00:00I believe that both opinions are correct, both opinions have their own place and both opinions are correct.
00:11Having said that, those who have the opinion that I liked that song a lot, what have you done?
00:19If this is their opinion, then I respect this opinion because it is good on you that you remembered that song.
00:27Good on you, I humbly accept it. Good on you that you remembered that song.
00:32But at the same time, there is a whole generation who had never heard that song.
00:40And what is the guarantee that if that song had not been sung like this,
00:44then who would have encouraged them to go and listen to that song?
00:48So both opinions have their own place and it is our job to accept both opinions.
00:54And this is not just about Hindi cinema, it is not just about Tamil cinema, Telugu cinema, Malayalam cinema.
00:59Even if you go abroad, you will see a film A Star Is Born.
01:05It is being made by going round and round.
01:08In every generation, the meaning of that relationship, that emotion changes.
01:13That is why that film makes itself a candidate.
01:18And similarly, there are some songs that make themselves a candidate,
01:22that we can continuously age for 4-5-7 decades.
01:27So if this happens in such songs, then I personally do not consider it wrong.
01:32I think when it comes to films, when it comes to stories, songs,
01:36creativity cannot only be defined in our film or in most cases, that is a song.
01:41If you look at our film's album, it is not like we have all remixes or remakes or imaginations.
01:47This suited our storytelling also.
01:49If you look at the video, we have depicted our story in the video itself.
01:52A boy who is trapped between two girls, who is struggling for his affection.
01:57So I feel as long as you are using it in good context,
02:00if you do something meaningless and it has no logic and does not connect with the film,
02:05then I will say, why did you do it?
02:07We have tried to take a tune, an emotion that is awakened by listening to an audio.
02:12Guriya Kalaiya, there are so many people of today's generation,
02:15who must have heard this song and do not know where it is from.
02:18We have used it with genuineness towards our film.
02:21And with all humility.
02:22We have 4 other songs that are original.
02:24So I do not believe that this is not originality.
02:26Somewhere this was a memorable song, we used it creatively well, I believe.
02:31And like you said it is fair, sometimes you have to take both sides and understand everyone's opinion.
02:35We have tried to use it creatively well.
02:39A song fits in a film.
02:41So I think with that concern, I would say we have been creative about using a song that already exists,
02:46in a very honest way in our film.
02:48So it is not a dishonest, see it might have not been the biggest blockbuster we have picked up.
02:52We have picked up a song that also fits the meter of our film.
03:01This is a very strange situation where he is trapped.
03:05Because normally in these types of films,
03:08one boy has to choose between two girls, who will he marry.
03:11That is the end of the film.
03:13Our film starts there where most love stories end,
03:16most comedies also end.
03:18All the chaos was happening in the world so that he could get married.
03:21Here this man is moving forward after the marriage.
03:24So I found that very interesting.
03:26And then your past comes back and says,
03:28Son, I will not let you go so easily.
03:30So when a common man gets trapped,
03:32a common man, an upper middle class boy,
03:34the one who was moving forward is stopped.
03:36And this chaos has to end.
03:38I found that new.
03:40Inspiration wise I would say,
03:42I think the film, he as a director has grown up watching these kinds of films.
03:46I think he enjoys these comedies with romance in it,
03:49with emotion, with family.
03:51Recently De De Pyar De Aayi Thi, which I liked a lot.
03:54I will not say that it is an inspiration.
03:56But I think that is a great reference point,
03:58especially in today's day and age when you do this genre.
04:00My father made a film called Judai,
04:02which is a very nice reference point as a film.
04:04Not only performance.
04:06You can take Govinda Ji's Sajan Chale Sasura.
04:09So is there something that stays in your mind
04:11as an actor when you choose Mati?
04:13BV No. 1 also.
04:15Interpretation of this character was that
04:18this is the first time you have got a boy
04:20who is moving from one marriage to another.
04:22So I thought that was a novelty for me as an actor to explore.
04:25But definitely these films help you choose
04:28that these people enjoy this world.
04:30And also many people ask me this question in a fun way.
04:33I usually don't go into its clarification
04:35because I say that if you are enjoying it, then it is a good thing.
04:37But there is no one in this film.
04:39Correct.
04:40There is no one in this film.
04:41Correct.
04:42This is the story of two wives.
04:44And it is the story of a person
04:46who is not doing anything by choice between those two wives.
04:52This is not an adulterated soul
04:54who is trying to find something outside his marriage.
04:57Not at all.
04:58The idea is very different.
04:59Situational comedy.
05:00Yes, there is situational comedy.
05:02But I feel that from the perspective of the character,
05:05he is not going out looking for fun.
05:07He is not doing it on purpose.
05:08He is not looking for another woman.
05:10One was his woman
05:12and one is meant to be his woman.
05:14So it's a very classic
05:16you know, I don't know what to do situation
05:19as opposed to a guy going out there.
05:26His hold on language is very strong.
05:29So most of my work referencing came from Mudassar sir.
05:33If my language would have gone up or down,
05:37he would have corrected me.
05:38So I was very fortunate that I got to play a character like this
05:42with him because I was very much protected.
05:44And as you said,
05:46I have not done such a Surki film before
05:48and I have not done such a character before.
05:50When I read the script,
05:52I felt a lot of similarity between Praveen and me.
05:56And I think there are some traits of my personality
06:00in which I did a little more digging,
06:03a little more deep.
06:04And because of that,
06:06the same shared experiences that I have seen other girls,
06:10girls like Praveen,
06:12and I know a lot of girls,
06:13because we have a quality that
06:15when we go crazy, we go crazy.
06:17And she is a very stubborn girl.
06:19And due to that stubbornness,
06:22there is a lot of entertainment in the film.
06:24There is a lot of confusion.
06:26As you said, it is a situational comedy.
06:28The situation is that I am his ex and I have lost my memory.
06:31And my memory has gone from that day to that day
06:34when he proposed to me.
06:36But our divorce has been five years.
06:38He has moved forward.
06:39He has proposed to her for the love of his life.
06:43But in that,
06:44as sir was saying,
06:46it has become a comedy of errors situation
06:49where what Ankur will do now,
06:52this story will be somewhere on that.
06:55That's the story.
07:01But I really enjoy picking up different languages.
07:04But I think the toughest for me would have been
07:08Buddelkhandi, which I had adopted in Sonchiriya.
07:12I had been coaching for 7-8 months for Buddelkhandi.
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