00:00I hope I can live up to that hype, okay?
00:14And I don't want to offend the other actors and actresses that, you know, work with me.
00:19But, you know, that's how they see you, so what can I do?
00:22Yeah, that's right.
00:23It's very flattering, but I don't see myself like that.
00:27But you don't allow yourself to be pressured.
00:29No.
00:30For you, who are the most influential actors?
00:34There are many.
00:35Like?
00:36Well, Nora's good, Vilma's good, you know.
00:38You've worked with Atigay?
00:39Yeah, both of them.
00:40Atigay, a lot.
00:41With Viva.
00:42Okay.
00:43Her films.
00:44And then, I like Tinto Fernando.
00:46Of course.
00:47I love Eddie Garcia.
00:48I love Christopher DeLeon.
00:49You know, I love Bemboldt Shue and all that.
00:52There's a lot.
00:54As for young actors?
00:56I don't know much because I was out of the country.
00:59And I took out my TFC because, I mean, I used to cry a lot when I would see, like, Christmas.
01:05You know, we would cry as husband and wife.
01:08So, I feel sad.
01:10Twenty years, you were in the U.S.
01:12Almost, yes.
01:13Almost, yeah.
01:14Yeah, almost.
01:15But were there moments when you would miss acting?
01:20No.
01:21Really?
01:22Why not?
01:24I guess I've been at it for so long, since I was 12 years old.
01:27So, I actually needed a break.
01:29And my husband said, I think it's time for you to stop already.
01:32You know, and yeah.
01:33So, actually, I miss the country, the people.
01:37Right.
01:38I miss my children and my grandchildren.
01:40I miss my maids.
01:44No, I know there's a story in America when they say,
01:47There are maids in the Philippines?
01:48Yeah.
01:49You mean, do you have slaves?
01:50Something like that.
01:52I told you, they lived with us for like 30 years.
01:54And they become family.
01:55Yeah, they are family to us.
01:57Yes.
01:58They become family.
01:59Merry Christmas.
02:00Merry Christmas.
02:01How will you celebrate this Christmas?
02:04My children, some of my children are flying in.
02:06One from Singapore.
02:07That's nice.
02:08Yeah, and some of them are here already.
02:10Yeah, so children, grandchildren, mainly family.
02:13I'm going to be with my family.
02:16Susanne, if you were to talk, last question,
02:18if you were to talk to the 12-year-old,
02:21I mean, you know, the 12-year-old Susanne Hilda Coronel,
02:24Yeah.
02:25What would you say to her?
02:28I think I was very afraid at that time.
02:30And you would say?
02:31And I would say, well,
02:36Open your heart.
02:38If you want to be an artist.
02:39Because my mother has been pushing me since I was young.
02:43So, but I was so shy, boy.
02:45I didn't even know what that meant,
02:47being an artist.
02:49Okay, open your heart.
02:50Open your heart.
02:51Now that you're going to do Sisa,
02:54are you nervous when you're creating a scene?
02:57I think always in the beginning, at the beginning.
03:00So, it's like,
03:01but it disappears as you go along.
03:03That's right.
03:04So, it's just the beginning.
03:05Okay, lines, lights, cameras, etc.
03:07You're thinking of something technical.
03:09It's not just the script that you're thinking of.
03:12Will I be able to cover this with my partner?
03:14I mean, I'm thinking of all those technical portions.
03:16Part of that 100% technical.
03:19We're looking forward to watching Sisa.
03:21Oh, thank you.
03:22Thank you so much.
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