Kathy Salosny se fue de "Extra Jóvenes" para alejarse de Felipe Camiroaga

El 13

Según recordó Salosny, el programa juvenil partió como una sección del programa “Extra Mujeres” de Gabriela Velasco

Transcript

00:00At the beginning we were talking about how nice it was Extra Jóvenes and that's why we're here, 35 years since the beginning of the show, Katy.

00:08Did you watch the show?

00:09He was a pilot, but he was a bit of a snob, and he liked Mr. Hector Humérez.

00:13And he started as an extra woman's tail, which was done by Gabriela Velasco.

00:17And we did half an hour of the show, and it was a success.

00:22And I was there for six years, live, every day.

00:25Six years?

00:26Six years. And then Felipe came with me for a year.

00:29People think we spent a lot of time with Felipe.

00:33But it was only a year with Felipe, and then I went to...

00:36On TV?

00:42Then I went to TV.

00:45Now, Felipe was a very important character that came out of an Extra Jóvenes section.

00:50Did you create the trunk of memories?

00:51No.

00:52No?

00:53It wasn't like that?

00:54I don't know.

00:56It was more or less like that.

00:58I did a show prior to Extra Jóvenes called Estudio Club, which was a video show.

01:03With Karin Janine.

01:04And then Extra Jóvenes came, which was one drunk woman's tail, and Estudio Club was the other one.

01:10And they called me and said, we want you to switch to Extra Jóvenes as an editor,

01:15and we'll give you color.

01:16And the assistant director of Estudio Club was Felipe Camilo Aguilar.

01:20We were on TV.

01:21And we had put everything on video to do a few things, because the animator had left.

01:25And we kept an eye on him.

01:28So we said to Felipe, do you want to be on TV?

01:32And we invented a section.

01:33First, the girl was from Ripley.

01:35Believe it or not, there were a lot of...

01:38But he came with a trunk.

01:40And he opened the trunk and took out the tape.

01:42And he started to make small sections, and then we said, it works, it works.

01:48The nice thing about that show was that we were going to work.

01:52Because we had such a great time.

01:55In fact, I was called several times from other channels and I didn't want to go.

01:59Because for me it was like my refuge, I was having a bad time.

02:03You were protected.

02:04And what convinced you, Katy?

02:05Because when you left, it hurt us a lot.

02:07What convinced me?

02:09Well, I don't know.

02:11I don't know.

02:12I don't know.

02:13I don't know.

02:14I don't know.

02:15What can you tell me?

02:17No, that's a hidden past.

02:19The project, the money.

02:21No, I can't tell you.

02:23No, because it's delicate.

02:24It's a moment, it's been so long.

02:26No, what happens is that I was hooked on Felipe.

02:31And Felipe, not so much.

02:35So it was a thing of contempt.

02:38I'm leaving.

02:39And that's why I left.

02:41For money, right?

02:42If they pay me a lot of money, they won't see you.

02:44And then, the next year, he left and I had him there again.

02:49And yes, it was heavy.

02:50A year later, he left.

02:51Remember.

02:52Yes, he left.

02:53He left.

02:54He left.

02:55He left.

02:56But Claudia!

03:01What a beautiful memory.

03:02What a beautiful memory.

03:04He left.

03:05The next year, he left.

03:06He left.

03:10How long!

03:11Don't give him this sensitivity.

03:14Claudia, forgive me.

03:16My God.

03:17When you were in Extra Jovenes, do you remember your first day?

03:19Yes.

03:20Of what?

03:24It was heavy because I did it very badly.

03:26Terrible, terrible.

03:27Katy left in glory and majesty.

03:30Everyone loved her.

03:31She was the best, the greatest thing in the universe.

03:34So, to replace Katy was super heavy for me.

03:38And I had never done television.

03:40I was 16 years old.

03:42I was 17.

03:44In fact, my dad had to sign the contract because he was younger.

03:48And I did the best I could, but it was very bad.

03:52You were 16 or 17?

03:54I mean, I just turned 17.

03:56They criticized you a lot.

03:57We had the meeting of guidelines after the show.

03:59And Felipe...

04:01Look, this is a suspicion.

04:03It's ugly to talk about a person who has already died.

04:05No.

04:06But I think Felipe said,

04:08This is going to be my show.

04:11And they criticize him until I'm 17.

04:14So, he made a pose at the meeting.

04:17And he said...

04:18Do you remember Marcelo? You were there too.

04:20Yes.

04:21And he said,

04:22No, I think he said she was going to cancel the show.

04:26I'm dying.

04:27But he was very honest.

04:30But you were there.

04:31I was there, present.

04:32He didn't say it behind your back?

04:34No, yes, in the face.

04:36He said,

04:37Cancel the show.

04:38I remember it doesn't have a rhythm.

04:41And I started to cry.

04:43Poor girl.

04:44I couldn't stop crying.

04:46But look,

04:47I thank him because he helped me so much.

04:50I said, I have to go.

04:52And the next day,

04:53I did it very well.

04:55And from then on, he never criticized me for cancelling the show.

04:59At least in my face.

05:00Yes, but with the years,

05:01you should know that if he said it in front of you,

05:03it was a great gesture.

05:05Because TV doesn't tell you these things.

05:07No, they don't.

05:08When they kicked me out of TVN 13.

05:10Oh, when they kicked you out of TVN 13.

05:12Yes, when they kicked me out of TVN 13.

05:13No, when they kicked me out of TVN 13.

05:14Don't say that, please.

05:16When they kicked me out of TVN 13,

05:17I got to TVN.

05:18I got to TVN for the first time.

05:20It was like getting out of the house on the beach and getting to something.

05:22Because it was a TVN.

05:24Bunker.

05:25Bunker, of course.

05:26A spaceship.

05:27In fact, there were three elevators.

05:28I've never seen so many elevators.

05:29A little empty now, but a spaceship.

05:31And a second, powerful floor.

05:34No one could get there.

05:35Suddenly, I get there,

05:36and the first thing I see is Felipe.

05:38He's coming out.

05:40I go down the window,

05:41I stop next to him,

05:42and I go down the window.

05:43Hello.

05:44Hello, how are you?

05:45When you're as famous as I am,

05:47you're going to have this car.

05:50That's my book.

05:52What did he say?

05:53Hey, Barça and Valor.

05:55It's a size.

05:56It's a size.

05:57It's a size.

05:58It's a size.

05:59Claudio was talking about TVN 17,

06:01and I remember that I bought the magazine.

06:04Maybe now I'm a teacher.

06:10Hey, I have a question for the three of you.

06:12Because this question is important.

06:14We all want to know.

06:15Don't get paranoid.

06:16And it's good for you to be clear.

06:17No, that's my past.

06:23A program like Extra Jóvenes,

06:24would it have a space on television today?

06:27Today?

06:28Yes.

06:29Of the same characteristics?

06:30Difficult.

06:31Many people wouldn't see it.

06:32You think not?

06:33No, because it was a very naive program.

06:35With Helmin.

06:36Super naive.

06:37Helmin, who hasn't seen it.

06:38Maybe Helmin smoking his...

06:40Of course.

06:41Many things would have to be modified.

06:43I think, right?

06:44I think there are several things about Extra Jóvenes

06:46that would not have any possibility here.

06:48One is the rhythm,

06:49which was very different.

06:50That is, the notes he made,

06:51do you remember Enrique Lizama?

06:53Ten minutes.

06:54Ten, twelve minutes each note.

06:55The rhythm is very different now.

06:56That's not just for Extra Jóvenes.

06:57Any program of that time

06:58could not be given now.

06:59For the rhythm.

07:00And the themes,

07:02the themes we took

07:03were things that occurred to us.

07:05It was because we were interested.

07:06It was very improvised.

07:07We had a poetry commentator.

07:08We had a theater commentator.

07:09Book commentator.

07:10Book.

07:11Of cinema.

07:13Now, we had an advantage

07:14and that is that no other channel

07:15had the idea of making youth programs.

07:17So we were the only one.

07:18No, and the other thing

07:19that supposedly,

07:20as it was a precarious channel,

07:22no one saw it,

07:23but in the end it became

07:24like a cult program,

07:25everyone saw it in Extra Jóvenes.

07:27Were the prisoners alive?

07:29The prisoners were alive.

07:31Many times.

07:32And many times.

07:33For the first time.

07:34I remember the first time

07:35that I interviewed them, of course,

07:36and that they came through the corridors.

07:38It was a revolution.

07:39The corridors were of sport.

07:41You got there fast.

07:42It was a corridor.

07:43It was a corridor.

07:44A great corridor.

07:45And the worst of the corridor

07:46was the channel.

07:47Hey, now there is a building.

07:48No, now there is a building.

07:50And it's Jorge's.

07:53And it's Jorge's.

07:55It was excellent.

07:56Claudia, do you think that...

07:57No, I see it...

07:58I mean, it's impossible.

07:59I have young children

08:01and my children never watch TV.

08:03Of course, well, that's another thing.

08:04There is zero possibility of watching TV

08:06and they watch content,

08:08more than programs or channels.

08:11They only watch content

08:12and they watch it through their cell phones.

08:14So, no, no.

08:15It's impossible.

08:16Not a single possibility.

08:17It's not the same.

08:18It's not...

08:19Are you proposing it on Channel 13?

08:21We are proposing it.

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