00:00How different is your style as an artist compared to Bea Alonzo?
00:11Oh my gosh, it's different. Bea Alonzo is on a different level.
00:14Yes, in terms of creativity, my goodness, she is on a different level.
00:19I can see that.
00:21Why? How?
00:22I guess it's because given that she's been in the industry longer,
00:28I guess there were a lot of opportunities for her to be involved in the creative process.
00:34In terms of scripts, concepts, storytelling.
00:40I don't know if she's produced films already, I'm not sure.
00:44But her creativity is different.
00:46For me, what she provided was okay.
00:49Then the ideas, she has a lot of ideas.
00:53And her presence is different.
00:55I wasn't taught that in art.
00:57I was scared.
00:59It's not true.
01:01We have that confrontation scene where Bea Alonzo is really serious.
01:05Yes, her passion for her craft is different.
01:11Her dedication to our work is different.
01:15It's nice to see that.
01:17It's nice to see that.
01:19I hope everyone is like that.
01:21I sometimes wish that I could be as creative and as dedicated as you.
01:27Think about it, Bea Alonzo is one of the busiest.
01:29She has so much on her plate.
01:31And as present as she is.
01:33Right, she's present, she's still involved.
01:37You might think that she can forget lines from time to time.
01:41Or that she doesn't know the details.
01:43You'd be surprised, my gosh.
01:45She's even better at script-con.
01:47But before we fast-forward,
01:49For example, I'm Sam,
01:51and you're Georgina.
01:53I'm just happy because I want to be Bea Alonzo.
01:57For example, we met.
01:59You really believe that I'm involved
02:01in the death of everyone
02:03who lost their lives as Georgina.
02:05As for me, I'm suspicious.
02:07Don't lie.
02:09You're also involved.
02:11Can we try that?
02:13Improv.
02:15I suddenly feel pressured.
02:18We met in a house.
02:20We met in a house.
02:22And this is our confrontation.
02:24And Susan,
02:26your actors are ready, please.
02:285, 4, 3, 2, action!
02:32Oh, Sam, you're still worried.
02:34I know you're hiding a lot.
02:36You're hiding a lot, Georgina.
02:38I'm not hiding anything, Sam.
02:40Even though we don't see each other often,
02:42but you know that you betrayed me so many times.
02:46Do you know who the traitor is in your heart?
02:50It's not me.
02:52It's not me either.
02:54Be careful with what you're saying, Sam.
02:56I've been careful for a long time.
02:58You should be, because you don't know
03:00what will happen to you later.
03:02That's what I'm saying.
03:04They think that I'm the bad guy.
03:06But if there's one of us
03:08who will go to hell,
03:10it's you.
03:12Let's just meet there, Sam.
03:14I don't want to.
03:16I'm sure that I'll go to heaven
03:18because my heart is broken.
03:20If that's what you want to think, then go ahead.
03:22Your plastic, Georgina.
03:24He's letting go.
03:28He's letting go.
03:30I've told Sam a lot
03:32that he's going to get sick.
03:34I've also told George a lot.
03:36When Ben and I did it,
03:38I was nervous because I was being serious.
03:40Oh, no.
03:42I don't know what to say.
03:44That's all I can say.
04:12I'm sorry.
04:14I'm sorry.
04:16I'm sorry.
04:18I'm sorry.
04:20I'm sorry.
04:22I'm sorry.
04:24I'm sorry.
04:26I'm sorry.
04:28I'm sorry.
04:30I'm sorry.
04:32I'm sorry.
04:34I'm sorry.
04:36I'm sorry.
04:38I'm sorry.
04:40I'm sorry.
04:42I'm sorry.
04:44I'm sorry.
04:46I'm sorry.
04:48I'm sorry.
04:50I'm sorry.
04:52I'm sorry.
04:54I'm sorry.
04:56I'm sorry.
04:58I'm sorry.
05:00I'm sorry.
05:02I'm sorry.
05:04I'm sorry.
05:06I'm sorry.
05:08I'm sorry.
05:10I'm sorry.
05:12I'm sorry.
05:14I'm sorry.
05:16I'm sorry.
05:18I'm sorry.
05:20I'm sorry.
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