.
04:06Ahí, ya, ¿viste?
04:08Cuando decís, uy, trabajar con este tipo va a ser un tema.
04:11Empiezo a trabajar y bueno, y sí, cada vez, cada día había que dar la vueltita,
04:16yo ya no, es radio, esto va a estar, y dar la vueltita, no.
04:19Y como decía André, ¿no?
04:21Que uno aclara esto.
04:23Yo me iba vestida, imagínate, 5 de la mañana, ¿cómo puedo ser vestida, viste?
04:27Entonces uno empieza como a justificarse uno.
04:30Y yo no quería dar la vueltita y yo me iba vestida normal, ¿no?
04:34Sí.
04:35Ni escotada, ni embarazada.
04:38Ah, sí.
04:39Que te siga entrando la calza, que te seguís poniendo una remera.
04:42Nada.
04:43El estado más lindo.
04:44Claro.
04:45Entonces, punto.
04:46Y...
04:47Deliberadamente hiciste, ¿qué?
04:49Y Marcelo, el marido, me regala el jardinerito este famoso y me lo pongo, ahí voy.
04:54Y decía, no, me dice, no, no podés venir así.
04:57No, ya sos una embarazada cualquiera.
04:59No, por Dios, lo que sos con ese jardinerito.
05:01No, ¿sabés qué?
05:02Anda, no vengas más.
05:03Qué pena, me lo dijo.
05:04Qué horror.
05:05Qué horror.
05:06Sí.
05:07Sí, Nancy, totalmente.
05:08¿Sabés qué es lo peor de todo esto?
05:09Que si vos no hacías lo que él te pedía al aire, era, ay, cállate, no sabés ni
05:10qué era un made-up.
05:11Y entonces te maltrataba al aire y te hacía quedar como un desastre de profesional.
05:12No, te degradaba.
05:13¿Por qué?
05:14Porque no habías accedido al cafecito, no habías accedido al cafécito, no habías
05:15accedido al cafécito, no habías accedido al cafécito.
05:16No, no, no, no, no, no.
05:17No, no, no, no, no, no, no.
05:18No, no, no, no, no, no, no.
05:19No, no, no, no, no, no, no, no.
05:50No, no, no, no, no, no, no, no, no.
06:13No, no, no, no, no, no, no, no.
06:39No, no, no, no, no, no.
07:07I don't know if it's the right way to say it, but he has a disease with this topic.
07:13He's a guy that you have to treat like what he is.
07:15And he's a person that everyone around him has to treat like what he is,
07:18because he has this kind of impulses that look like a joke, but they're not.
07:22Because all of a sudden he passes by, the microphonist touches him here,
07:24and he swears when he turns around.
07:26I think he was very nervous because he didn't realize where he was turning.
07:30Because he was looking down, you see?
07:32Because if not, you would continue.
07:33Because Beto knew where he was turning.
07:35He knew where he was turning.
07:37But he was laughing.
07:39It's a little bit like what Pepe just said,
07:41Rial also tweeted,
07:43you can't do it with the essence.
07:45It's very wrong to be an expert in punches,
07:47when they sleep the two nurses to abuse them.
07:50But it was fiction, it was a joke, it was another effort.
07:53But here the problem is that if they didn't do that kind of thing,
07:56if they didn't access what he wanted,
07:58it was hard for them to do their job.
08:00Well, in the theater it happened a lot too.
08:01A lot.
08:02Yes, they would touch your tail because it was good luck.
08:04No, I'm not saying it was good luck.
08:06It could happen and you didn't report it because you were afraid.
08:09Of course.
08:10Because you talked and didn't work anymore.
08:11No.
08:12The same thing happened to the conductors who worked with him.
08:14And apart from that, as Ximena says,
08:16in our case it was kind of naturalized.
08:18He touched your ass.
08:19Well, but in the environment of journalism it was the same.
08:22There were a lot of women who put up with a lot of things,
08:25because if not, the conductors...
08:26Apart from that, when you were going to complain,
08:28they would say, no, but how?
08:29He's disgusting.
08:31We come from another time where the sexual joke was supposed to be funny.
08:36But today it changed.
08:37Today there is no more of that, thank God.
08:39Because it was uncomfortable.
08:40With whom do you have to complain if the producers were in front?
08:42Of course.
08:43And the producers were the same many times.
08:45They could lose their job.
08:46Let's hear Paluch's apologies.
08:48Very sorry.
08:50I want to apologize genuinely to Noe,
08:54Beto Casella's secretary,
08:56for an imprudent joke I made this morning.
08:58Usually in Beto Casella's case,
09:00we generate a situation of satire, of humor,
09:04as if we put some characters satirizing the things we talk about.
09:09But nothing, this is an excuse.
09:11It is simply to explain the context.
09:13I had my daughter in front of me, who participates in the case with us.
09:16I did not want to be offensive to any woman and to any person.
09:19However, I made a joke that did not correspond.
09:22And for this reason, I feel genuinely sorry.
09:27This ended up happening, which was a mistake.
09:32And my daughter made me see it immediately.
09:34So it's not that I had to wait a while for her to become aware.
09:37I apologized to Noe.
09:39And I apologize to everyone.
09:41He, with all due respect, feels offended.
09:43I did not offend anyone.
09:44To him, to whom I offended.
09:46I apologize.
09:47This is a permanent learning.
09:49Times change.
09:50And things that one sometimes says naturally,
09:53should not be said.
09:54And if in a case like this they are said,
09:56they must be immediately reprimanded.
10:00So go away from this request for apologies.
10:03And thank you very much.
10:06Well, it's nothing, it's nothing.
10:07He is a hard student to learn.
10:09He does not get excited easily.
10:14When something can be too much for you, do not tell me.
10:16You do not realize.
10:17For your daughter, do not tell me.
10:18For me, this is what he says is real.
10:19It is in its essence.
10:20It is part of his nature.
10:21It is your nature.
10:22Besides, what makes the joke worse,
10:24is that he is naming a person.
10:26Yes, in particular.
10:28How old is the speaker?
10:30I do not know.
10:31It is a longing.
10:32And here, because someone raised it and it went viral,
10:35but if they are not jokes that happen ...
10:36I do not know if I can think of it.
10:38I can not even think of it.
10:40With the burundanga for the face.
10:42Are you thinking of a girl you liked,
10:44to drug her to do something to her?
10:46A little.
10:47A little.
10:49We do not use burundanga to have fun.
10:51Besides, even with burundanga,
10:52the scene also tells the macabre mind
10:54that you have to have.
10:55Ana Tijota was killed for not having stopped
10:58what Yalmold did.
10:59It's true, you're right.
11:00I hope the same in this situation,
11:01because I did not see any kind of criticism.
11:03No, no, in the networks there was a lot.
11:04No, they killed him in the networks.
11:05I did not see it.
11:06Ana Tijota did not react.
11:07The only one who reacted was Ari's daughter.
11:09Because no matter how much you tell me,
11:10he got nervous, he can not laugh.
11:12He has to be normal.
11:13He has to be normal.
11:14He has to be normal.
11:15You have a chip for it.
11:16She has many years of television experience.
11:18No, no, stop.
11:19I do not want to be part of this.
11:20No, of course, do not say that.
11:21For her and Nati,
11:22for her and Nati,
11:23it also amplifies because it is Lali.
11:25I say, there is also a spice.
11:27No, no, I say, there is a spice.
11:29Many times selective.
11:30Many times.
11:31No, people, lastly,
11:32comparing the situations,
11:34Yalmold Dawski is a moron
11:36who told an anecdote
11:37that he should not have told,
11:38but he did not steal it,
11:39he did not steal it,
11:40he did not use it,
11:41he is a fool.
11:42He was telling a story.
11:43No, he told an intimacy.
11:44Yes, yes, yes.
11:46He left being a fool,
11:47because the truth is he left long.
11:49But not that he said something that is wrong.
11:51That someone noticed him.
11:52No, but here is a bug.
11:53Here is an ugly bug.
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