00:00I keep looking for something that is based on family, so that I can compliment it first.
00:15Whether it is a film or anything else, because I am greedy to make something like that.
00:19Because it is made less.
00:21I remember when I saw Gullak, my wife said that this is a very good show.
00:30And everything, like the word relatability, which Palash always underlines,
00:35she said that this is very beautiful, this is the story of my house.
00:39So from there I saw that this is a maker who has his own voice.
00:43And honestly, I am telling you, it is not easy for Palash to sit here.
00:47People say that it happens in sports, what is this, there is a father, two sons.
00:53But to take it naturally, there is a mother sitting, making kheer,
00:58she has her own worries, there is no water in the water.
01:01It is very difficult.
01:03In fact, it is easier to shoot an action sequence.
01:07In the whole context of emotion.
01:09So when this story came, I thought that we must call Palash.
01:13And it was nice that Palash came.
01:16Honestly, he said that I will listen to the story first.
01:20I said that this is the correct director.
01:23And when Palash came to know about the story, he gave us one year to write it.
01:28And the best thing is that Palash has brought his own perspective,
01:32which is very contemporary, which is young.
01:34So many shades, our writer had made some shades, characters.
01:39But the characters that Palash has given to today's era,
01:44whether it is a boy-girl special, a girl's family special,
01:48that today's three-dimensional, so many things, it has been a good give-and-take.
01:53And finally, the captain is the director.
01:57And he has taken a lot of weight off the show.
02:02And it should be, that is how the shadow of the director comes.
02:05So I think, to put it in a big way, it belongs a lot to Palash.
02:10What is the role of the family in the film?
02:15Everything has its own place.
02:20Like there is action, there is nudity, it is justified in its own place.
02:24And that is also made, but it should also be made.
02:27Because there are a lot of audiences of families today,
02:30who may not be so comfortable to see them.
02:34Today they are all on the fire stick, so there should be something for them too.
02:37And the biggest credit that Palash has given to Bada Naam Karege is a young voice.
02:44What is missing today is a pure love story, a pure love story.
02:50So Palash has brought a love story.
02:52It is not just a family, it is a love story.
02:54Like today I had made Vivaa, so if you see Vivaa, it was a family.
02:58But it is a story of an innocent love.
03:00Similarly, the Bada Naam Karege that Palash has brought is a love story, essentially.
03:05So I feel that he has brought very real characters.
03:07Like I always used to tell Palash to make a young love story.
03:11But what is this Palash that we always show that they keep partying, they keep getting high.
03:16It is not like that.
03:17Now I also have children.
03:19I see that they also have a headache, they also have a tummy upset,
03:23they also have good days, bad days, they also have to do something in life,
03:26frustration, all that should come.
03:28So this Palash has brought the world.
03:30So I feel, am I right, a point of view of a young youth.
03:34The presentation is very one-tone, that this is how youth is.
03:38And maybe it is not correct, that's why she tried.
03:42And what I am saying again and again,
03:44I said from the beginning that it is my tribute, I loved it.
03:46I liked it a lot.
03:47This is a love story that is completely missing now.
03:50Stories like that should be kept in front.
03:57I have seen it multiple times in the theatre.
03:59Like a small thing, at that time I was very small,
04:03I was around 5-6 years old.
04:05So when that film comes,
04:07you are so small that you may not be able to understand the story of the film.
04:11But I still have a memory that I am sitting with my family,
04:14there is a crowd and a combined audience is reacting in a way.
04:19So it is a memory for me.
04:20And I still remember the smell of samosas, I remember.
04:23There was a strange smell in the old single screen theatre,
04:26there was a strange smell of chairs inside.
04:29So this is a very nostalgic, happy memory that this film evokes.
04:33So that's why I tried to make it a homage.
04:38If you watch the whole show,
04:40I have tried to integrate my love and respect towards Mene Pyaar Kiya.
04:45But if you watch Sir Ki Baaki,
04:47I liked the last film as well.
04:51It is a very good film.
04:52We were talking about capturing simplicity,
04:55it is very hard.
04:56Sir has done a legendary film on this,
05:00just to capture simplicity.
05:01It is very hard.
05:08But as far as I am concerned,
05:10I believe that things should be made with value.
05:15And it should be made in such a way
05:17so that it remains a challenge
05:19and we can cater to every age group.
05:23It is my personal choice.
05:25Of course, as a company,
05:26everything should be made.
05:27It should be justified, it should be good.
05:29But whatever is made, it should have values.
05:32Because with age, like my age,
05:35I feel more responsibility to give something.
05:38Because everything else,
05:41technically we are becoming very good.
05:44Today, the technique I used,
05:47I see Palash,
05:48the way he edits,
05:51the way he is so clear at shooting and editing,
05:54the way he plays with actors,
05:56these things,
05:57these values should be up to that level.
06:02But the challenge is
06:03how to do it in a light space,
06:06like Raju Hirani did it,
06:10or like Bullock did it,
06:12so that we are with the maximum audience.
06:15So my view, my aim is that way.
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