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'તારો થયો', આધુનિકતા સાથે સાશ્વત પ્રેમને પ્રતિબિંબ કરવાતી ગુજરાતી ફિલ્મ
ETVBHARAT
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1/13/2025
જાણીતા લેખક અને વક્તા કાજલ ઓઝા વૈદ્ય દ્વારા લેખિત અને અભિનીત ગુજરાતી ફિલ્મ 'તારો થયો'ની સ્ટાર કાસ્ટ સાથે ઈટીવી ભારતે ખાસ સંવાદ કર્યો હતો.
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News
Transcript
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00:00
We have the director of the film, which brought you to the world of love and dedication.
00:07
What is the story of this film?
00:10
How has the film progressed from one generation to another?
00:14
Let's meet Dharmesh Patel.
00:16
Dharmesh bhai, you are the director of this film.
00:18
What do you want to say in this film?
00:20
Hi, I am Dharmesh Patel.
00:24
Let me introduce myself.
00:26
With me are Naman Gaur, Vistas and Sonu Chandrapol.
00:33
When you heard the name Taro Thayo,
00:37
normally we say, you become mine.
00:42
I love you, I love you.
00:44
We say it over and over again.
00:46
It would be better if this girl becomes mine.
00:48
But if we say it without any sin,
00:50
I have become yours,
00:51
then it feels like a permanent word.
00:53
I love you is a temporary word.
00:56
You have to say it over and over again.
00:58
If you get angry, the chapter of I love you starts again.
01:01
Once, twice, thrice.
01:03
But what is inside you is a permanent feel.
01:07
We have got that feel.
01:10
To fall in love,
01:12
and to fall in love,
01:14
there are a lot of films on it.
01:16
There are a lot of lectures on it.
01:17
But how to stay in love,
01:20
that is the film Taro Thayo.
01:22
Normally,
01:26
like we say,
01:29
if the weather,
01:31
if the time can come back to life,
01:34
then it is possible.
01:37
But the answer is,
01:39
yes, the time can come back to life.
01:42
So the answer is Taro Thayo.
01:44
Normally, you have seen our trailer,
01:47
in which a girl says,
01:50
I hate marriage.
01:51
So the girl who says,
01:53
I hate marriage,
01:54
doesn't she have the right to love?
01:57
So in films,
01:58
a lot of times,
01:59
questions are asked.
02:00
Questions about this system,
02:02
questions on this.
02:03
But the answers are very less in films.
02:06
When someone comes out of a film,
02:08
there should be a take.
02:09
A thought should come out.
02:11
We should give that thought.
02:13
Me and my producer Vijay Chauhan,
02:16
we both had a saying,
02:18
that most of the time,
02:19
we just raise questions.
02:21
We raise questions and it happens.
02:23
Like how Amitabh Bachchan,
02:25
was very happy in front of Shankar Bhagwan,
02:27
he gave a speech and it happened.
02:29
So in front of the audience,
02:30
we also give a speech and it happens.
02:31
But what is the answer?
02:33
Taro Thayo is about that feel.
02:35
That is our answer.
02:37
That yes,
02:38
the weather that we can't live in,
02:43
that weather can come back to life.
02:47
No matter how you look at it,
02:48
that film is Taro Thayo.
02:50
Dharmesh bhai,
02:51
when a writer is the lead actress,
02:53
is it a good thing,
02:55
or does it create problems
02:57
in the process of making the film?
03:00
When any writer,
03:03
writes for himself,
03:06
then you always feel,
03:07
that in the laughter,
03:08
towards the left,
03:09
where there is his own name,
03:10
more will come.
03:12
There are more chances of that happening.
03:15
But if you are a talented writer,
03:19
then you know,
03:20
that this story is about me,
03:22
or about some character.
03:24
So in this story,
03:26
this story was Kedar's story.
03:28
He also knew,
03:29
that this is Kedar's story,
03:31
Sunny,
03:32
who is our other character,
03:34
Antara and Arav,
03:35
is his story,
03:36
along with four other couples.
03:38
So this story is of four couples.
03:40
There is a story of Naman and Riva,
03:42
who are just married,
03:44
but are like friends.
03:46
There is a beautiful story of Vistas and Sunny,
03:49
about their maturity,
03:51
after four or five years of marriage.
03:54
And after 30 years of marriage,
03:57
the people who are still alive,
03:59
what is lacking in them,
04:00
these people can understand,
04:02
and can ask for the answer to that question.
04:05
And those people,
04:06
who are ideal,
04:08
Antara and Arav,
04:09
this love story is about,
04:11
how these people are progressing,
04:13
after seeing each other.
04:15
So along with writing about himself,
04:17
Kajal has written about these eight characters,
04:19
in such a beautiful way,
04:21
that you will never feel selfish,
04:23
that as an actor,
04:24
I should become selfish.
04:25
He, as a writer,
04:27
is of a very high level,
04:29
because of which,
04:31
this became possible in a good way.
04:33
Otherwise, chances are,
04:35
that when an actor,
04:37
or a writer,
04:39
writes a script for himself,
04:41
he becomes a little biased,
04:42
a little selfish,
04:43
but he has written the script,
04:44
in a very good way.
04:45
It is a universal expression,
04:47
the love of love.
04:48
So when you come across him,
04:50
after 30 years of marriage,
04:52
the whole thing comes up,
04:53
how challenging was it,
04:54
as an actress?
04:56
Actually,
04:58
our marriage life of 30 years,
04:59
was not shown in this.
05:01
But yes,
05:02
to show the maturity,
05:04
of a married person,
05:06
we have come to show that.
05:08
So usually,
05:10
in marriage life,
05:11
maturity and understanding,
05:12
is very important.
05:14
Because nowadays,
05:15
you must be hearing,
05:16
about divorce,
05:17
just because of lack of understanding.
05:19
There was no understanding.
05:21
Along with understanding,
05:23
this is a story,
05:25
where we have been inspired,
05:27
by our parents,
05:28
ultimately.
05:29
And our upbringing,
05:30
has also happened,
05:31
from our parents.
05:33
If we see so much love,
05:35
then why don't we have it?
05:37
It is a simple thing.
05:39
So ultimately,
05:40
it is that,
05:41
our parents,
05:42
who have been with us,
05:43
for the whole journey,
05:45
we have been inspired by them,
05:47
and we have taken mature decisions,
05:49
as well as,
05:50
we have supported our parents,
05:52
in the same way.
05:53
All this has come to show,
05:55
that,
05:56
like a girl,
05:57
even if she gets married,
05:59
she will never disconnect from her parents,
06:01
she will always be connected.
06:03
Like a girl,
06:04
when her phone is on,
06:05
if something happens to her parents,
06:07
she will start crying.
06:09
She will start shedding tears.
06:11
So,
06:12
we are able to see that connection.
06:14
And the plus point is,
06:15
that my husband,
06:16
supports me so much,
06:17
and I love him so much,
06:19
maybe more than him,
06:20
he loves my parents.
06:22
So,
06:23
we are able to see,
06:24
the family values,
06:25
which are,
06:26
in our generation,
06:27
sometimes,
06:28
a little less.
06:30
So,
06:31
we are able to see,
06:32
the family values,
06:33
that parents,
06:34
support their children,
06:36
and,
06:37
how to say,
06:38
in their joys and sorrows,
06:40
sometimes,
06:41
they support them.
06:43
How difficult was it for you,
06:45
to say,
06:46
on screen?
06:47
It was not difficult at all.
06:48
Because,
06:49
from the first day,
06:50
from the first shot,
06:51
to the closing shot,
06:52
which we call,
06:53
wrap up,
06:54
there was a bonding,
06:55
because,
06:56
before shooting,
06:57
all the actors,
06:58
used to gather,
06:59
in Dharmesh Bhai's office,
07:00
and,
07:01
we used to,
07:02
rehearse with Dharmesh Bhai,
07:04
that,
07:05
Dharmesh Bhai was working on,
07:06
such a character,
07:07
that,
07:08
how can we,
07:09
give life to the character.
07:10
Now,
07:11
we are not just playing the character,
07:12
but,
07:13
we are giving life to him,
07:14
on screen.
07:15
So,
07:16
the process of shooting,
07:17
was so easy,
07:18
and,
07:19
so much fun,
07:20
that,
07:21
it felt like,
07:22
we are a real family,
07:23
and,
07:24
the camera is on,
07:25
we are not focusing,
07:26
but,
07:27
real life story,
07:28
emotions,
07:29
and,
07:30
emotions,
07:31
and,
07:32
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